James Joyce’s Dubliners: Four Stories

jamesjoyce2.jpgBack in June, we high­light­ed the release of James Joyce’s Ulysses in free audio­book for­mat. Ulysses stands as Joyce’s most impor­tant work, and for some, it’s most the impor­tant work pub­lished in the Eng­lish lan­guage dur­ing the entire 20th cen­tu­ry. Despite Ulysses’ enor­mous stature, many read­ers still turn to Dublin­ers, a col­lec­tion of 15 short sto­ries that Joyce pub­lished in 1914, part­ly because it’s con­sid­ered his most acces­si­ble writ­ing. Over at Lib­rivox, you can find sev­er­al key sto­ries from this col­lec­tion — name­ly, The Sis­ters (mp3), Ara­by (mp3), Eve­line (mp3), and The Dead (mp3 in zip file). The Dead is the longest and last sto­ry in the col­lec­tion, and it’s a Christ­mas sto­ry, some say the “great­est of all Christ­mas sto­ries,” which makes it par­tic­u­lar­ly time­ly to men­tion here.

It’s worth not­ing that you can down­load the com­plete etext of Dublin­ers at Project Guten­berg or on Google Book Search. (The lat­ter ver­sion is clean­er.) And, if you can suf­fer through it, Guten­berg also offers a free audio ver­sion of Joyce’s text, which is read by a com­put­er, not a real per­son.

Last­ly, be sure to spend some time perus­ing Lib­rivox’s entire col­lec­tion of free audio­books. It’s the best on the web.

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The Future of Print

WNY­C’s lat­est On The Media (iTunes — Feed — Site) cov­ers the cri­sis of tra­di­tion­al book pub­lish­ing in a new media age. While Ama­zon rolls out the Kin­dle and more and more con­tent comes out in pure dig­i­tal form, we’re still pub­lish­ing more books than ever before. One inter­est­ing note from the pro­gram is that pub­lish­ers have dis­cov­ered that offer­ing more free con­tent online (i.e. not just excerpts but whole chap­ters of new books) serves to increase sales even more. The show was great–worth a lis­ten.

Listening to Poetry Online

shakespearenew2.jpgToday, we have a guest fea­ture from Don from Clas­sic Poet­ry Aloud (iTunes — Feed — Web Site), which offers a great line­up of poet­ry pod­casts. They have just kicked off a week ded­i­cat­ed to war poet­ry, which includes pieces by Shake­speare, Coleridge and Melville, among oth­ers. Below, Don offers a very help­ful sur­vey of the poet­ry pod­cast land­scape and helps us see why pod­cast­ing might be the per­fect medi­um for spark­ing a renais­sance in poet­ry. Take it away Don…

Short, intense and often emo­tion­al pieces of writ­ing penned for the human ear: poems could have been invent­ed for pod­casts. It’s no sur­prise, then, that poet­ry read­ing pod­casts have sprung up like daisies this year.

Most are the aur­al equiv­a­lent of blogs, telling the inti­mate sto­ries of the poet, and often about as inter­est­ing. Some, though, are ded­i­cat­ed to read­ing oth­ers’ poet­ry, and they are worth vis­it­ing for a reg­u­lar, short piece of writ­ing that will almost always stim­u­late thought and feel­ing – and if it doesn’t, well, you’ve prob­a­bly only wast­ed the few min­utes it takes to read a poem.

Clas­sic Poet­ry Aloud (Tunes Feed Web Site)), my own pod­cast, is ded­i­cat­ed to any­thing in the Eng­lish lan­guage which is over 70 years old. Exper­i­men­tal­ly, this week (Nov 4 – 11) is War Poet­ry Week, fea­tur­ing poems from Samuel Coleridge and Her­man Melville as well as Wil­fred Owen and Shake­speare. It’s an attempt to take lis­ten­ers on a week-long jour­ney from the first rumours of war (on Mon­day 5th) through to remem­ber­ing the dead (on Sun­day 11th, Remem­brance day in the UK).

