Writers’ Houses Gives You a Virtual Tour of Famous Authors’ Homes

 

I’ve always been some­what amused by the accounts of Paul Ver­laine and Arthur Rimbaud’s brief bohemi­an affair. The old­er, mar­ried, and inter­nal­ly tor­tured Catholic Verlaine’s pin­ing for the self-destruc­tive and pre­co­cious young Rim­baud always presents a ridicu­lous pic­ture in prose. But it’s a pic­ture that takes on much clear­er con­tours when, for the first time, I get to see the house they occu­pied on 8 Roy­al Col­lege Street (above). The image of the house, with its for­bid­ding brick façade, gives their real­ly pret­ty unpleas­ant sto­ry a grav­i­tas that lit­er­ary his­to­ry can’t approach. Whether seen in per­son or in a pho­to­graph, the effect of view­ing any revered author’s home is sim­i­lar: his­to­ries once sub­ject to biog­ra­phers’ caprice take on the irrefutable weight of phys­i­cal real­i­ty. And while I’d love to have the lux­u­ry of a pil­grim­age to all my lit­er­ary heroes’ homes, I’m con­tent with the next best thing: an inter­net tour in pic­tures. That’s exact­ly what one gets at the Writ­ers’ Hous­es site, which has col­lect­ed dozens of images of famous writ­ers’ homes, sourced main­ly from user pho­tos.

And so home­bod­ies like myself can read their favorite Edna St. Vin­cent Mil­lay son­nets while gaz­ing at her Auster­litz, NY home “Steeple­top” (below, a bit more mod­est than I’d imag­ined):

Like­wise, I can read Flan­nery O’Connor’s grotesque lit­tle sto­ries and be con­tin­u­al­ly amazed that she did not emerge from some Medieval clois­ter in a fiery South­ern wild but from the bright, ram­bling farm­house called “Andalu­sia” (below).

And while I can only con­nect Thomas Hardy’s coun­try goth­ic nov­els and bleak poet­ry with the ter­mi­nal despair of a man who nev­er leaves his fire­lit study in some stur­dy, for­mal estate, his lit­tle cot­tage (below) is real­ly kind of cheery and resem­bles some­thing out of Peter Jackson’s Shire (though Hardy’s “Max Gate” home in Dorch­ester is exact­ly what I pic­ture him in).

The Writ­ers’ Hous­es site allows you to browse by author, state, and city, with a sep­a­rate cat­e­go­ry for “inter­na­tion­al hous­es.” Its main page is a reg­u­lar blog with a wealth of cur­rent infor­ma­tion on writ­ers’ homes, replete with links to oth­er sites and sources. For lovers of trav­el and archi­tec­tur­al and lit­er­ary his­to­ry, this is not to be missed.

via Kot­tke

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

The Wonder, Thrill & Meaning of Seeing Earth from Space. Astronauts Reflect on The Big Blue Marble

On Decem­ber 7, 1972, the Apol­lo 17 crew took a pho­to­graph of earth that became known as “The Blue Mar­ble” because of the whor­ling clouds above the con­ti­nents. Not the first image of the earth from space, it remains one of the most arrest­ing. To com­mem­o­rate the for­ti­eth anniver­sary of “The Blue Mar­ble,” Plan­e­tary Col­lec­tive, a group of visu­al artists, philoso­phers, and sci­en­tists, released the short film Overview (above) at a screen­ing at Har­vard this past Fri­day. Overview takes its title from author Frank White’s phrase for the per­spec­tive of the earth as seen from space: “The Overview Effect.” White’s book of the same name uses inter­views and writ­ings from thir­ty astro­nauts and cos­mo­nauts to build a the­o­ry about the psy­chol­o­gy of plan­e­tary per­spec­tives.

