Terrific Hand-Crafted Animation Puts the Novel, Going West, Into (Stop) Motion

in Art, Books | March 10th, 2011

Could­n’t let this one pass by…

Ander­sen M, a Lon­don design stu­dio, craft­ed a rather amaz­ing stop motion video to accom­pa­ny an excerpt from Mau­rice Gee’s nov­el, Going West. The short film was pro­duced on behalf of the New Zealand Book Coun­cil, and you can only imag­ine, as one of our read­ers points out, the crafts­man­ship, patience, and effort that went into the mak­ing this.

Thanks Dalel for send­ing this our way, and please don’t miss anoth­er one of our favorites: Books Savored in Stop Motion Film…

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

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New David Foster Wallace Story Appears in The New Yorker

in Books, Literature | March 3rd, 2011

A quick heads up: The March 7 edi­tion of The New York­er mag­a­zine fea­tures a pre­vi­ous­ly unpub­lished sto­ry by David Fos­ter Wal­lace, the cel­e­brat­ed Amer­i­can author who com­mit­ted sui­cide back in 2008. The sto­ry, “Back­bone,” begins:

Every whole per­son has ambi­tions, objec­tives, ini­tia­tives, goals. This one par­tic­u­lar boy’s goal was to be able to press his lips to every square inch of his own body.

His arms to the shoul­ders and most of his legs beneath the knee were child’s play. After these areas of his body, how­ev­er, the dif­fi­cul­ty increased with the abrupt­ness of a coastal shelf. The boy came to under­stand that unimag­in­able chal­lenges lay ahead of him. He was six.

The full sto­ry appears on The New York­er web­site. And per­haps it will whet your appetite for a big­ger lit­er­ary event. On April 15th, Wal­lace’s final (and still not quite com­plete) nov­el, ‘The Pale King’, will be pub­lished. You can already reserve your copy on Ama­zon here. Thanks to @sheerly for the tip…

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Tim O’Brien & Tobias Wolff Talk “Writing and War”

in Books, Literature, Writing | February 21st, 2011

Last month, two award-win­ning writ­ers and Viet­nam vet­er­ans – Tim O’Brien and Tobias Wolff – met at Stan­ford Uni­ver­si­ty to talk about war and lit­er­a­ture, a tra­di­tion that has giv­en us Tol­stoy’s War and Peace, Remar­que’s All Qui­et on the West­ern Front, Hem­ing­way’s A Farewell to Arms, and Mail­er’s The Naked and the Dead. O’Brien has con­front­ed war in two pre­vi­ous works, If I Die in a Com­bat Zone and Going After Cac­cia­to. But he’s best known for The Things They Car­ried, a col­lec­tion of short sto­ries that gives lit­er­ary expres­sion to the Viet­nam expe­ri­ence, and that’s now a sta­ple of high school and col­lege lit­er­a­ture cours­es. As for Tobias Wolff, his mem­oir recount­ing his dis­il­lu­sion­ing expe­ri­ence as a sol­dier in Viet­nam – In Pharao­h’s Army – was a Nation­al Book Award final­ist, rank­ing up there with This Boy’s Life and Old School. Their wide-rang­ing con­ver­sa­tion runs 80 min­utes…

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The Amazing Adventures of Kavalier and Clay: Animation Concepts

in Art, Books, Film, Literature | February 18th, 2011

Michael Chabon pub­lished The Amaz­ing Adven­tures of Kava­lier & Clay in 2000, and the next year it won the Pulitzer Prize for Fic­tion. The film ver­sion of the nov­el has been locked in “devel­op­ment hell” for a good decade now. (The pro­duc­er Scott Rudin has a rep­u­ta­tion for option­ing high-pro­file nov­els and sit­ting on them for a long time; he also holds the film rights to Jonathan Franzen’s The Cor­rec­tions.) Any­way, some­where in the devel­op­ment process, the direc­tor Jamie Caliri was asked to explore ani­ma­tion con­cepts, and here’s what he came up with: a fun inter­twin­ing of live action and ani­ma­tion.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Discovering Sherlock Holmes

