Farewell Sidney Lumet, 1924–2011

The clip above fea­tures Peter Finch’s explo­sive “mad as hell” speech from Sid­ney Lumet’s Net­work (1976). It is as rel­e­vant today as it was 35 years ago, if not more so — just like its direc­tor.

In this this recent inter­view, Mr. Lumet, who also brought us such clas­sics as 12 Angry Men, Ser­pi­coThe Ver­dict, and Dog Day After­noon, speaks about his lega­cy, his career, and the city that was the set­ting for so many of his great films. He died yes­ter­day of lym­phoma at his home in Man­hat­tan.

via NYT

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Star Wars the Musical: The Force is Strong in this One

In 1996, three Cal­i­for­nia 17-year-olds (who should have known bet­ter) chan­neled all of their mon­ey and pas­sion into stag­ing a rock opera based on Star Wars IV: A New Hope. They’d only sched­uled it for a three night run, but it played to a sold-out crowd and, accord­ing to Salon’s Drew Grant, earned the two great­est hon­ors a fan can hope for: A review in The New York Times and a cease and desist let­ter from George Lucas.

The whole thing is now final­ly online. Salon has gath­ered all six parts onto one page, and you can also watch it on vimeo. We have includ­ed Part 1 above…

via Salon

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Soviet Scifi Cinema: The Other Tolstoy in the Movies

Seen by over 20 mil­lion Rus­sians when it came out in 1965, The Hyper­boloid of Engi­neer Garin was a film based on a 1927 nov­el by Alek­sey Niko­layevich Tol­stoy, who is not to be con­fused with his famous rel­a­tive Leo Tol­stoy. This Tol­stoy is gen­er­al­ly thought of as the father of Russ­ian sci­ence fic­tion, and The Garin Death Ray was one of his most famous books (Vladimir Nabokov con­sid­ered it his best).

Hyper­boloid was writ­ten and direct­ed by Alek­san­dr Gintzburg, a high­ly gift­ed cin­e­matog­ra­ph­er who nev­er quite reached the career heights his tal­ent might have war­rant­ed, in part because of his Jew­ish ori­gins, and in part because of the nar­row range of artis­tic free­dom allowed direc­tors work­ing for the State-run cin­e­ma. Gintzburg stayed well with­in that range for this film, which leaves us with an odd­ly com­pelling mix of Sovi­et pro­pa­gan­da and 60’s pop-sci­fi.

As for the plot… we’d rather not give any­thing away. Just think of it as a beau­ti­ful­ly-lit pro­to-1984, with sub­ti­tles and laser beams, star­ring Big Broth­er as the good guy.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Everything Is Rhythm

“Foli” is the word used for rhythm by the Malinke tribe in West Africa. But Foli is not only found in Malinke music, but in all parts of their dai­ly lives. Direct­ed by Thomas Roe­bers, this short film por­trays the peo­ple of Baro, a small town in east­ern-cen­tral Guinea, and gives you a glimpse inside their cul­ture of rhythm. As the Malinke man says, “Tous les choses, c’est du rythme.” (“Every­thing is rhythm.”) What makes this film even more beau­ti­ful is the fact that it was edit­ed so as to reflect Malinke rhythms.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

How Walt Disney Cartoons Are Made: 1939 Documentary Gives an Inside Look

Walt Dis­ney’s 1937 pro­duc­tion, Snow White and the Sev­en Dwarfs, broke new ground on a num­ber of fronts. It was 1) the first cel-ani­mat­ed fea­ture film ever pro­duced; 2.) the first ani­mat­ed film made in col­or — tech­ni­col­or actu­al­ly; and 3.) Dis­ney’s first ani­mat­ed film, one of many com­mer­cial and artis­tic hits to come. (Catch a quick clip here.)

Two years lat­er, Dis­ney pro­duced an in-house doc­u­men­tary, How Walt Dis­ney Car­toons Are Made, that walks you through the stages of Snow White’s devel­op­ment – the writ­ing of the first sto­ry lines, the draft­ing of the ani­ma­tion sequences, the hand paint­ing of 250,000 cel­lu­loid frames (done by “pret­ty girls,” as they say) and beyond. Back in the day, Amer­i­can film­go­ers watched this footage in the cin­e­ma, the trail­er before the main fea­ture film.