The film is a pre­lude to a fea­ture-length doc­u­men­tary called Con­tin­u­um, and it intro­duces many of that project’s themes: the inter­de­pen­dence of every­one on earth, the neces­si­ty of adopt­ing a plan­e­tary per­spec­tive, and the meet­ing of cer­tain reli­gious expe­ri­ences with the sci­ences. Through a selec­tion of inter­views with five astro­nauts and philoso­phers asso­ci­at­ed with think tank The Overview Insti­tute, one gets a thrilling and vic­ar­i­ous expe­ri­ence of what it’s like to see Bucky Fuller’s “Space­ship Earth.”  Across all of the respons­es emerge the cen­tral themes of Earth­’s uni­ty, and its fragili­ty: we’re all in this togeth­er, or else, the film con­cludes.

Espe­cial­ly inter­est­ing is the inter­view with Apol­lo astro­naut Edgar Mitchell; he comes to see his expe­ri­ence in mys­ti­cal terms, as a kind of intense med­i­ta­tive state known in San­skrit as savikalpa Samad­hi, a union with the divine. Dr. Mitchell’s attempts to inte­grate sci­en­tif­ic prac­tice and human con­scious­ness par­al­lel those of Plan­e­tary Col­lec­tive and The Overview Insti­tute, all of whom seek in their own ways to help the human race achieve a shift in per­spec­tive sim­i­lar to what the astro­nauts expe­ri­enced, a shift so well artic­u­lat­ed by Carl Sagan in his Cos­mos doc­u­men­tary series and his 1994 book Pale Blue Dot. Inspired by anoth­er icon­ic image of the earth from space, Voy­ager 1’s pho­to from 4 bil­lion miles out, Sagan’s mus­ings took a mys­ti­cal turn, but nev­er left the ground of sound sci­en­tif­ic rea­son­ing. His “Pale Blue Dot” has become a metaphor for a sim­i­lar per­spec­tive as White’s “overview effect,” albeit one con­sid­er­ably more detached. Watch Sagan’s words brought to life below by ani­ma­tion stu­dio ORDER.

via @kirstinbutler

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

Ghosts of History: Dutch Artist Eerily Superimposes Modern Street Scenes on World War II Photos

We all have our fas­ci­na­tions. Some of us are enam­ored of a par­tic­u­lar his­tor­i­cal era. If I had to pick a time peri­od I’d want to vis­it, I’d say the 1930s—after the Depres­sion, before World War II—a “tween­er” decade if there ever was one.

Jo Hed­wig Teeuwisse takes her inter­est in the 1930s to extra­or­di­nary lengths. She wears vin­tage cloth­ing and attends 1930s-theme par­ties. She is also a his­tor­i­cal con­sul­tant and expert on dai­ly life from 1930–1945.

Teeuwisse lives in The Hague but once, while vis­it­ing Ams­ter­dam, she stum­bled upon a trea­sure on the street. It was a box filled with old pho­to­graph­ic neg­a­tives. Some had iden­ti­fy­ing notes but most did not. A his­to­ry nut, Teeuwisse went to work imme­di­ate­ly try­ing to sort out where the shots were tak­en and, if pos­si­ble, the iden­ti­ties of peo­ple in the retro pho­tos.

The results are an impres­sive and amaz­ing archive Teeuwisse calls Ghosts of His­to­ry. More than sim­ply fig­ur­ing out which build­ing is fea­tured in a pic­ture, Teeuwisse cre­at­ed pho­to mash-ups by com­bin­ing ele­ments of a vin­tage image with an image of her own tak­en in the same place today.

We see mem­bers of the under­ground press march­ing down a main Ams­ter­dam thor­ough­fare in June, 1945 along­side shop­pers and tourists strolling down the same street today.

In a pow­er­ful jux­ta­po­si­tion of then and now, three Dutch scouts risk their lives cross­ing Amsterdam’s Dam Square in the after­math of a Nazi attack just two days after Ger­many sur­ren­dered. Note the hats left behind by peo­ple who had fled for their lives, and the con­tem­po­rary stu­dents walk­ing non­cha­lant­ly on.

