Though the pop-culÂturÂal moment that gave rise to the assoÂciÂaÂtion has passed, when many of us hear about KabÂbalÂah, we still think of MadonÂna. Her study of that JewÂish-mysÂtic school of thought in the nineÂteen-nineties has been credÂitÂed, at least in part, with the sonÂic transÂforÂmaÂtion that led to her hit album Ray of Light. A few years latÂer, when she recordÂed the theme song for the 2002 James Bond movie Die AnothÂer Day, she manÂaged to include in its music video such KabÂbalÂisÂtic imagery as the Hebrew letÂters lamed, aleph, and vav — which come, as ReliÂgion for BreakÂfast creÂator Andrew M. HenÂry says in the video above, from one of the 72 names of God accordÂing to JewÂish traÂdiÂtion.
But what, exactÂly, is KabÂbalÂah? That’s the quesÂtion HenÂry takes it upon himÂself to answer, attemptÂing to sepÂaÂrate the real thing from the pop-culÂturÂal ephemera that’s come to surÂround it.
This entails first going back to the earÂliÂest KabÂbalÂists, “JewÂish teachÂers, theÂoloÂgians, and philosoÂphers” among “the eduÂcatÂed elite of medieval Europe, livÂing in Spain and France, writÂing new and innoÂvÂaÂtive studÂies on JewÂish texts and conÂcepts about mysÂtiÂcal conÂtemÂplaÂtion of the divine realms, the nature of God, the purÂpose of humanÂiÂty, and the creÂation of the uniÂverse.” They searched, and their sucÂcesÂsors have conÂtinÂued to search, for secret divine wisÂdom origÂiÂnalÂly vouchÂsafed to Moses at Mount Sinai.
The word kabÂbalÂah can be transÂlatÂed as “that which has been received,” but that may make the enterÂprise sound simÂpler than it is. HenÂry frames KabÂbalÂah as a series of traÂdiÂtions “encomÂpassÂing sevÂerÂal modes of readÂing, a library of texts, a series of conÂcepts, and a range of pracÂtices withÂin Judaism that is conÂcerned with mysÂtiÂcal conÂtemÂplaÂtion.” But whatÂevÂer their difÂferÂences, most KabÂbalÂists revere conÂcepts like Ein Sof, “an infiÂnite imperÂsonÂal god or supreme entiÂty or supreme entiÂty that we canÂnot describe with our own human facÂulÂties,” and vast works like the novÂelÂisÂtic Zohar, or “The Book of RadiÂance,” in which “even the search for mysÂtiÂcal knowlÂedge becomes sexÂuÂalÂized”: an aspect that, givÂen the skill with which she’s craftÂed her provocaÂtive pop-icon image, MadonÂna could hardÂly fail to appreÂciÂate.
RelatÂed conÂtent:
The TalÂmud Is FinalÂly Now AvailÂable Online
WalÂter Benjamin’s PhiloÂsophÂiÂcal Thought PreÂsentÂed by Two ExperÂiÂmenÂtal Films
The Ancient Greeks Who ConÂvertÂed to BudÂdhism
The Ark Before Noah: DisÂcovÂer the Ancient Flood Myths That Came Before the Bible
Based in Seoul, ColÂin Marshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities and the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles. FolÂlow him on the social netÂwork forÂmerÂly known as TwitÂter at @colinmarshall.
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