Great Cultural Icons Talk Civil Rights: James Baldwin, Marlon Brando, Harry Belafonte & Sidney Poitier (1963)

On the day of the his­toric “March on Wash­ing­ton for Jobs and Free­dom” (August 28, 1963), known today as The Great March on Wash­ing­ton (watch it on YouTube in three parts), CBS aired a 30-minute round­table dis­cus­sion fea­tur­ing James Bald­win, Mar­lon Bran­do, Har­ry Bela­fonte, Charl­ton Hes­ton, Joseph L. Mankiewicz and Sid­ney Poiti­er.

The whole seg­ment is fas­ci­nat­ing, even and per­haps espe­cial­ly because the speak­ers pur­sue their some­times diver­gent agen­das (Hes­ton speaks opti­misti­cal­ly about peace­ful dis­sent, Bran­do hopes the Civ­il Rights move­ment may lead to repa­ra­tions for Native Amer­i­cans, while Bela­fonte warns omi­nous­ly that the Unit­ed States has now reached a “point of no return”). But it may be Joseph Mankiewicz, the sharp-wit­ted writer/director of All About Eve, who pro­vides one of the dis­cus­sion’s pithi­est lines: “Free­dom, true free­dom,” he says, “is not giv­en by gov­ern­ments; it is tak­en by the peo­ple.”

For a very dif­fer­ent take on the events of the day, you can lis­ten to audio of the famous speech Mal­colm X deliv­ered a few months lat­er, “A Mes­sage to the Grass Roots,” in which he calls the march a “cir­cus,” and its black lead­ers “[Uncle] Toms.”

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North Korea’s Cinema of Dreams

Kim Jong-Il, North Kore­a’s leader, is revered as a genius of cin­e­ma by his own peo­ple. Or so the North Kore­an pro­pa­gan­dists would have you believe. In this fas­ci­nat­ing video from Al Jazeera, we fol­low two reporters (Lynn Lee and James Leong) as they gain unprece­dent­ed access to Pyongyang’s Uni­ver­si­ty of Cin­e­mat­ic and Dra­mat­ic Arts, where young actors are picked to serve the mas­sive pro­pa­gan­da machine. Along the way, Lee and Leong encounter two young film stu­dents – Kim Un Bom and Ri Yun Mi – as they rehearse, take music and dance lessons, and call atten­tion to their priv­i­leged lives.

How are films dif­fer­ent in cap­i­tal­ist coun­tries vs. North Korea? Leave it to Ri Yun Mi, the film stu­dent, to explain (3:27 in the video):

“Films made in cap­i­tal­ist coun­tries are com­mer­cial prod­ucts. Movies in our coun­try bring out the ide­ol­o­gy of the peo­ple. We could say we are rep­re­sen­ta­tives of our [Com­mu­nist] Par­ty.”

The young reporters go on to explain the chal­lenges they faced in cre­at­ing this film. They were repeat­ed­ly denied per­mis­sion to film at the Uni­ver­si­ty, and fre­quent­ly told to delete footage when it did­n’t con­form to North Kore­a’s stan­dards. All in all, this film does a good job illu­mi­nat­ing anoth­er hid­den part of North Kore­an life: the cin­e­ma of dreams.

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.

New David Foster Wallace Story Appears in The New Yorker

A quick heads up: The March 7 edi­tion of The New York­er mag­a­zine fea­tures a pre­vi­ous­ly unpub­lished sto­ry by David Fos­ter Wal­lace, the cel­e­brat­ed Amer­i­can author who com­mit­ted sui­cide back in 2008. The sto­ry, “Back­bone,” begins:

Every whole per­son has ambi­tions, objec­tives, ini­tia­tives, goals. This one par­tic­u­lar boy’s goal was to be able to press his lips to every square inch of his own body.

His arms to the shoul­ders and most of his legs beneath the knee were child’s play. After these areas of his body, how­ev­er, the dif­fi­cul­ty increased with the abrupt­ness of a coastal shelf. The boy came to under­stand that unimag­in­able chal­lenges lay ahead of him. He was six.

