Malcolm McLaren: The Quest for Authentic Creativity

In ear­ly Octo­ber of 2009, Mal­colm McLaren was near­ing death but did­n’t know it yet. He showed up at the 2009 Hand­held Learn­ing con­fer­ence feel­ing fatigued, but man­aged to deliv­er a provoca­tive and heart­felt speech titled, “Nev­er Mind the Bol­locks, Here’s the Txt Pis­tols,” in which he reflects on his life grow­ing up in post-World War II Eng­land and express­es dis­may over the rise of what he called “karaoke cul­ture.”

“All pop­u­lar cul­ture today,” said McLaren, “goes to great lengths to pro­mote the idea that it’s cool to be stu­pid.” He cham­pi­oned instead the “messy process of cre­ativ­i­ty” in which strug­gle, fail­ure and the acqui­si­tion of skill and knowl­edge are val­ued above instant fame. You can watch the com­plete speech above. A few days after it was giv­en, McLaren went into the hos­pi­tal and learned that he had can­cer. He died six months lat­er, on April 8, 2010. The next day Hand­held Learn­ing founder Gra­ham Brown-Mar­tin  wrote:

The talk from Mal­colm at the Hand­held Learn­ing Con­fer­ence 2009 will, I believe, stand the test of time. The speech does­n’t elab­o­rate about the peri­od of the Sex Pis­tols, New York Dolls, Vivi­enne West­wood, his impact on design, fash­ion and music cul­ture and many oth­er impor­tant achieve­ments of Mal­colm’s life that will be report­ed in obit­u­ar­ies over the com­ing days. Instead and in keep­ing with the theme of the con­fer­ence, Mal­colm dis­cuss­es in his inim­itable style–his life, learn­ing, authen­tic­i­ty vs karaoke cul­ture and what we gain from the expe­ri­ence of fail­ure. Iron­i­cal­ly, fail­ure was some­thing Mal­colm nev­er achieved. The talk was any­thing but ordi­nary, it polarised our audi­ence and instant­ly trend­ed glob­al­ly on Twit­ter but what else would you expect?

via TED/Best of the Web

Meetin’ WA: Jean-Luc Godard Meets Woody Allen in a 26 Minute Film

The great French New Wave direc­tor, Jean-Luc Godard, turns 81 years old today. And Woody Allen, the leg­endary comedic film­mak­er, turned 76 just two days ago. So what could be more per­fect than to serve up Godard­’s 1986 short film Meetin’ WA? What you get is Godard, one of the dri­ving forces behind La Nou­velle Vague, in con­ver­sa­tion with Woody Allen. Godard­’s trade­mark approach to film­mak­ing, the expect­ed dose of Woody Allen neu­roses — they’re all there, packed into 26 min­utes.

For great films (clas­sics, indies, noir, west­erns, etc.) don’t miss our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Stephen Colbert Talks Science with Astrophysicist Neil deGrasse Tyson

With a fast-mov­ing mix­ture of com­e­dy and seri­ous­ness, an inter­view on The Col­bert Report is some­thing of an impro­vi­sa­tion­al fly­ing trapeze act. “Stephen Col­bert is an amaz­ing­ly good inter­view­er,” writes physi­cist Sean Car­roll, “man­ag­ing to mix top­i­cal jokes and his usu­al schtick with some real­ly good ques­tions, and more than a bit of real back­ground knowl­edge.”

Beneath the humor there is a sense that Col­bert under­stands and respects sci­ence. The sad thing, writes Car­roll, “is that more peo­ple are exposed to real sci­en­tists doing cut­ting-edge research by watch­ing Com­e­dy Cen­tral than by watch­ing, shall we say, cer­tain chan­nels you might have thought more appro­pri­ate venues for such con­ver­sa­tions.” But the expo­sure is all too brief. An inter­view on The Col­bert Report typ­i­cal­ly lasts only a few min­utes.

