Do Look Back: Pennebaker and Marcus Talk Bob Dylan

in Film, Music, Video - Arts & Culture | March 30th, 2011

D.A. Pen­nebak­er’s clas­sic 1967 doc­u­men­tary Don’t Look Back will be re-released on Blu-Ray on April 24. As a fea­tured extra, it will include this ter­rif­ic rem­i­nis­cence between Pen­nebak­er and music journalist/cultural crit­ic Greil Mar­cus, who wrote two of our favorite Dylan books:  The Old, Weird Amer­i­ca: Bob Dylan’s Base­ment Tapes and Like a Rolling Stone: Bob Dylan at the Cross­roads.

Our oth­er favorite is of course lit­er­ary crit­ic Christo­pher Ricks’ nut­ty and won­der­ful Dylan’s Vision of Sin. Ricks and Mar­cus approach the artist through very dif­fer­ent prisms — for a fun chance to com­pare and con­trast, check out their recent joint lec­ture at the Hey­man School for the Human­i­ties. (The video clocks in at over an hour and forty min­utes, too long for some, not near­ly long enough for the Dylan-obsessed.)

via Fla­vor­wire

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

by | Permalink | Make a Comment ( None ) |

Dementia 13: Coppola’s First Full-Length Feature

in Film, Video - Arts & Culture | March 29th, 2011

Would the 1963 hor­ror film Demen­tia 13 be remem­bered today with­out the sub­se­quent achieve­ments of its young direc­tor, Fran­cis Ford Cop­po­la? It’s hard to say. Con­tem­po­raries seem to have thought oth­er­wise: The New York Times review­er described the film’s direc­tion as “stol­id” and its cast as “unlucky,” and the pro­duc­er, B‑Movie king Roger Cor­man, furi­ous­ly took the reins from his pro­tege the minute he saw the first cut.

But Demen­tia 13 was still the first full-length fea­ture of a man who would go on to direct three of the great­est films ever made, and so it’s tempt­ing (and fun) to scour Demen­tia 13 for ear­ly man­i­fes­ta­tions of genius. Watch it and judge for your­self — and look out for the dolls.

Cop­po­la’s film appears in the Noir, Thriller and Hor­ror sec­tion of our col­lec­tion of Free Movies Online, along with oth­er Roger Cor­man movies. The Inter­net Archive hosts an alter­nate ver­sion of the film as well.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

by | Permalink | Make a Comment ( None ) |

Passages from James Joyce’s Finnegans Wake: The Film

in Film, Literature | March 28th, 2011

Due to its styl­is­tic and lin­guis­tic com­plex­i­ty, James Joyce’s Finnegans Wake ranks among the most dif­fi­cult works of fic­tion. And that is why vir­tu­al­ly no film­mak­er has ever tried to adapt Joyce’s final work for the screen. But after Mary Man­ning Howe adapt­ed pas­sages from the book for the stage (lis­ten to her read­ing from Finnegans Wake here), Amer­i­can ani­ma­tor Mary Ellen Bute accept­ed the chal­lenge and turned Man­ning’s play into a film.

Sad­ly, Mary Ellen Bute’s short films are almost for­got­ten today, but from the 1930s to 1950s her abstract musi­cal shorts were known to a wide audi­ence. Don’t miss her first col­or film from 1938.

Between 1965 and 1967, Bute cre­at­ed her last film, and only fea­ture film, Pas­sages from Finnegans Wake. The movie was screened at the Cannes Film Fes­ti­val and named Best Debut of the Year (1965). The video above shows only the open­ing sequence, but the whole film can be enjoyed online cour­tesy of UbuWeb.

Bonus: You can read Roger Ebert’s 1968 review of Bute’s film here. He admits that he did­n’t enjoy it too much, but con­cedes this may have been because he had­n’t actu­al­ly read the book.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

by | Permalink | Make a Comment ( 2 ) |

David Lynch “Directs” Duran Duran Concert in L.A.

in Film, Music | March 25th, 2011

This past Wednes­day, YouTube streamed a web­cast of the lat­est install­ment of the Unstaged con­cert series. Arcade Fire kicked off the series last August in New York City. Now we cut to the Mayan The­ater in Los Ange­les, where Duran Duran took the stage. The 80s band is still around, still mak­ing music. And they’re smart­ly col­lab­o­rat­ing with David Lynch, who cre­at­ed visu­als that were dou­ble-exposed over the live per­for­mance. Huff­Po inter­viewed Lynch about the col­lab­o­ra­tion (and more) here, and you can always head to YouTube to find videos of indi­vid­ual songs played dur­ing the show.

by | Permalink | Make a Comment ( None ) |

Blinky™: A Touching Short Film About A Killer Robot

in Film, Sci Fi, Video - Arts & Culture | March 25th, 2011

That’s right, touch­ing.