This image shows the same scene, but with the Nazi recruit­ment office sign promi­nent in the back­ground.

What is so potent about Teeuwisse’s work is that it is so qui­et. She doesn’t have to point out irony because it is so imme­di­ate­ly evi­dent: Those same cob­bles that so many have trod on the way to Madame Tussaud’s Wax Muse­um are scuffed by the boots of sol­diers, fam­ished vic­tims of war aus­ter­i­ty and ordi­nary work­ing peo­ple on their way to the fac­to­ry.

Some make it more plain than oth­ers that his­to­ry is all around us all the time.

There are still many World War II images from that box that remain uniden­ti­fied. Teeuwisse loaded them all up to her flickr site. Take a look. Maybe you’ll find a famil­iar face from your own past.

Kate Rix writes about dig­i­tal media and edu­ca­tion. Read more of her work at and thenifty.blogspot.com.

Watch a Cool and Creepy Visualization of U.S. Births & Deaths in Real-Time

As one Metafil­ter com­menter put it, this visu­al­iza­tion is cool and creepy at once. Assem­bled by Brad Fly­on, the visu­al­iza­tion gives you a feel for the qual­i­ta­tive rhythm of births and deaths in the U.S.. (For­tu­nate­ly the births exceed deaths by a sig­nif­i­cant mar­gin.) When you enter the visu­al­iza­tion, you’ll want to give things a few moments to get going. And you can mouse over parts of the map to get more data.

The visu­al­iza­tion itself was cre­at­ed with the fol­low­ing (and I’m quot­ing Fly­on ver­ba­tim here):

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Self-Taught African Teenager Wows M.I.T. (and Other Innovators Changing Africa’s Fate)

The news the world receives from the con­ti­nent of Africa is almost uni­form­ly bad, and this is cer­tain­ly an unjust sit­u­a­tion. A recent par­o­dy ad cam­paign by Nor­we­gian Erik Schrein­er Evans attempts to say as much; Evans’ Africa for Nor­way spoof intends to send the mes­sage to “stop treat­ing Africans like pas­sive recip­i­ents of aid, and rec­og­nize that the con­ti­nent is more than the sum of its prob­lems.” This mes­sage may have some effect on the ten­den­cy of major news and aid orga­ni­za­tions to cap­i­tal­ize on the suf­fer­ing of African peo­ple, but recent sto­ries high­light­ing the inge­nu­ity and self-suf­fi­cien­cy of African teenagers may do more to change per­cep­tions. First, there is the sto­ry of four Niger­ian teenagers who debuted their “urine-pow­ered gen­er­a­tor” at the 2012 “Mak­er Faire Africa” in Lagos, a sto­ry that made head­lines in inter­na­tion­al news. Anoth­er prodi­gy, from Sier­ra Leone, has made a splash with his abil­i­ty to turn garbage into use­able tech­nol­o­gy. Fif­teen-year-old Kelvin Doe—a.k.a. D.J. Focus—has wowed engi­neers by build­ing his own bat­ter­ies, gen­er­a­tors, and trans­mit­ters with scrounged-up spare parts and youth­ful resource­ful­ness.

The above THINKR video pro­files Kelvin, with inter­views from engi­neers like MIT doc­tor­al stu­dent David Sen­geh, also from Sier­ra Leone, who has used his con­nec­tions to help young peo­ple like Kelvin devel­op their tal­ents for the ben­e­fit of their war-torn and impov­er­ished coun­try. Kelvin’s a pret­ty amaz­ing young guy. He explains his alter-ego “D.J. Focus” as part of his per­son­al ethos: “I believe if you focus, you can do an inven­tion per­fect­ly.” Kelvin hosts his own radio show, which pro­vid­ed the impe­tus for his tech inno­va­tions. Kelv­in’s sto­ry struck a chord: the short video gar­nered over three-mil­lion views in just ten days.

