In the late 1990s, Neil deGrasse Tyson and his colÂleagues redesigned the HayÂden PlanÂeÂtarÂiÂum and, withÂout much comÂment, they creÂatÂed a modÂel of the solar sysÂtem that banÂished PluÂto from the list of planÂets. DurÂing the folÂlowÂing year, no one said very much. But then The New York Times pubÂlished an artiÂcle (JanÂuÂary 22, 2001) called “PluÂto’s Not a PlanÂet? Only in New York,” and all hell broke loose, parÂticÂuÂlarÂly in the eleÂmenÂtary schools. School kids were incensed, and the letÂters of comÂplaint rolled in. You can find one such examÂple from “EmerÂson” above. Five othÂer letÂters can be found over at MenÂtal Floss.
A quick note: If you’re not already familÂiar with it, Tor.com is a web site dedÂiÂcatÂed to “sciÂence ficÂtion, fanÂtaÂsy, and all the things that interÂest SF and fanÂtaÂsy readÂers.” And, among othÂer things, the site regÂuÂlarÂly pubÂlishÂes origÂiÂnal sci-fi stoÂries. To celÂeÂbrate its 5th birthÂday, Tor has decidÂed to assemÂble the last five years of its origÂiÂnal ficÂtion and make it availÂable as downÂloadÂable ebook files. You will need to regÂisÂter with the site beforeÂhand, and then you can downÂload the texts in varÂiÂous forÂmats — PDF, Mobi, and ePub — all of which can be loaded onto ebook readÂers. And, yes, it’s all free.
If you’re a sci-fan, we’d encourÂage you to see our post from earÂliÂer this week, 100 Great Sci-Fi StoÂries by Women WritÂers and then some of the great relatÂed mateÂrÂiÂal below.
Let’s set the scene: The BrookÂlyn Dodgers are playÂing the PhiladelÂphia Phillies at Ebbets Field on July 1, 1941, and the game is being aired on WNBT-TV (latÂer to become WNBC). Before the game begins, TV viewÂers see this: a 10-secÂond adverÂtiseÂment for BuloÂva clocks and watchÂes. The ad shows a clock and a map of the UnitÂed States, with a voice-over that says, “AmerÂiÂca runs on BuloÂva time.” This litte spot (which ran at 2:29 pm, if you’re keepÂing BuloÂva time) marked the advent of someÂthing much bigÂger — comÂmerÂcialÂized teleÂviÂsion. EarÂliÂer in 1941, the FCC had approved a plan to turn TV into big busiÂness. When BuloÂva paid $9 dolÂlars to plug its brand, the plan was actuÂalÂized. Every adverÂtiseÂment seen since (for betÂter or worse) has a comÂmon linÂeage in this moment.
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It comes as no shock that IngÂmar Bergman makes the list, givÂen Allen’s well-docÂuÂmentÂed and openÂly admitÂted enthuÂsiÂasm for (and, in casÂes like InteÂriÂors, direct imiÂtaÂtion of) the man who made The SevÂenth Seal. If that vote repÂreÂsents Allen’s conÂtemÂplaÂtive, moralÂly seriÂous side, then the vote for Luis Buñuel’s endurÂingÂly funÂny surÂreÂalÂist farce The DisÂcreet Charm of the BourÂgeoisie repÂreÂsents his well-known predilecÂtion for humor, often class-based, which occaÂsionÂalÂly melts into silliÂness.
Like ScorsÂese, Allen includes Kubrick, though for his earÂly Paths of GloÂry rather than the more wideÂly-seen 2001. Like both ScorsÂese and Kubrick, he picks a FelliÂni — two, in fact — and all three of their lists illusÂtrate that it would take a conÂtrarÂiÂan filmÂgoÂer indeed to deny Orson Welles’ CitÂiÂzen Kane a vote. Kubrick, you’ll recall, also had great praise for VitÂtoÂrio de Sica and François TrufÂfaut, and their earÂly picÂtures show up among Allen’s selecÂtions. Take Kubrick, ScorsÂese, and Allen’s lists togethÂer, and you have a few prinÂciÂples to guide your viewÂing: conÂcenÂtrate on the midÂcenÂtuÂry masÂters. CitÂiÂzen Kane realÂly does merÂit all those accoÂlades. And above all, make sure you watch your FelliÂni. But which films did FelliÂni love?
