The Restoration of a Masterpiece, as Narrated by Martin Scorsese

in Film, TED Talks, Video - Arts & Culture | March 2nd, 2011

This week, some of the world’s great­est thinkers (and biggest spenders) are gath­ered in Palm Springs and Long Beach, Cal­i­for­nia for TED’s annu­al con­fer­ence. In case your invi­ta­tion to TED2011 got lost in the mail along with ours, you can still keep up with the con­fer­ence through TED’s home­page. Some high­lights so far include an open­ing address beamed in from out­er space, physi­cist Jan­na Lev­in’s dis­cus­sion of what she calls the sound­track of the uni­verse, and final­ly, a stun­ning video doc­u­ment­ing the restora­tion of Luchi­no Vis­con­ti’s 1963 clas­sic film, The Leop­ard. Even bet­ter, the video is nar­rat­ed by Mar­tin Scors­ese, uber-direc­tor, cin­e­ma his­to­ri­an, and founder of The Film Foun­da­tion, one of the many orga­ni­za­tions involved with the restora­tion.

By the way, Scorcese gave a fas­ci­nat­ing talk about film restora­tion last year at LACMA. You can watch it here. For a com­plete list of films his foun­da­tion has been involved in restor­ing or pre­serv­ing, click here.

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Jane Russell (RIP) Stars in “Outlawed” Western

in Film, Video - Arts & Culture | March 1st, 2011

Pub­lic­i­ty can be ter­ri­ble. But only if you don’t have any. - Jane Rus­sell

Jane Rus­sell learned the pow­er of noto­ri­ety at an ear­ly age. Direc­tor Howard Hugh­es (the reclu­sive bil­lion­aire) had cast the volup­tuous 19-year-old in his epic West­ern The Out­law (1943), with the full inten­tion of mak­ing her a sex sym­bol. Hugh­es essen­tial­ly made her con­sid­er­able assets the star of the film, even going so far as to design a spe­cial can­tilevered push-up bra for her to wear dur­ing shoot­ing.

Hugh­es did his job almost too well. The promi­nent dis­play of cleav­age in both the film and its trail­er unnerved cen­sors and kept The Out­law out of the­aters until near­ly 1950. (You can watch the full movie above.) The con­tro­ver­sy also launched Rus­sel­l’s career as a WWII pin-up girl, but she con­tin­ued to per­form in films, even­tu­al­ly prov­ing to be a fine actress and singer. Today she is per­haps best remem­bered  for her con­fi­dent, sexy, per­for­mance oppo­site Mar­i­lyn Mon­roe in the 1953 com­e­dy Gen­tle­man Pre­fer Blondes, and espe­cial­ly for her show­stop­ping num­ber, “Ain’t Any­one Here For Love?”

A botched ille­gal abor­tion at the age of 19 left the actress unable to bear chil­dren, and she was a vocal anti-abor­tion activist and advo­cate for adop­tion. Also a proud Repub­li­can, she described her­self to an inter­view­er in 2003 as a “a tee­to­tal, mean-spir­it­ed, right-wing, nar­row-mind­ed, con­ser­v­a­tive Chris­t­ian big­ot — but not a racist.”

Ms. Rus­sell died yes­ter­day of a lung-relat­ed ill­ness at her home in San­ta Maria, Cal­i­for­nia. She was 89 years old.

You can see The Out­law in our free movies col­lec­tion.

Relat­ed Con­tent:

25 Free John Wayne West­erns

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The Art of Making Movie Sounds

in Art, Film | February 26th, 2011

Right in time for the Oscars. Gary Heck­er is what you’d call a “Foley artist,” some­one who spe­cial­izes in cre­at­ing every­day sounds for movies – the sound of hors­es gal­lop­ing, swords being unsheathed, dirt crunch­ing beneath cow­boy boots. In short, the big and small sounds you hear (and take for grant­ed) when­ev­er you see a movie. Tim­ing. Cre­ativ­i­ty. They’re all part of this hid­den art…

