William Shatner Narrates Space Shuttle Documentary

in Astronomy, History, Science, Television, Video - Science | July 4th, 2011

After 30 years and 134 flights, Amer­i­ca’s space shut­tle pro­gram draws to a close. And it feels pitch per­fect to wind things down with a doc­u­men­tary nar­rat­ed by William Shat­ner. Of course, you know him as Cap­tain Kirk from Star Trek, the icon­ic sci-fi TV show that ran from 1966 to 1969, smack in the mid­dle of NASA’s hey­day. (Note: Star Trek has just been added to Net­flix’s stream­ing cat­a­logue.)

The 80 minute doc­u­men­tary takes you through the his­to­ry of the Space Shut­tle pro­gram, which first got under­way dur­ing the Nixon admin­is­tra­tion. The film spends ample time look­ing at the design chal­lenges NASA engi­neers faced in try­ing to cre­ate a reusable shut­tle, while also show­ing ear­ly pro­to­types. Once the design phase was com­plete, con­struc­tion began on the first orbiter in June, 1974 and wrapped up two years lat­er. NASA called its first craft Space Shut­tle Enter­prise, pay­ing homage to the fic­tion­al Star­ship Enter­prise. Next, it was time to bold­ly go where no one had gone before.

The doc is now added to our col­lec­tion of Free Movies Online.

Relat­ed Con­tent:

The Best of NASA Space Shut­tle Videos (1981–2010)

Endeavour’s Launch Viewed from Boost­er Cam­eras

by | Permalink | Make a Comment ( 6 ) |

Gertie the Dinosaur: The Mother of all Cartoon Characters (1914)

in Animation, History | July 1st, 2011

The artist and car­toon pio­neer Win­sor McCay (1869?-1934) did not make the world’s first ani­mat­ed film. That dis­tinc­tion goes to Emile Cohl and his 76-sec­ond long Fan­tas­magorie (1908). But McK­ay, who was also the author of the pop­u­lar week­ly Lit­tle Nemo com­ic strips, made a con­tri­bu­tion to car­toons that is arguably even more impor­tant.

Sweet, mis­chie­vous Ger­tie, with her ready tears, excitable nature, and com­plete inabil­i­ty to miss a chance to get her­self in trou­ble, is wide­ly cred­it­ed as the first char­ac­ter cre­at­ed specif­i­cal­ly for ani­ma­tion, and the first to demon­strate a per­son­al­i­ty all of her own. Mick­ey Mouse, Bugs Bun­ny, Bam­bi, even Wall‑e… they all owe a debt to Ger­tie, the first of the line. One sus­pects the artist knew exact­ly what he was doing when he chose to draw her as an ani­mal that is also our com­mon ances­tor.

The fetch­ing bron­tosaurus may have been one of McCay’s most famous cre­ations, but there was mag­ic in every film he made. Be sure to check out How a Mos­qui­to Oper­ates (1912), The Sink­ing of the Lusi­ta­nia (1921), and his brief but mag­nif­i­cent The Cen­taurs (1921). You can find them all in our Free Movie col­lec­tion.

Relat­ed Con­tent:

Ear­ly Exper­i­ments in Col­or Film (1895–1935)

How Walt Dis­ney Car­toons are Made

The Beau­ty of Pixar

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

by | Permalink | Make a Comment ( 1 ) |

Gone With the Wind Turns 75, and Shows its Age

in Film, History, Literature | June 30th, 2011

It’s with some dis­com­fort that the author names Gone with the Wind, pub­lished exact­ly 75 years ago today, her favorite child­hood book: It was thick, it was roman­tic — and per­haps most cru­cial­ly for any awk­ward, bespec­ta­cled pre­teen girl — it fea­tured a head­strong hero­ine whose appeal to the oppo­site sex derived more from her charm than her phys­i­cal beau­ty.

Nonethe­less, there’s no way around the pro­found fail­ings of both the book and the MGM epic film based on it: Nov­el and film treat­ed slav­ery as an inci­den­tal back­drop to the war; they glo­ri­fied and mis­rep­re­sent­ed the actions of the Ku Klux Klan; and most egre­gious­ly, they por­trayed the mas­ter-slave rela­tion­ship as one which nei­ther mas­ter nor slave should ever dream of alter­ing. In the words of his­to­ri­an and soci­ol­o­gist Jim Loewen, author of Lies My Teacher Told Me: Every­thing Your High School His­to­ry Text­book Got Wrong:

[Gone With The Wind] laments the pass­ing of the slave era as “gone with the wind.” In the nov­el, Mitchell states open­ly that African Amer­i­cans are “crea­tures of small intel­li­gence.” And this book is by far the most pop­u­lar book in the U.S. and has been for 60 years. The book is also pro­found­ly wrong in its his­to­ry. What it tells us about slav­ery, and espe­cial­ly recon­struc­tion, did not happen…it is pro­found­ly racist and pro­found­ly wrong. Should we teach it? Of course. Should we teach against it? Of course.

