Back in June, we highÂlightÂed the release of James Joyce’s Ulysses in free audioÂbook forÂmat. Ulysses stands as Joyce’s most imporÂtant work, and for some, it’s most the imporÂtant work pubÂlished in the EngÂlish lanÂguage durÂing the entire 20th cenÂtuÂry. Despite Ulysses’ enorÂmous stature, many readÂers still turn to DublinÂers, a colÂlecÂtion of 15 short stoÂries that Joyce pubÂlished in 1914, partÂly because it’s conÂsidÂered his most accesÂsiÂble writÂing. Over at LibÂrivox, you can find sevÂerÂal key stoÂries from this colÂlecÂtion — nameÂly, The SisÂters (mp3), AraÂby (mp3), EveÂline (mp3), and The Dead (mp3 in zip file). The Dead is the longest and last stoÂry in the colÂlecÂtion, and it’s a ChristÂmas stoÂry, some say the “greatÂest of all ChristÂmas stoÂries,” which makes it parÂticÂuÂlarÂly timeÂly to menÂtion here.
It’s worth notÂing that you can downÂload the comÂplete etext of DublinÂers at Project GutenÂberg or on Google Book Search. (The latÂter verÂsion is cleanÂer.) And, if you can sufÂfer through it, GutenÂberg also offers a free audio verÂsion of Joyce’s text, which is read by a comÂputÂer, not a real perÂson.
WNYÂC’s latÂest On The Media (iTunes — Feed — Site) covÂers the criÂsis of traÂdiÂtionÂal book pubÂlishÂing in a new media age. While AmaÂzon rolls out the KinÂdle and more and more conÂtent comes out in pure digÂiÂtal form, we’re still pubÂlishÂing more books than ever before. One interÂestÂing note from the proÂgram is that pubÂlishÂers have disÂcovÂered that offerÂing more free conÂtent online (i.e. not just excerpts but whole chapÂters of new books) serves to increase sales even more. The show was great–worth a lisÂten.
Today, we have a guest feaÂture from Don from ClasÂsic PoetÂry Aloud (iTunes — Feed — Web Site), which offers a great lineÂup of poetÂry podÂcasts. They have just kicked off a week dedÂiÂcatÂed to war poetÂry, which includes pieces by ShakeÂspeare, Coleridge and Melville, among othÂers. Below, Don offers a very helpÂful surÂvey of the poetÂry podÂcast landÂscape and helps us see why podÂcastÂing might be the perÂfect mediÂum for sparkÂing a renaisÂsance in poetÂry. Take it away Don…
Short, intense and often emoÂtionÂal pieces of writÂing penned for the human ear: poems could have been inventÂed for podÂcasts. It’s no surÂprise, then, that poetÂry readÂing podÂcasts have sprung up like daisies this year.
Most are the aurÂal equivÂaÂlent of blogs, telling the intiÂmate stoÂries of the poet, and often about as interÂestÂing. Some, though, are dedÂiÂcatÂed to readÂing othÂers’ poetÂry, and they are worth visÂitÂing for a regÂuÂlar, short piece of writÂing that will almost always stimÂuÂlate thought and feelÂing – and if it doesn’t, well, you’ve probÂaÂbly only wastÂed the few minÂutes it takes to read a poem.
ClasÂsic PoetÂry Aloud (TunesFeedWeb Site)), my own podÂcast, is dedÂiÂcatÂed to anyÂthing in the EngÂlish lanÂguage which is over 70 years old. ExperÂiÂmenÂtalÂly, this week (Nov 4 – 11) is War PoetÂry Week, feaÂturÂing poems from Samuel Coleridge and HerÂman Melville as well as WilÂfred Owen and ShakeÂspeare. It’s an attempt to take lisÂtenÂers on a week-long jourÂney from the first rumours of war (on MonÂday 5th) through to rememÂberÂing the dead (on SunÂday 11th, RememÂbrance day in the UK).
