Early Hollywood Censored

In the ear­ly days of cin­e­ma, cen­sor­ship was com­mon­place in Amer­i­ca, and even slight­ly sug­ges­tive film clips wound up on the cut­ting room floor. Now, at long last, some clips are final­ly reach­ing the sil­ver screen. In 2007, a film­mak­er found cut scenes in an old the­ater some­where in Penn­syl­va­nia, and, with them, pro­duced a short film. Above, you can revis­it the lega­cy of cen­sor­ship in ear­ly Amer­i­can film. And, what’s more, you can watch lots of great vin­tage films with our col­lec­tion of Free Online Movies.

via Maria Popo­va, aka @brainpicker, the writer behind Brainpickings.org

Free Stanford Course Explains Particle Physics & the Large Hadron Collider

There’s big news com­ing out of Europe today. After 16 years and $10 bil­lion, the Large Hadron Col­lid­er (LHC) is final­ly begin­ning to col­lide sub­atom­ic par­ti­cles. If you’re won­der­ing what this all means, let me turn your atten­tion to a year­long course that we’re offer­ing in Stan­ford’s Con­tin­u­ing Stud­ies pro­gram (my day job). New Rev­o­lu­tions in Par­ti­cle Physics is taught by Leonard Susskind, one of the world lead­ing physi­cists, and it takes a deep look at new the­o­ries in par­ti­cle physics that emerged dur­ing the 1970s, and how they’re now being test­ed by the LHC. The first course overviews the basic con­cepts, and you can watch it on YouTube or iTunes. (The first lec­ture appears above.) The sec­ond course will be soon made avail­able online. The third course is just get­ting under­way in the class­room (you can enroll here if you live near Stan­ford), and we’ll even­tu­al­ly post that course online as well. You can find more physics cours­es in the Physics sec­tion of our large col­lec­tion of Free Online Cours­es.

UPDATE: As Maria, aka @brainpicker notes in the com­ments, CERN (which runs the LHC) hosts an archive of lec­tures, movies and col­li­sion videos, includ­ing some of this morning’s suc­cess­ful tests. More here.

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Tony Judt on our Uncertain Future

As we men­tioned two weeks ago, Tony Judt, a promi­nent his­to­ri­an and pub­lic intel­lec­tu­al, has been grap­pling with ALS (oth­er­wise known as Lou Gehrig’s dis­ease) since 2008. With the dis­ease now tak­ing its toll, Judt has gone more pub­lic and start­ed pub­lish­ing with more urgency. On Mon­day, he was inter­viewed by Ter­ry Gross on NPR’s Fresh Air (lis­ten below, here or on iTunes). Of the many items dis­cussed, one par­tic­u­lar­ly struck me. When Gross asked whether his­to­ry still mat­tered deeply to him, the his­to­ri­an answered: yes, but:

I think now, I’m more wor­ried about the future. The past is always going to be a mess. It’s going to be a mess because it was mess and because peo­ple are going to abuse it, get it wrong and so on. But I’m rea­son­ably con­fi­dent that with each gen­er­a­tion of his­to­ri­ans, we keep fight­ing hard to get it right again. But we could get the future very seri­ous­ly wrong, and there it’s much hard­er to get it right… I’m encoun­ter­ing the first gen­er­a­tion of young peo­ple in col­leges and schools who real­ly do not believe in the future, who don’t think not just that things will get evi­dent­ly and per­ma­nent­ly bet­ter but who feel that some­thing has gone very bad­ly wrong that they can’t quite put their fin­ger on, but that is going to spoil the world that they’re grow­ing up into.

Whether it’s cli­mate change or polit­i­cal cyn­i­cism or over­re­ac­tion or lack of reac­tion, to exter­nal chal­lenges, whether it’s ter­ror­ism or pover­ty, the sense that it’s all got out of con­trol, that they, the politi­cians and so on, media peo­ple, are nei­ther doing any­thing nor telling us the truth. That sense seems to have per­vad­ed the younger gen­er­a­tion in ways that were not true in my expe­ri­ence.

Maybe the last time that might have been true was in the 1920s, where you had the com­bi­na­tion of shock and anger from World War I, the begin­nings of eco­nom­ic depres­sion and the ter­ri­fy­ing real­iza­tion that there might very well be a World War II. I don’t think we’re on the edge of World War III or IV. But I do think that we are on the edge of a ter­ri­fy­ing world. That’s why I wrote the book [Ill Fares the Land].

