Walt Disney Presents the Super Cartoon Camera (1937)

In 1937, Walt Dis­ney Stu­dios shot Snow White and the Sev­en Dwarfs with a new-fan­gled cam­era, the mul­ti­plane cam­era, which allowed car­toon ani­ma­tion to take a quan­tum leap for­ward. Thanks to this new “super car­toon cam­era,” ani­mat­ed scenes sud­den­ly looked more real­is­tic and three-dimen­sion­al. You only need to watch this pre­sen­ta­tion by Walt Dis­ney him­self (record­ed in 1957) and you’ll see what I mean. Dis­ney shot many of its clas­sic fea­ture films – Pinoc­chioFan­ta­siaBam­bi, and Peter Pan – with the mul­ti­plane cam­era, and it remained in pro­duc­tion right through The Lit­tle Mer­maid, filmed in 1989. Today, only three orig­i­nal Dis­ney mul­ti­plane cam­eras sur­vive.

A big thanks to Sergey for send­ing this vin­tage clip our way. If you see a good piece of open cul­ture, don’t hes­i­tate to send it our way

Relat­ed Con­tent:

How Walt Dis­ney Car­toons Are Made

Disney’s Oscar-Win­ning Adven­tures in Music

Don­ald Duck Wants You to Pay Your Tax­es (1943)

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A Digital Reconstruction of Washington D.C. in 1814

What did the U.S. cap­i­tal look like 200 years ago? Find­ing a sat­is­fac­to­ry answer to this ques­tion is very dif­fi­cult since there are very few reli­able images, maps and writ­ten accounts from Wash­ing­ton’s ear­ly days. This is why Dan Bai­ley, direc­tor of the Imag­ing Research Cen­ter (IRC) at the Uni­ver­si­ty of Mary­land, Bal­ti­more, has approached archi­tec­tur­al his­to­ri­ans, car­tog­ra­phers, engi­neers, and ecol­o­gists to “recre­ate a ‘best guess’ glimpse of the ear­ly city.” The video above is the result of the IRC’s work, show­ing a city that was, they say, “a rough work in progress.”

Noth­ing was pol­ished. The scale of the fed­er­al city was that of a per­son, not of immense mar­ble bureau­cra­cy. There were cab­ins and barns on the Cap­i­tal Lawn. The first fence around the Capi­tol was to keep the cows out. Con­gress­men came to town for the leg­isla­tive ses­sions, many times sleep­ing 3 to a room in a board­ing house, and work­ing in unfin­ished build­ings.

An in-depth arti­cle about the ongo­ing project was pub­lished in The Wash­ing­ton Post.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

Watch Selected Cannes Films for Free (For A Limited Time Only)

We’ve already writ­ten about the excel­lent film blog MUBIdai­ly, which is pub­lished by the online screen­ing room Mubi.com. We’ve nev­er real­ly pushed Mubi itself, even though the site fea­tures a wide selec­tion of inde­pen­dent and for­eign films. It’s a sub­scrip­tion site, and we pre­fer to focus on cul­tur­al offer­ings that you can access free of charge.

Still, for the next month, you can watch cer­tain films on Mubi free of charge — specif­i­cal­ly, selec­tions from mul­ti­ple years of Cannes’ La Semaine de la Cri­tique (Crit­ics’ Week), one of the fes­ti­val’s most con­sis­tent­ly inter­est­ing side­bars. Each year a pan­el of inter­na­tion­al crit­ics selects a cur­rent crop of shorts and fea­tures from first and sec­ond time direc­tors, and now MUBI has made a num­ber of past selec­tions freely avail­able online. The selec­tion is a lit­tle uneven, but still often inspir­ing. Of the choic­es offered at Mubi’s mini-ret­ro­spec­tive, we rec­om­mend the Japan­ese film Chick­en Heart, the clever Swedish short Seeds of the Fall, and espe­cial­ly Round Da Way  (Las­cars), a live­ly French ani­mat­ed fea­ture about life in the projects. You can watch Round Da Way above.

The full selec­tion is avail­able for free on Mubi until June 30th, with a caveat or two: Each film is only free for its first 1,000 view­ings, you do need to reg­is­ter to watch, and there may be some geo­re­stric­tion at work (though we can’t say for sure since we’re based in the US).