So it was inter­est­ing when Col­bert stepped away from his comedic char­ac­ter for a more in-depth con­ver­sa­tion with one of his fre­quent guests, astro­physi­cist Neil deGrasse Tyson. The inter­view took place last year at Mont­clair Kim­ber­ley Acad­e­my in Mont­clair, New Jer­sey. Ear­li­er this week Tyson uploaded the video to the web­site of the Hay­den Plan­e­tar­i­um, where he is direc­tor, but the serv­er was over­whelmed by the result­ing surge in traf­fic. So some­one placed the ver­sion above on YouTube. It’s an inter­est­ing, and wit­ty, one-hour-and-19-minute con­ver­sa­tion. For more of Tyson with Col­bert, you can watch his appear­ances on The Col­bert Report at the Hay­den Plan­e­tar­i­um site.

via Kot­tke

Philip Glass, Lou Reed Speak At Occupy Lincoln Center

Last night, two Amer­i­can icons lent sup­port to the Occu­py Wall Street move­ment, speak­ing at a protest held out­side of Lin­coln Cen­ter in New York City.  After a per­for­mance of Satya­gra­ha at the Met, Philip Glass spoke to demon­stra­tors. Accord­ing to Alex Ross, the music crit­ic for the New York­er, Glass recit­ed the clos­ing lines of Satya­gra­ha (see around 3:00 minute mark in the video above), which come from the Bha­gavad Gita:

When right­eous­ness with­ers away and evil rules the land, we come into being, age after age, and take vis­i­ble shape, and move, a man among men, for the pro­tec­tion of good, thrust­ing back evil and set­ting virtue on her seat again.

He repeat­ed the say­ing sev­er­al times, and the “human micro­phone” ampli­fied the mes­sage for him.

Lou Reed was also in atten­dance and helped some­one crawl over a police bar­ri­cade at one point, then said: “I was born in Brook­lyn, and I’ve nev­er been more ashamed than to see the bar­ri­cades tonight. The police are our army. I want to be friends with them. And I wan­na occu­py Wall Street. I sup­port it.” A not-so-clear audio clip appears below:

via Gothamist and The Rest is Noise

More Occu­py Videos:

Noam Chom­sky at Occu­py Boston

Slavoj Zizek Takes the Stage at Occu­py Wall Street

Joseph Stiglitz and Lawrence Lessig at Occu­py Wall Street

David Cros­by & Gra­ham Nash at Occu­py Wall Street; Echoes of Wood­stock

The Denali Experiment: A Test of Human Limits

How does the say­ing go? It’s the jour­ney, not the des­ti­na­tion, that counts?

The short film above, The Denali Exper­i­ment, doc­u­ments the gnarly expe­di­tion of some rock star skiers. Their goal? To sum­mit Denali, the high­est moun­tain peak in North Amer­i­ca, and then ski down its steep slopes. The beau­ti­ful­ly-shot film by Jim­my Chen focus­es almost entire­ly on the jour­ney up the moun­tain, a big 20,320 feet. For the skiers, the high alti­tude moun­taineer­ing was the hard part, the test of human lim­its. Not the trip down. Sit back and enjoy the jour­ney.

Relat­ed Con­tent:

Extreme Pho­tog­ra­phy: Shoot­ing Big Climbs at Yosemite

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Stanley Kubrick’s Photographs: Browse Them or Own Them

In 1945, a young Stan­ley Kubrick grad­u­at­ed from high school and almost imme­di­ate­ly start­ed work­ing for LOOK Mag­a­zine as a pho­to­jour­nal­ist, becom­ing the youngest staff pho­tog­ra­ph­er in the magazine’s his­to­ry. It’s dur­ing this peri­od that Kubrick began to mas­ter his visu­al craft and pro­duced some stun­ning images. Now, more than 65 years lat­er, you can pur­chase … or sim­ply browse through … Kubrick­’s pho­to­graph­ic work for the first time.

Work­ing with cura­tors from the Muse­um of the City of New York, VandM.com has select­ed 25 images to show­case (out of a larg­er col­lec­tion of 10,000 images). Pho­tos include prize­fight­er Wal­ter Carti­er in the cor­ner between rounds; the ele­gant actress Bet­sy Von Fursten­berg read­ing in a win­dow; street scenes from New York City; and a young woman walk­ing down a steep set of stairs while car­ry­ing a pile of books, all rather pre­car­i­ous­ly.

You can browse the full col­lec­tion here, or vis­it anoth­er set of Kubrick images, all tak­en in Chica­go, here.