Mean­while, Hat­tie McDaniel took home a best sup­port­ing actress Oscar for her role as Scar­lett O’Hara’s loy­al house slave, Mam­my. She was the first African-Amer­i­can woman to win an Acad­e­my Award. The fact that she was not allowed to attend the film’s pre­miere in Atlanta makes her accep­tance speech (1940) even more poignant. It appears above.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

by | Permalink | Make a Comment ( 8 ) |

First Meeting Between Papua New Guinea Tribesmen & Outside World

in Film, History | June 24th, 2011

Before click­ing on this extra­or­di­nary video — which shows a meet­ing of civ­i­liza­tions that may nev­er hap­pen again on our plan­et — be sure to turn the sound off and spare your­self the awful sound­track. The expres­sions on the faces of the Toulam­bi tribes­men are enough any­way, and even though his­to­ry tells us that these par­ties end bad­ly for the team with the fewest toys, you can’t help feel­ing a cer­tain amount of awe and joy while watch­ing the encounter.

This footage was shot in Papua New Guinea by Jean-Pierre Dutilleux, a Bel­gian film­mak­er and activist per­haps best known for his Acad­e­my Award-nom­i­nat­ed 1979 doc­u­men­tary Raoni: The Fight for the Ama­zon. You can vis­it Dutilleux’s web site to get more pho­tos and a lit­tle more back­sto­ry on the Toulam­bi. Have a good week­end…

via Metafil­ter

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

by | Permalink | Make a Comment ( 3 ) |

Vintage Australian Mugshots from the 1920s

in Art, History | June 21st, 2011

It was anoth­er time, anoth­er place, a moment when crim­i­nals were invit­ed to pose for the cam­era. The mugshot as an art form.

Above we have one of 2500 “spe­cial pho­tographs” tak­en by pho­tog­ra­phers from the New South Wales Police Depart­ment between 1910 and 1930. The four men (Hamp­ton Hirscham, Cor­nel­lius Joseph Keevil, William Thomas O’Brien and James O’Brien) were arrest­ed on charges of bur­glar­iz­ing the home of a book­ie — one Regi­nald Cat­ton — in April 1921. O’Brien was let off the hook, but the oth­er three dap­per ones weren’t so lucky.

You can find 30 vin­tage mugshots nice­ly curat­ed by Twist­ed Sifter. Or you can sift through a larg­er col­lec­tion housed by the Nation­al Library of Aus­tralia. H/T Coudal.com

Give us a fol­low on Face­book and Twit­ter. We’ll send more intel­li­gent media your way…

by | Permalink | Make a Comment ( 1 ) |

230 Cultural Icons: A New Collection

in Film, History, Literature, Music, Philosophy, Psychology | June 13th, 2011


Time to roll out a new media col­lec­tion — a big col­lec­tion of Cul­tur­al Icons. Here you will find great writ­ers, daz­zling film­mak­ers and musi­cians, bril­liant philoso­phers and sci­en­tists — fig­ures who have changed our cul­tur­al land­scape through­out the years. You’ll see them in video, or hear their voic­es in audio.

The list cur­rent­ly fea­tures 230 icons, all speak­ing in their own words. The col­lec­tion will inevitably grow as we add more mate­r­i­al, or as you send sug­ges­tions our way. For now, how about we whet your appetite with 10 favorites? Then you can rum­mage through the full col­lec­tion of Cul­tur­al Icons here.

(Note: Down the road, you can access this col­lec­tion by click­ing “Cul­tur­al Icons” in the top nav­i­ga­tion bar.)

Sal­vador Dali - Video – Sur­re­al­ist artist appears on “What’s My Line?” (1952)

John­ny Depp - Video – The ver­sa­tile actor reads a let­ter from Gonzo jour­nal­ist Hunter S. Thomp­son.

Anne Frank - Video – It is the only known footage of Anne Frank, author of the world’s most famous diary, and it’s now online.

Pat­ti Smith — Video — The “god­moth­er of punk” recalls her friend­ship with artist Robert Map­plethor­pe.

Quentin Taran­ti­no - Video – Pulp Fic­tion direc­tor lists his favorites films since 1992.

