What do you get for the father who has everyÂthing? How about a healthy dose of canonÂiÂcal resentÂment, in the form of Sylvia Plath’s most famous poem, read by Plath herÂself, from our list of CulÂturÂal Icons?
Or, if you’d preÂfer someÂthing that says “I love you” with a litÂtle less ranÂcor, you might want to go with a video that’s guarÂanÂteed to make him smile.
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
In 2005, Vice PresÂiÂdent Dick Cheney perÂsonÂalÂly engiÂneered a loopÂhole in the U.S. enerÂgy bill exemptÂing comÂpaÂnies that use an oil- and gas-drilling proÂceÂdure known as hydraulic fracÂturÂing, or “frackÂing,” from regÂuÂlaÂtion under the Safe DrinkÂing Water Act. As a result, tons of diesel fuel and assortÂed chemicals–some of them toxÂic, like benzyne–are injectÂed at high presÂsure into the earth at the sole disÂcreÂtion of the comÂpaÂnies doing the injectÂing. One of the chief benÂeÂfiÂciaÂries of Cheney’s string-pulling is the comÂpaÂny that inventÂed the proÂceÂdure, HalÂliburÂton, which employed Cheney as chairÂman and CEO just priÂor to his becomÂing vice presÂiÂdent. (A coinÂciÂdence?)
In the wake of the HalÂliburÂton LoopÂhole, as it has come to be known, there have been a growÂing numÂber of water polÂluÂtion casÂes, from PennÂsylÂvaÂnia to ColÂorado, assoÂciÂatÂed with frackÂing. Some of those casÂes were docÂuÂmentÂed in last year’s SunÂdance Film FesÂtiÂval award-winÂning docÂuÂmenÂtary, Gasland, by Josh Fox, who said in a PBS interÂview, “I could take a car batÂtery and throw it in the waterÂshed and go to fedÂerÂal prison, but these guys can take the same chemÂiÂcals and inject it by the thouÂsands of galÂlons, and they’re exempt. It makes no sense.”
It’s a seriÂous issue involvÂing two of AmerÂiÂca’s vital interests–the need for enerÂgy and the need for safe drinkÂing water–but a group of jourÂnalÂism stuÂdents in New York UniÂverÂsiÂty’s StuÂdio 20 masÂter’s proÂgram, in assoÂciÂaÂtion with the pubÂlic-interÂest jourÂnalÂism group ProPÂubÂliÂca, has takÂen a light-heartÂed approach, creÂatÂing a music video to raise awareÂness of frackÂing. It’s called “My Water’s on Fire Tonight (The FrackÂing Song).” The purÂpose of the project, accordÂing to group leader David Holmes, is to encourÂage peoÂple to read ProPÂubÂliÂca’s reportÂing on the issue. “We were conÂcerned with buildÂing a betÂter entryÂway into that invesÂtiÂgaÂtion,” Holmes told Poynter.org, “and we figÂured a song would be the perÂfect way to do it–especially since it’s called frackÂing.”
If you were stuck someÂwhere far away from yesÂterÂday’s lunar eclipse, here’s some conÂsoÂlaÂtion courÂtesy of NASA. The SciÂenÂtifÂic VisuÂalÂizaÂtion StuÂdio at the GodÂdard Space Flight CenÂter has comÂpiled this two and a half minute video from over a year’s worth of data recordÂed by the Lunar ReconÂnaisÂsance Orbiter (LRO), which has been orbitÂing the moon at 50 kiloÂmeÂters above its surÂface for over a year.
The results are pretÂty specÂtacÂuÂlar, and might renÂder the pain of missÂing a chance to watch the moon turn red a litÂtle more bearÂable, espeÂcialÂly for all you heartÂbroÂken CanÂcers (we’ll get through this.)
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
The New York Times has postÂed A.O. ScotÂt’s 3‑minute look back at the 1929 short film Un Chien Andalou. Scott describes the surÂreÂalÂist clasÂsic, a colÂlabÂoÂraÂtion between painter SalÂvador DalĂ and a very young first-time filmÂmakÂer Luis Buñuel, as an “old dog with an endÂless supÂply of new tricks.” The shortÂ’s proÂcesÂsion of seemÂingÂly absurd, unconÂnectÂed images, he adds, does not folÂlow the logÂic of narÂraÂtive but rather the “logÂic of dreams.”
Even though its most famous (or infaÂmous) images — a sevÂered hand, a hand covÂered with ants, and most finalÂly a hand slicÂing into a womÂan’s eyeÂball with a razor blade — seem less shockÂing now than they did 80 years ago, Un Chien Andalou is still a pleaÂsure. Our realÂiÂty has changed since the 20s. Our dreams, less so.
