Apollo 11 Launch in Very Slow Motion

We take you back to July 16, 1969 and the launch of Apol­lo 11, which land­ed humans on the moon for the first time. The footage slows things down, stretch­ing 30 sec­onds of action to over eight min­utes of view­ing time. Here’s what it looked like in real time.

via @SteveSilberman

An Epic Journey on the Trans-Siberian Railroad


Google and the Russ­ian Rail­ways recent­ly joined forces to cre­ate a vir­tu­al tour of the his­toric Trans-Siber­ian rail­road. It’s the longest rail­way in the world, mov­ing from Moscow to Vladi­vos­tok, cut­ting across two con­ti­nents, 12 regions and 87 cities. Now, you can take the six-day jour­ney from the com­fort of your own home. Through a spe­cial page on Google Maps, you can watch video of the trip unfold, as if you were a pas­sen­ger, and also enjoy clas­sic Russ­ian lit­er­a­ture, music and pho­tos along the way. As you roll out of Moscow, start lis­ten­ing to a free audio ver­sion of  Tol­stoy’s War & Peace (in Russ­ian, of course) and ease into the 150 hour trip. How’s that for an epic vir­tu­al jour­ney?

via @6oz

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David Remnick on Obama

David Rem­nick won a Pulitzer in 1994 for Lenin’s Tomb: The Last Days of the Sovi­et Empire. Then, in 1998, he began his suc­cess­ful run as edi­tor-in-chief of the New York­er mag­a­zine. Now, he gives you a long biog­ra­phy (672 pages) of Barack Oba­ma, the first African-Amer­i­can pres­i­dent of the Unit­ed States. Oba­ma’s per­son­al sto­ry is well known, thanks in part to Oba­ma’s own auto­bi­o­graph­i­cal account. But, Rem­nick­’s work (which debuted as the #3 best­seller on The New York Times non-fic­tion list) nonethe­less has some­thing new to say. It is exhaus­tive­ly researched and dense­ly detailed, and adds col­or in areas miss­ing from oth­er accounts. It also places Oba­ma a bit more square­ly with­in the con­text of Amer­i­ca’s black free­dom strug­gle.

To get a glimpse inside this new work, you’ll want to lis­ten to this inter­view with David Rem­nick. It was con­duct­ed by Michael Kras­ny in San Fran­cis­co last week. Down­load the mp3 or grab the iTunes ver­sion here. Or sim­ply stream it below. The book, by the way, is avail­able in audio for­mat via Audible.com, and if you try out their 14 day free tri­al, you can even down­load the audio­book for free. More info on that here.

Tony Judt on our Uncertain Future

As we men­tioned two weeks ago, Tony Judt, a promi­nent his­to­ri­an and pub­lic intel­lec­tu­al, has been grap­pling with ALS (oth­er­wise known as Lou Gehrig’s dis­ease) since 2008. With the dis­ease now tak­ing its toll, Judt has gone more pub­lic and start­ed pub­lish­ing with more urgency. On Mon­day, he was inter­viewed by Ter­ry Gross on NPR’s Fresh Air (lis­ten below, here or on iTunes). Of the many items dis­cussed, one par­tic­u­lar­ly struck me. When Gross asked whether his­to­ry still mat­tered deeply to him, the his­to­ri­an answered: yes, but:

I think now, I’m more wor­ried about the future. The past is always going to be a mess. It’s going to be a mess because it was mess and because peo­ple are going to abuse it, get it wrong and so on. But I’m rea­son­ably con­fi­dent that with each gen­er­a­tion of his­to­ri­ans, we keep fight­ing hard to get it right again. But we could get the future very seri­ous­ly wrong, and there it’s much hard­er to get it right… I’m encoun­ter­ing the first gen­er­a­tion of young peo­ple in col­leges and schools who real­ly do not believe in the future, who don’t think not just that things will get evi­dent­ly and per­ma­nent­ly bet­ter but who feel that some­thing has gone very bad­ly wrong that they can’t quite put their fin­ger on, but that is going to spoil the world that they’re grow­ing up into.

Whether it’s cli­mate change or polit­i­cal cyn­i­cism or over­re­ac­tion or lack of reac­tion, to exter­nal chal­lenges, whether it’s ter­ror­ism or pover­ty, the sense that it’s all got out of con­trol, that they, the politi­cians and so on, media peo­ple, are nei­ther doing any­thing nor telling us the truth. That sense seems to have per­vad­ed the younger gen­er­a­tion in ways that were not true in my expe­ri­ence.

Maybe the last time that might have been true was in the 1920s, where you had the com­bi­na­tion of shock and anger from World War I, the begin­nings of eco­nom­ic depres­sion and the ter­ri­fy­ing real­iza­tion that there might very well be a World War II. I don’t think we’re on the edge of World War III or IV. But I do think that we are on the edge of a ter­ri­fy­ing world. That’s why I wrote the book [Ill Fares the Land].

The first chap­ter of Ill Fares the Land is now avail­able (for free) on The New York Times web­site, and it will give you a quick feel for the issues that Judt thinks we need to con­front. The com­plete Fresh Air inter­view ranges much more broad­ly, going into Judt’s per­son­al expe­ri­ence with ALS, and I’d encour­age you to give it your time. (Stream below.) Also please vis­it Move For ALS to con­tribute to a new cam­paign affil­i­at­ed with Tony Judt to fund ALS research.

