David Byrne: How Architecture Helped Music Evolve

in Architecture, Music, TED Talks | May 3rd, 2011

Since the break-up of Talk­ing Heads in 1991, David Byrne has made a good career for him­self as a solo artist, work­ing in film and music, and also becom­ing an active sup­port­er of cycling. Overt­ly intel­lec­tu­al, Byrne has giv­en lec­tures on a great vari­ety of top­ics – from Carl Jung to the ways in which venue and con­text shape artis­tic cre­ation.

The TED talk above was giv­en in Feb­ru­ary 2010 in Long Beach, Cal­i­for­nia, and here David Byrne presents his ideas on the inter­re­la­tion­ship between music and archi­tec­ture. A tran­script of this talk can be found on the TED Talks page.

Byrne was not the first to explain the link between music and archi­tec­ture. In 2002, renowned archi­tect Daniel Libe­skind deliv­ered a Proms Lec­ture on that very top­ic (find the audio stream here) and, in 2007, Jonathan Cole pre­sent­ed his own lec­ture, “Music and Archi­tec­ture: Con­fronting the Bound­aries between Space and Sound,” at Gre­sham Col­lege, Lon­don. But it is Byrne’s talk that approach­es the sub­ject from the prac­ti­cal point of view of a musi­cian.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

Phoenix Still Rising: Egypt After The Revolution

in Current Affairs, Film, Politics, Video - Politics/Society | May 3rd, 2011

Much has been said, tweet­ed and writ­ten about the 2011 Egypt­ian Rev­o­lu­tion, glo­ri­fy­ing it as one of the most land­mark tri­umphs of free­dom in recent his­to­ry. Yet the West­ern media has deliv­ered sur­pris­ing­ly lit­tle on its after­math, leav­ing the lived post-rev­o­lu­tion real­i­ty of the Egypt­ian peo­ple a near-mys­tery.

This beau­ti­ful short film by British film stu­dio Scat­tered Images offers a rare glimpse of a phoenix still strug­gling to rise from the ash­es of oppres­sion. With incred­i­ble visu­al elo­quence, the film peels away at the now-worn media iconog­ra­phy of the rev­o­lu­tion itself, reveal­ing how life after it has actu­al­ly changed — or has­n’t — as Egypt remains a nation in tran­si­tion, with a future yet to be decid­ed.

Polit­i­cal­ly, there is a vac­u­um. The rev­o­lu­tion demand­ed a gov­ern­ment account­able to the peo­ple and ruled by trans­par­ent insti­tu­tions. But now, the only ruler is uncer­tain­ty.

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of cross-dis­ci­pli­nary inter­est­ing­ness. She writes for Wired UK, The Atlantic and Desig­nOb­serv­er, and spends a great deal of time on Twit­ter.

The World’s First (and Slightly Scandalous) Hand-Tinted Motion Picture

in Film, History | May 2nd, 2011

The world’s first hand-tint­ed motion pic­ture was pro­duced by Thomas Edis­on’s com­pa­ny, Edi­son Stu­dios, in 1895, more than 115 years ago. The dancer, Annabelle Moore (1878–1961), was just a teenag­er when this film was released, and her dance caused both a sen­sa­tion and a scan­dal. (Note the flash­es of under­gar­ment, all the way up to above the knee, about 29 sec­onds in.) It may have been a sign of things to come: Moore would go on to star as the Gib­son bathing suit girl in the first Ziegfeld fol­lies, where she remained until her mar­riage and retire­ment brought her back to respectabil­i­ty in 1912.

The film is also worth com­par­ing with a sim­i­lar but much more del­i­cate­ly paint­ed ver­sion done just five years lat­er by the Lumiere broth­ers.

