Maybe you already had a fas­ci­na­tion with Saul Bass’ cel­e­brat­ed movie title sequences, or maybe you gained one from yes­ter­day’s post about the cur­rent design­ers he’s inspired. Either way, you can round out your under­stand­ing of the man’s artis­tic sen­si­bil­i­ty by watch­ing Why Man Cre­ates, the ani­mat­ed film by Bass and his wife/collaborator Elaine which won the 1968 Acad­e­my Award for Doc­u­men­tary Short Sub­ject. An eight-part med­i­ta­tion on the nature of cre­ativ­i­ty, the film mix­es ani­ma­tion and live action, using Bass’ advanced reper­toire of opti­cal tech­niques, to look at the issues sur­round­ing how and why humans have, through­out the his­to­ry of civ­i­liza­tion, kept on mak­ing things. It begins with ear­ly hunters felling a beast and mak­ing a cave paint­ing out of it. From that cave ris­es a tow­er built out of every major phase of human civ­i­liza­tion: the wheel near the bot­tom, the pyra­mids some­what high­er up, the lit­er­al dark­ness of the Dark Ages as the cam­era ris­es high­er still, ulti­mate­ly capped by a heap of planes, trains, and auto­mo­biles. One won­ders how Bass might, in an update, have stacked his rep­re­sen­ta­tion of the inter­net atop of all this, but the sequence’s dat­ed­ness costs it none of its vir­tu­os­i­ty.

Some of Why Man Cre­ates’ sub­se­quent chap­ters, in their bold late-six­ties “trip­pi­ness,” may strike you as more dat­ed than vir­tu­osic. But it would take a hard­ened view­er indeed not to crack a smile at Bass’ Pythonesque turn when a drawn hand flips open the tops of a series of unthink­ing par­ty­go­ers’ heads, reveal­ing the empti­ness inside. In its 29 short min­utes, the film also looks at the cre­ative strug­gle in terms of the coarse­ness of eval­u­a­tive crowds, the ten­den­cy of suc­cess­ful rad­i­cal ideas to become self-per­pet­u­at­ing insti­tu­tions, and how peo­ple just like things bet­ter when they have Amer­i­can flags on them. Its jour­ney ends in an unex­pect­ed set­ting, amid the toil of agri­cul­tur­al and med­ical sci­en­tists who may pur­sue an idea for years only to find that it has no appli­ca­tion. This note of frus­tra­tion leads into a mon­tage of sun, fire, stat­u­ary, the Sphinx, can­vass­es, and rock­ets. Assem­bled with Bass’ sig­na­ture sub­tle visu­al com­plex­i­ty, it takes us from antiq­ui­ty to moder­ni­ty in a way only he could.

Why Man Cre­ates has been added to our list of Free Oscar Films on the Web as well as our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

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Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture. Fol­low him on Twit­ter at @colinmarshall.