Most poet­ry pod­casts don’t deal exclu­sive­ly with the past, how­ev­er. On the excel­lent Poet­ry Off the Shelf (iTunes — Feed — Web Site), from the Poet­ry Foun­da­tion, you’ll find the smooth-toned Cur­tis Fox inter­view­ing con­tem­po­rary poets about their works, and hav­ing them read and inter­pret a poem or two. It’s won­der­ful­ly pro­duced and Fox’s intel­li­gent, self-dep­re­cat­ing style puts both this guests and his lis­ten­ers at ease. Oth­er pod­casts, such as MiPO­ra­dio (iTunes — Feed — Web Site), fol­low the same interview/reading for­mat.

Cloudy Day Art (iTunes — Feed — Web Site) sim­i­lar­ly involves inter­views, most recent­ly with for­mer US Poet Lau­re­ate Ted Koos­er, but with a dif­fer­ent focus. A home-pro­duced show by Wash­ing­ton DC res­i­dent Will Brown, the aim is to draw out of those he inter­views thoughts, tips and advice for those who, like the ever-enthu­si­as­tic Will him­self, are writ­ing poet­ry, for pub­li­ca­tion or just for them­selves.

One pod­cast focus­es pure­ly on Shakespeare’s son­nets, and is read by a man describ­ing him­self as “some guy from New York” (iTunes — Feed — Web Site). The shtick on this pod­cast is that the read­er was ordered to read the son­nets as some form of com­mu­ni­ty ser­vice or face the prospect of prison. I’m not sure I quite believe this – the inter­pre­ta­tions are too good, and the atti­tude too laid-on. None of this detracts from what is, though, an enter­tain­ing and intel­li­gent lis­ten­ing expe­ri­ence.

For pure sim­plic­i­ty, and no atti­tude, I sub­scribe to Clarica’s Poet­ry Moment (iTunes — Feed — Web Site), which gives me what I want: a clear female voice read­ing a wide range of poet­ry, with no fuss, just a sense of plea­sure in the mean­ing and the sound of the words.

In this reac­tion, I am a reg­u­lar poet­ry pod­cast lis­ten­er: all com­ments I’ve read on my own, and oth­er sites show reac­tion to all this spo­ken poet­ry to be over­whelm­ing­ly pos­i­tive, and some­times deeply emo­tion­al. Peo­ple love to hear the poem come off the page, whether they are a recep­tion­ist in Hol­land, study­ing for their Eng­lish Lit­er­a­ture exams at high school in Scot­land, or learn­ing Eng­lish in the Far East. It’s won­der­ful to sense the world being brought togeth­er through the medi­um of the poet­ry pod­cast. Some­times it almost seems that tech­nol­o­gy has enabled the oral tra­di­tion to be reborn.

For more poems and nov­els, please vis­it our Audio­book Pod­cast Col­lec­tion and if you want to guest blog, get in touch.

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Bestselling Novelist Sells Story Ideas for $1

lethem2.jpgBest­selling writer Jonathan Lethem — author of one of my favorite nov­els Moth­er­less Brook­lyn — has put togeth­er an offer that’s hard to beat. He’ll sell you a sto­ry for a book, play, or screen­play for a mere $1. Then you can take the sto­ry idea, make it your own, and move it in new and unex­pect­ed direc­tions.

This is obvi­ous­ly not a get-rich-quick scheme. It’s actu­al­ly more about bring­ing Lar­ry Lessig’s notion of free cul­ture to the lit­er­ary domain. You can get more on Lethem’s ideas here, but the upshot is that Lethem, being a fan of “adap­ta­tions, appro­pri­a­tions, col­lage, and sam­pling,” wants artists to “make mate­r­i­al free and avail­able for [cre­ative] reuse.” (Some of this think­ing informs a recent piece in Harper’s called “The ecsta­sy of influ­ence: A pla­gia­rism.”) The ini­tia­tive, which he calls The Promis­cu­ous Mate­ri­als Project, offers a step in the right direc­tion.

Relat­ed Con­tent: Give a lis­ten to this engag­ing inter­view with Lethem where he talks about this project and more. Also check out Lethem and oth­er authors speak­ing at Google.

