How To Photograph an Atomic Bomb

Now show­ing on the New York Times web site, a haunt­ing video slideshow called “Cap­tur­ing the Atom Bomb on Film.” It fea­tures 23 arrest­ing images of atom­ic bomb tests con­duct­ed by the US mil­i­tary between 1945 and 1962. The images (all orig­i­nal­ly pub­lished in the 2007 book How to Pho­to­graph an Atom­ic Bomb) are accom­pa­nied by an audio record­ing of George Yoshi­take. Now 82, he’s one of the few sur­viv­ing cam­era­men to cap­ture these destruc­tive weapons in action.

via @palafo

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China’s Open Courses & Other Tech Dispatches from Asia

Back in 2003, the Chi­nese gov­ern­ment launched its answer to MIT’s Open­Course­Ware project. The “Nation­al Qual­i­ty Course Plan” scoured Chi­na’s vast uni­ver­si­ty sys­tem and select­ed 3,000 best-of-breed cours­es in var­i­ous sub­ject areas. Then, mil­lions of dol­lars were ear­marked to put lec­tures and relat­ed course mate­ri­als online, with the hope that oth­er pro­fes­sors could draw inspi­ra­tion from these resources. But, things did­n’t go so well. Appar­ent­ly rough­ly 50% of these mate­ri­als nev­er made their way online. And the mate­ri­als that did were rarely updat­ed. (More on that here.) Will the project get renewed? Jeff Young, a reporter for The Chron­i­cle of High­er Edu­ca­tion, went to Chi­na to find out. His report (read it here) is part of a month long series of dis­patch­es that takes you inside Asi­a’s wired class­rooms and high-tech research labs. You can read Jef­f’s dai­ly posts from Sin­ga­pore, Chi­na, South Korea, and India through­out this entire month.

Update: One of our read­ers wrote a the­sis on Chi­na’s open­course­ware ini­tia­tive and offers much more detail on what went right, and what went wrong. You can down­load Stian Håk­lev’s the­sis (for free) here, and be sure to check out Stian’s oth­er brain­child, Peer2Peer Uni­ver­si­ty, oth­er­wise known more sim­ply as P2PU.

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Free Golden Age Comics

A quick fyi for the com­ic fan: A newish web­site, The Dig­i­tal Com­ic Archive, opens up free access to pub­lic domain Gold­en Age Comics, which fell into kids’ hands from the late 1930s until the ear­ly 1950s. You won’t find here the big name comics from the peri­od (Super­man, Bat­man, Cap­tain Amer­i­ca, Won­der Woman, Cap­tain Mar­vel, etc). But that should­n’t stop you from giv­ing the archive a good look. There are still a lot of gold­en comics to rum­mage through.

To get start­ed, sim­ply reg­is­ter for an account and then start sift­ing and down­load­ing the texts. The down­load­ing part can be a lit­tle tricky in some cas­es. So please vis­it their FAQs if you run into any prob­lems. Hap­py read­ing…

via Boing­Bo­ing

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Gustavo Dudamel with the Vienna Philharmonic: A Free Live Webcast

Mark this on your cal­en­dar. This com­ing Sat­ur­day, at 7:30 a.m. Cal­i­for­nia time, Gus­ta­vo Dudamel (soon to open the 2010-11 sea­son of the Los Ange­les Phil­har­mon­ic) will con­duct a con­cert with the Vien­na Phil­har­mon­ic at the Lucerne Fes­ti­val in Switzer­land. As the LA Times reports, the con­cert will be web­cast live for free at www.medici.tv. It will also be avail­able for 90 days on demand. Pieces will include Rossini’s over­ture to “La gaz­za ladra,” Orbón’s “Tres ver­siones sin­fóni­cas,” Bern­stein’s “Diver­ti­men­to for Orches­tra” and Rav­el’s “Pavane pour une infante défunte” and “Boléro.”

via Cul­ture Mon­ster

William S. Burroughs Reviews a Led Zeppelin Concert for Crawdaddy! Magazine (1975)

jimmyandbill

Craw­dad­dy! It was the first US mag­a­zine of rock music crit­i­cism, pre­ced­ing both Rolling Stone and Creem. Paul Williams, then a stu­dent at Swarth­more Col­lege, first launched the mag­a­zine in 1966. And by the 1970s, Craw­dad­dy! hit its stride, pub­lish­ing exclu­sive con­tri­bu­tions by John Lennon, Joseph Heller, and Studs Terkel, to name a few. On one occa­sion, the self-described “first mag­a­zine to take rock and roll seri­ous­ly” sent William S. Bur­roughs, the great beat writer, to a Led Zep­pelin con­cert. He came back in June 1975 with a rather off­beat con­cert review. There’s a strange inno­cence, even naivete, to the whole piece (though we know bet­ter than to con­fuse Bur­roughs him­self with inno­cence). We give you an excerpt right below, and the rest here.