The first chap­ter of Ill Fares the Land is now avail­able (for free) on The New York Times web­site, and it will give you a quick feel for the issues that Judt thinks we need to con­front. The com­plete Fresh Air inter­view ranges much more broad­ly, going into Judt’s per­son­al expe­ri­ence with ALS, and I’d encour­age you to give it your time. (Stream below.) Also please vis­it Move For ALS to con­tribute to a new cam­paign affil­i­at­ed with Tony Judt to fund ALS research.

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A Virtual Tour of the Sistine Chapel

The Sis­tine Chapel in the Vat­i­can. It’s one of the tri­umphs of Renais­sance paint­ing. The chapel’s walls were fres­coed by Raphael, Berni­ni, and San­dro Bot­ti­cel­li. And then, between 1508 and 1512, Michelan­ge­lo paint­ed the chapel ceil­ing, cov­er­ing some 12,000 square feet, dec­o­rat­ing it with 300 fig­ures from nine Book of Gen­e­sis scenes. Thanks in part to Vil­lano­va Uni­ver­si­ty, you can now take a vir­tu­al, panoram­ic tour of the Chapel. Using but­tons in the low­er left screen, you can move around the room and zoom in on the paint­ings, includ­ing those on the ceil­ing. It’s been a while since I vis­it­ed the Vat­i­can. But, from what I remem­ber, this vir­tu­al tour gives you a clos­er look than the aver­age vis­i­tor gets.

Thanks Ted for this excel­lent tip! To all oth­ers, please feel free to sug­gest good mate­r­i­al for the site. Just click here. We always wel­come and appre­ci­ate your tips.

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Aldous Huxley Warns Against Dictatorship in America

Warn­ings of dic­ta­tor­ship are noth­ing new in Amer­i­ca. We have them now, and we’ve had them before, and we’ve even had them come from the intel­li­gentsia at times. Above, Aldous Hux­ley, author of Brave New World (get free text here), talks with Mike Wal­lace in 1958 — smack in the mid­dle of the Cold War — about the major threats to Amer­i­can free­dom. Who were the vil­lains? Not elect­ed rep­re­sen­ta­tives who passed laws with a major­i­ty in Con­gress. No, it was a dif­fer­ent set of char­ac­ters: over­pop­u­la­tion, bureau­cra­cy, pro­pa­gan­da, drugs, adver­tis­ing, and, yes, tele­vi­sion. Part 1 of the inter­view appears above, and you can con­tin­ue with Part 2, and Part 3. For more inter­views from The Mike Wal­lace Inter­view (1957–1960), please revis­it our ear­li­er piece. You’ll find some more thought pro­vok­ing inter­views there (and lots of cig­a­rette ped­dling).

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Papiroflexia

Orig­i­nal­ly from Paraguay, Joaquin Bald­win moved to LA and start­ed study­ing at The UCLA Ani­ma­tion Work­shop, where he direct­ed this short ani­mat­ed film, Papiroflex­ia (Span­ish for “Origa­mi”). The film end­ed up being a final­ist at the Cannes Film Fes­ti­val in 2008. Then, in 2009, Bald­win went on win the com­pe­ti­tion with a new ani­mat­ed film, Sebas­tian’s Voodoo, even though he was com­pet­ing with films by Pixar and Dis­ney. You can watch four shorts (includ­ing Sebas­tian’s Voodoo) at Bald­win’s site, PixelNitrate.com. And for lots of oth­er film good­ness, be sure to check out our col­lec­tion of Free Movies Online.

Marlon Brando Opens Up to Tennessee Williams

I had no idea that Mar­lon Bran­do was much of a writer, but this 1955 let­ter to Ten­nessee Williams is superb. Per­haps I just can’t help iden­ti­fy­ing him with Stan­ley Kowal­s­ki of the “Napoleon­ic code,” Stel­la!” and “Hoity-toity, describ­in’ me like a ape.” Espe­cial­ly inter­est­ing is his atti­tude towards suc­cess. (Note some of the lan­guage is a lit­tle strong/racy):

I have been afraid for you some­times, because suc­cess sings a dead­ly lul­la­by to most peo­ple. Suc­cess is a real and sub­tle whore, who would like noth­ing bet­ter than to catch you sleep­ing and bite your cock off. You have been as brave as any­body I’ve known, and it is com­fort­ing to think about it. You prob­a­bly don’t think of your­self as brave because nobody who real­ly has courage does, but I know you are and I get food from that.