Tell us what books have changed your life. Three days left. We have over 30 con­tri­bu­tions so far. Keep them com­ing.

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The Worst Sentence Awards

Every year the folks at the Bul­w­er-Lyt­ton Fic­tion Con­test cel­e­brate their love for bad prose by run­ning “a whim­si­cal lit­er­ary com­pe­ti­tion that chal­lenges entrants to com­pose the open­ing sen­tence to the worst of all pos­si­ble nov­els.” They’ve just announced this year’s cham­pi­on sen­tences and they’re well worth a read. The con­test accepts entries year-round, so if you think you’ve got what it takes to write the worst sen­tence of 2008, feel free to take your shot.

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Wolf Brother: Serial Literary Entertainment

Chronicles of Ancient Darkness #1: Wolf Brother (Chronicles of Ancient Darkness)The Guardian Books Pod­cast has start­ed offer­ing an audio­book ver­sion of the young adult nov­el Wolf Broth­er as a ser­i­al pod­cast. The sto­ry is the first in a series of books by Michelle Paver called Chron­i­cles of Ancient Dark­ness. It makes good audio since it’s grip­ping and not hard to fol­low (or get back into if you get dis­tract­ed). But what real­ly makes it worth­while is Ian McKel­lan’s voice, which lends the tale just the right lev­el of ancient, mag­i­cal atmos­phere. The Guardian has released 9 out of 13 episodes so far, at a rate of one a week. (Site, iTunes)

Click here for more free audio­books. 

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Sneak Preview of Nobel Winner’s Next Novel

A quick heads up: You can read an excerpt from J.M. Coet­zee’s upcom­ing nov­el, Diary of a Bad Year, over at The New York Review of Books. The entire nov­el will be pub­lished in Jan­u­ary 2008. And, in case you weren’t already aware of it, Coet­zee won the Nobel Prize in Lit­er­a­ture in 2003. You can get more back­ground infor­ma­tion on the South African author here as well as reviews of his nov­els here.

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The Decline and Fall of the Roman (and American?) Empire: A Free Audiobook

Edward Gib­bon’s The Decline and Fall of the Roman Empire – It’s a major work of the Enlight­en­ment, a book that shaped how we mod­erns write his­to­ry (and, for that mat­ter, how we aspire to write in the Eng­lish lan­guage), and it’s now avail­able as a free pod­cast thanks to Lib­rivox. Or at least Vol­ume 1 is. With a run­time of almost 20 hours, this audio­book — click to access indi­vid­ual files or the full zip file — will make it so that you’re not look­ing for the remain­ing vol­umes any time soon. But don’t wor­ry they’re even­tu­al­ly com­ing.

Pub­lished first in 1776, just as the US declared its inde­pen­dence from Eng­land, Gib­bon’s Decline and Fall looked to offer an empir­i­cal expla­na­tion for why Ancient Rome fell as a pow­er, and he gen­er­al­ly point­ed to a decline in civic virtue among its cit­i­zen­ry (why both­er fight­ing the Empire’s wars when you can get mer­ce­nar­ies to do it?) and to the rise of Chris­tian­i­ty (why wor­ry about Rome when a bet­ter life, an eter­nal after­life, awaits you?).

In part, Gib­bon’s work has endured because it speaks to ques­tions that mod­ern pow­ers have on their minds. What brings Empires down, and what (implic­it­ly) allows them to endure? These ques­tions have a cer­tain amount of rel­e­vance these days in an anx­ious US. And indeed Gib­bon’s name was imme­di­ate­ly invoked in a recent pod­cast that asked whether Amer­i­ca, today’s empire, is on the brink. (Click to lis­ten.) The par­al­lels between Gib­bon’s Rome and the con­tem­po­rary Unit­ed States have also been direct­ly explored by the pro­lif­ic, young Har­vard his­to­ri­an, Niall Fer­gu­son. You may want to check out his Octo­ber 2006 piece in Van­i­ty Fair, Empire Falls. And depend­ing on what you think, you can give time to his two books on Empire — the first (and bet­ter) one focus­es on the British Empire, and a sec­ond one devotes itself to the US.

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