Learn to Sing the Harmonies of Famous Beatles Songs with Master Harmonist Galeazzo Frudua

A recent Metafil­ter post intro­duces us to Galeaz­zo Frud­ua, a musi­cian from Bologna, Italy who, “pos­sess­es an uncan­ni­ly good ear for har­mo­ny, and has pro­duced a series of videos that painstak­ing­ly and expert­ly ana­lyze and demon­strate for you the vocal har­monies employed in var­i­ous Bea­t­les songs.” These detailed tuto­ri­als, writes the Metafil­ter poster, are made all the more watch­able by Frud­u­a’s “per­cep­tive com­men­tary, capa­ble singing voice, unas­sum­ing man­ner, impres­sive video edit­ing skills and, hey, his charm­ing Ital­ian accent.”

In his first tuto­r­i­al, for “Nowhere Man” (above), Frud­ua begins by intro­duc­ing “Lennon voice”: “Lennon voice is very sim­ple, and it goes like this.” And, hand­i­ly, flaw­less­ly, it does. Frud­ua, who seems to be record­ing in the back of a restau­rant, match­es the tone of Lennon, McCart­ney, and Harrison’s har­monies sep­a­rate­ly and togeth­er impres­sive­ly. He par­tic­u­lar­ly favors Rub­ber Soul. Hear his “In My Life” below. He calls it “one of the best per­for­mances ever of John Lennon in the Bea­t­les” as well as “a fan­tas­tic cam­pus on learn­ing how to sing.”

Anec­do­tal­ly, hav­ing worked with choir singers, opera singers, and a capel­la singers, I can say that Frudua’s abil­i­ty is not par­tic­u­lar­ly rare but is the effect of con­stant prac­tice. One Metafil­ter poster puts it well: “It’s not hard if you have a bit of an ear, and some expe­ri­ence.… Har­monies are a kind of lan­guage. Spend some time learn­ing the gram­mar and a few phras­es and it can open up quick­ly.” Frudua’s not only a mas­ter of vocal har­mo­ny, he’s also an expert luthi­er and builds cus­tom gui­tars for dozens of Ital­ian artists. In his break­down below of “You Nev­er Give Me Your Mon­ey,” the intro to the Abbey Road med­ley, Frud­ua takes on a par­tic­u­lar­ly dif­fi­cult har­mo­ny, as he explains in great detail in his care­ful intro­duc­tion to the song’s har­mon­ic gram­mar. He tells us we can use this tuto­r­i­al “as a guide for your Bea­t­les’ trib­ute band or repro­duce them in your home record­ing.” You may do those things if you wish. Or you could watch Frud­ua do them bet­ter. See his full series here.

Relat­ed Con­tent:

Hear the Iso­lat­ed Vocal Tracks for The Bea­t­les’ Cli­mac­tic 16-Minute Med­ley on Abbey Road

John Lennon’s Raw, Soul-Bar­ing Vocals From the Bea­t­les’ ‘Don’t Let Me Down’ (1969)

Decon­struct­ing The Mas­ter Track of The Bea­t­les’ “Sgt. Pepper’s Lone­ly Hearts Club Band”

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Download Vintage Film Posters in High-Res: From The Philadelphia Story to Attack of the Crab Monsters

philadelphiastory

FreeVintagePosters.com offers “hun­dreds of high qual­i­ty print­able posters in adver­tis­ing, trav­el, food/drink, art, movies, west­erns, mil­i­tary, mag­ic and much more.” You may have an inter­est in all those facets of human expe­ri­ence, but we imag­ine you’ll find espe­cial­ly appeal­ing the site’s selec­tion of high-res­o­lu­tion film posters, suit­able for print­ing at home or else­where and hang­ing on walls in need of cinephilic flair.

You might, for exam­ple, choose to put up the orig­i­nal poster for George Cuko­r’s The Philadel­phia Sto­ry, which promis­es you a “Howl with Your Favorite Hol­ly­wood Stars” — Cary Grant, Katharine Hep­burn, and James Stew­art, in this case. Or if you pre­fer west­erns to come­dies, per­haps you’d like to print out one of the three avail­able posters of 1971’s John Wayne-star­ring Big Jake, my favorite of which pitch­es the movie with a sim­ple if odd equa­tion: “Big John = Big Jake = Big West­ern.” (Note: you can watch 21 John Wayne west­erns here.)

