Neil Gaiman Gives Sage Advice to Aspiring Artists

“I want to be a direc­tor, and I’ve been told that there are enough artists in the world, and that’s not some­thing I should pur­sue. Do you [agree with that]?”

A young woman put that ques­tion to sci-fi and fan­ta­sy writer Neil Gaiman at The Con­necti­cut Youth Forum last week. And he respond­ed with an answer that might sound famil­iar, espe­cial­ly if you viewed the thought­ful com­mence­ment speech he gave at The Uni­ver­si­ty of the Arts in Philadel­phia last spring. There, he gave 10 Essen­tial Tips for Work­ing in the Arts, and, if you have a real­ly sharp mem­o­ry, you’ll recall sug­ges­tions #6 and #10.

  • Make your own art, mean­ing the art that reflects your indi­vid­u­al­i­ty and per­son­al vision.
  • Leave the world more inter­est­ing than it was before.

They’re wise tips, but they’re bet­ter tak­en in con­junc­tion with sug­ges­tions 1, 2, 3, 4, 5, 7, 8, and 9. Watch them all here. And don’t miss our col­lec­tion of Free Neil Gaiman Sto­ries, avail­able in text, audio and video.

The “Priest” They Called Him: A Dark Collaboration Between Kurt Cobain & William S. Burroughs

It was a dark col­lab­o­ra­tion folks. There’s no deny­ing it. In Sep­tem­ber of 1992, the Beat writer William S. Bur­roughs entered a stu­dio in Lawrence, Kansas and record­ed a nar­ra­tion of “The “Priest” They Called Him,” a short sto­ry orig­i­nal­ly pub­lished in his 1973 col­lec­tion The Exter­mi­na­tor. It’s a grim tale about hero­in, addic­tion, with­draw­al, and the “immac­u­late fix.” Two months lat­er, the read­ing was giv­en a sound­track when Kurt Cobain, then the front­man for Nir­vana, stepped into a Seat­tle stu­dio and gave Bur­rough’s read­ing a sound­track full of harsh, dis­so­nant gui­tar riffs that cap­tured the spir­it of the sto­ry. Mixed togeth­er  by E. J. Rose and James Grauer­holz, the col­lab­o­ra­tive record­ing was released as a lim­it­ed edi­tion vinyl pic­ture disc in 1993, and then again on CD and 10-inch vinyl.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Nirvana’s Home Videos: An Inti­mate Look at the Band’s Life Away From the Spot­light (1988)

William S. Bur­roughs Explains What Artists & Cre­ative Thinkers Do for Human­i­ty: From Galileo to Cézanne and James Joyce

William S. Bur­roughs Reads His First Nov­el, Junky

William S. Bur­roughs on Sat­ur­day Night Live, 1981

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Richard Burton Reads ‘Ballad of the Long-Legged Bait’ and 14 Other Poems by Dylan Thomas

When the actor Richard Bur­ton died in 1984 he was buried, as he request­ed, with a copy of The Col­lect­ed Poems of Dylan Thomas.

Bur­ton was a great friend and admir­er of Thomas, who shared his Welsh her­itage and rak­ish demeanor. The two men also shared a love of lit­er­a­ture. “I was cor­rupt­ed by Faust,” Bur­ton once said. “And Shake­speare. And Proust. And Hem­ing­way. But most­ly I was cor­rupt­ed by Dylan Thomas. Most peo­ple see me as a rake, wom­an­iz­er, booz­er and pur­chas­er of large baubles. I’m all those things depend­ing on the prism and the light. But most­ly I’m a read­er.”

In 1954 Bur­ton read a selec­tion of his friend’s poet­ry for a record­ing that would be released the fol­low­ing year as Richard Bur­ton Reads 15 Poems by Dylan Thomas. The record­ings were made about a year after the poet­’s death, and just when Bur­ton was rid­ing high on the suc­cess of his 1954 per­for­mance in Thomas’s radio play Under Milk Wood. The long poem “Bal­lad of the Long-Legged Bait,” above, is from the 1954 ses­sions. The 14 poems below are most­ly from the same ses­sions, although a cou­ple of them might be from lat­er record­ings made by Bur­ton.

