“My friend, the director Jonathan Demme, passed last night,” wrote Talking Heads’ David Byrne on his blog yesterday. “I met Jonathan in the ‘80s when Talking Heads were touring a show that he would eventually film and turn into Stop Making Sense,” the famous — and in the minds of many, still the very best — concert movie.[...]
Earlier today, we sadly learned about the passing of Jonathan Demme, director of The Silence of the Lambs and Stop Making Sense. We’ll have more to say about his contributions to cinema in the morning. But, for now, I want to share a short film, narrated by Demme himself in 2015, called I Thought I Told You To Shut Up!!.[...]
What could movies as different as Barton Fink, The Big Lebowski, No Country for Old Men, and True Grit have in common? Even casual cinephiles will take that as a silly question, knowing full well that all of them came from the same sibling writing-directing team of Joel and Ethan Coen, better known as the Coen brothers.[...]
“I gotta say — not to rant, but — one thing about commercial films is, doesn’t the music almost always really suck?” Jim Jarmusch, director of films like Stranger Than Paradise, Mystery Train, Broken Flowers, and most recently Paterson, put that important question to his audience during a live interview a few years ago.[...]
It’s a question that’s occupied our greatest thinkers, from Aristotle and Plato to Neil deGrasse Tyson and Bill Nye:
Which came first—the chicken or the egg?
The debate will likely rage as long as there’s a faith-based camp to square off against the evidence-based camp.
Note: To watch this film with subtitles, please click “cc” at the bottom of the video player.
When we talk about traditionally animated feature films, we most often talk about Disney in the West and Japanese anime in the East.
FYI: In honor of Jazz Appreciation Month, Viola Davis treats us to a reading of Rent Party Jazz, a children’s book written by William Miller and illustrated by Charlotte Riley-Webb. Here’s a quick synopsis of the story:
This story is set in New Orleans in the 1930s. Sonny and his mother are scraping by to pay their rent.
Almost all movies tell stories, even the ones that don’t intend to. Put every movie ever made together, and they collectively tell another story: the story of cinema.[...]
When we think of Stanley Kubrick, we can’t help but think of perfectionism, a quality he brought even to the making of what he called a “ghost film” — a genre for which he seemed to have little respect — with 1980’s The Shining.[...]
We all have a favorite Quentin Tarantino scene, but the director of Pulp Fiction, Kill Bill, The Hateful Eight, and other movies that can seem made out of nothing but memorable scenes also has one of his own.[...]