Faith: Time-Lapse from Mecca

Mec­ca — Muham­mad’s birth­place and the heart of Islam – beau­ti­ful­ly cap­tured by Hosain Hadi, using just his Canon 5D mark ll.

H/T @MatthiasRascher

Relat­ed Con­tent:

Mid­dle East­ern His­to­ry: Free Cours­es

The Birth of a Word: Deb Roy at TED

Deb Roy is the direc­tor of the Cog­ni­tive Machines group at the MIT Media Lab. For the first few years of his son’s life, Roy installed cam­eras in every room of the fam­i­ly home. Now he jokes that he has the “largest home video col­lec­tion ever made” – rough­ly 90,000 hours of images and footage of the grow­ing baby’s world. The pur­pose was to con­sid­er and ana­lyze all the fac­tors impact­ing his son’s first words, includ­ing the 7 mil­lion words that the boy heard from his father, moth­er, nan­ny, and oth­er vis­i­tors to the house.

Roy’s talk made one of the biggest splash­es at TED this year, not only for what he learned about ear­ly lan­guage acqui­si­tion, but also for his breath­tak­ing data visu­al­iza­tion maps. Even by TED stan­dards, it’s an idea-packed 20 min­utes: Impres­sive. And when you con­sid­er that Roy is now on sab­bat­i­cal and employed by the AI com­pa­ny Bluefin Labs, work­ing on, among oth­er things, social media and mar­ket research, it all becomes more than a lit­tle bit fright­en­ing.

On a brighter note, Roy’s son turned out to be an ear­ly talk­er.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Vari­ety, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Forget the Films, Watch the Titles

Some watch the Super Bowl for just the com­mer­cials. Oth­ers watch films for the title designs. Title sequences begin and end every movie. They can be “engag­ing or wild­ly enter­tain­ing … or sim­ply drop dead beau­ti­ful.” They can “ooze with visu­al poet­ry and sophis­ti­cat­ed imagery.” And they can put the audi­ence in the right mood for the movie, or close it in the right way. The ins-and-outs of title design get lov­ing­ly cov­ered by a web­site called For­get the Films, Watch the Titles, and today we’re fea­tur­ing the clos­ing moments of Lemo­ny Snick­et’s A Series of Unfor­tu­nate Events, a 2004 black humor film. This five minute ani­mat­ed sequence is the work of Jamie Caliri, a direc­tor with a self-described pas­sion for visu­al sto­ry telling. Not too long ago, we high­light­ed the ani­ma­tion con­cepts he devel­oped for The Amaz­ing Adven­tures of Kava­lier & Clay. And, here, Caliri sits down for an inter­view with For­get the Films, Watch the Titles and talks about his art­ful approach to title design…

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Fukushima Reactor Explained & Tsunami 101

We have two quick primers for you. First, this CNN video breaks down the prob­lems afflict­ing the Fukushi­ma Nuclear Pow­er Plant in Japan. Give the video three min­utes of your time, and you will get a fair­ly com­pre­hen­sive overview of what’s going wrong.

And though it amaz­ing­ly feels like old news now, Nation­al Geo­graph­ic pro­vides a quick tuto­r­i­al on tsunamis. Please note that the video includes some dis­turb­ing footage.

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Rachmaninov Had Big Hands

Igudes­man & Joo are a musical/comedy duo per­form­ing in the US and Cana­da this spring. This clip, “Rach­mani­noff Had Big Hands,” starts out a lit­tle slow­ly but gets enter­tain­ing fair­ly quick­ly. If you like com­bin­ing com­e­dy and clas­si­cal music, then don’t miss anoth­er pro­gram recent­ly high­light­ed on Open Cul­ture: Bill Bai­ley’s Remark­able Guide to the Orches­tra.

Thanks to Sara for send­ing this our way…

36 Hitchcock Murder Scenes Climaxing in Unison

It’s a lit­tle mor­bid, I’ll give you that. But you have to give this video some points for cre­ativ­i­ty and many for effort. Some fine soul pulled togeth­er murder/death scenes from 36 of Alfred Hitch­cock­’s movies, then syn­chro­nized them to cli­max in uni­son. We have list­ed the films below, many of which can be found in our col­lec­tion of Free Hitch­cock Films (and also our Free Movie col­lec­tion)…

Row 1: Black­mail, Mur­der!, Rich and Strange, Num­ber 17 (?), The Man Who Knew Too Much, Waltzes from Vien­na (?)
Row 2: The 39 Steps, Sab­o­tage, The Secret Agent, Young and Inno­cent (?), The Lady Van­ish­es, Jamaica Inn
Row 3: For­eign Cor­re­spon­dent, Rebec­ca, Sus­pi­cion, Shad­ow of a Doubt, Lifeboat, Spell­bound
Row 4: Rope, Under Capri­corn, Stage Fright, Strangers on a Train, I Con­fess, Dial M for Mur­der
Row 5: To Catch a Thief, The Trou­ble with Har­ry, The Man Who Knew Too Much, Ver­ti­go, North by North­west, Psy­cho
Row 6: The Birds, Marnie, Torn Cur­tain, Topaz, Fren­zy, Fam­i­ly Plot

via Metafil­ter

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Who Is the World’s Most Typical Person?

In a world of 7 bil­lion peo­ple, who is the most “typ­i­cal”? That’s the ques­tion Nation­al Geo­graph­ic asks (and answers) in a visu­al­ly engag­ing video that kicks off a year-long look at glob­al pop­u­la­tion issues. Nation­al Geo­graph­ic’s web­site now hosts a fea­ture arti­cle that pref­aces the series and also an accom­pa­ny­ing pho­to gallery.

On a rather relat­ed note, we’re all watch­ing the news in Japan go from bad to worse. First an earth­quake. Then a tsuna­mi. Now a poten­tial nuclear dis­taster. If you want to give a hand, con­sid­er mak­ing a dona­tion to the Japan­ese relief effort. Char­i­ty­Nav­i­ga­tor will help you eval­u­ate spe­cif­ic char­i­ties oper­at­ing in Japan and avoid scams. A decent place to begin…

via Brain Pick­ings

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Danny Boyle’s Frankenstein Live at a Cinema Near You

Here’s the trail­er for the play Franken­stein, which opens in Lon­don at the Nation­al The­ater this Thurs­day. Two intrigu­ing points: 1.) This pro­duc­tion is helmed by Dan­ny Boyle, the Oscar-win­ning direc­tor behind Slum­dog Mil­ion­aire, 127 Hours, and the appro­pri­ate­ly ter­ri­fy­ing zom­bie movie 28 Days Lat­er. 2.) Boyle’s Franken­stein is part of the Nation­al The­ater Live pro­gram – now in its sec­ond sea­son – and will be simul­cast live in hun­dreds of movie the­aters all over the world. There are 12 par­tic­i­pat­ing venues in Cal­i­for­nia alone – click here to find out if there’s one near you.

For a pre-screen­ing refresh­er, you can down­load Mary Shel­ley’s clas­sic nov­el for free at Project Guten­berg, or as a free audio­book at Lib­riVox. And what­ev­er you do, don’t miss this video of the gor­geous 1934 illus­trat­ed edi­tion, with wood­cuts by the Amer­i­can artist Lynd Ward.

Relat­ed Con­tent:

Franken­stein Hits the Sil­ver Screen (1910)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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Open Culture was founded by Dan Colman.