A more recent episode of THINKR’s “Prodi­gies” series pro­files Kelvin’s men­tor, David Sen­gah, whose research focus­es on design­ing com­fort­able pros­thet­ic limbs, an inter­est he devel­oped through his own expe­ri­ence of the ten-year Sier­ra Leone Civ­il War, dur­ing which rebel forces ampu­tat­ed limbs to intim­i­date their oppo­si­tion.

Kelvin Doe and David Sen­gah are extra­or­di­nary inven­tors, but they are only two exam­ples of a steady stream of African tech inno­va­tors, artists, writ­ers, and entre­pre­neurs ded­i­cat­ed to chang­ing their coun­tries’ fates and there­by chang­ing the offi­cial nar­ra­tive of Africans as help­less vic­tims.

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

Ira Glass Makes Balloon Animals and Gives NSFW Advice to Teens — At the Same Time!!

Pri­or to pub­lic radio super­star­dom, Ira Glass enjoyed mod­est suc­cess as an ama­teur teenage magi­cian with a side in bal­loon ani­mals. At the behest of Rook­ie, an online mag­a­zine by and for teen girls, Glass shared some trade secrets gleaned from the 1974 pam­phlet, Roger’s Rub­ber Ark, Vol­ume II. Ignore the dia­bol­i­cal squeak­ing, and you’ll come out of this video know­ing every step that goes into a seat­ed Snoopy and a sur­pris­ing­ly ele­gant French poo­dle.

Even bet­ter than the bal­loon how-tos are Glass’ straight­for­ward respons­es to Rook­ie read­ers’ ques­tions, a chal­lenge pre­vi­ous­ly faced by Jon Hamm and Paul Rudd.

He applauds the courage of “Anony­mous,” who revealed her true feel­ings to a crush via text mes­sage. But, when pre­sent­ed with the facts, Glass con­cludes unequiv­o­cal­ly that her sen­ti­ment is not shared. (It’s not.)

The entire­ty of wom­ankind will embrace him for what he has to say to nerdy girls and those with short hair­dos.

And when the top­ic turns to con­dom eti­quette and fel­la­tio, well, let’s just say that the teenagers of the world could use more sex edu­ca­tors like Ira Glass.

Relat­ed Con­tent:

Ira Glass on the Art of Sto­ry­telling

A Poignant, Elegant Tribute to the Mars Rover Curiosity

The Curios­i­ty mis­sion on Mars will soon bring us some big news. We don’t know what it is. We just know, accord­ing to one NASA sci­en­tist, the dis­cov­ery â€śis going to be one for the his­to­ry books.” As we await more infor­ma­tion, we bring you this: a short film by Dan Win­ters and Shervin Shaeri that weaves togeth­er com­men­tary from NASA engi­neers and some arrest­ing pho­tographs. Togeth­er, they remind us of the heart and soul that went into putting a state-of-the-art rover on a red plan­et some 200 mil­lion miles away from our own “pale blue dot,” as Carl Sagan once called it.

Neil deGrasse Tyson Answers the Big Enchilada Question, “Does the Universe Have a Purpose?”

Neil deGrasse Tyson was asked by the Tem­ple­ton Foun­da­tion to answer the unan­swer­able ques­tion “Does the Uni­verse Have a Pur­pose?” He read his answer aloud, and Minute Physics helped ani­mate it. If you head to the Tem­ple­ton Foun­da­tion web site, you can find replies by oth­er lead­ing intel­lec­tu­als, includ­ing Lawrence Krauss, Jane Goodall, and Elie Wiesel.

For more pearls of wis­dom from Tyson, check out the fol­low­ing:

Neil deGrasse Tyson Lists 8 (Free) Books Every Intel­li­gent Per­son Should Read

Neil deGrasse Tyson Deliv­ers the Great­est Sci­ence Ser­mon Ever

Stephen Col­bert Talks Sci­ence with Astro­physi­cist Neil deGrasse Tyson

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