From Blade Run­ner to Ter­mi­na­tor to at least 30 per­cent of what made Bat­tlestar Galac­ti­ca great, vio­lent robot revolt is noth­ing new. But 27-year old Irish film­mak­er Ruairi Robin­son, who was nom­i­nat­ed for an Oscar for his ani­mat­ed short Fifty Per­cent Grey, tweaks the for­mu­la by shrink­ing the are­na: This bat­tle­field isn’t a galaxy, a solar sys­tem or even a plan­et; it’s just the lone­ly sub­ur­ban home of a boy whose par­ents fight all day.

Max Record (Where the Wild Things Are) is fine as the angry son who hopes a new toy will solve all of his prob­lems, but this movie belongs to the robot: More WALL‑E than cylon, more R2-D2 than ED-209, and priced at just $999.99, Blinky is a machine the whole fam­i­ly can love. He catch­es, he cleans, he plays hide and seek, he’ll wait for you in the rain, and he just wants to be your friend.…Until he does­n’t.

A warn­ing here: Even though at its best Blinky speaks direct­ly to the bloody-mind­ed fifth-grad­er in all of us, we sug­gest watch­ing the whole thing before show­ing it to chil­dren, or even squea­mish adults.

(Vis­it the always excel­lent io9 for more free sci­ence fic­tion film rec­om­men­da­tions.)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

by | Permalink | Make a Comment ( 2 ) |

Elizabeth Taylor on “What’s My Line?” (1954)

in Film, Television | March 23rd, 2011

Eliz­a­beth Tay­lor, a star for sev­en decades, died ear­li­er today of con­ges­tive heart fail­ure. She was 79 years old. To pay quick trib­ute, we’re high­light­ing Tay­lor’s 1954 appear­ance on “What’s My Line?,” the longest-run­ning game show in Amer­i­can tele­vi­sion his­to­ry (1950 — 1967). A good way to remem­ber Tay­lor – hav­ing a lit­tle fun in her prime.

The film men­tioned at the end of the scene – The Last Time I Saw Paris stars – also hap­pens to be avail­able at the Inter­net Archive for free. Enjoy

Relat­ed Con­tent:

Sal­vador Dali (and Oth­er VIPs) on “What’s My Line?”

by | Permalink | Make a Comment ( 4 ) |

Adieu Alfred

in Film, Life | March 20th, 2011

The actor Michael Gough died this past week. He was 94 years old, and best remem­bered for his role as Alfred the But­ler in the Bat­man movies. (We pay quick trib­ute to that role above). Beyond that, Gough had a long stage career, begin­ning back in the mid 1940s, and played char­ac­ter roles in films rang­ing from campy hor­ror films to Out of Africa. The Guardian revis­its his life and act­ing career in fin­er detail right here…

by | Permalink | Make a Comment ( None ) |

A is for Atom: Vintage PR Film for Nuclear Energy

in Current Affairs, Film, Video - Science | March 18th, 2011

As a dev­as­tat­ed Japan con­tin­ues to strug­gle with the dam­age to its nuclear facil­i­ties, sev­er­al oth­er nations have begun recon­sid­er­ing their nuclear poli­cies. Ger­many, for exam­ple, has tem­porar­i­ly closed down sev­en aging nuclear reac­tors, and oth­er coun­tries (includ­ing Rus­sia, Chi­na, and the US) have announced checks of their own safe­ty stan­dards.

Cyn­ics might sug­gest that these announce­ments are cal­cu­lat­ed less to make sub­stan­tive changes than to calm a fright­ened pub­lic, and attempts to man­age per­cep­tions of the atom­’s volatile pow­ers are noth­ing new. They began imme­di­ate­ly after the bomb­ings of Hiroshi­ma and Nagasa­ki. The video above, pro­duced by Gen­er­al Elec­tric in 1952, was one of many Atom­ic Ener­gy “PR films” designed to sway pub­lic opin­ion in favor of this prof­itable and pow­er­ful new ener­gy resource. (Coin­ci­den­tal­ly, GE built the Fukushi­ma reac­tor that’s now in deep trou­ble.)

A is for Atom was a huge hit — it won sev­er­al hon­ors, includ­ing a spe­cial prize at the Venice Film Fes­ti­val and a Mer­it Award from Scholas­tic Teacher. In some ways those hon­ors were deserved. The movie is a spright­ly car­toon with cheer­ful nar­ra­tion and expla­na­tions of some dif­fi­cult physics, even as it avoids any engage­ment with the dark sides of nuclear ener­gy. In fact, the whole mes­sage boils down to a reas­sur­ance that the atom­’s mas­sive poten­tial is all “with­in man’s com­mand.”

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Vari­ety, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

by | Permalink | Make a Comment ( 3 ) |

« Go Back — More in this category... »
Quantcast