And final­ly, of course, don’t miss our big curat­ed col­lec­tion of 380 Free Movies, which includes a few major films from Cannes too.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

 

Pop-Motion Animation: A New Take on the Flip Book

When Dul­cidio Caldeira of the agency Para­noid BR was com­mis­sioned recent­ly to cre­ate a one-minute com­mer­cial mark­ing MTV Brazil’s 21st birth­day, he end­ed up re-imag­in­ing one of animation’s old­est forms: the flip book. The result is a work of inspired silli­ness, with char­ac­ters like Gene Sim­mons, Slash, Ozzy Osbourne—even Ozzy’s bat—appearing on a long line of bal­loons being popped at a rate of ten per sec­ond. Caldeira and col­lab­o­ra­tors Andre Faria and Guga Ket­zer used a laser to line up hun­dreds of bal­loons along a 656-foot (200-meter) set of tracks. It took them 24 hours to shoot.

Via: Print Mag­a­zine

The Legend of Bluesman Robert Johnson Animated

Robert John­son, the leg­endary blues­man, would have turned 100 this week. That’s well beyond the age he actu­al­ly lived to – a very young 27. Dur­ing his short life (1911–1938), John­son record­ed 29 indi­vid­ual songs. But they could not have been more influ­en­tial. Songs like Cross Road Blues, Sweet Home Chica­go, and Kind Heart­ed Woman Blues (all found in this new­ly-released Cen­ten­ni­al Col­lec­tion) had a remark­able influ­ence on musi­cians grow­ing up gen­er­a­tions lat­er. Kei­th Richards, Eric Clap­ton, Robert Plant – they all acknowl­edge a deep debt to John­son.

Speak­ing of debts, you can’t talk about Robert John­son with­out talk­ing about the famous dev­il leg­end. The leg­end holds that John­son made a Faus­t­ian bar­gain with the dev­il, sell­ing his soul in exchange for bound­less musi­cal tal­ent. It’s a great tale, and it all gets brought back to life in “Dev­il­ish Detail,” a new ani­mat­ed film (above) fea­tur­ing illus­tra­tions by Christo­pher Dar­ling. You can view it in a larg­er for­mat on Nowness.com

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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How Walt Disney Cartoons Are Made: 1939 Documentary Gives an Inside Look

Walt Dis­ney’s 1937 pro­duc­tion, Snow White and the Sev­en Dwarfs, broke new ground on a num­ber of fronts. It was 1) the first cel-ani­mat­ed fea­ture film ever pro­duced; 2.) the first ani­mat­ed film made in col­or — tech­ni­col­or actu­al­ly; and 3.) Dis­ney’s first ani­mat­ed film, one of many com­mer­cial and artis­tic hits to come. (Catch a quick clip here.)

Two years lat­er, Dis­ney pro­duced an in-house doc­u­men­tary, How Walt Dis­ney Car­toons Are Made, that walks you through the stages of Snow White’s devel­op­ment – the writ­ing of the first sto­ry lines, the draft­ing of the ani­ma­tion sequences, the hand paint­ing of 250,000 cel­lu­loid frames (done by “pret­ty girls,” as they say) and beyond. Back in the day, Amer­i­can film­go­ers watched this footage in the cin­e­ma, the trail­er before the main fea­ture film.

Mean­while, you can also watch online Para­moun­t’s 1939 answer to Dis­ney’s big hit — Gul­liv­er’s Trav­els, anoth­er cel-ani­mat­ed Tech­ni­col­or fea­ture film direct­ed by Dave Fleis­ch­er, who lat­er brought us an ani­mat­ed ver­sion of Super­man (1941).

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Don­ald Duck Wants You to Pay Your Tax­es (1943)

Disney’s Oscar-Win­ning Adven­tures in Music

Don­ald Duck Dis­cov­ers Glenn Beck: A Remix

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30 Years of Asteroids in 3 Minutes

This amaz­ing lit­tle video charts the loca­tion of every aster­oid dis­cov­ered since 1980. As we move into the 1990s, the rate of dis­cov­ery picks up quite dra­mat­i­cal­ly because we’re now work­ing with vast­ly improved sky scan­ning sys­tems. And that means that you will espe­cial­ly want to watch the sec­ond half of the video. Below the jump, I’ve past­ed some more infor­ma­tion that explains what you’re see­ing. Thanks to @WesAlwan and Mike for send­ing this great lit­tle clip our way.

via Giz­mo­do

(more…)

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