A quick PS: This Sound­works video col­lec­tion takes you behind the scenes into the audio post-pro­duc­tion of fea­ture films, video game sound design, and orig­i­nal sound­track scor­ing. Good spot by @sheerly.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Bruce Lee’s Lost Interview

in Film, Television | February 24th, 2011


Bruce Lee’s act­ing career began on tele­vi­sion in 1966, when he land­ed a part in The Green Hor­net. (Watch his amaz­ing audi­tion here). But it took anoth­er five years before he gave his first (and only) tele­vi­sion inter­view. For 25 min­utes in Decem­ber 1971, the mar­tial arts star sat down with Pierre Berton, a Cana­di­an jour­nal­ist, in Hong Kong. And their con­ver­sa­tion cov­ered a fair amount of ground – Lee’s suc­cess star­ring in Man­darin films .… despite only speak­ing Can­tonese; his dif­fi­cul­ty devel­op­ing a career in a coun­try still hos­tile toward Chi­na; and his work train­ing oth­er Hol­ly­wood stars in the mar­tial arts. Berton prob­a­bly nev­er scored many points for his inter­view­ing style. But Berton is not the point here. It’s all about Lee. via Brain­Pick­ings

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Teclópolis: Modernity in Stop Motion

in Art, Film, Video - Arts & Culture | February 23rd, 2011

I could­n’t say it much bet­ter than Fes­ti­val­Ge­nius did: This Argen­tine stop motion film (cre­at­ed by Can Can Club) recounts the “strug­gles of an anachro­nis­tic Super 8 cam­era to main­tain rel­e­van­cy in the face of dizzy­ing and over­whelm­ing effects of exces­sive con­sump­tion and waste on an increas­ing­ly plas­tic civ­i­liza­tion.” In 12 min­utes, every­day objects form increas­ing­ly com­plex, almost unimag­in­able land­scapes. A won­der to see. Teclópo­lis was released in 2009.…

via Drag­on Stop Motion

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The Great Train Robbery: Where Westerns Began

in Film | February 21st, 2011

A great film tra­di­tion – the West­ern – start­ed with The Great Train Rob­bery in 1903. Edwin S. Porter’s 10 minute film com­bined west­ern themes with inno­v­a­tive cin­e­mat­ic tech­niques (nar­ra­tive sto­ry­telling, par­al­lel edit­ing, minor cam­era move­ment, loca­tion shoot­ing, etc.). And the film took its inspi­ra­tion from an event that became the stuff of leg­end: Butch Cas­sidy’s 1900 train heist, which end­ed with Cas­sidy blow­ing open a safe and escap­ing with $5,000 in cash.

Porter’s land­mark film helped spark Amer­i­ca’s love affair with West­ern films. Thou­sands of West­erns flood­ed cin­e­mas through­out the silent era — films like Bron­cho Bil­ly and The Greas­er (1914), Sky High (1922), and West of Hot Dog (1924). And though the West­ern fad­ed briefly with the advent of sound film (cir­ca 1927), the genre staged a major come­back with the release of Stage­coach (1939), a John Ford film that turned John Wayne into one of Hol­ly­wood’s endur­ing stars. And yes, we have cat­a­logued 25 free John Wayne Films right here. To find oth­er free West­erns, vis­it this YouTube chan­nel.

Relat­ed Con­tent:

A Trip to the Moon: Where Sci Fi Movies Began

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The Amazing Adventures of Kavalier and Clay: Animation Concepts

in Art, Books, Film, Literature | February 18th, 2011

Michael Chabon pub­lished The Amaz­ing Adven­tures of Kava­lier & Clay in 2000, and the next year it won the Pulitzer Prize for Fic­tion. The film ver­sion of the nov­el has been locked in “devel­op­ment hell” for a good decade now. (The pro­duc­er Scott Rudin has a rep­u­ta­tion for option­ing high-pro­file nov­els and sit­ting on them for a long time; he also holds the film rights to Jonathan Franzen’s The Cor­rec­tions.) Any­way, some­where in the devel­op­ment process, the direc­tor Jamie Caliri was asked to explore ani­ma­tion con­cepts, and here’s what he came up with: a fun inter­twin­ing of live action and ani­ma­tion.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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A Rare Look Inside Pixar Studios

in Art, Film | February 16th, 2011

Since 1995, Pixar has released a steady stream of award-win­ning ani­mat­ed films. First came Toy Sto­ry, then Find­ing Nemo, Mon­sters, Inc., The Incred­i­bles, and most recent­ly Toy Sto­ry 3. (You can revis­it Pixar’s clas­sics in this won­der­ful lit­tle trib­ute video.) Get­ting inside Pixar Stu­dios has nev­er been easy. But last week The New York Times pulled it off, pro­duc­ing a six minute video that takes you through the stu­dios designed by Steve Jobs him­self, and inside Pixar’s patent­ed ani­ma­tion process – a process that com­bines more tra­di­tion­al and cut­ting-edge ele­ments.

Note: This video tour also appears on Vimeo and YouTube.

H/T @matthiasrascher

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