Cracking Tarantino

“Taran­ti­no’s Mind,” an award win­ning short film from Brazil, decodes the fil­mog­ra­phy of Quentin Taran­ti­no, draw­ing con­nec­tions most Taran­ti­no fans might not have drawn them­selves. Act­ing in the film is Seu Jorge, a great Brazil­ian musi­cian (check this album out) who has gained recent fame in the US. The clip runs a good ten min­utes. The only down­sides are the small sub­ti­tles and lan­guage not suit­able for puri­tan­i­cal types. But we are in Taran­ti­no ter­ri­to­ry, so what could you real­ly expect? (The video below has been added to our YouTube Playlist.)

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80 Years of Academy Award Winning Films in Posters

Great poster col­lec­tion of Oscar win­ning films, from 1927 to this week. Check it out here.

via Kottke.org

Hitchcock 2008

What would it look like if you stuck today’s stars in Hitch­cock­’s clas­sic films? Van­i­ty Fair tried to fig­ure it out.

Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb

1964. Direct­ed by Stan­ley Kubrick. Star­ring Peter Sell­ers and George C. Scott. The Trail­er. Action:

Added to our YouTube Playlist.

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David Lynch on iPhone

Very fun­ny. And he’s spot on…

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Who Do We Vote For This Time Around? A Letter from Michael Moore

The Iowa cau­cus is final­ly and mer­ci­ful­ly upon us. And right in time, film­mak­er Michael Moore has offered an analy­sis of the Demo­c­ra­t­ic field of can­di­dates. There’s much here that I don’t par­tic­u­lar­ly agree with here, but Moore makes two large claims that strike me as being fun­da­men­tal­ly (and regret­ful­ly) true:

  • The “Demo­c­ra­t­ic front-run­ners are a less-than-stel­lar group of can­di­dates, and … none of them are the slam dunk we wish they were.”
  • “For months I’ve been want­i­ng to ask the ques­tion, “Where are you, Al Gore?” You can only pol­ish that Oscar for so long. And the Nobel was decid­ed by Scan­di­na­vians! I don’t blame you for not want­i­ng to enter the viper pit again after you already won. But get­ting us to change out our incan­des­cent light bulbs for some irri­tat­ing flu­o­res­cent ones isn’t going to save the world. All it’s going to do is make us more agi­tat­ed and jumpy and feel­ing like once we get home we haven’t real­ly left the office.”

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The Final Cut of Blade Runner: Now Out on DVD

Back in Octo­ber, Rid­ley Scott released a final and defin­i­tive direc­tor’s cut of Blade Run­ner, pre­sent­ing to audi­ences the film that he would have made if stu­dio execs had­n’t med­dled with things. A short two months lat­er, the final cut is now out on DVD. It was released yes­ter­day, bare­ly in time for the hol­i­days. For more on the mak­ing and remak­ing of Blade Run­ner, you can lis­ten to this recent inter­view with Rid­ley Scott.

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Coppola is Back

Fran­cis Ford Cop­po­la, the direc­tor who brought us The God­fa­ther and Apoc­a­lypse Now, has released his first film in a decade. Based on a novel­la by Mircea Eli­ade, a Roman­ian thinker prin­ci­pal­ly known for his work on the his­to­ry of reli­gion, “Youth With­out Youth” fea­tures Tim Roth play­ing the role of Dominic Matei, an elder­ly lin­guis­tics pro­fes­sor, who gets struck by light­ning and finds his youth strange­ly restored. To pub­li­cize the film, Cop­po­la has been doing a fair amount of press in New York. (The film is pre­mier­ing there.) Here, you can lis­ten to the inter­view he gave on WNY­C’s Leonard Lopate Show (iTunes — Feed — Web Site). We’ve also post­ed below a video out­take from the inter­view. Final­ly, this Q&A ses­sion in The New York Post may also be of inter­est.

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