Most poetÂry podÂcasts don’t deal excluÂsiveÂly with the past, howÂevÂer. On the excelÂlent PoetÂry Off the Shelf (iTunes — Feed — Web Site), from the PoetÂry FounÂdaÂtion, you’ll find the smooth-toned CurÂtis Fox interÂviewÂing conÂtemÂpoÂrary poets about their works, and havÂing them read and interÂpret a poem or two. It’s wonÂderÂfulÂly proÂduced and Fox’s intelÂliÂgent, self-depÂreÂcatÂing style puts both this guests and his lisÂtenÂers at ease. OthÂer podÂcasts, such as MiPOÂraÂdio (iTunes — Feed — Web Site), folÂlow the same interview/reading forÂmat.
Cloudy Day Art (iTunes — Feed — Web Site) simÂiÂlarÂly involves interÂviews, most recentÂly with forÂmer US Poet LauÂreÂate Ted KoosÂer, but with a difÂferÂent focus. A home-proÂduced show by WashÂingÂton DC resÂiÂdent Will Brown, the aim is to draw out of those he interÂviews thoughts, tips and advice for those who, like the ever-enthuÂsiÂasÂtic Will himÂself, are writÂing poetÂry, for pubÂliÂcaÂtion or just for themÂselves.
One podÂcast focusÂes pureÂly on Shakespeare’s sonÂnets, and is read by a man describÂing himÂself as “some guy from New York” (iTunes — Feed — Web Site). The shtick on this podÂcast is that the readÂer was ordered to read the sonÂnets as some form of comÂmuÂniÂty serÂvice or face the prospect of prison. I’m not sure I quite believe this – the interÂpreÂtaÂtions are too good, and the attiÂtude too laid-on. None of this detracts from what is, though, an enterÂtainÂing and intelÂliÂgent lisÂtenÂing expeÂriÂence.
For pure simÂplicÂiÂty, and no attiÂtude, I subÂscribe to Clarica’s PoetÂry Moment (iTunes — Feed — Web Site), which gives me what I want: a clear female voice readÂing a wide range of poetÂry, with no fuss, just a sense of pleaÂsure in the meanÂing and the sound of the words.
In this reacÂtion, I am a regÂuÂlar poetÂry podÂcast lisÂtenÂer: all comÂments I’ve read on my own, and othÂer sites show reacÂtion to all this spoÂken poetÂry to be overÂwhelmÂingÂly posÂiÂtive, and someÂtimes deeply emoÂtionÂal. PeoÂple love to hear the poem come off the page, whether they are a recepÂtionÂist in HolÂland, studyÂing for their EngÂlish LitÂerÂaÂture exams at high school in ScotÂland, or learnÂing EngÂlish in the Far East. It’s wonÂderÂful to sense the world being brought togethÂer through the mediÂum of the poetÂry podÂcast. SomeÂtimes it almost seems that techÂnolÂoÂgy has enabled the oral traÂdiÂtion to be reborn.
BestÂselling writer Jonathan Lethem — author of one of my favorite novÂels MothÂerÂless BrookÂlyn — has put togethÂer an offer that’s hard to beat. He’ll sell you a stoÂry for a book, play, or screenÂplay for a mere $1. Then you can take the stoÂry idea, make it your own, and move it in new and unexÂpectÂed direcÂtions.
This is obviÂousÂly not a get-rich-quick scheme. It’s actuÂalÂly more about bringÂing LarÂry Lessig’s notion of free culÂture to the litÂerÂary domain. You can get more on Lethem’s ideas here, but the upshot is that Lethem, being a fan of “adapÂtaÂtions, approÂpriÂaÂtions, colÂlage, and samÂpling,” wants artists to “make mateÂrÂiÂal free and availÂable for [creÂative] reuse.” (Some of this thinkÂing informs a recent piece in Harper’s called “The ecstaÂsy of influÂence: A plaÂgiaÂrism.”) The iniÂtiaÂtive, which he calls The PromisÂcuÂous MateÂriÂals Project, offers a step in the right direcÂtion.