So there we sat, I decline earplugs; I am used to loud drum and horn music from Moroc­co, and it always has, if skill­ful­ly per­formed, an exhil­a­rat­ing and ener­giz­ing effect on me. As the per­for­mance got under­way I expe­ri­enced this musi­cal exhil­a­ra­tion, which was all the more pleas­ant for being eas­i­ly con­trolled, and I knew then that noth­ing bad was going to hap­pen. This was a safe and friend­ly area–but at the same time high­ly charged. There was a pal­pa­ble inter­change of ener­gy between the per­form­ers and the audi­ence which was nev­er fran­tic or jagged. The spe­cial effects were han­dled well and not over­done.

A few spe­cial effects are much bet­ter than too many. I can see the laser beams cut­ting dry ice smoke, which drew an appre­cia­tive cheer from the audi­ence. Jim­my Page’s num­ber with the bro­ken gui­tar strings came across with a real impact, as did John Bonham’s drum solo and the lyrics deliv­ered with unfail­ing vital­i­ty by Robert Plant. The per­form­ers were doing their best, and it was very good. The last num­ber, “Stair­way to Heav­en”, where the audi­ence lit match­es and there was a scat­ter­ing of sparklers here and there, found the audi­ence well-behaved and joy­ous, cre­at­ing the atmos­phere of a high school Christ­mas play. All in all a good show; nei­ther low nor insipid. Leav­ing the con­cert hall was like get­ting off a jet plane.

The Bur­roughs piece con­tin­ues here.

Relat­ed Con­tent:

Delet­ed Scene from Almost Famous: Mom, “Stair­way to Heav­en” is Based on the Lit­er­a­ture of Tolkien

‘Stair­way to Heav­en’: Watch a Mov­ing Trib­ute to Led Zep­pelin at The Kennedy Cen­ter

Led Zep­pelin Plays One of Its Ear­li­est Con­certs (Dan­ish TV, 1969)

Hear Led Zeppelin’s Mind-Blow­ing First Record­ed Con­cert Ever (1968)

The Illustrated Guide to a Ph.D.

Matthew Might, a com­put­er sci­ence pro­fes­sor at the Uni­ver­si­ty of Utah, writes: “Every fall, I explain to a fresh batch of Ph.D. stu­dents what a Ph.D. is. It’s hard to describe it in words. So, I use pic­tures.” Here it goes. Mat­t’s Illus­trat­ed Guide:

Imag­ine a cir­cle that con­tains all of human knowl­edge:

By the time you fin­ish ele­men­tary school, you know a lit­tle:

By the time you fin­ish high school, you know a bit more:

With a bach­e­lor’s degree, you gain a spe­cial­ty:

A mas­ter’s degree deep­ens that spe­cial­ty:

Read­ing research papers takes you to the edge of human knowl­edge:

Once you’re at the bound­ary, you focus:

You push at the bound­ary for a few years:

Until one day, the bound­ary gives way:

And, that dent you’ve made is called a Ph.D.:

Of course, the world looks dif­fer­ent to you now:

So, don’t for­get the big­ger pic­ture:

Keep push­ing.

You can find Mat­t’s Illus­trat­ed Guide host­ed on his web site. This guide/reality check is pub­lished under a Cre­ative Com­mons License. You can also buy a print ver­sion for $6.50. (The mon­ey goes to char­i­ty.) Matt offers more insights for Ph.D. stu­dents here.

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Martin Scorsese Picks the Best Gangster Movies

Yes­ter­day Mar­tin Scors­ese, the leg­endary direc­tor, list­ed the 15 gang­ster films that shaped the way he has por­trayed crime on film (Good­fel­las, Mean Streets, Taxi Dri­ver, etc.). Scors­ese watched these films as a young­ster and young direc­tor, dur­ing his big moment of influ­ence. The first film (The Pub­lic Ene­my) came out in 1931, and the last one (Point Blank) in 1967. Above, you can watch scenes from the orig­i­nal Scar­face (1932), which appears on his list.  The rest of Scors­ese’s picks, along with relat­ed film clips, can be found here.

PS Don’t miss our col­lec­tion of Free Movies Online. It now fea­tures 575 qual­i­ty films.

Bob Dylan in a Google Instant

Google Instant rolled out this week, backed by a pro­mo­tion­al adver­tise­ment (right above). Fans of Bob Dylan will instant­ly rec­og­nize the footage: A young Dylan flip­ping hand-drawn cards to the tune of “Sub­ter­ranean Home­sick Blues,” an icon­ic scene from D.A. Pen­nebak­er’s 1967 doc­u­men­tary, Don’t Look Back. This isn’t the first time the famous scene (watch it here) has been used in a mar­ket­ing cam­paign. Just a few years ago, while pro­mot­ing his new great­est hits album, Dylan let fans rework their own ver­sions of the scene. The gim­mick is still avail­able online. So have some fun with it.