bigjake

Though the site’s col­lec­tion slants toward clas­sic Amer­i­can films, it also has sheets used to adver­tise them abroad. Below you see the pho­to­col­lage-like Japan­ese poster for Bil­ly Wilder’s Some Like It Hot. And the lover of camp will find much to enjoy as well. Might I sug­gest Attack of the Crab Mon­sters? What­ev­er your taste, if you decide to head out to the print shop and com­mis­sion a paper ver­sion of any of these image files in a larg­er size than you can print at home, do con­sult StandardPosterSize.net, which, true to its name, pro­vides all man­ner of infor­ma­tion on the var­i­ous siz­ings of U.S. stan­dard posters, met­ric stan­dard posters, U.S. movie posters, and U.K. movie posters. If that sounds like a lit­tle too much has­sle, you could always just down­load your favorite poster and set it as your desk­top back­ground. Before you sign off, make sure you check out our col­lec­tion 575 Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, etc. It’s some­thing no cin­e­ma lover should miss.

some-like-it-hot-vintage-movie-poster-japanese-www.freevintageposters.com

via Men­tal Floss

Relat­ed Con­tent:

50 Film Posters From Poland: From The Empire Strikes Back to Raiders of the Lost Ark

Japan­ese Movie Posters of 10 David Lynch Films

100 Great­est Posters of Film Noir

64 Years of Posters for the Cannes Film Fes­ti­val

John Wayne: 21 Free West­ern Films Online

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Mashup Artist “Kutiman” Travels to Tokyo and Creates an Incredible Musical Postcard

Israeli musi­cian and video artist Ophir Kutiel, aka Kuti­man, gained notice culling and remix­ing unre­lat­ed per­form­ers’ Youtube videos for his extreme­ly col­lab­o­ra­tive-feel­ing Thru You project.

With 2011’s Thru Jerusalem, the urge to con­nect fel­low musi­cians went live, as he left his com­put­er to film local instru­men­tal­ists per­form­ing tunes of their choice in var­i­ous city set­tings. Back in Tel Aviv, he edit­ed the results into one of his sig­na­ture mashups, not to men­tion a vir­tu­oso musi­cal trav­el­ogue.

Now he’s trav­eled even fur­ther afield to Tokyo, cap­tur­ing forms both tra­di­tion­al and ultra-mod­ern, for the first in a new series of orig­i­nal shorts from PBS Dig­i­tal Stu­dios.

Mayuko Kobayashi plucks serene­ly at the strings of a koto. Turntab­list KEIZOma­chine!, half of the break­beat duo Hifana, scratch­es in his stu­dio. The diminu­tive Ishii Chizu­ru pounds a taiko drum. Inven­tor May­wa Den­ki (aka Novu­michi Tosa) demon­strates his adorable Ota­ma-Tone. (Cur­rent­ly marked down in the Muse­um of Mod­ern Art’s gift shop, for those look­ing ahead to their hol­i­day shop­ping lists.)

The desire to inte­grate the ancient and the new is best embod­ied by kimono-clad Mako­to Takei, who clos­es his eyes on a high-rise bal­cony as he plays a shakuhachi flute, the ver­ti­cal city serv­ing as back­drop.

Add a pink haired Hara­juku girl, a string of red lanterns, innu­mer­able cell phones, some pixel­lat­ed video game char­ac­ters, an aged tem­ple or two, and sev­er­al teem­ing inter­sec­tions, then blend at top speed!

The prod­uct may be a bit ear­split­ting at times, but that in itself is fit­ting giv­en the loca­tion. Thru Tokyo is a mar­velous audio-visu­al post­card from 21st-cen­tu­ry Edo, Japan.

Relat­ed Kuti­man Videos:

Kuti­man Mash­es Led Zep’s Black Dog: 80 Clips Stitched into One

The Moth­er of All Funk Chords

The Sounds of Jerusalem

Ayun Hal­l­i­day feels the trav­el bug bit­ing yet again. Fol­low her @AyunHalliday

David Sedaris Sings the Oscar Mayer Theme Song in the Voice of Billie Holiday

I’m going to make your Fri­day, right here, right now. Above, we have a clip of David Sedaris doing a dead-on Bil­lie Hol­i­day impres­sion while singing the famous Oscar May­er theme song. The clip is an out­take from a 1998 episode of This Amer­i­can Life where Sedaris talks about his child­hood fan­ta­sy of singing com­mer­cial jin­gles in Hol­i­day’s voice. You can catch the jin­gles around the 9:00 mark (lis­ten here) … and again at the 17:45 mark. But I’d real­ly encour­age you to lis­ten to the full tale from the very start (6:00). Day made?