  1. Under Milk Wood
  2. Deaths and Entrances
  3. Lament
  4. Ele­gy
  5. A Win­ter’s Tale
  6. Fern Hill
  7. Before I Knocked
  8. In My Craft or Sullen Art
  9. I See the Boys of Sum­mer
  10. Lie Still, Sleep Becalmed
  11. The Force that Through the Green Fuse Dri­ves the Flower
  12. The Hand that Signed the Paper
  13. And Death Shall Have No Domin­ion
  14. Do Not Go Gen­tle Into That Good Night

Relat­ed con­tent:

Dylan Thomas Recites ‘Do Not Go Gen­tle Into That Good Night’ and Oth­er Poems

Kafka’s Nightmare Tale, ‘A Country Doctor,’ Told in Award-Winning Japanese Animation

Here’s a good sto­ry for a cold Decem­ber night: Franz Kafka’s cryp­tic, hal­lu­ci­na­to­ry tale of “A Coun­try Doc­tor.”

Writ­ten in Prague dur­ing the icy win­ter of 1916–1917, Kafka’s sto­ry unfolds in one long para­graph like a fevered night­mare. “I was in great per­plex­i­ty,” says the nar­ra­tor, an old doc­tor, as he sets out in a bliz­zard at night on an urgent but vague mis­sion. But he can’t go any­where. His horse, worn out by the win­ter, has just died and his ser­vant girl is going door to door plead­ing for help. A sur­re­al sequence of events fol­low.

“A Coun­try Doc­tor” is per­me­at­ed with the qual­i­ties John Updike found so com­pelling in Kaf­ka: “a sen­sa­tion of anx­i­ety and shame whose cen­ter can­not be locat­ed and there­fore can­not be pla­cat­ed; a sense of an infi­nite dif­fi­cul­ty with­in things, imped­ing every step; a sen­si­tiv­i­ty acute beyond use­ful­ness, as if the ner­vous sys­tem, flayed of its old hide of social usage and reli­gious belief, must record every touch as pain.”

In 2007 the award-win­ning Japan­ese ani­ma­tor Koji Yama­mu­ra made a 21-minute film (see above) which cap­tures some of the strange­ness and beau­ty of Kafka’s sto­ry. It seems some­how appro­pri­ate that the dream­like nar­ra­tive has been trans­mut­ed into a form and lan­guage unknown to Kaf­ka. And if you aren’t famil­iar with the orig­i­nal, you can read a trans­la­tion of “A Coun­try Doc­tor” by Willa and Edwin Muir. You can also find Kafka’s sto­ries in our col­lec­tion of Free Audio Books and Free eBooks.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent: 

Franz Kaf­ka: The Ani­mat­ed Short Film

Orson Welles Nar­rates Ani­mat­ed Ver­sion of Kafka’s Para­ble, “Before the Law”

Four Franz Kaf­ka Ani­ma­tions: Enjoy Cre­ative Ani­mat­ed Shorts from Poland, Japan, Rus­sia & Cana­da

 

Vladimir Nabokov Talks About Life, Literature & Love in a Meticulously Prepared Interview, 1969

“I think like a genius, I write like a dis­tin­guished author, and I speak like a child.” So begins Vladimir Nabokov in the fore­word to his 1973 book of inter­views and arti­cles, Strong Opin­ions.

To avoid speak­ing like a child in pub­lic, Nabokov took great pains to pre­pare his every word. “Through­out my aca­d­e­m­ic ascent in Amer­i­ca from lean lec­tur­er to Full Pro­fes­sor, I have nev­er deliv­ered to my audi­ence one scrap of infor­ma­tion not pre­pared in type­script before­hand and not held under my eyes on the bright-lit lectern.”

When it came to giv­ing inter­views, Nabokov was hor­ri­fied by the notion of sit­ting back and hav­ing a casu­al chat with a reporter. “It has been tried at least twice in the old days,” he writes, “and once a record­ing machine was present, and when the tape was rerun and I had fin­ished laugh­ing, I knew that nev­er in my life would I repeat that sort of per­for­mance. Nowa­days I take every pre­cau­tion to ensure a dig­ni­fied beat of the man­dar­in’s fan. The inter­view­er’s ques­tions have to be sent to me in writ­ing, answered by me in writ­ing, and repro­duced ver­ba­tim. Such are the three absolute con­di­tions.”