(Spe­cial thanks to the recent­ly-launched Weyume)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

Obama Announces Death of Osama bin Laden (Video)

in Current Affairs, History | May 1st, 2011

It’s news and it’s instant his­tor­i­cal footage. Tonight, Pres­i­dent Oba­ma announced that Osama bin Laden, the mas­ter­mind behind the 9/11 attacks, was killed Sun­day by US forces in Pak­istan, right out­side of Islam­abad (and, in a for­ti­fied man­sion, no less). The US began search­ing for bin Laden back in 1998, fol­low­ing the bomb­ing of the US embassies in Kenya and Tan­za­nia. 13 years lat­er, the pur­suit of Al Qaeda’s leader is over…

Warhol’s Screen Tests of Lou Reed, Dennis Hopper, Nico & More

in Film, Music | April 29th, 2011

Between 1964 and 1966, Andy Warhol shot close to 500 short movies of friends, celebri­ties, mod­els, and any of the oth­er love­ly young things who passed through his stu­dio known as The Fac­to­ry. The indie-rock duet Dean and Brit­ta recent­ly com­posed songs for 13 of the videos, which they’ve been per­form­ing live as part of a mul­ti­me­dia con­cert for sev­er­al years. “13 Most Beau­ti­ful… Songs for Andy Warhol’s Screen Tests” is avail­able on DVD, CD, and of course, YouTube.

We espe­cial­ly loved “I’m Not A Young Man Any­more,” fea­tur­ing an icy cool Lou Reed, so hip and desir­able that even his Coke bot­tle looks as if it’s wear­ing sun­glass­es. There are oth­er gems as well, start­ing with the doomed Edie Sedgewick, one of The Fac­to­ry’s ear­li­est stars, who died of an over­dose in 1971.

The 5′10″ Ger­man mod­el Nico, before she began record­ing with the Vel­vet Under­ground.

The preter­nat­u­ral­ly beau­ti­ful Paul Amer­i­ca, star of Warhol’s film “My Hus­tler,” who even­tu­al­ly hired lawyers to seek pay­ment for his role in the movie that made him a reluc­tant gay icon. He died after being hit by a car in 1981.

And final­ly, the late Den­nis Hop­per, extra­or­di­nary on screen even by Fac­to­ry stan­dards. Accord­ing to Dean and Brit­ta, he was the first to buy one of Warhol’s soup can paint­ings.

On a some­what unre­lat­ed note, the Dean is of course Dean Ware­ham of Galax­ie 500 and Luna. If you’re a fan of his music, or even just nos­tal­gic for 90’s era pre-Nap­ster indie rock, you might want to check out his dry, thought­ful mem­oir, Black Post­cards: A Rock & Roll Romance.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Orion: The Beauty of South Dakota Nights in Time Lapse

in Art | April 29th, 2011

This past Feb­ru­ary, Randy Halver­son ven­tured forth into the frigid South Dako­ta night to cre­ate a painful­ly pret­ty time-lapse film. He called it “Sub Zero,” an apt title giv­en that tem­per­a­tures fell to ‑25 degrees Fahren­heit.

With the approach of spring, Halver­son returned to the great out­doors to shoot “Ori­on,” which fea­tures con­stel­la­tions track­ing across his fam­i­ly farm. The film starts in an old grain dis­tillery, then moves out­side, and gets down­right mes­mer­iz­ing around the 1:45 mark.

In case you’re won­der­ing, the film does­n’t take its name from the Ori­on con­stel­la­tion. Rather it comes from the Ori­on tele­scope head used to shoot the film. That gear appears at the 2:09 mark.

You can read more about “Ori­on” in Wired as well as on Vimeo. And stay tuned for more: Halver­son hopes to shoot South Dakota’s bad­lands and the Rocky Moun­tains this com­ing sum­mer…

Flux: Short Animation Inspired by İlhan Koman

in Art | April 28th, 2011

Sit back and enjoy Can­daş Şişman’s video ded­i­cat­ed to the influ­en­tial Turk­ish sculp­tor, İlh­an Koman (1923–1986). Rodin, Gia­comet­ti, Bran­cusi – they all informed Koman’s work, and now fil­ter back into Şişman’s video instal­la­tion, which went on dis­play at last year’s Hul­da Fes­ti­val.

