We have here a short, catchy animated documentary that explains how we get from the 1950s to the internet that we know and love today. Along the way, it covers inventions ranging from time-sharing to filesharing, from Arpanet to Internet. Have a look…
A quick fyi: If you made a New Year’s resolution to become a serious writer, then you might be interested in these online writing courses offered by Stanford Continuing Studies (which, caveat emptor, I help oversee) and Stanford’s Creative Writing Program. These online courses give beginning and advanced writers, no matter where they live, the chance to refine their craft with gifted writing instructors. Classes start next week. Unfortunately some are already full … and they are not free. For more information, click here, or separately check out the FAQ. And, if you live in the San Francisco Bay Area, feel free to look through the courses taking place on the Stanford campus.
“The Big Snooze” (1946) was the last cartoon that animation director Bob Clampett ever worked on for Warner Brothers. The title? It’s an obvious play on the Raymond Chandler novel, The Big Sleep, which was also turned into a film (starring Bogart and Bacall) in 1946. And the sleeping pill scene? Well, it was censored on television for some time. The clip can otherwise be bought on The Looney Tunes Golden Collection. For now, here it goes.
In 1979, Andy Warhol spent $40,000 on a broadcast-quality camera and started dabbling in creating television programs that he aired on Manhattan public access cable channels. (Get more on the story here.) One episode featured Warhol, Bianca Jagger and Steven Spielberg simply hanging out on a bed. And here’s how their conversation went down:
A good find over at Metafilter. Desjardins asks “Need a little Tolstoy while you’re waiting in line? How about some Mark Twain on the subway? Booksinmyphone puts — surprise! — books in your phone, for free.” For more details on how to download classics to your (java-enabled) mobile phone, check out their FAQ.
Thanks to some digital hocus pocus, John Lennon is back and helping promote One Laptop Per Child, a charity working to bring cheap computers and internet access to children in developing countries. Done with the approval of Yoko Ono, the commercial stitches together old recordings of Lennon’s voice and adds at least a couple of new words (did Lennon ever say “laptop”?). In the end, it all comes out fairly seamlessly. If you want to give a laptop (starting at $199) and change the world, go here. Otherwise, here’s John:
Voila, the birth, life and death of a G‑type star, like our Sun. 12 billion years boiled down to six simple minutes. We’ve added it to our YouTube Favorites.
Here’s what it looks like if you plant a camera in the same location for one year and snap photos throughout the changing seasons. Video is striking but random. So we’re filing it under “Random.”
This weekend’s New York Times ran a piece detailing how the record industry has dithered and continually failed to release several long-awaited Beatles’ projects. It also mentioned how fans and collectors have forged ahead and put together unauthorized bootleg projects, some of which the Times calls “curatorial masterpieces.” In particular, the article highlights the Purple Chick label, which “has assembled deluxe editions of each commercially released [Beatles] album, offering the original discs in their mono and stereo mixes, along with the singles (also in mono and stereo) released at the time, as well as every known demo, studio outtake and alternative mix.” Some of Purple Chick’s include “Beatles Deluxe” (which covers 10 CDs); “A/B Road” (which gives you 96 hours of the “Let It Be” sessions); and a series of BBC radio performances.
So how do you get this stuff? It’s a question that Rolling Stone asked rhetorically when it recently gave another positive review to Purple Chick recordings. And it answered the question with this: “Google is your friend: Try searching ‘purple chick and megaupload’ to get started.”
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