The full sto­ry appears on The New York­er web­site. And per­haps it will whet your appetite for a big­ger lit­er­ary event. On April 15th, Wal­lace’s final (and still not quite com­plete) nov­el, ‘The Pale King’, will be pub­lished. You can already reserve your copy on Ama­zon here. Thanks to @sheerly for the tip…

Jay‑Z: The Evolution of My Style

Shawn Carter – the MC, entre­pre­neur, and recent best-sell­ing author who is known to every­one but his moth­er as Jay‑Z  – proved with the 2010 pub­li­ca­tion of his mem­oir Decod­ed that he is not only one of hip-hop’s top artists, but also one of its top inter­preters.

In Decod­ed, Jay‑Z offers lit­tle in the way of new per­son­al details. He’s been telling that sto­ry in his raps for twen­ty years now – from his father­less child­hood in the projects, to his years deal­ing crack cocaine, to his star­dom, and final­ly to his cur­rent suc­cess as a busi­ness­man and cul­tur­al icon. And what­ev­er the 41-year-old has­n’t divulged yet, he may well have been advised by a lawyer to keep to him­self. Instead of auto­bi­og­ra­phy, Decod­ed pro­vides some­thing much more valu­able, a thought­ful analy­sis of his own lyrics and the his­to­ry of his cho­sen art form. Jay‑Z  helps us under­stand that he and hip-hop are rough­ly the same age, and that their sto­ries are almost inter­change­able: When young Shawn Carter first fell in love with the sound of rhymes over beats in Brook­lyn in 1978, he was dis­cov­er­ing the new music just as the new music was dis­cov­er­ing itself.

Ran­dom House has just released an iPad appli­ca­tion of Decod­ed, adding about thir­ty min­utes of mul­ti-media con­tent, includ­ing the video above. You might also want to check out Jay-Z’s appear­ance on Char­lie Rose (on Youtube in 5 parts) and his recent inter­view on Fresh Air.

Visualizing WiFi Signals with Light

Have you ever won­dered what the WiFi sig­nal looks like around your office, school, or local café? In this video, Timo ArnallJørn Knut­sen, and Einar Sneve Mar­t­i­nussen show you the invis­i­ble. And they pulled this off by build­ing a WiFi mea­sur­ing rod, mea­sur­ing four meters in length, that can visu­al­ize WiFi sig­nals around Oslo, Nor­way with the help of long expo­sure pho­tog­ra­phy.

What’s fas­ci­nat­ing to see is how the WiFi sig­nals vary across the city. Away from res­i­den­tial build­ings, the drop-off in WiFi strength is steep. On the oth­er hand, the WiFi sig­nal is dense around com­mer­cial and aca­d­e­m­ic build­ings. The amaz­ing visu­al­iza­tion gives us a glimpse into the com­plex rela­tion­ships between WiFi net­works and the phys­i­cal envi­ron­ments under­pin­ning them. For a deep­er read about this project, see this blog post.

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.

Spinal Tap’s Nigel Tufnel Promotes World’s Largest Online Guitar Lesson

Nigel Tufnel, lead gui­tarist for Spinal Tap (wink, wink) sets the stage for you. This after­noon (March 3), Berklee Music will hold what it hopes will be the largest online gui­tar les­son ever. It all starts at 1:30 EST. Get details and join in here.

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Revolutions in the Middle East: Head of Al Jazeera Speaks at TED

Where will the Mid­dle East go from here? Towards democ­ra­cy, as many hope? Towards a more theo­crat­ic mod­el, as some despair? Or, towards more of the same dis­il­lu­sion­ing autoc­ra­cy?

On the first day of the big TED con­fer­ence, Wadah Khan­far, the head of Al Jazeera, offered a supreme­ly opti­mistic take on the rev­o­lu­tions trans­form­ing Tunisia, Egypt, Libya, and per­haps beyond. Through­out the past few weeks, many West­ern­ers have tuned into Al Jazeer­a’s live Eng­lish-lan­guage cov­er­age on the web and found them­selves pleas­ant­ly sur­prised by the bal­ance and depth of their report­ing. Now you get 17 upbeat min­utes with the leader of the Qatar-based news orga­ni­za­tion …

NASA Captures Giant Solar Storm

Last Thurs­day, the sun deliv­ered the goods, unleash­ing a beau­ti­ful solar flare. The erup­tions last­ed some­where around 90 min­utes, and the plas­ma flares were all cap­tured in high def by NASA’s Solar Dynam­ics Obser­va­to­ry, a project ded­i­cat­ed to study­ing the sun and its impact on space weath­er. This footage comes soon after anoth­er ground­break­ing NASA video – the First 360 Degree View of the Sun.