Every year the folks at the BulÂwÂer-LytÂton FicÂtion ConÂtest celÂeÂbrate their love for bad prose by runÂning “a whimÂsiÂcal litÂerÂary comÂpeÂtiÂtion that chalÂlenges entrants to comÂpose the openÂing senÂtence to the worst of all posÂsiÂble novÂels.” They’ve just announced this year’s chamÂpiÂon senÂtences and they’re well worth a read. The conÂtest accepts entries year-round, so if you think you’ve got what it takes to write the worst senÂtence of 2008, feel free to take your shot.
The Guardian Books PodÂcast has startÂed offerÂing an audioÂbook verÂsion of the young adult novÂel Wolf BrothÂer as a serÂiÂal podÂcast. The stoÂry is the first in a series of books by Michelle Paver called ChronÂiÂcles of Ancient DarkÂness. It makes good audio since it’s gripÂping and not hard to folÂlow (or get back into if you get disÂtractÂed). But what realÂly makes it worthÂwhile is Ian McKelÂlan’s voice, which lends the tale just the right levÂel of ancient, magÂiÂcal atmosÂphere. The Guardian has released 9 out of 13 episodes so far, at a rate of one a week. (Site, iTunes)
A quick heads up: You can read an excerpt from J.M. CoetÂzee’s upcomÂing novÂel, Diary of a Bad Year, over at The New York Review of Books. The entire novÂel will be pubÂlished in JanÂuÂary 2008. And, in case you weren’t already aware of it, CoetÂzee won the Nobel Prize in LitÂerÂaÂture in 2003. You can get more backÂground inforÂmaÂtion on the South African author here as well as reviews of his novÂels here.
Edward GibÂbon’s The Decline and Fall of the Roman Empire – It’s a major work of the EnlightÂenÂment, a book that shaped how we modÂerns write hisÂtoÂry (and, for that matÂter, how we aspire to write in the EngÂlish lanÂguage), and it’s now availÂable as a free podÂcast thanks to LibÂrivox. Or at least VolÂume 1 is. With a runÂtime of almost 20 hours, this audioÂbook — click to access indiÂvidÂual files or the full zip file — will make it so that you’re not lookÂing for the remainÂing volÂumes any time soon. But don’t worÂry they’re evenÂtuÂalÂly comÂing.
PubÂlished first in 1776, just as the US declared its indeÂpenÂdence from EngÂland, GibÂbon’s Decline and Fall looked to offer an empirÂiÂcal explaÂnaÂtion for why Ancient Rome fell as a powÂer, and he genÂerÂalÂly pointÂed to a decline in civic virtue among its citÂiÂzenÂry (why bothÂer fightÂing the Empire’s wars when you can get merÂceÂnarÂies to do it?) and to the rise of ChrisÂtianÂiÂty (why worÂry about Rome when a betÂter life, an eterÂnal afterÂlife, awaits you?).
In part, GibÂbon’s work has endured because it speaks to quesÂtions that modÂern powÂers have on their minds. What brings Empires down, and what (implicÂitÂly) allows them to endure? These quesÂtions have a cerÂtain amount of relÂeÂvance these days in an anxÂious US. And indeed GibÂbon’s name was immeÂdiÂateÂly invoked in a recent podÂcast that asked whether AmerÂiÂca, today’s empire, is on the brink. (Click to lisÂten.) The parÂalÂlels between GibÂbon’s Rome and the conÂtemÂpoÂrary UnitÂed States have also been directÂly explored by the proÂlifÂic, young HarÂvard hisÂtoÂriÂan, Niall FerÂguÂson. You may want to check out his OctoÂber 2006 piece in VanÂiÂty Fair, Empire Falls. And dependÂing on what you think, you can give time to his two books on Empire — the first (and betÂter) one focusÂes on the British Empire, and a secÂond one devotes itself to the US.
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