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Duke Ellington’s Sym­pho­ny in Black, Star­ring a 19-Year-old Bil­lie Hol­i­day

Bil­lie Hol­i­day Sings ‘Strange Fruit’

Bil­lie Holiday–The Life and Artistry of Lady Day: The Com­plete Film

David Sedaris Reads You a Sto­ry By Miran­da July

Find Sto­ries Read by David Sedaris on our list of 800 Free Audio­Books

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Every Word of Joyce’s Ulysses Printed on a Single Poster

Once upon a time Blot­to Design, a design firm based in Berlin, won­dered: what would hap­pen if you print­ed an entire book on a sin­gle poster? Could you still read it? How would it look when framed and hung on a wall?

And so they devel­oped a pro­to­type, liked what they saw, and have since turned 20 large books into posters — books like Home­r’s Ili­ad, Jane Austen’s Pride and Prej­u­dice, Melville’s Moby Dick, and Joyce’s Ulyssesall 265,222 words of it. Posters cost 20 euros a piece. Browse through the shop here. And get more back­sto­ry from Wired here.

Relat­ed Con­tent:

See What Hap­pens When You Run Finnegans Wake Through a Spell Check­er

Hen­ri Matisse Illus­trates 1935 Edi­tion of James Joyce’s Ulysses

Vin­tage Lit­er­ary T‑Shirts

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Noam Chomsky Schools 9/11 Truther; Explains the Science of Making Credible Claims

We don’t often write up videos post­ed by 9–11 Truthers, but you can watch an inter­est­ing exchange when this par­tic­u­lar Truther con­fronts well-known lin­guist and polit­i­cal observ­er Noam Chom­sky dur­ing the ques­tion ses­sion after the lat­ter’s talk at the Uni­ver­si­ty of Flori­da. “You’ve men­tioned quite a few con­tra­dic­tions from the media and their pre­sen­ta­tions on things, and I think the most noto­ri­ous case of this is with Sep­tem­ber 11, 2001,” says the Truther after tak­ing the micro­phone. “You want­ed to see a con­sen­sus of engi­neers and spe­cial­ists that under­stand the actu­al struc­tures of these build­ings and their pos­si­ble col­lapse, and there is such a group. It’s called Archi­tects and Engi­neers for 9–11 Truth.” As the Truther gets into the “con­sen­sus of over 2000 of them,” the mod­er­a­tor inter­rupts, won­der­ing if he actu­al­ly has a ques­tion. (Sure­ly we’ve all endured these moments in ques­tion seg­ment.) But the Truther con­tin­ues: “This con­sen­sus shows that Build­ing 7, the third build­ing that fell on 9/11, fell in freefall speed as the [Nation­al Insti­tute of Stan­dard and Tech­nol­o­gy] report acknowl­edges. Are you ready to come for­ward and jump on board with 9/11?” Thus asked to com­ment on whether the media has cov­ered up the man­ner in which this par­tic­u­lar build­ing col­lapsed, Chom­sky replies with a defense of stan­dard sci­en­tif­ic pro­ce­dures.

“In fact, you’re right that there’s a con­sen­sus among a minis­cule num­ber of archi­tects and engi­neers. They are not doing what sci­en­tists and engi­neers do when they think they’ve dis­cov­ered some­thing. What you do is write arti­cles in sci­en­tif­ic jour­nals, give talks at the pro­fes­sion­al soci­eties, go to the civ­il engi­neer­ing depart­ment at MIT or Flori­da or wher­ev­er you are, and present your results, then pro­ceed to try to con­vince the nation­al acad­e­mies, the pro­fes­sion­al soci­ety of physi­cists and civ­il engi­neers, the depart­ments of the major uni­ver­si­ties, that you’ve dis­cov­ered some­thing. There hap­pen to be a lot of peo­ple around who spend an hour on the inter­net and think they know a lot physics, but it does­n’t work like that. There’s a rea­son there are grad­u­ate schools in these depart­ments.” But has­n’t the gov­ern­ment intim­i­dat­ed those who know the real sto­ry from speak­ing out against the offi­cial line? “Any­body who has any famil­iar­i­ty with polit­i­cal activism knows that this is one of the safest things you can do. It’s almost risk­less. Peo­ple take risks far beyond this con­stant­ly — includ­ing sci­en­tists and engi­neers.” Chom­sky has more to say about the facts we can use, the opin­ions he dis­avows, and the forces dri­ving the Iraq War in the remain­der of the sev­en-minute clip. “We will let you be the judge of his response,” say the video’s notes. Indeed.