in Books, History, Literature, Stanford | February 7th, 2011

When Sir Arthur Conan Doyle first con­ceived of Sher­lock Holmes in 1887, he prob­a­bly did­n’t antic­i­pate that the “con­sult­ing detec­tive” would become the world’s favorite fic­tion­al inves­tiga­tive logi­cian and even­tu­al­ly infil­trate every­thing from aca­d­e­m­ic cur­ric­u­la to Hol­ly­wood. Just last year, the BBC pro­duced a fan­tas­tic three-part mod­ern­iza­tion of the clas­sic, which accord­ing to many crit­ics eclipsed Guy Ritchie’s effects-dri­ven block­buster of the same name, released sev­er­al months ear­li­er.

So mas­sive and wide-reach­ing is the cult of Holmes that Stan­ford ded­i­cat­ed an entire project to the study of Sher­lock Holmes. Dis­cov­er­ing Sher­lock Holmes fea­tures 12 of the great­est sto­ries of the Sher­lock Holmes canon from The Strand Mag­a­zine, where Sher­lock first made his appear­ance, down­load­able as free anno­tat­ed, illus­trat­ed PDF’s. A his­tor­i­cal essay on Holmes’ epoch con­tex­tu­al­izes the sto­ries and fea­tures rare vin­tage art­work by Sid­ney Paget, the orig­i­nal Sher­lock illus­tra­tor.

Note: You can also find The Adven­tures of Sher­lock Holmes in Open Cul­ture’s col­lec­tions of Free Audio Books and Free eBooks. Plus, the Free Movies col­lec­tion hous­es three vin­tage Sher­lock Holmes films — Dressed to Kill (1941), Sher­lock Holmes and the Secret Weapon (1943) and Ter­ror by Night (1946).

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of cross-dis­ci­pli­nary inter­est­ing­ness. She writes for Wired UK, GOOD Mag­a­zine and Desig­nOb­serv­er, and spends a great deal of time on Twit­ter.

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Don’t You Eva Interrupt Me While I’m Reading a Book!

in Books, Comedy, Random | January 26th, 2011

This is for every read­er out there who gets the basic sen­ti­ment. A bit of ran­dom silli­ness, cour­tesy of YouTu­ber Julian Smith.

via The New York­er

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Raymond Chandler & Ian Fleming in Conversation (1958)

in Books, Literature | January 12th, 2011

We take you back to 1958 when Ian Flem­ing, cre­ator of the great spy­mas­ter char­ac­ter James Bond, meets up with Ray­mond Chan­dler, Amer­i­ca’s fore­most writer of hard-boiled detec­tive fic­tion. The two authors, who read and admired each oth­er’s work, sat down for drinks one day and got down to talk­ing about vil­lains (real and imag­ined) and their icon­ic lit­er­ary char­ac­ters. The BBC cap­tured it all on audio (above). You can also find a tran­script of the con­ver­sa­tion on page 30 of this PDF. The con­ver­sa­tion, which has a free flow­ing qual­i­ty to it, runs 25 min­utes.

Relat­ed Con­tent:

Watch Ray­mond Chandler’s Long-Unno­ticed Cameo in Dou­ble Indem­ni­ty

The Adven­tures of Philip Mar­lowe: The Radio Episodes

Ray­mond Chan­dler: There’s No Art of the Screen­play in Hol­ly­wood

James Bond in Drag For Inter­na­tion­al Women’s Day

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Neil Gaiman’s Dark Christmas Poem Animated

in Books, Literature, Random | December 22nd, 2010

39 Degrees North, a Bei­jing motion graph­ics stu­dio, start­ed devel­op­ing an uncon­ven­tion­al Christ­mas card this year. And once they got going, there was no turn­ing back. Above, we have the end result – an ani­mat­ed ver­sion of the uber dark Christ­mas poem (read text here) writ­ten by Neil Gaiman, the best­selling author of sci-fi and fan­ta­sy short sto­ries. The poem was pub­lished in Gaiman’s col­lec­tion Smoke and Mir­rors.

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