So the excerpt above from a 1969 inter­view with the British jour­nal­ist James Moss­man should be under­stood as a care­ful­ly pre­pared per­for­mance. As Nabokov says in his own intro­duc­tion to the full text ver­sion of the inter­view in Strong Opin­ions, Moss­man sub­mit­ted 58 ques­tions on Sep­tem­ber 8, 1969, and “some 40 were answered and record­ed by me from writ­ten cards in Mon­treaux.” In a con­ver­sa­tion rang­ing from the plea­sure and agony of com­pos­ing fic­tion to Dos­toyevsky’s “ghast­ly Crime and Pun­ish­ment rig­ma­role,” the man­dar­in’s fan keeps a dig­ni­fied beat.

Releat­ed con­tent:

Vladimir Nabokov (Chan­nelled by Christo­pher Plum­mer) Teach­es Kaf­ka at Cor­nell

Vladimir Nabokov Recites His Ear­ly Poem, ‘To My Youth’

Nabokov Reads Loli­ta, Names the Great Books of the 20th Cen­tu­ry

Orson Welles Reads ‘The Secret Sharer,’ by Joseph Conrad

Today is the birth­day of the writer Joseph Con­rad. He was born Józef Teodor Kon­rad Korzniows­ki on Decem­ber 3, 1857 in Berdichev, in the Pol­ish Ukraine. As a young man he trav­eled the world as a mer­chant sail­er, an expe­ri­ence that fur­nished mate­r­i­al and inspi­ra­tion for his Eng­lish-lan­guage books, which include such clas­sics as Nos­tro­mo, Lord Jim and Heart of Dark­ness.

To mark the occa­sion we bring you a record­ing of Orson Welles read­ing (lis­ten to it here) Con­rad’s short sto­ry “The Secret Shar­er” in 1985 as one of his selec­tions for The Orson Welles Library. “I think I’m made for Con­rad,” Welles once said. “I think every Con­rad sto­ry is a movie.” Con­rad wrote “The Secret Shar­er” in 1909. The sto­ry is told by the cap­tain of a ship. One night, while on watch in waters near the Gulf of Siam, the cap­tain dis­cov­ers a naked swim­mer cling­ing des­per­ate­ly to the side of the ship. He helps the mys­te­ri­ous man aboard and learns his sto­ry. The cap­tain is then faced with a dilem­ma: Should he help the man, or turn him over to the peo­ple who are look­ing for him?

You can find “The Secret Shar­er” and oth­er works by Joseph Con­rad in our col­lec­tions of  Free Audio Books and Free eBooks. And for more read­ings by Welles, please see our meta post: Orson Welles Nar­rates Plato’s Cave Alle­go­ry, Kafka’s Para­ble, and Free­dom Riv­er.

h/t The Writer’s Almanac

The Best Books of 2012: Lists by The New York Times, NPR, The Guardian and More

If books fig­ure into your hol­i­day gift-giv­ing plans, then we’ve got a lit­tle some­thing for you — a meta list of the best books of 2012. It’s now Decem­ber, the final month of the year, which means that news­pa­pers and mag­a­zines can start tak­ing stock of 2012 and declare their favorites.

The New York Times Book Review announced The 10 Best Books of 2012 this week­end, just a few days after nam­ing the 100 Notable Books of 2012. Some famil­iar names appear on the win­nowed down list — Robert Caro, Dave Eggers and Zadie Smith — but I’m most tempt­ed by Jim Holt’s Why Does the World Exist?: An Exis­ten­tial Detec­tive Sto­ry. The ques­tion has crossed my mind late­ly.

The Wash­ing­ton Post boils down three lists — The Best Graph­ic Nov­els of 201250 Notable Works of Fic­tion50 Notable Works of Non­fic­tion — to one. Behold The Top 10 Books of 2012. Fic­tion-wise, I’m not blown away by the picks. But, when it comes to Non­fic­tion, they’re on the mark with House of Stone: A Mem­oir of Home, Fam­i­ly, and a Lost Mid­dle East by Antho­ny Sha­did, the award-win­ning New York Times jour­nal­ist who died ear­li­er this year in Syr­ia.