via Pop­u­lar Sci­ence

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The Restoration of a Masterpiece, as Narrated by Martin Scorsese

This week, some of the world’s great­est thinkers (and biggest spenders) are gath­ered in Palm Springs and Long Beach, Cal­i­for­nia for TED’s annu­al con­fer­ence. In case your invi­ta­tion to TED2011 got lost in the mail along with ours, you can still keep up with the con­fer­ence through TED’s home­page. Some high­lights so far include an open­ing address beamed in from out­er space, physi­cist Jan­na Lev­in’s dis­cus­sion of what she calls the sound­track of the uni­verse, and final­ly, a stun­ning video doc­u­ment­ing the restora­tion of Luchi­no Vis­con­ti’s 1963 clas­sic film, The Leop­ard. Even bet­ter, the video is nar­rat­ed by Mar­tin Scors­ese, uber-direc­tor, cin­e­ma his­to­ri­an, and founder of The Film Foun­da­tion, one of the many orga­ni­za­tions involved with the restora­tion.

By the way, Scorcese gave a fas­ci­nat­ing talk about film restora­tion last year at LACMA. You can watch it here. For a com­plete list of films his foun­da­tion has been involved in restor­ing or pre­serv­ing, click here.

50 Years Ago Today: JFK Authorizes Peace Corps

On March 1, 1961, Pres­i­dent John F. Kennedy signed Exec­u­tive Order 10924, offi­cial­ly autho­riz­ing the estab­lish­ment of an “agency in the Depart­ment of State which shall be known as the Peace Corps.” Fifty years lat­er, that Agency has sent more than 200,000 vol­un­teers to over 93 coun­tries.

A note:  If you’ve ever won­dered about all those CIA-Peace Corps con­spir­a­cy the­o­ries, lis­ten to the Nation­al Archives’ fas­ci­nat­ing audio and tran­script of a con­ver­sa­tion between JFK and his broth­er-in-law R. Sar­gent Shriv­er, the Peace Corps’ first Direc­tor (and Maria Shriver’s grand­fa­ther), dis­cussing “pos­si­ble CIA pen­e­tra­tion” of the Agency.

Relat­ed Con­tent:

JFK Revis­it­ed on YouTube

Jane Russell (RIP) Stars in “Outlawed” Western

Pub­lic­i­ty can be ter­ri­ble. But only if you don’t have any. - Jane Rus­sell

Jane Rus­sell learned the pow­er of noto­ri­ety at an ear­ly age. Direc­tor Howard Hugh­es (the reclu­sive bil­lion­aire) had cast the volup­tuous 19-year-old in his epic West­ern The Out­law (1943), with the full inten­tion of mak­ing her a sex sym­bol. Hugh­es essen­tial­ly made her con­sid­er­able assets the star of the film, even going so far as to design a spe­cial can­tilevered push-up bra for her to wear dur­ing shoot­ing.

Hugh­es did his job almost too well. The promi­nent dis­play of cleav­age in both the film and its trail­er unnerved cen­sors and kept The Out­law out of the­aters until near­ly 1950. (You can watch the full movie above.) The con­tro­ver­sy also launched Rus­sel­l’s career as a WWII pin-up girl, but she con­tin­ued to per­form in films, even­tu­al­ly prov­ing to be a fine actress and singer. Today she is per­haps best remem­bered  for her con­fi­dent, sexy, per­for­mance oppo­site Mar­i­lyn Mon­roe in the 1953 com­e­dy Gen­tle­man Pre­fer Blondes, and espe­cial­ly for her show­stop­ping num­ber, “Ain’t Any­one Here For Love?”

A botched ille­gal abor­tion at the age of 19 left the actress unable to bear chil­dren, and she was a vocal anti-abor­tion activist and advo­cate for adop­tion. Also a proud Repub­li­can, she described her­self to an inter­view­er in 2003 as a “a tee­to­tal, mean-spir­it­ed, right-wing, nar­row-mind­ed, con­ser­v­a­tive Chris­t­ian big­ot — but not a racist.”

Ms. Rus­sell died yes­ter­day of a lung-relat­ed ill­ness at her home in San­ta Maria, Cal­i­for­nia. She was 89 years old.

You can see The Out­law in our free movies col­lec­tion.

Relat­ed Con­tent:

25 Free John Wayne West­erns


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