More than a few of us might be interÂestÂed in the opporÂtuÂniÂty to spend a day in VicÂtoÂriÂan LonÂdon. But very few of us indeed who’ve ever read, say, a Charles DickÂens novÂel would ever elect to live there. “LonÂdon’s litÂtle lanes are charmÂing now,” says SheeÂhan Quirke, the host of the video above, while standÂing in one of them, “but 150 years ago in places like this, you’d have had whole famÂiÂlies crammed into these tiny rooms withÂout runÂning water. There would have been open cesspits spilling down the streets, and the stench of sewage boilÂing in the midÂday sun would have been unbearÂable.” The stinkÂing city, already the biggest in the world and growÂing every day, “wasÂn’t only horÂriÂble to live in, but genÂuineÂly danÂgerÂous.”
Much of the tremenÂdous amount of waste proÂduced by LonÂdonÂers went straight into the RivÂer Thames, which evenÂtuÂalÂly grew so foul that the engiÂneer Joseph BazalÂgette took on the job of designÂing not just a sewÂer sysÂtem, but also an embankÂment to “replace what was essenÂtialÂly a stinkÂing swamp filled with rubÂbish and human waste and eels.” Though emiÂnentÂly, even miracÂuÂlousÂly funcÂtionÂal, BazalÂgetÂte’s design wasÂn’t utilÂiÂtarÂiÂan.
After its comÂpleÂtion in 1870, the embankÂment was lined with elabÂoÂrateÂly decÂoÂratÂed lamps (some of the first pieces of elecÂtric lightÂing in the world) that still catch the eye of passersÂby today, well into the twenÂty-first cenÂtuÂry. “We don’t assoÂciate decÂoÂraÂtion with cutÂting-edge techÂnolÂoÂgy, and that’s a major difÂferÂence between us and the VicÂtoÂriÂans,” who “saw no conÂtraÂdicÂtion between starÂtling moderÂniÂty and time-honÂored traÂdiÂtion.”
Quirke became renowned as The CulÂturÂal Tutor a few years ago on the social media platÂform then called TwitÂter. His threads have culÂtiÂvatÂed the underÂstandÂing of countÂless many readÂers about a host of subÂjects to do with hisÂtoÂry, art, archiÂtecÂture, music, and design, with an eye toward the ways in which past civÂiÂlizaÂtions may have done them betÂter than ours does. The VicÂtoÂriÂans, for instance, may have lacked modÂern ameniÂties that none of us could live withÂout, but they designed even their sewage pumpÂing staÂtions “with the same ornaÂmenÂtal exuÂberÂance as any church or palace.” PerÂhaps they thought their sanÂiÂtaÂtion workÂers deserved beauÂtiÂful surÂroundÂings; they cerÂtainÂly had “a sense of pride, a belief that what they’d done here was worthÂwhile, that it meant someÂthing.” CurÂrent infraÂstrucÂture, large-scale and small, is techÂnoÂlogÂiÂcalÂly supeÂriÂor, yet almost none of it is worth regardÂing, to put it mildÂly. Whether our own civÂiÂlizaÂtion could return to beauÂty is the quesÂtion at the heart of Quirke’s enterÂprise — and one his growÂing group of folÂlowÂers has begun to ask themÂselves every time they step outÂside.
RelatÂed conÂtent:
Why Do PeoÂple Hate ModÂern ArchiÂtecÂture?: A Video Essay
Dieter Rams Lists the 10 TimeÂless PrinÂciÂples of Good Design — Backed by Music by BriÂan Eno
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities and the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles. FolÂlow him on the social netÂwork forÂmerÂly known as TwitÂter at @colinmarshall.
Indeed,the world has lost it’s desire for aesÂthetÂics in favor of funcÂtionÂalÂiÂty. Thank you for this fanÂtasÂtic video pointÂing out the conÂtrasts in style and design around the city of LonÂdon. I espeÂcialÂly enjoyed seeÂing BazalÂgetÂte’s beauÂtiÂful sewage pumpÂing staÂtion, a tesÂtaÂment to the pride takÂen even in the most pracÂtiÂcal of appliÂcaÂtions. BraÂvo!
SevÂerÂal years ago I had a chance to visÂit Hoover Dam. It has a simÂiÂlar comÂbiÂnaÂtion of ornaÂmenÂtaÂtion & utilÂiÂty.