Michael Schur, the co-creator of NBC’s Parks and Recreation, has had a long-running fascination with David Foster Wallace’s sprawling magnum opus, Infinite Jest. So when his favorite band, The Decemberists, asked him to shoot a video for their new track “Calamity Song,” he knew the creative direction he wanted to take. And so here it is — the newly-premiered video that makes “Eschaton” its creative focus. Fans of DWF’s novel will remember that Eschaton — “basically, a global thermonuclear crisis recreated on a tennis court” — appears on/around page 325. The New York Times has more, and you can also find another version of the video if you’re having problems viewing it here.
Martin Scorsese (Raging Bull, Taxi Driver, Goodfellas) has always had a penchant for the rockumentary. In 1978, he directed The Last Waltzfeaturing the farewell concert of The Band — a film later called “the greatest rock concert movie ever made.” Then, after a hiatus, Scorsese returned to music again, shooting No Direction Home: Bob Dylan (2005) and Shine a Light, a tribute to the Rolling Stones, in 2008.
If you’re tackling Dylan and the Stones, then why not go for the trifecta and bring your cinematic talents to bear on The Beatles? And so it shall be. On October 5th and 6th, HBO will air George Harrison: Living in the Material World, a two-part documentary dedicated to the Beatle who long played in the shadow of John and Paul. Scorsese’s latest film will feature unseen archival materials and interviews with Paul, Ringo, Eric Clapton, Tom Petty, Terry Gilliam, Phil Spector and others. It will also be co-released with a 400-page hardcover book written by Olivia Harrison, which uses photographs, letters, diaries, and memorabilia to trace the arc of George’s life. Can hardly wait. H/T Wired
Note: You can find The Last Waltz and Taxi Driver in our collection of Free Movies Online.
Over Your Cities Grass Will Grow, a newish film directed by Sophie Fiennes, lets you sit back and watch the German artist Anselm Kiefer at work, creating his large-scale “world of ruination.” The film has no narration, only some musical accompaniment. And, more than anything, it gives you a direct, unembellished view of Kiefer’s “alchemical creative process” that regularly takes over his studio in southern France. Above, Kiefer puts the finishing touches on, then raises, one of his elaborate creations. The clip, along with others, appears in a larger, more compelling format on the film’s official web site. H/T NYRB
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The drama of 9/11 unfolded before the world on TV. Even many New Yorkers, myself included, watched the traumatic events on CNN rather than witnessing them firsthand. During the days that followed, we were bombarded with endless replays — the planes hitting the buildings, the towers aflame and collapsing, the piles of smoking debris left behind. Then, mercifully, the coverage disappeared.
For more than a decade, Luis Soriano, a primary school teacher, has traveled the rugged terrain of Colombia by donkey, delivering books to children in hundreds of rural villages. The project, powered by his two donkeys Alfa and Beto, goes by the name “Biblioburro.” And it seeks to promote literacy in areas where access to books is not always a given. You can find more information and pictures on the homepage of the Biblioburro project and also make a small donation. A video update shows what these donations are actually used for.
Arthur Rimbaud, once described by Victor Hugo as ‘an infant Shakespeare,’ burst onto the Parisan literary scene in 1870, shortly before he was 16. By the time 1874 rolled around, Rimbaud had broken the conventions of poetry and fashioned a new, modern poetic language. He had published all of his major works — Illuminations, Une saison en enfer, etc.— and had his absinthe/hashish-fueled affair with Paul Verlaine. Then, committing an act that still haunts his fans today, the 20 year old renounced poetry utterly and completely and started traveling the world.
Now here is what next week will bring — a new “substantial graphic novel biography” that “presents the larger-than-life exploits of the Nobel-winning quantum physicist, adventurer, musician and world-class raconteur.” The book written by Jim Ottaviani and illustrated by Leland Myrick runs a fairly hefty 272 pages. The video clip on Youtube will give you a good feel for the artwork that tells Feynman’s personal tale.
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