From art director Zach Schläppi comes Pasta for War, an animation that satirizes propaganda newsreels from the 1930s. The plot is simple:
It begins with fresh pasta marching towards the podium. There, the Great Dictator orates.
Note: Please scroll to the 6:52 mark where the conversation begins.
The name Miyazaki defines Japanese animation not just in its own country, but across the world. The name Kurosawa does the same for the rest of Japanese cinema.
Remember listening to Peter and the Wolf as a child, how the narrator would explain that certain instruments correspond to particular characters: the duck – an oboe, the wolf – three horns, and so on?
In the above TED-Ed lesson (memorably animated by Compote Collective), music historian Betsy Schwarm fulfills much the same role f
Many techniques shown in Bray Studios’ 1919 short How Animated Cartoons are Made, above, were rendered obsolete by digital advancements, but its 21-year-old star, animator Wallace Carlson, seems as if he would fit right in at Cal Arts or Pratt, Class of 2017.[...]
Look into the childhood of any highly innovative American artist of the past couple generations, and you’ll probably find at least a trace of Sesame Street.[...]
Jazz Age cartoon flapper, Betty Boop, inhabits that rare pantheon of stars whose fame has not dimmed with time.
While she was never alive per se, her ten year span of active film work places her somewhere between James Dean and Marilyn Monroe. The market for Boop-collectibles is so vast, a definitive guide was published in 2003.
“Liv, you are my Stradivarius,” Ingmar Bergman once told his muse, Liv Ullmann, the actress who starred in 12 of the director’s films, including Persona (1966), The Passion of Anna (1969), Cries and Whispers (1972) and Autumn Sonata (1978).
Ullmann and Bergman’s cinematic legacies are inextricably linked.
During World War II, Walt Disney entered into a contract with the US government to develop 32 animated shorts. Nearly bankrupted by Fantasia (1940), Disney needed to refill its coffers, and making American propaganda films didn’t seem like a bad way to do it.[...]
What do ideas look like?
Jim Henson’s looked very much like a Muppet nose, as evidenced by “The Idea Man,” a 1966 three-minute animation, above.
The film was originally intended to be part of a live multimedia performance on The Mike Douglas Show.