Where Do Good Ideas Come From?

Where do good ideas come from? Places that put us togeth­er. Places that allow good hunch­es to col­lide with oth­er good hunch­es, some­times cre­at­ing big break­throughs and inno­va­tions. Dur­ing the Enlight­en­ment, this all hap­pened in Parisian salons and cof­fee hous­es. Nowa­days, it’s hap­pen­ing on the web, in places that defy your ordi­nary def­i­n­i­tion of “place.” In four ani­mat­ed min­utes, Steven John­son out­lines the argu­ment that he makes more ful­ly in his soon-to-be-pub­lished book, Where Good Ideas Come From: The Nat­ur­al His­to­ry of Inno­va­tion. The video is the lat­est from the RSAn­i­mate series.

PS: Last week, I wrote a guest post on 5 cap­ti­vat­ing RSA videos that mull over the flaws run­ning through mod­ern cap­i­tal­ism. You can find it on Brain Pick­ings.

Relat­ed Con­tent:

Ira Glass on Why Cre­ative Excel­lence Takes Time

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How To Photograph an Atomic Bomb

Now show­ing on the New York Times web site, a haunt­ing video slideshow called “Cap­tur­ing the Atom Bomb on Film.” It fea­tures 23 arrest­ing images of atom­ic bomb tests con­duct­ed by the US mil­i­tary between 1945 and 1962. The images (all orig­i­nal­ly pub­lished in the 2007 book How to Pho­to­graph an Atom­ic Bomb) are accom­pa­nied by an audio record­ing of George Yoshi­take. Now 82, he’s one of the few sur­viv­ing cam­era­men to cap­ture these destruc­tive weapons in action.

via @palafo

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NASA Lauches Photo Archive on Flickr

This week, NASA rolled a big archive of his­tor­i­cal images into Flickr Com­mons, giv­ing users access to more than a half cen­tu­ry of NASA’s pho­to­graph­ic his­to­ry. The images are divid­ed into three neat sets – “Launch and Take­off,” “Build­ing NASA” and “Cen­ter Name­sakes” – and they’re all copy­right-free, mean­ing that you can share and use these images how­ev­er you like. You can jump into the archive here and watch it grow over time. Thanks for the heads up @eugenephoto! They’re always appre­ci­at­ed…

Seven Ages of the Body

This new video from Cam­bridge Uni­ver­si­ty, fea­tur­ing archae­ol­o­gist John Robb, gives you a quick and visu­al­ly appeal­ing intro­duc­tion to how humans have under­stood some­thing we take for grant­ed – our own bod­ies. Cov­er­ing 10,000 years in six min­utes, Robb takes us from the “Ani­mal Body” and “Sex­u­al­ized Body” of the Mesolith­ic and Neolith­ic Ages, to the “Politi­cized Body” of the Clas­si­cal Age, “God’s Body” of the Mid­dle Ages, and final­ly “The Body as Machine,” the metaphor we have been liv­ing with since 1500. And we wrap up with the “Body Dig­i­tal,” the body of the future, and “Mul­ti­ple Bod­ies.” This video comes from the Cam­bridge Ideas series avail­able on Cam­bridge’s YouTube chan­nel.

Leon Trotsky: Love, Death and Exile in Mexico


Leon Trot­sky, one of the fathers of the Russ­ian Rev­o­lu­tion, sec­ond only to to Lenin, was assas­si­nat­ed in Mex­i­co 70 years ago today (August 21, 1940). Dur­ing the ear­ly years of the Rev­o­lu­tion, Trot­sky head­ed up for­eign affairs for Rus­sia and found­ed the Red Army. Fol­low­ing Lenin’s death (1924), he looked primed to take con­trol of the rev­o­lu­tion­ary state. But Stal­in had oth­er thoughts about the mat­ter, and, before too long, Trot­sky found him­self in exile again. Pre­vi­ous exiles took him to Siberia, Kaza­khstan, Aus­tria, Switzer­land, Spain and the Unit­ed States. This time, he went to France, Nor­way, Turkey (see the film Vanes­sa Red­grave nar­rates on his stint in Istan­bul) and lat­er Mex­i­co (1936), where he lived with painter Diego Rivera and his wife/fellow painter, Fri­da Kahlo. Even­tu­al­ly, Kahlo and Trot­sky would have a famous affair.