Relat­ed Kubrick Con­tent:

Mak­ing The Shin­ing

Ter­ry Gilliam: The Dif­fer­ence Between Kubrick (Great Film­mak­er) and Spiel­berg (Less So)

Kubrick’s A Clock­work Orange: Mal­colm McDow­ell Looks Back

Post-Apocalyptic Cover Art Created in Amazing Time-Lapse Film

Dei Gaztelu­men­di is a young Span­ish artist. He was com­mis­sioned recent­ly to cre­ate a cov­er illus­tra­tion for the com­ic book mag­a­zine Xabiroi, and decid­ed to make a time-lapse video of the process. The result is a fas­ci­nat­ing look at how the artist begins with a rough sketch on paper and then builds lay­er upon lay­er of detail using the Adobe Cre­ative Suite soft­ware. Thir­ty hours of work are com­pressed into 11 min­utes. “A lot of emo­tion went into this paint­ing,” Gaztelu­men­di said on his blog, “since I made it as a gift to one of my bud­dies, who trag­i­cal­ly lost a leg in a motor­bike acci­dent about a year ago.” Gaztelu­men­di was born in San Sebas­t­ian, Basque Coun­try, Spain in 1987, and began illus­trat­ing chil­dren’s books as a teenag­er. He stud­ied ani­ma­tion at Sheri­dan Col­lege in Ontario, Cana­da, where his the­sis film was a whim­si­cal tale called Earlth & Moonch. Since grad­u­at­ing with high hon­ors last year, Gaztelu­men­di has been work­ing as a com­mer­cial illus­tra­tor, spe­cial­iz­ing in crea­ture and char­ac­ter art. You can see more of his work at Deisign.com.

A Brief Visual Introduction to Saul Bass’ Celebrated Title Designs

Title sequences begin and end every movie. They can be “engag­ing or wild­ly enter­tain­ing … or sim­ply drop dead beau­ti­ful.” They can “ooze with visu­al poet­ry and sophis­ti­cat­ed imagery.” And they can put the audi­ence in the right mood for the movie, or close it in the right way, says the web site For­get the Films, Watch the Titles.

When it comes to title design, no one did it bet­ter than Saul Bass (1920–1996). Dur­ing his long career in Hol­ly­wood, Bass designed sequences for Otto Pre­minger’s The Man with the Gold­en Arm (full movie here), Scors­ese’s Good­fel­las and Cape Fear, Kubrick­’s Spar­ta­cus, and sev­er­al films by Alfred Hitch­cock. And that’s just begin­ning to scratch the sur­face.

Cre­at­ed by Ian Albinson, the mon­tage above offers a brief visu­al his­to­ry of Bass’s most cel­e­brat­ed work, stitch­ing togeth­er designs from 25 films. (Find the full film list here.)  If this whets your appetite, you’ll want to check out the new­ly-pub­lished book Saul Bass: A Life in Film & Design and this web site ded­i­cat­ed to Bass’s title design. And don’t miss our big col­lec­tion of Free Movies Online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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All Together Now: Every Beatles Song Played at Once

The idea is sim­ple, real­ly. Take every Bea­t­les tune, all 226 of them, and play them togeth­er, sequenc­ing them so that they end at the exact same moment. And here’s what you get. The Bea­t­les as you’ve nev­er heard them before … and may nev­er want to hear them again.

h/t kot­tke

Relat­ed Con­tent:

The Bea­t­les’ Rooftop Con­cert: The Last Gig

Jim­my Page Tells the Sto­ry of Kash­mir

The Bea­t­les Com­plete on Ukulele

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Beware of the Big Brinicle of Death

The Brini­cle of Death. It has nev­er been cap­tured on film … until now. And it’s all on dis­play cour­tesy of the BBC series Frozen Plan­et.

In a nut­shell, a brini­cle forms when cold, dense brine comes into con­tact with warmer water. It all starts on the ocean’s sur­face, and then the emerg­ing brini­cle (oth­er­wise known as an ice sta­lac­tite) starts to move down­ward, form­ing some­thing of a sub­merged tor­na­do, until it even­tu­al­ly hits the ocean floor and freezes every­thing in its path. The video above takes a 5–6 hour event and reduces it to a crisp, kind of hair-rais­ing two min­utes.

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Iron Mike Tyson Sings “The Girl From Ipanema”

Once beau­ty, now farce. h/t @opedr

Relat­ed Con­tent:

Getz and Gilber­to Per­form ‘The Girl from Ipane­ma’


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