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Aldous Huxley Warns Against Dictatorship in America

Warn­ings of dic­ta­tor­ship are noth­ing new in Amer­i­ca. We have them now, and we’ve had them before, and we’ve even had them come from the intel­li­gentsia at times. Above, Aldous Hux­ley, author of Brave New World (get free text here), talks with Mike Wal­lace in 1958 — smack in the mid­dle of the Cold War — about the major threats to Amer­i­can free­dom. Who were the vil­lains? Not elect­ed rep­re­sen­ta­tives who passed laws with a major­i­ty in Con­gress. No, it was a dif­fer­ent set of char­ac­ters: over­pop­u­la­tion, bureau­cra­cy, pro­pa­gan­da, drugs, adver­tis­ing, and, yes, tele­vi­sion. Part 1 of the inter­view appears above, and you can con­tin­ue with Part 2, and Part 3. For more inter­views from The Mike Wal­lace Inter­view (1957–1960), please revis­it our ear­li­er piece. You’ll find some more thought pro­vok­ing inter­views there (and lots of cig­a­rette ped­dling).

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Tony Judt, Leading Public Intellectual, Confronts ALS

Dur­ing the past decade, Tony Judt emerged as one of Amer­i­ca’s lead­ing pub­lic intel­lec­tu­als. He’s com­bat­ive, often con­tro­ver­sial (espe­cial­ly when talk­ing about Israel), and some­times dis­liked. But he’s tak­en seri­ous­ly. And many have had noth­ing but sheer praise for his mas­ter work, Post­war: A His­to­ry of Europe Since 1945. The NYU his­to­ri­an had built up a career that many envied. But then things start­ed going wrong … phys­i­cal­ly, not intel­lec­tu­al­ly. In 2008, Judt was diag­nosed with ALS, or Lou Gehrig’s dis­ease. And he made his diag­no­sis wide­ly known ear­li­er this year, when he pub­lished an essay, â€śNight,” in The New York Review of Books. The arti­cle is short, but it brings you right inside his dai­ly expe­ri­ence. He writes:

Dur­ing the day I can at least request a scratch, an adjust­ment, a drink, or sim­ply a gra­tu­itous re-place­ment of my limbs—since enforced still­ness for hours on end is not only phys­i­cal­ly uncom­fort­able but psy­cho­log­i­cal­ly close to intol­er­a­ble. It is not as though you lose the desire to stretch, to bend, to stand or lie or run or even exer­cise. But when the urge comes over you there is nothing—nothing—that you can do except seek some tiny sub­sti­tute or else find a way to sup­press the thought and the accom­pa­ny­ing mus­cle mem­o­ry.

But then comes the night. … If I allow a stray limb to be mis-placed, or fail to insist on hav­ing my midriff care­ful­ly aligned with legs and head, I shall suf­fer the ago­nies of the damned lat­er in the night. I am then cov­ered, my hands placed out­side the blan­ket to afford me the illu­sion of mobil­i­ty but wrapped nonethe­less since—like the rest of me—they now suf­fer from a per­ma­nent sen­sa­tion of cold. I am offered a final scratch on any of a dozen itchy spots from hair­line to toe; the Bi-Pap breath­ing device in my nose is adjust­ed to a nec­es­sar­i­ly uncom­fort­able lev­el of tight­ness to ensure that it does not slip in the night; my glass­es are removed…and there I lie: trussed, myopic, and motion­less like a mod­ern-day mum­my, alone in my cor­po­re­al prison, accom­pa­nied for the rest of the night only by my thoughts.

This expe­ri­ence has­n’t slowed down Judt a bit. In fact, quite the oppo­site, Judt has been ramp­ing up his pub­li­ca­tions, prov­ing even more pro­lif­ic than before. (His lat­est book, Ill Fares the Land, will be pub­lished this week.) Judt’s bat­tle with ALS and his sense of intel­lec­tu­al urgency get dis­cussed in the lat­est edi­tion of New York Mag­a­zine. It’s a piece well worth read­ing. So also is the large pro­file that ran in The Chron­i­cle of High­er Edu­ca­tion in Jan­u­ary. Above we fea­ture an inter­view with Judt post­ed by The Guardian.

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Julius Caesar Gets Clipped 2054 Years Ago Today

March 15th. It trans­lates to the Ides of March on the Roman Cal­en­dar. And it’s the date when Julius Cae­sar was famous­ly assas­si­nat­ed in 44 B.C. To mark the occa­sion (today is the Ides of March), we bring you a dra­mat­ic, six-minute clip of the assas­si­na­tion scene from the film ver­sion of Shake­speare’s Julius Cae­sar, direct­ed by Joseph Mankiewicz in 1953. The scene fea­tures Louis Cal­h­ern as Cae­sar, John Giel­gud as Cas­sius and James Mason as Bru­tus.  The film also stars Mar­lon Bran­do as Mark Antony, but we only get a fleet­ing glimpse of him in this scene as the plot­ters con­trive to sep­a­rate him from Cae­sar.

Note: You can down­load a free audio ver­sion of Shake­speare’s play thanks to Lib­rivox, or get a free etext here. And if you have an iPhone, feel free to down­load a free app that includes all of Shake­speare plays.

Mike, one of our faith­ful read­ers, gets all of the cred for this one! Many thanks.

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World War II Relived through Sand Painting

How did the artist Kseniya Simono­va win the Ukrain­ian ver­sion of Britain’s Got Tal­ent? By using the art of sand paint­ing to recount the sto­ry of Ger­many’s inva­sion of Ukraine in 1941. Life was some­what ordi­nary, then it all fell apart. And, by the war’s end, an esti­mat­ed 10 mil­lion Ukraini­ans were left dead. It’s a dif­fi­cult sto­ry to tell. And I’m refer­ring not just to the sto­ry’s con­tent, but to the actu­al medi­um too. Thanks Steve for the heads up on this one.

For more sand paint­ing, check out the work of Ilana Yahav.

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