Above, we have some grainy footage of Trot­sky from his Mex­i­co years. The footage dates back to 1937, and it shows Trot­sky, speak­ing in bro­ken Eng­lish, giv­ing thanks to Mex­i­co for pro­vid­ing sanc­tu­ary and defend­ing him­self against the show tri­als that Stal­in orches­trat­ed back in Rus­sia. Trot­sky was sen­tenced to death in absen­tia. Three years lat­er, he would be assas­si­nat­ed by an under­cov­er agent while still liv­ing in Mex­i­co. YouTube has more on the assas­si­na­tion here. A big thanks goes to Mike S. for unearthing this great lit­tle clus­ter of videos.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Visit 890 UNESCO World Heritage Sites with Free iPhone/iPad App

The new Foto­pe­dia Her­itage app for the iPhone and iPad lets the world come to you. (Down­load here.) Draw­ing on 20,000 curat­ed pho­tos tak­en by thou­sands of pho­tog­ra­phers from the Foto­pe­dia com­mu­ni­ty, this FREE app lets you vis­it (at least vir­tu­al­ly) 890 UNESCO World Her­itage sites. In a mat­ter of min­utes, you can move from Notre Dame in Paris, to the Dome of the Rock in Jerusalem, to Machu Pic­chu in Peru, to the Great Pyra­mid of Giza in Egypt. You get the pic­ture. And speak­ing of pic­tures, it’s worth not­ing that all pho­tos are released under a Cre­ative Com­mons license. A very nice touch. Let me final­ly men­tion that the app has some smart mashup fea­tures, includ­ing maps show­ing the loca­tion of each site, plus Wikipedia entries offer­ing back­ground infor­ma­tion on each loca­tion. You can start down­load­ing the app right here. (Many thanks to Jane for call­ing this out.)

Relat­ed Con­tent:

Vis­it Pom­peii (also Stone­henge & Ver­sailles) with Google Street View

Nelson Mandela’s First-Ever TV Interview (1961)

Note: This post was orig­i­nal­ly fea­tured on our site in 2010. In light of the news that Nel­son Man­dela has passed away at age 95, we’re bring­ing this vin­tage clip back to the fore. Here you can see a young Man­dela mak­ing his­to­ry, and with­out per­haps real­iz­ing it, build­ing the remark­able lega­cy that remains with us today.

In 1962, Nel­son Man­dela was arrest­ed on alle­ga­tions of sab­o­tage and oth­er charges and sen­tenced to life in prison, where he spent 27 years before becom­ing South Africa’s first pres­i­dent elect­ed in a ful­ly demo­c­ra­t­ic elec­tion. His sto­ry, among mod­ern his­to­ry’s most pro­found­ly inspi­ra­tional, is beau­ti­ful­ly and poet­i­cal­ly cap­tured in Clint East­wood’s 2009 gem, Invic­tus. But what East­wood’s account leaves out are the events that pre­ced­ed and led to Man­de­la’s arrest.

In May of 1961, a 42-year-old Man­dela gave his first-ever inter­view to ITN reporter Bri­an Wid­lake as part of a longer ITN Rov­ing Report pro­gram about Apartheid. At that point, the police are already hunt­ing for Man­dela, but Wid­lake pulls some strings and arranges to meet him in his hide­out. When the reporter asks Man­dela what Africans want, he prompt­ly responds:

“The Africans require, want the fran­chise, the basis of One Man One Vote – they want polit­i­cal inde­pen­dence.”

But per­haps more inter­est­ing is the dia­logue towards the end of the inter­view, where Man­dela explores the com­plex rela­tion­ship between peace and vio­lence as protest and nego­ti­a­tion tac­tics. We’re left won­der­ing whether his seem­ing­ly sud­den shift from a com­plete­ly peace­ful cam­paign strat­e­gy up to that point towards con­sid­er­ing vio­lence as a pos­si­bil­i­ty may be the prod­uct of South African police going after him with full force that week. Vio­lence, it seems, does breed vio­lence even in the best and noblest of us.

Relat­ed Con­tent:

Nel­son Man­dela Archive Goes Online (With Help From Google)

The Nel­son Man­dela Dig­i­tal Archive Goes Online

U2 Releas­es a Nel­son Man­dela-Inspired Song, “Ordi­nary Love”

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of eclec­tic inter­est­ing­ness and indis­crim­i­nate curios­i­ty. She writes for Wired UK, GOOD Mag­a­zine, Big­Think and Huff­in­g­ton Post, and spends a dis­turb­ing amount of time curat­ing inter­est­ing­ness on Twit­ter.

Oppenheimer: The Man Behind the Bomb

In July 1945, J. Robert Oppen­heimer, a the­o­ret­i­cal physi­cist from UC Berke­ley, saw his work on the Man­hat­tan Project cul­mi­nate with the test of the first nuclear bomb. The genie was let out of the bot­tle, and, ever since then, world lead­ers have been try­ing to put the genie back in … with great dif­fi­cul­ty. The new doc­u­men­tary Count­down to Zero, which pre­miered at Sun­dance ear­li­er this year, traces the his­to­ry of the atom­ic bomb and makes the case for world­wide nuclear dis­ar­ma­ment – a time­ly issue giv­en that the US Sen­ate has been debat­ing the New Strate­gic Arms Reduc­tion Treaty (aka New START). The “fea­turette” above, excerpt­ed from the film, gives you a quick and some­what haunt­ing intro­duc­tion to Oppen­heimer, the man behind the bomb.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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