You can find more good reads with “Best of” lists cre­at­ed by NPR, Pub­lish­ers Week­lyEsquire, Huff­Po and The Guardian. And if you’re look­ing for a deal, don’t miss this: Amazon.com is now offer­ing 40% off books appear­ing on its list of 2012 Edi­tors’ Picks. Mean­while Audible.com has pro­duced its own list of favorites, and it’s worth high­light­ing if only because, when you sign up for a Free Tri­al, you can down­load one of their selec­tions (or pret­ty much any oth­er audio­book you want) for free. Learn more and ini­ti­ate the free down­load here.

Now my dear fel­low read­ers, it’s your turn. We want to hear what books (pub­lished in 2012) left the strongest impres­sion on you. Give us your thoughts in the com­ments sec­tion below and we’ll pub­lish the Open Cul­ture Best of 2012 list lat­er this week. We look for­ward to hear­ing your picks!

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Arthur Conan Doyle Discusses Sherlock Holmes and Psychics in a Rare Filmed Interview (1927)

While Scot­tish physi­cian and author Arthur Conan Doyle died in 1930, he seems almost whol­ly of the nine­teenth cen­tu­ry: a trained sci­en­tist who fer­vent­ly believed in “spir­i­tu­al­ism” and fairies, and an accom­plished and pro­lif­ic writer whose most famous character—that most log­i­cal of detectives—had a cocaine addic­tion and more per­son­al quirks than the aver­age neu­rot­ic. Like Joseph Con­rad, Doyle sailed–as a ship’s doctor–to Euro­pean colonies in West Africa and found him­self deeply affect­ed by the bru­tal exploita­tion he encoun­tered. And like Con­rad, he seems to embody a turn-of-the-cen­tu­ry British­ness poised between old and new worlds, when Vic­to­ria gave way to Edward and moder­ni­ty limned the Empire. Although the age of film and of tele­vi­sion have always embraced Sher­lock Holmes, his cre­ator belongs to the age of the nov­el. Nev­er­the­less, he agreed to the 1927 inter­view above, pos­si­bly his only appear­ance on film. In the brief mono­logue, he dis­cuss­es the two ques­tions that he most received from curi­ous fans and jour­nal­ists: how he came to write the Sher­lock Holmes sto­ries and how he came to believe in “psy­chic mat­ters.”

Doyle attrib­ut­es the cre­ation of Holmes to his sci­en­tif­ic train­ing, and to a keen irri­ta­tion when read­ing detec­tive sto­ries whose pro­tag­o­nists stum­bled on solu­tions by chance or nar­ra­tive non sequitur. He also describes his admi­ra­tion for a colleague’s impres­sive “deduc­tive” abil­i­ties. What if, Conan Doyle rea­soned, the detec­tives had the pow­ers of a doc­tor? Oh, had he lived to see his premise flipped in House (and sue for roy­al­ties). Doyle also express­es his amuse­ment at the creduli­ty of his read­ing pub­lic, many of whom believed in the real­i­ty of Sher­lock Holmes and Dr. Wat­son and who sent them regards and advice. At this point in the inter­view, Doyle turns to a sub­ject upon which many thought him cred­u­lous: psy­chic and super­nat­ur­al expe­ri­ence. He goes to some lengths to estab­lish his bona fides, say­ing that he stud­ied spir­i­tu­al­ism for forty-one years and did not arrive at his ideas in haste. But Doyle was eas­i­ly tak­en in by sev­er­al hoax­es and insist­ed through­out his life that Har­ry Hou­di­ni pos­sessed psy­chic pow­ers, despite Houdini’s protests to the con­trary. It seems this was one area in which Doyle’s rea­son failed him—in which he resem­bles the mys­ti­cal Yeats more than the skep­ti­cal Wat­son and Holmes.

You can down­load free copies of The Adven­tures of Sher­lock Holmes from our col­lec­tions of Free Audio Books and Free eBooks. You can also find four adap­ta­tions of Sher­lock Holmes in our col­lec­tion of Free Movies Online.

Josh Jones is a doc­tor­al can­di­date in Eng­lish at Ford­ham Uni­ver­si­ty and a co-founder and for­mer man­ag­ing edi­tor of Guer­ni­ca / A Mag­a­zine of Arts and Pol­i­tics.

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