Alejandro Jodorowsky Explains How Tarot Cards Can Give You Creative Inspiration

The prac­tice of car­toman­cy, or div­ina­tion with cards, dates back sev­er­al hun­dred years to at least 14th cen­tu­ry Europe, per­haps by way of Turkey. But the spe­cif­ic form we know of, the tarot, like­ly emerged in the 17th cen­tu­ry, and the deck we’re all most famil­iar with—the Rid­er-Waite Tarot—didn’t appear until 1909. Pop­u­lar main­ly with occultists like Aleis­ter Crow­ley and Madame Blavatsky in the ear­ly 20th cen­tu­ry, the tarot explod­ed into pop­u­lar cul­ture in the new age 70s with books like Stu­art Kaplan’s Tarot Cards for Fun and For­tune Telling, and by way of cult film­mak­ers like Ale­jan­dro Jodor­owsky.

Since its rel­a­tive­ly recent pop­u­lar­iza­tion, “fun” and “for­tune telling” have more or less defined most people’s atti­tude to the tarot, whether they approve or dis­ap­prove of either one. But for artists and poets like William But­ler Yeats, T.S. Eliot, and sur­re­al­ist direc­tor Jodorowsky—whose film nar­ra­tion is per­haps the most poet­ic in mod­ern cinema—the tarot has always meant some­thing much more mys­te­ri­ous and inspir­ing. “The tarot,” says Jodor­owsky in the short film above, “will teach you how to cre­ate a soul.”

After study­ing the Major and Minor Arcana and the suits, and puz­zling over the sym­bols on each card, Jodor­owsky dis­cov­ered that “all 78 cards could be joined in a man­dala, in just one image.” Learn­ing to see the deck thus, “You must not talk about the future. The future is a con. The tarot is a lan­guage that talks about the present. If you use it to see the future, you become a con­man.” Like oth­er mys­ti­cal poets, Jodorowsky’s study of the tarot did not lead him to the super­nat­ur­al but to the cre­ative act.

And like many a poet before him, Jodor­owsky explored the jour­ney of the Fool in his 1973 film The Holy Moun­tain, a “daz­zling, ram­bling, often inco­her­ent satire,” writes Matt Zoller Seitz, that “unfurls like a hal­lu­cino­genic day­dream.” Jodorowsky’s cin­e­mat­ic dream log­ic comes not only from his work as a “shaman­ic psy­chother­a­pist.” He also cred­its the tarot for his psy­chomag­i­cal real­ism. “For me,” says Jodor­owsky in the video at the top, “the tarot was some­thing more seri­ous. It was a deep psy­cho­log­i­cal search.” The result of that search—Jodorowsky’s sin­gu­lar and total­ly unfor­get­table body of work—speaks to us of the val­ue of such an under­tak­ing, what­ev­er means one uses to get there.

Or as Jodor­owsky says in one of his mys­ti­cal pro­nounce­ments, “If you set your spir­it to some­thing, that phe­nom­e­non will hap­pen.” If that sounds like mag­i­cal think­ing, that’s exact­ly what it is. Jodor­owsky shows us how to read the tarot as he does, for psy­cho­log­i­cal insight and cre­ative inspi­ra­tion, in the video above, addressed to a fan named John Bish­op. Span­ish speak­ers will have no trou­ble under­stand­ing his pre­sen­ta­tion, as he quick­ly slides almost ful­ly into his native lan­guage through lack of con­fi­dence in his facil­i­ty with Eng­lish. The video belongs to a series on Jodorowsky’s YouTube chan­nel, most of them ful­ly in Span­ish with­out sub­ti­tles.

Nev­er­the­less, for Eng­lish speak­ers, the sub­ti­tled video at the top offers a sur­pris­ing­ly dense les­son on the Chilean mystic’s inter­pre­ta­tion of the tarot’s sup­posed wis­dom as a sym­bol­ic sys­tem, and a way of telling the present.

Should you wish to know more, you can find it in Jodorowsky’s book The Way of Tarot: The Spir­i­tu­al Teacher in the Cards, and prac­tice on your very own deck of Jodor­owsky-designed tarot cards.

Note: An ear­li­er ver­sion of this post appeared on our site in 2016.

Relat­ed Con­tent:

Meet the For­got­ten Female Artist Behind the World’s Most Pop­u­lar Tarot Deck (1909)

Behold the Sola-Bus­ca Tarot Deck, the Ear­li­est Com­plete Set of Tarot Cards (1490)

Carl Jung on the Pow­er of Tarot Cards: They Pro­vide Door­ways to the Uncon­scious & Per­haps a Way to Pre­dict the Future

The Tarot Card Deck Cre­at­ed by Sal­vador Dalí

Josh Jones is a writer and musi­cian based in Durham, NC.