A quick heads up: The LolÂlaÂpalooza 2013 music fesÂtiÂval is getÂting going in ChicaÂgo. And it’s streamÂing live (for free) all this weekÂend on YouTube. Right now, you can catch The Killers on stage. Nine Inch Nails will be perÂformÂing latÂer tonight (FriÂday). You can find the lineÂup for SatÂurÂday and SunÂday here. Enjoy the shows.
It’s a realÂiÂty of big city livÂing that one occaÂsionÂalÂly stumÂbles upon some famous perÂson behavÂing like a mere civilÂian, out walkÂing the dog, buyÂing a latÂte, or takÂing the kids to some child-cenÂtric event. I’m bad at recÂogÂnizÂing these lumiÂnarÂies out of conÂtext, which may be why I’m great at misÂtakÂenÂly believÂing some ranÂdom citÂiÂzen standÂing beside me at an interÂsecÂtion is in fact a notÂed author or beloved charÂacÂter actor. I have thus far nevÂer labored under the deluÂsion that the guy across the aisle on the F train to BrookÂlyn is a one-eared Dutch post-ImpresÂsionÂist who died over a hunÂdred years ago, but that could change.
Or not. AccordÂing to LithuanÂian archiÂtect and phoÂtogÂraÂphÂer Tadao Cern, the friend who served as the modÂel for his digÂiÂtal recreÂation of VinÂcent Van Gogh’s iconÂic self-porÂtrait doesÂn’t resemÂble the painter all that much beyond his ginÂger hair and beard. After takÂing his picÂture, Cern devotÂed a day to adjustÂing colÂors and expoÂsure in LightÂroom and fine tunÂing a host of details in PhoÂtoÂshop. SudÂdenÂly, the simÂiÂlarÂiÂties were uncanÂny.
And since every FrankenÂstein needs a bride, Cern has cobÂbled togethÂer a Mona Lisa to keep Van Gogh comÂpaÂny.
Ayun HalÂlÂiÂday is postÂing from the wilds of Cape Cod, where she once spotÂted John Waters ridÂing his bicyÂcle to SafeÂway in a yelÂlow slickÂer and matchÂing all-weathÂer pants. FolÂlow her @AyunHalliday
Full disÂcloÂsure: I love George SaunÂders. Can I say that? Can I say that George SaunÂders rekinÂdled my faith in conÂtemÂpoÂrary ficÂtion? Is that too fawnÂing? ObseÂquious, but true! Oh, how bored I had become with fourth-hand derivÂaÂtive CarvÂer, cheapÂened CheevÂer, someÂtimes the sad approxÂiÂmaÂtions of Chuck PalahÂniuk. So borÂing. It had gotÂten so all I could read was Philip K. Dick, over and over and over. And Alice WalkÂer. And WutherÂing Heights. And Thomas Hardy. Do you see the pass I’d come to? Then SaunÂders. In a writÂing class I took, with one of GorÂdon Lish’s acolytes (no names), I read SaunÂders. I read Wells TowÂers, PadÂgett PowÂell, Aimee Bender—a host of modÂern writÂers who were doing someÂthing new, in short, someÂtimes very short, forms, but exploÂsive!
What is it about George SaunÂders that grips? He has masÂtered frivÂoÂliÂty, turned it into an art of diaÂmond-like comÂpresÂsion. And for this, he gets a MacArthur FelÂlowÂship? Well, yes. Because what he does is brilÂliant, in its shockÂingÂly unafÂfectÂed obserÂvaÂtions of humanÂiÂty. George SaunÂders is an accomÂplished writer who puts litÂtle store in his accomÂplishÂments. Instead, he valÂues kindÂness most of all, and genÂerosÂiÂty. These are the qualÂiÂties he extols, in his typÂiÂcalÂly droll manÂner, in a gradÂuÂaÂtion speech he delivÂered to the 2013 gradÂuÂatÂing class at SyraÂcuse UniÂverÂsiÂty. KindÂness: a litÂtle virtue, you might say. The New York Timeshas pubÂlished his speech, and I urge you to read it in full. I’m going to give you half, below, and chalÂlenge you to find George SaunÂders wantÂiÂng.