via Crit­i­cal The­o­ry

Relat­ed Con­tent:

Noam Chom­sky Slams Žižek and Lacan: Emp­ty ‘Pos­tur­ing’

Clash of the Titans: Noam Chom­sky and Michel Fou­cault Debate Human Nature and Pow­er on Dutch TV, 1971

Noam Chom­sky vs. William F. Buck­ley, 1969

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Men In Commercials Being Jerks About Coffee: A Mashup of 1950s & 1960s TV Ads

Found­ed by Rick Prelinger in 1983, The Prelinger Archives have amassed thou­sands of “ephemer­al” films — adver­tis­ing, edu­ca­tion­al, indus­tri­al, and ama­teur films of “his­toric sig­nif­i­cance” that haven’t been col­lect­ed else­where. We’ve fea­tured some gems from the Archive in months past. Remem­ber How to Spot a Com­mu­nist (1955) or Have I Told You Late­ly I Love You (1958)?

Among oth­er things, the archive fea­tures some 2,000 pub­lic domain films, which peo­ple are free to remix and mashup how­ev­er they like. Some time ago, Shaun Clay­ton got into the spir­it, took a series of 1950’s and 60’s-era cof­fee com­mer­cials from the Archives (like the one below), and “edit­ed them down to just the moments when the guys were the biggest jerks to their wives about cof­fee.” The point of the exer­cise, I’d like to think, was­n’t just to show men being jerks for the sake of it, but to throw into stark relief the dis­turb­ing atti­tudes cours­ing through Amer­i­can adver­tis­ing and cul­ture dur­ing that era. And noth­ing accom­plish­es that bet­ter than mash­ing up the scenes, plac­ing them side by side, show­ing them one after anoth­er. It gives a clear his­tor­i­cal real­i­ty to views we’ve seen treat­ed artis­ti­cal­ly in shows like Mad Men.

Just for the record, I make my own cof­fee.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. Or fol­low our posts on Threads, Face­book, BlueSky or Mastodon.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

This is Cof­fee!: A 1961 Trib­ute to Our Favorite Stim­u­lant (from the Prelinger Archive)

“The Vertue of the COFFEE Drink”: An Ad for London’s First Cafe Print­ed Cir­ca 1652

Black Cof­fee: Doc­u­men­tary Cov­ers the His­to­ry, Pol­i­tics & Eco­nom­ics of the “Most Wide­ly Tak­en Legal Drug”

The His­to­ry of Cof­fee and How It Trans­formed Our World

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Famous Writers Name “Good Books That Almost Nobody Has Read” in The New Republic (1934)

tnrheadline

Here’s a chal­lenge: for every book rec­om­mend­ed to you by Ama­zon, pick one from the site Neglect­ed Books. No fan­cy algo­rithms here, just old-fash­ioned serendip­i­ty, and you’re unlike­ly to see much over­lap. You will be reward­ed with book after fas­ci­nat­ing book that has slipped through the usu­al mar­ket­ing chan­nels and fall­en into obscu­ri­ty. Most of the authors come rec­om­mend­ed by well-known names, mak­ing them writ­ers’ writers—people whose writer­ly dif­fi­cul­ty or pecu­liar sub­ject mat­ter can nar­row their read­er­ship.

This is not entire­ly a fair assess­ment, and in many cas­es, the work that achieves lit­er­ary noto­ri­ety does so by chance, not mass appeal, but it is undoubt­ed­ly the case that cer­tain kinds of writ­ers write for cer­tain kinds of read­ers. The lit­er­ary edi­tor Mal­colm Cow­ley, helm­ing The New Repub­lic in 1934, thought so, and lament­ed a sys­tem that pre­vent­ed books from reach­ing their intend­ed read­ers. In a call to “America’s lead­ing nov­el­ists and crit­ics,” Cow­ley asked for lists of such books—and in per­haps a retroac­tive vin­di­ca­tion of the listicle—published them in two arti­cles, “Good Books That Almost Nobody Has Read” and “More About Neglect­ed Books.” Neglect­ed Books, the web­site, quotes Cowley’s announce­ment:

Each year… a few good books get lost in the shuf­fle. It may not be the fault of the pub­lish­er, the crit­ic, the book­seller, it may not be anybody’s fault except that of the gen­er­al sys­tem by which too many books are dis­trib­uted with an enor­mous lot of bal­ly­hoo to not enough read­ers. Most of the good books are favor­ably reviewed, yet the fact remains that many of them nev­er reach the peo­ple who would like and prof­it by them, the peo­ple for whom they are writ­ten.

