For most chilÂdren the word “playÂing” brings to mind things like wifÂfleÂball or hide-and-seek. But for a very few talÂentÂed and dedÂiÂcatÂed kids it means Mozart, or Mendelssohn. Today we bring you four videos of famous vioÂlinÂists playÂing when they were incredÂiÂbly young.
Itzhak PerlÂman, age 13: “When I came to the UnitÂed States, ” Itzhak PerlÂman told Pia LindÂstrom of The New York Times in 1996, “I appeared on The Ed SulÂliÂvan Show as a 13-year-old and I played a Mendelssohn ConÂcerÂto and it soundÂed like a talÂentÂed 13-year-old with a lot of promise. But it did not sound like a finÂished prodÂuct.” In the clip above, PerlÂman plays from the third moveÂment of Felix Mendelssohn’s ConÂcerÂto in E minor durÂing his debut SulÂliÂvan Show appearÂance in 1958. The young boy was an instant hit with the audiÂence, and SulÂliÂvan invitÂed him back. EncourÂaged by his sudÂden celebriÂty, PerlÂman’s parÂents decidÂed to move from Israel to New York and enroll him in JulÂliard. But despite his preÂcocÂiÂty, PerlÂman modÂestÂly asserts that he was no child prodiÂgy. “A child prodiÂgy is someÂbody who can step up to the stage of Carnegie Hall and play with an orchesÂtra one of the stanÂdard vioÂlin conÂcerÂtos with aplomb,” PerlÂman told LindÂstrom. “I couldÂn’t do that! I can name you five peoÂple who could do that at the age of 10 or 11, and did. Not five, maybe three. But I couldÂn’t do that.”
Anne-Sophie MutÂter, age 13:
One vioÂlinÂist who cerÂtainÂly was able to perÂform at a high levÂel at a very earÂly age was the GerÂman virÂtuÂoso Anne-Sophie MutÂter, shown here perÂformÂing the MĂ©diÂtaÂtion from the Jules Massenet opera ThaĂŻs with HerÂbert von KaraÂjan and the Berlin PhilÂharÂmonÂic in 1976, when she was 13. MutÂter began playÂing the vioÂlin at the age of five, and by nine she was perÂformÂing Mozart’s SecÂond VioÂlin ConÂcerÂto in pubÂlic. KaraÂjan took her under his wing when she was 13, callÂing her “the greatÂest musiÂcal prodiÂgy since the young Menuhin.”
Jascha Heifetz, age 11:
Jascha Heifetz was indisÂputably one of the greatÂest vioÂlinÂists of the 20th cenÂtuÂry. His father, a music teacher, first put a vioÂlin into his hands when Heifetz was only two years old. He entered music school in his homeÂtown of VilÂnius, LithuaÂnia, at the age of five, and by sevÂen he was perÂformÂing in pubÂlic. At nine he entered the St. PetersÂburg ConÂserÂvaÂtoÂry, where he studÂied with Leopold Auer. In this very rare audio recordÂing from NovemÂber 4, 1912, an 11-year-old Heifetz perÂforms Auer’s tranÂscripÂtion of WolfÂgang Amadeus Mozart’s Gavotte in G from the opera IdomeÂneo. It was made by Julius Block on a wax-cylinÂder EdiÂson phonoÂgraph in GrĂĽnewald, GerÂmany. Heifetz is accomÂpaÂnied by WaldeÂmar LiaÂchowsky on piano. At the end of the perÂforÂmance the young boy’s voice can be heard speakÂing in GerÂman. RoughÂly transÂlatÂed, he says, “I, Jascha Heifetz of PetersÂburg, played with Herr Block, GrĂĽnewald, Gavotte Mozart-Auer on the fourth of NovemÂber, nineÂteen hunÂdred and ten.” A week earÂliÂer, Heifetz made his debut appearÂance with the Berlin PhilÂharÂmonÂic. In a letÂter of introÂducÂtion to the GerÂman manÂagÂer HerÂman FerÂnow, Auer said of Heifetz: “He is only eleven years old, but I assure you that this litÂtle boy is already a great vioÂlinÂist. I marÂvel at his genius, and I expect him to become world-famous and make a great career. In all my fifty years of vioÂlin teachÂing, I have nevÂer known such preÂcocÂiÂty.”
Joshua Bell, age 12:
The AmerÂiÂcan vioÂlinÂist Joshua Bell began playÂing when he was four years old, and made his debut as a soloist with the PhiladelÂphia OrchesÂtra when he was 14. The video above is difÂferÂent from the othÂers, in that it doesÂn’t present a polÂished perÂforÂmance. Instead, we watch as the legÂendary vioÂlin teacher Ivan GalamiÂan conÂducts a lesÂson in 1980, when Bell was 12. Bell spent two sumÂmers studyÂing at GalamiÂan’s MeadÂowÂmount School of Music in the AdironÂdack MounÂtains of upstate New York. In the video, the elderÂly teacher works with Bell as he plays from Pierre Rode’s Etude No. 1.