Final­ly, don’t miss the new book Bob Dylan in Amer­i­ca by Sean Wilentz, an emi­nent Amer­i­can his­to­ri­an at Prince­ton who is also the his­to­ri­an-in-res­i­dence for Dylan’s offi­cial Web site, bobdylan.com. The book is now out and reviewed by The New York Times.

Gaga-Inspired Opera

It’s get­ting hard to dis­miss the cul­tur­al influ­ence of Lady Gaga, espe­cial­ly when you see the Gaga phe­nom­e­non inspir­ing Györ­gy Ligeti’s satir­i­cal “anti-anti-opera” Le Grand Macabre staged at The New York Phil­har­mon­ic this sum­mer. In this clip, we encounter Gaga-inspired cos­tumes and per­for­mance as we watch Gepopo, chief of the secret ser­vice, telling Prince Go Go about the pan­ic break­ing out in the streets…

On a relat­ed note, don’t miss Christo­pher Walken read­ing Gaga’s “Pok­er Face”.

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Big Thinkers: A Look Back

Back in 1999, ZDTV launched Big Thinkers, a week­ly cable TV pro­gram that fea­tured half-hour inter­views with thinkers on the bleed­ing edge of sci­ence and tech­nol­o­gy. The show did­n’t have the longest run. But it did man­age to shine the spot­light on some impor­tant minds – Michio Kaku (the­o­ret­i­cal physi­cist), Sher­ry Turkle (MIT psy­cho­an­a­lyst), Lawrence Lessig (law pro­fes­sor & free cul­ture advo­cate), and Esther Dyson (tech­nol­o­gy investor), to name a few. Big Thinkers was per­fect Open Cul­ture mate­r­i­al before the days of Open Cul­ture. So we’re pay­ing a lit­tle trib­ute to the show. Above, you will find an episode ded­i­cat­ed to Daniel Den­nett, the Amer­i­can philoso­pher and cog­ni­tive sci­en­tist who has done exten­sive research on the phi­los­o­phy of mind. Part 1 appears above, and Part 2 and Part 3 here. Final­ly, you can watch oth­er Big Thinkers episodes (includ­ing those men­tioned above) on this YouTube chan­nel.

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The Partially Examined Life: A Philosophy Podcast

A year-and-a-half ago, an old friend found me on Face­book and offered me a writ­ing job and par­tic­i­pa­tion in a pod­cast. I took him up on both.

Mark Lin­sen­may­er and I had been grad­u­ate stu­dents in phi­los­o­phy at the Uni­ver­si­ty of Texas in Austin, but we both left before get­ting the PhD to try our hands at some­thing more prac­ti­cal. Mark sug­gest­ed we make that expe­ri­ence the theme of an ongo­ing philo­soph­i­cal dis­cus­sion: we loved phi­los­o­phy but pre­ferred it as an avo­ca­tion. There was some­thing about the pro­fes­sion­al­iza­tion of phi­los­o­phy that seemed to go against the spir­it of it. We pre­ferred the “par­tial­ly exam­ined life” to the exam­ined life.

And so we decid­ed to cre­ate a phi­los­o­phy pod­cast with dis­cus­sions that were informed but not over­ly aca­d­e­m­ic, less like a class­room lec­ture and more like a con­ver­sa­tion over drinks after class, and uni­fied by the ques­tion of what makes phi­los­o­phy worth­while. We found anoth­er like­mind­ed for­mer col­league from the Uni­ver­si­ty of Texas, Seth Paskin, and began record­ing and pub­lish­ing our dis­cus­sions as The Par­tial­ly Exam­ined Life. (Find the pod­cast on iTunes here.)

May 12 was the one year anniver­sary of our first episode. Dur­ing that time we’ve cov­ered top­ics rang­ing from Plato’s con­cep­tion of the exam­ined life to Nietzsche’s immoral­ism, God and faith, to the phi­los­o­phy of mind. Frankly I’m always amazed that there are peo­ple who want to lis­ten to three guys talk about these things, but we seem to have a chem­istry that works. One review—for bet­ter or for worse—pegs Mark as “the Jack Black-like musi­cian,” Seth as the “sad one with calm voice who usu­al­ly guides the rud­der of the con­ver­sa­tion back into the top­ic,” and me as “avun­cu­lar and wry.” We’ve also received a lot of great reviews on iTunes, and a thrilling com­pli­ment from philoso­pher Arthur C. Dan­to, who was gra­cious enough to lis­ten to our dis­cus­sion of two of his essays in The Philo­soph­i­cal Dis­en­fran­chise­ment of Art. We’ve been grat­i­fied to see our lis­ten­er­ship rise, but most impor­tant­ly we’re hap­py that the pod­cast has kept us con­nect­ed to phi­los­o­phy and allowed us to pur­sue it—partially—in a way that seems more com­pat­i­ble with the spir­it of the dis­ci­pline.

This post comes to us via Wes Alwan, an occa­sion­al con­trib­u­tor to Open Cul­ture.


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