The fes­ti­val, fea­tur­ing Koman’s sci­en­tif­ic sculp­tures, ran from March 2009 until Novem­ber 2010, and trav­eled to Stock­holm, Ams­ter­dam, Antwerp, Bor­deaux, Lis­bon, Barcelona, Naples, Mal­ta, Thes­sa­loni­ca and final­ly Istan­bul. You can find more of Şişman’s work on Vimeo here.

via @kirstinbutler

Ray Kurzweil, Futurist: 10 Questions About What’s Coming Next

in Science, Video - Science | April 26th, 2011

The 2009 doc­u­men­tary Tran­scen­dent Man: The Life and Ideas of Ray Kurzweil is cur­rent­ly screen­ing both online and in select venues, and pro­vok­ing exact­ly the wide range of respons­es one would expect from a film about a futur­ist who has claimed, among oth­er things, that man would soon learn how to extend his life “indef­i­nite­ly.” The New York Times recent­ly com­pared his the­o­ries with 2nd and 3rd cen­tu­ry gnos­ti­cism, and since this film was made by an avowed believ­er in Kurzweil’s phi­los­o­phy and the­o­ries, it’s no sur­prise that Sci­en­tif­ic Amer­i­can faults the movie for its rev­er­ence, and Vari­ety wish­es “It were not so trans­par­ent­ly on [Kurzweil’s side].”

Mean­while, the “high­ly sophis­ti­cat­ed crack­pot,” as you see him described in the movie’s trail­er, has been proven right more often than wrong. His fans are legion, and often wealthy. Lar­ry Page, the founder and CEO of Google, helped estab­lish Sin­gu­lar­i­ty Uni­ver­si­ty with Kurzweil in 2008, and there many entre­pre­neurs and investors take 10 week cours­es to the tune of $25,000.

If you’re not inter­est­ed in shelling out $5 to rent the movie online (scroll down to the bot­tom of the page), then Kurzweil’s 10 answers to Time Mag­a­zine’s 10 ques­tions will give you a taste of what the fuss has been all about.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

Sartre, Heidegger, Nietzsche: Documentary Presents Three Philosophers in Three Hours

in Philosophy, Video - Politics/Society | April 26th, 2011

“Human, All Too Human” is a three-hour BBC series from 1999, about the lives and work of Friedrich Niet­zsche, Mar­tin Hei­deg­ger, and Jean-Paul Sartre. The film­mak­ers focus heav­i­ly on pol­i­tics and his­tor­i­cal con­text — the Hei­deg­ger hour, for exam­ple, focus­es almost exclu­sive­ly on his trou­bling rela­tion­ship with Nazism.

The most engag­ing chap­ter is “Jean-Paul Sartre: The Road to Free­dom,” in part because the film­mak­ers had so much archival footage and inter­view mate­r­i­al (Check out a still love­ly Simone de Bou­voir at minute 9:00, gig­gling that Sartre was the ugli­est, dirt­i­est, most unshaven stu­dent at the Sor­bonne).

Relat­ed Con­tent:

Wal­ter Kaufmann’s Lec­tures on Niet­zsche, Kierkegaard and Sartre (1960)

Down­load Free Cours­es from Famous Philoso­phers: From Bertrand Rus­sell to Michel Fou­cault

Down­load 90 Free Phi­los­o­phy Cours­es and Start Liv­ing the Exam­ined Life

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly

Tina Fey Brings Bossypants Tour to Google

in Books, Comedy | April 26th, 2011

A day after Pres­i­dent Oba­ma con­duct­ed his much pub­li­cized town hall meet­ing at Face­book, Tina Fey, the star of 30 Rock and the author of the new book Bossy­pants, head­ed to Google, just a few miles down the road.

Last May, Googlers had their riotous romp with Conan O’Brien. Now they get their 60 min­utes with anoth­er come­di­an who came of age on NBC. The con­ver­sa­tion led by Eric Schmidt teach­es you the secrets of improv, how to take pic­tures like a mod­el, the pros & cons of goof­ing on Sarah Palin, and why male and female com­e­dy writ­ers dif­fer in fun­da­men­tal­ly odd ways. Tina Fey is fun­ny. But some­times fun­nier is watch­ing Schmidt try­ing to keep the con­ver­sa­tion from going off the rails. Scroll to the 8:20 mark, and you’ll see what I mean.

Just an fyi: Tina Fey actu­al­ly nar­rates the audio­book ver­sion of Bossy­pants, and you can snag it for free through this Audible.com deal. Details here.