Leo Tol­stoy – Video – Great footage of the last days of the tow­er­ing Russ­ian nov­el­ist. 1910.

Mark Twain – Video – America’s fabled writer cap­tured on film by Thomas Edi­son in 1909.

Andy Warhol - Video – In 1979, Warhol cre­at­ed pub­lic access tele­vi­sion pro­grams. In this episode, he chats with Bian­ca Jag­ger & Steven Spiel­berg.

Tom Waits - Video – The raspy singer reads “The Laugh­ing Heart” by Charles Bukows­ki.

Vir­ginia Woolf — Audio — Record­ing comes from a 1937 BBC radio broad­cast. The talk, enti­tled “Crafts­man­ship,” was part of a series called “Words Fail Me.” The only known record­ing of her voice.

Get the rest here. Don’t miss us on Face­book and Twit­ter!

 

by | Permalink | Make a Comment ( 1 ) |

Free: European Cultural History in 91 Lectures by Eminent Historian George L. Mosse (1500–1920)

in History, Online Courses | June 2nd, 2011

Dur­ing the 1960s and 1970s, the Uni­ver­si­ty of Wis­con­sin-Madi­son put togeth­er one of the finest his­to­ry pro­grams in the Unit­ed States, and it was anchored by George Mosse, a Ger­man-born cul­tur­al his­to­ri­an who authored 25 books cov­er­ing the Eng­lish Ref­or­ma­tion, Luther­an the­ol­o­gy, Jew­ish his­to­ry, and fas­cist ide­ol­o­gy. Though he died in 1999, Mosse still remains a leg­endary fig­ure in Madi­son, and now the uni­ver­si­ty (where I did my under­grad­u­ate work — in his­to­ry, no less) has dust­ed off record­ings of his cours­es and made them freely avail­able online.

Three of his cours­es tie togeth­er into a nice pack­age, offer­ing a long look at Euro­pean Cul­tur­al His­to­ry. The first course takes you from 1500 to 1800, cov­er­ing the Renais­sance, Ref­or­ma­tion, Eng­lish Rev­o­lu­tion, Enlight­en­ment, and French Rev­o­lu­tion. The sec­ond course moves from 1660 to 1880, focus­ing on the ideas that changed Europe. It’s essen­tial­ly an intel­lec­tu­al his­to­ry that traces the rise of Enlight­en­ment think­ing, Ger­man Roman­ti­cism and Ide­al­ism (includ­ing Hegelian­ism), the birth of lib­er­al­ism and Marx­ism and beyond.

And, final­ly, the last course focus­es on the crit­i­cal peri­od 1880 — 1920. Here we have a sur­vey of the cul­tur­al revolt against bour­geois soci­ety, the rise of mod­ern cul­ture (fig­ures like Niet­zsche, Freud, & Brecht take cen­ter stage), the dam­age wrought by World War I, and the begin­nings of fas­cism in Europe.

The cours­es, all pre­sent­ed in audio, are usu­al­ly accom­pa­nied by text sum­maries. You can down­load a fourth course by Mosse called Mod­ern Jew­ish His­to­ry. They all appear in the His­to­ry sec­tion of our big col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

by | Permalink | Make a Comment ( 3 ) |

A Digital Reconstruction of Washington D.C. in 1814

in Animation, History | May 31st, 2011

What did the U.S. cap­i­tal look like 200 years ago? Find­ing a sat­is­fac­to­ry answer to this ques­tion is very dif­fi­cult since there are very few reli­able images, maps and writ­ten accounts from Wash­ing­ton’s ear­ly days. This is why Dan Bai­ley, direc­tor of the Imag­ing Research Cen­ter (IRC) at the Uni­ver­si­ty of Mary­land, Bal­ti­more, has approached archi­tec­tur­al his­to­ri­ans, car­tog­ra­phers, engi­neers, and ecol­o­gists to “recre­ate a ‘best guess’ glimpse of the ear­ly city.” The video above is the result of the IRC’s work, show­ing a city that was, they say, “a rough work in progress.”

Noth­ing was pol­ished. The scale of the fed­er­al city was that of a per­son, not of immense mar­ble bureau­cra­cy. There were cab­ins and barns on the Cap­i­tal Lawn. The first fence around the Capi­tol was to keep the cows out. Con­gress­men came to town for the leg­isla­tive ses­sions, many times sleep­ing 3 to a room in a board­ing house, and work­ing in unfin­ished build­ings.

An in-depth arti­cle about the ongo­ing project was pub­lished in The Wash­ing­ton Post.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

by | Permalink | Make a Comment ( 8 ) |

« Go Back — More in this category... »
Quantcast