Cow­ley asked his tar­gets to sug­gest “two or three or four” names and “a few sen­tences iden­ti­fy­ing them.” He got lists from about a dozen writ­ers, includ­ing lions like F. Scott Fitzger­ald,  John Dos Pas­sos, Sin­clair Lewis, Thorn­ton Wilder and crit­ic Edmund Wil­son, who gets a men­tion in both Fitzgerald’s and Dos Pas­sos’ lists. (Fitzger­ald also offered three oth­er titles Miss Lone­ly­hearts by Nathanael West; Sing Before Break­fast by Vin­cent McHugh and Through the Wheat by Thomas Boyd.) Dos Pas­sos, unlike most of the men, names a few women writ­ers, includ­ing Agnes Smed­ley, now revealed to have been a triple agent for the Sovi­ets, the Chi­nese, and Indi­an nation­al­ists, “one of the most pro­lif­ic female spies of the 20th cen­tu­ry.” Dos Pas­sos’ com­men­tary on her auto­bi­og­ra­phy Daugh­ter of Earth—which he mis­re­mem­bers as Woman of Earth—is most­ly under­stat­ed: “An uneven but impres­sive I sup­pose auto­bi­o­graph­i­cal nar­ra­tive of a young woman’s life in a West­ern min­ing camp and in New York.”

Lib­er­tar­i­an jour­nal­ist Susan La Fol­lette, one of the few women writ­ers sur­veyed, offers only one sug­ges­tion, Ilya Ilf and Evge­ny Petrov’s 1931 comedic Russ­ian nov­el The Gold­en Calf. The descrip­tion alone in this L.A. Times review of a 2010 trans­la­tion has me think­ing this may indeed be an over­looked mas­ter­work of total­i­tar­i­an satire. La Fol­lette said as much three years after its pub­li­ca­tion, writ­ing of her dis­ap­point­ment, “I take this quite per­son­al­ly, because so few peo­ple even know about it that I rarely find any­one who can laugh over it with me.”

While The New Repub­lic is well-known as a left-of-cen­ter pub­li­ca­tion, the mean­ing of the Amer­i­can Left in the thir­ties was much more inclu­sive, even of avowed Marx­ists like The New Mass­es edi­tor Isidor Schnei­der, who names Impe­ri­al­ism, and The State and Rev­o­lu­tion by Lenin and Lenin­ism by Joseph Stal­in. Next to the irony of nam­ing two books that thou­sands have been coerced to read, Schnei­der con­trar­i­ly names the The Poems of Ger­ard Man­ley Hop­kins, from the aes­thet­i­cal­ly rad­i­cal, but earnest­ly reli­gious­ly con­ser­v­a­tive Irish Jesuit poet. (The lat­ter two sug­ges­tions did not make pub­li­ca­tion since Schneider’s list was already quite long.) 

As inter­est­ing as the lists them­selves is the selec­tion of respons­es to the sec­ond arti­cle. William Saroy­an writes in to rec­om­mend Grace Stone Coates’ Black Cher­ry as the “finest prose you ever saw.” And leg­endary pub­lish­er Alfred A. Knopf writes with a lengthy and detailed expla­na­tion of the books list­ed that he pub­lished. Of one book named, Franz Kafka’s The Cas­tle, Knopf writes, “The Cas­tle is one of my real­ly inglo­ri­ous fail­ures. It is, as Con­rad Aiken says, a mas­ter­piece. But in the orig­i­nal edi­tion it sold only 715 copies, and since Jan­u­ary 3, 1933, we have been offer­ing it at the rea­son­able price of $1 and only 120 copies have been pur­chased.”

Read more on Cowley’s project at Neglect­ed Books.

Relat­ed Con­tent:

F. Scott Fitzger­ald Cre­ates a List of 22 Essen­tial Books, 1936

Ernest Hem­ing­way Cre­ates a Read­ing List for a Young Writer, 1934

20 Books Peo­ple Pre­tend to Read (and Now Your Con­fes­sions?)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

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