Mean­while, you can also watch online Para­moun­t’s 1939 answer to Dis­ney’s big hit — Gul­liv­er’s Trav­els, anoth­er cel-ani­mat­ed Tech­ni­col­or fea­ture film direct­ed by Dave Fleis­ch­er, who lat­er brought us an ani­mat­ed ver­sion of Super­man (1941).

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Don­ald Duck Wants You to Pay Your Tax­es (1943)

Disney’s Oscar-Win­ning Adven­tures in Music

Don­ald Duck Dis­cov­ers Glenn Beck: A Remix

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Inside Job, Oscar-Winning Documentary, Now Online (Free)

In late Feb­ru­ary, Charles Fer­gu­son’s film – Inside Job – won the Acad­e­my Award for Best Doc­u­men­tary. And now the film doc­u­ment­ing the caus­es of the 2008 glob­al finan­cial melt­down has made its way online. A cor­rupt finan­cial indus­try, its cor­ro­sive rela­tion­ship with politi­cians, aca­d­e­mics and reg­u­la­tors, and the tril­lions of dam­age done, it all gets doc­u­ment­ed in this film that runs a lit­tle shy of 2 hours.

Inside Job can be pur­chased on DVD at Ama­zon. We all love free, but let’s remem­ber that good projects cost real mon­ey to devel­op, and they could use real finan­cial sup­port. So please con­sid­er buy­ing a copy.

Hope­ful­ly watch­ing or buy­ing this film won’t be a point­less act, even though it can right­ly feel that way. As Charles Fer­gu­son remind­ed us dur­ing his Oscar accep­tance speech, we are three years beyond the Wall Street cri­sis and tax­pay­ers (you) got fleeced for bil­lions. But still not one Wall Street exec is fac­ing crim­i­nal charges. Wel­come to your plu­toc­ra­cy…

Father and Daughter: An Oscar-Winning Animated Short Film

Dear Daniel B.,

Thank you for bring­ing the 2000 Michaël Dudok De Wit short, Father and Daugh­ter, to our atten­tion. We always appre­ci­ate read­er sug­ges­tions.

We must take issue, how­ev­er, with your warn­ing: “Be advised, it will indeed break your heart.” At Open Cul­ture we  approach the arts with a dis­cern­ing, engaged and unsen­ti­men­tal eye — our heart does not break, it blogs.

It will there­fore take much more than an 8‑minute car­toon, no mat­ter how art­ful­ly ren­dered, under­stat­ed, crit­i­cal­ly laud­ed, or Dutch, to move us. Please keep this in mind for the future.

All best,

Open Cul­ture.

P.S. OK, fine you win. This post was typed from the floor, drown­ing in the pud­dle we’d been reduced to by the 6 minute mark. And yes, bawl­ing like babies.

P.P.S. Per your sug­ges­tion, we’ve added it to our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More. Thanks again.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Do Look Back: Pennebaker and Marcus Talk Bob Dylan

D.A. Pen­nebak­er’s clas­sic 1967 doc­u­men­tary Don’t Look Back will be re-released on Blu-Ray on April 24. As a fea­tured extra, it will include this ter­rif­ic rem­i­nis­cence between Pen­nebak­er and music journalist/cultural crit­ic Greil Mar­cus, who wrote two of our favorite Dylan books:  The Old, Weird Amer­i­ca: Bob Dylan’s Base­ment Tapes and Like a Rolling Stone: Bob Dylan at the Cross­roads.

Our oth­er favorite is of course lit­er­ary crit­ic Christo­pher Ricks’ nut­ty and won­der­ful Dylan’s Vision of Sin. Ricks and Mar­cus approach the artist through very dif­fer­ent prisms — for a fun chance to com­pare and con­trast, check out their recent joint lec­ture at the Hey­man School for the Human­i­ties. (The video clocks in at over an hour and forty min­utes, too long for some, not near­ly long enough for the Dylan-obsessed.)

via Fla­vor­wire

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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