Down through the ages, a traÂdiÂtionÂal form has evolved for this type of speech, which is: Some old fart, his best years behind him, who, over the course of his life, has made a series of dreadÂful misÂtakes (that would be me), gives heartÂfelt advice to a group of shinÂing, enerÂgetic young peoÂple, with all of their best years ahead of them (that would be you).
And I intend to respect that traÂdiÂtion.
Now, one useÂful thing you can do with an old perÂson, in addiÂtion to borÂrowÂing monÂey from them, or askÂing them to do one of their old-time “dances,” so you can watch, while laughÂing, is ask: “LookÂing back, what do you regret?” And they’ll tell you. SomeÂtimes, as you know, they’ll tell you even if you haven’t asked. SomeÂtimes, even when you’ve specifÂiÂcalÂly requestÂed they not tell you, they’ll tell you.
So: What do I regret? Being poor from time to time? Not realÂly. WorkÂing terÂriÂble jobs, like “knuckÂle-puller in a slaughÂterÂhouse?” (And don’t even ASK what that entails.) No. I don’t regret that. SkinÂny-dipÂping in a rivÂer in SumaÂtra, a litÂtle buzzed, and lookÂing up and seeÂing like 300 monÂkeys sitÂting on a pipeline, poopÂing down into the rivÂer, the rivÂer in which I was swimÂming, with my mouth open, naked? And getÂting deathÂly ill afterÂwards, and stayÂing sick for the next sevÂen months? Not so much. Do I regret the occaÂsionÂal humilÂiÂaÂtion? Like once, playÂing hockÂey in front of a big crowd, includÂing this girl I realÂly liked, I someÂhow manÂaged, while falling and emitÂting this weird whoopÂing noise, to score on my own goalie, while also sendÂing my stick flyÂing into the crowd, nearÂly hitÂting that girl? No. I don’t even regret that.
But here’s someÂthing I do regret:
In sevÂenth grade, this new kid joined our class. In the interÂest of conÂfiÂdenÂtialÂiÂty, her ConÂvoÂcaÂtion Speech name will be “ELLEN.” ELLEN was small, shy. She wore these blue cat’s‑eye glassÂes that, at the time, only old ladies wore. When nerÂvous, which was pretÂty much always, she had a habit of takÂing a strand of hair into her mouth and chewÂing on it.
So she came to our school and our neighÂborÂhood, and was mostÂly ignored, occaÂsionÂalÂly teased (“Your hair taste good?” – that sort of thing). I could see this hurt her. I still rememÂber the way she’d look after such an insult: eyes cast down, a litÂtle gut-kicked, as if, havÂing just been remindÂed of her place in things, she was tryÂing, as much as posÂsiÂble, to disÂapÂpear. After awhile she’d drift away, hair-strand still in her mouth. At home, I imagÂined, after school, her mothÂer would say, you know: “How was your day, sweetÂie?” and she’d say, “Oh, fine.” And her mothÂer would say, “MakÂing any friends?” and she’d go, “Sure, lots.”
SomeÂtimes I’d see her hangÂing around alone in her front yard, as if afraid to leave it.
And then – they moved. That was it. No tragedy, no big final hazÂing.
One day she was there, next day she wasn’t.
End of stoÂry.
Now, why do I regret that? Why, forty-two years latÂer, am I still thinkÂing about it? RelÂaÂtive to most of the othÂer kids, I was actuÂalÂly pretÂty nice to her. I nevÂer said an unkind word to her. In fact, I someÂtimes even (mildÂly) defendÂed her.
But still. It bothÂers me.

So here’s someÂthing I know to be true, although it’s a litÂtle corny, and I don’t quite know what to do with it:
What I regret most in my life are failÂures of kindÂness.
Those moments when anothÂer human being was there, in front of me, sufÂferÂing, and I responded…sensibly. ReservedÂly. MildÂly.
Or, to look at it from the othÂer end of the teleÂscope: Who, in your life, do you rememÂber most fondÂly, with the most undeÂniÂable feelÂings of warmth?
Those who were kindÂest to you, I bet.
It’s a litÂtle facile, maybe, and cerÂtainÂly hard to impleÂment, but I’d say, as a goal in life, you could do worse than: Try to be kinder.
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