The Psychology of Messiness & Creativity: Research Shows How a Messy Desk and Creative Work Go Hand in Hand

Emin-My-Bed

You may have come into contact at some point with Tracey Emin’s My Bed, an art installation that reproduces her private space during a time when she spent four days as a shut-in in 1998, “heartbroken”: the bed’s unmade, the bedside strewn with cigarettes, moccasins, a bottle of booze, food, and “what appears to be a sixteen year old condom”…. If you were savvy enough to be Tracey Emin in 1998—and none of us were—you would have sold that messy room for over four million dollars last year at a Christie’s auction. I doubt another buyer of that caliber will come along for a knock-off, but this doesn’t mean the messes we make while slobbing around our own homes are without their own, intangible, value.




Those messes, in fact, may be seedbeds of creativity, confirming a cliché as persistent as the one about doctors’ handwriting, and perhaps as accurate. It seems a messy desk, room, or studio may genuinely be a mark of genius at work. Albert Einstein for example, writes Elite Daily, had a desk that “looked like a spiteful ex-girlfriend had a mission to destroy his workspace.” Einstein responded to criticism of his work habits by asking, “If a cluttered desk is a sign of a cluttered mind, then what are we to think of an empty desk?”

Mark Twain also had a messy desk, “perhaps even more cluttered than that of Albert Einstein.” To find out whether the messiness trait’s relation to creativity is simply an “urban legend” or not, Kathleen Vohs (a researcher at the University of Minnesota’s Carlson School of Management) and her colleagues conducted a series of experiments in both tidy and unruly spaces with 188 adults given tasks to choose from.

Vohs describes her findings in the New York Times, concluding that messiness and creativity are at least very strongly correlated, and that “while cleaning up certainly has its benefits, clean spaces might be too conventional to let inspiration flow.” But there are trade-offs. Read about them in Vohs’ paper—“Physical Order Produces Healthy Choices, Generosity, and Conventionality, Whereas Disorder Produces Creativity.” And just above, see Vohs’ co-author Joe Redden, Assistant Professor of Marketing at the University of Minnesota’s Carlson School of Management, discuss the team’s fascinating results. If conducting such an experiment on yourself, it might be best to do so in a space that’s all your own, though, like the rest of us, you’re too late to creatively turn the mess you make into lucrative conceptual art.

Related Content:

Albert Einstein Tells His Son The Key to Learning & Happiness is Losing Yourself in Creativity (or “Finding Flow”)

Why You Do Your Best Thinking In The Shower: Creativity & the “Incubation Period”

John Cleese’s Philosophy of Creativity: Creating Oases for Childlike Play

Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness


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  • Jessica says:

    We all know this, except Emin’s mess happens to be really boring, plus it ought to be in the bed, not beside it, and not in seedy little piles. Amateur.

  • Eithne says:

    Hi Dan,

    I saw this article via mental_floss on Facebook.

  • God says:

    I could not have said it better. Xtras for ‘seedy’

  • Glenny says:

    re: ‘If you were savvy enough to be Tracey Emin in 1998—and none of us were—you would have sold that messy room for over four million dollars last year at a Christie’s auction.’ I think you will find that Emin did not collect that windfall, just like Peter Doig did not collect $11.3 million for White Canoe when it sold in 2007. It left his studio for around $1500 some years before. I wonder how messy Charles Saatchi’s desk is? But then again I do wonder as to the state of Jeff Koon’s desk or indeed Damien Hirst’s…. I recon tidy and very messy respectively… but that’s just a gut feeling…

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