You can watch Un Chien Andalou in its entireÂty, along with L’Âge d’Or, anothÂer Buñuel/DalĂ proÂducÂtion, in our colÂlecÂtion of Free Online Movies. But proÂceed with cauÂtion: About 25 years ago, I slipped a copy into the famÂiÂly VCR, expectÂing a cute carÂtoon about an AndaluÂsian dog. I’m still recovÂerÂing.
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
SevÂerÂal weeks back, Go the F**k to Sleep, the irrevÂerÂent new chilÂdren’s book, gained nationÂal attenÂtion when piratÂed PDF copies went viral on the interÂnet. But don’t feel sorÂry for the author and illusÂtraÂtor. The book is now #1 on the AmaÂzon bestÂseller list; Samuel JackÂson has narÂratÂed the offiÂcial audio book (you can probÂaÂbly snag a free copy through this Audible.com deal); and WernÂer HerÂzog delightÂed fans when he read the (not safe for work) bookat the New York PubÂlic Library book parÂty held earÂliÂer this week. And, yes, this is the real WernÂer HerÂzog — not the imperÂsonÂator who passed around popÂuÂlar readÂings of CuriÂous Georgeand Twas the Night Before ChristÂmas on YouTube …
A new way to see the world. Give NASA sevÂen minÂutes, and they’ll show you the EarthÂ’s most impresÂsive landÂscapes — as seen from space, in HD. The coasts of NamibÂia, Tunisia and MadaÂgasÂcar, they’re all on the itinÂerÂary, along with SiciÂly, ChiÂna, Iran, and Utah. Plus you will see a giant hurÂriÂcane over the Atlantic ocean. Not to be missed.
Ophir Kutiel, aka KutiÂman, burst onto the digÂiÂtal scene with The MothÂer of All Funk Chords in 2009. Now he has resurÂfaced with a new video. This time, it’s a musiÂcal jourÂney through Jerusalem, a mashup that weaves togethÂer the sounds of local musiÂcians, creÂatÂing a visual/aural comÂpoÂsiÂtion that lets you tap into the unique sound of a city that lives partÂly in the past, partÂly in the future, always waverÂing between optiÂmism and despair.…
Can Ayn Rand tell us someÂthing about achievÂing a deeply satÂisÂfyÂing relaÂtionÂship? It’s hard to imagÂine. She was notoÂriÂousÂly churlÂish, dumped friends and allies who didÂn’t give her works posÂiÂtive reviews, and cheatÂed on her husÂband with a man 24 years her junior, then evenÂtuÂalÂly expelled the young Nathaniel BranÂden from her intelÂlecÂtuÂal cirÂcle. And heck, she even made her husÂband wear a bell on his shoe, to warn her about his comÂings and goings.
But, no matÂter, you have to sepÂaÂrate the phiÂlosÂoÂphy from the perÂson … or so many acolytes of flawed thinkers have argued. Right fans of John Edwards? All three of you? So here you have it, The SelfÂish Path to Romance, a love manÂuÂal based on Ayn Rand’s ObjecÂtivist phiÂlosÂoÂphy. The video almost screams parÂoÂdy, but it’s apparÂentÂly not. You can snag a copy of the book on AmaÂzon here…
You’re not squeaÂmish, are you? A team of stuÂdents at the FilÂmakademie Baden-WĂĽrtÂtemÂberg, in GerÂmany, has takÂen the aesÂthetÂic senÂsiÂbilÂiÂties of the horÂror and action movie genÂres and importÂed them into the realm of the microÂscopÂic, creÂatÂing a stunÂning work of 3D aniÂmaÂtion called Loom, about a spiÂder and a very unlucky moth. DirectÂed by Jan Bitzer, IliÂja Brunck and CsaÂba Letay of the stuÂdio PolyÂnoid, Loom presents a highÂly stylÂized depicÂtion of the the sort of vioÂlence that hapÂpens all around us in nature, usuÂalÂly beyond our notice. Loom and anothÂer short film (Der Besuch, by AusÂtriÂan direcÂtor ConÂrad TamÂbour) shared first prize in the aniÂmatÂed film catÂeÂgoÂry at last monÂth’s SehsĂĽchte InterÂnaÂtionÂal StuÂdent Film FesÂtiÂval in PotsÂdam. Despite its dazÂzling techÂniÂcal brilÂliance, you may find the film to be a bit … creepy.
The narÂraÂtor of this rare clip describes James Joyce — arguably the greatÂest novÂelÂist of the 20th cenÂtuÂry — as a “small, thin, unathÂletÂic man with very bad eyes.” Ouch. And it gets worse. AccordÂing to the voiceover, when Joyce and drinkÂing budÂdy Ernest HemÂingÂway faced a potenÂtial brawl, Joyce would hide behind his more imposÂing comÂrade and shout “Deal with him, HemÂingÂway, deal with him!!!’
But we bet they were both just hidÂing behind Gertrude Stein.
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SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
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