This pas­sage echoes Williams’ own views on suc­cess, espe­cial­ly his beau­ti­ful (and iron­i­cal­ly inspir­ing) essay On a Street­car Named Suc­cess, writ­ten eight years ear­li­er:

It is nev­er alto­geth­er too late, unless you embrace the Bitch God­dess, as William James called her, with both arms and find in her smoth­er­ing caress­es exact­ly what the home­sick lit­tle boy in you always want­ed, absolute pro­tec­tion and utter effort­less­ness. Secu­ri­ty is a kind of death, I think, and it can come to you in a storm of roy­al­ty checks beside a kid­ney-shaped pool in Bev­er­ly Hills or any­where at all that is removed from the con­di­tions that made you an artist, if that’s what you are or were intend­ed to be. Ask any­one who has expe­ri­enced the kind of suc­cess I am talk­ing about–What good is it? Per­haps to get an hon­est answer you will have to give him a shot of truth-serum but the word he will final­ly groan is unprint­able in gen­teel pub­li­ca­tions.

You’ll find the rest of Bran­do’s let­ter (includ­ing an image of the orig­i­nal) — which includes reflec­tions on actors Anna Mag­nani and Burt Lan­cast­er — here.

Wes Alwan lives in Boston, Mass­a­chu­setts, where he works as a writer and researcher and attends the Insti­tute for the Study of Psy­cho­analy­sis and Cul­ture. He also par­tic­i­pates in The Par­tial­ly Exam­ined Life, a pod­cast con­sist­ing of infor­mal dis­cus­sions about philo­soph­i­cal texts by three phi­los­o­phy grad­u­ate school dropouts.

Orson Welles Reads Moby Dick

Welles is read­ing just a short intro­duc­tion here. But if you want a com­plete audio down­load of Moby Dick, let me tell you how to get one. You can down­load a free read­ing of Melville’s clas­sic at Lib­rivox. The full mp3 zip file is right here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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YouTube EDU Turns One Today

Just want­ed to send out a quick birth­day wish to YouTube EDU, which cel­e­brates its first birth­day today. The site now fea­tures over 65,000 aca­d­e­m­ic videos and 350 full cours­es, many com­ing from uni­ver­si­ties like Stan­ford, Yale, and MIT. My pro­gram at Stan­ford has hap­pi­ly con­tributed 12 cours­es to the col­lec­tion (find them here), and they’ve been down­loaded by thou­sands of view­ers across the world. It’s all very grat­i­fy­ing.

If you want to learn more about YouTube EDU, you can read this piece I post­ed short­ly after it launched. But, bet­ter yet, you should give the site itself a vis­it. And, to the folks at YouTube, keep up the good work!

PS If you’re look­ing for more intel­li­gent con­tent on YouTube, you should peruse our page that high­lights the smartest video chan­nels on the Tube. NASA, The New York Times, The New York­er, Google Talks, TED Talks — they’re all list­ed here.

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Sam Harris: Science Can Answer Moral Questions

What’s good, and what’s evil? Tra­di­tion­al­ly, reli­gion and phi­los­o­phy have answered these ques­tions, push­ing sci­ence to the side, ask­ing it to stick to the world of nat­ur­al laws and know­able facts. But Sam Har­ris wants to change things. At TED, he’s argu­ing that sci­ence (par­tic­u­lar­ly neu­ro­science) can address moral ques­tions pre­cise­ly because these ques­tions fall into the world of know­able facts. And, even bet­ter, sci­ence can pro­vide defin­i­tive, high­ly objec­tive answers to such ques­tions. Just as there are sci­en­tif­ic answers to all ques­tions in physics, so there are clear answers in the moral realm. This applies, for exam­ple, to whether chil­dren should be sub­ject­ed to cor­po­ral pun­ish­ment, or how soci­ety deals with very mean­ing­ful gen­der ques­tions. (Things get a lit­tle emo­tion­al on this top­ic at about 11 min­utes in.) The upshot is that Har­ris isn’t buy­ing a rad­i­cal­ly rel­a­tivist posi­tion on moral­i­ty, and this will dis­ap­point many post-mod­ernists. The Enlight­en­ment project is alive and well, ready to make its come­back.

Update: You can find a rebut­tal to Harris’s the­sis from physi­cist Sean Car­roll here. Thanks Mike for point­ing that out.

via RichardDawkins.net

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Tim O’Reilly: The University as an Open iPhone Platform

Both the iPhone and Face­book took off when they opened them­selves up to out­side devel­op­ers, let­ting them inno­vate and build thou­sands of unfore­seen apps for users. In the video above, tech guru Tim O’Reil­ly asks how uni­ver­si­ties can do the same. How can they let devel­op­ers (in this case, the pro­fes­sors) inno­vate and dis­trib­ute con­tent to users (stu­dents) in new and effi­cient ways? There are more ques­tions than answers here, but if you want to imag­ine the uni­ver­si­ty in the 21st cen­tu­ry, these are the ques­tions you can’t avoid.

via @drszucker via Beth Har­ris, both at smARThis­to­ry.

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