Clay Shirky’s book tour collided with the TED conference in Cannes earlier this month, and what you get is a crisp, 13-minute precis of the arguments in Shirky’s new book, Cognitive Surplus: Creativity and Generosity in a Connected Age. The big question after watching Shirky’s piece: How can Open Culture draw on the collective “cognitive surplus” of our readers and deliver a more powerful site to learners worldwide? A lot of it comes down to design/architecture. But what would a re-architected Open Culture site look like? If you have some thoughts, please take a few minutes to send them our way. Who knows, your thinking might inspire a whole new approach here.
To delve further into Shirky’s thinking, you can listen to his extended interview last week on KQED’s Forum, my favorite morning talk show in San Francisco. Download here, or stream below.
In 2008, writer Nicholas Carr published an essay in The Atlantic with the provocative headline, “Is Google Making Us Stupid?” Carr’s thesis was that the Internet, for all its immediate and obvious benefits, was also doing us some harm. It was robbing us of our ability to read deeply and concentrate on long texts.
“Immersing myself in a book or a lengthy article used to be easy,” Carr wrote. “My mind would get caught up in the narrative or the turns of the argument, and I’d spend hours strolling through long stretches of prose. That’s rarely the case anymore. Now my concentration often starts to drift after two or three pages. I get fidgety, lose the thread, begin looking for something else to do.” The habits acquired reading hypertext – skimming and skipping rapidly from one item to the next – stayed with Carr even when he was away from his computer. “Once I was a scuba diver in a sea of words,” he wrote. “Now I zip along the surface like a guy on a Jet Ski.”
Carr found that many people he knew — “literary types, most of them” — were noticing the same thing. Frequent use of the Net seemed to weaken one’s capacity for reading long, fully developed texts. Carr began to worry about the consequences. If we lose our ability to read deeply, might we also lose our ability to think deeply?
Two years later Carr is back with a book, The Shallows: What the Internet is Doing to Our Brains, which explores that question in depth. To understand what is going on, he writes, we have to look beyond the content. “Media work their magic, or their mischief, on the nervous system itself,” Carr writes. “Our focus on a medium’s content can blind us to these deep effects. We’re too busy being dazzled or disturbed by the programming to notice what’s going on inside our heads.”
In The Shallows, Carr describes numerous scientific studies that lend support to his claim that Web surfing has adverse cognitive consequences. For example, research has shown that readers of hypertext have more difficulty understanding and remembering what they have read than readers of traditional, “linear” text. In multiple studies, the distraction of hyperlinks was shown to hinder comprehension.
Other studies have tracked the movement of readers’ eyes and revealed that Web readers typically do not read line-by-line, the way they would if they were reading a printed text. Instead, their eyes trace out a pattern resembling the letter F. The eyes typically begin by following a few lines all the way across, then skim part-way across a few more lines before drifting downward along the left-hand side of the text. Jakob Nielsen, a Danish Web usability expert who conducted some of the early eye-tracking studies, puts it succinctly: “How do users read on the web? They don’t.”
The patterns of thought that go along with reading habits such as these – superficial, scattered, perpetually distracted – can have serious consequences even when we’re not online, argues Carr. He cites recent brain research showing that neural connections are significantly refigured, or “re-mapped,” as a consequence of mental experience – especially repetitive experience. Carr quotes a blog entry written by neuroscientist Michael Merzenich: “When culture drives changes in the ways that we engage our brains, it creates DIFFERENT brains.”
The Shallows, like Carr’s earlier magazine article, has sparked considerable public debate – much of it polarized. As the book came out last week, The New York Times began a series, “Your Brain on Computers,” examining some of the issues raised by Carr. On Friday, Harvard psychologist and cognitive scientist Steven Pinker entered the fray. “Experience does not revamp the basic information-processing capacities of the brain,” Pinker wrote in the Times. “Far from making us stupid, these technologies are the only things that will keep us smart.”
Carr issued a response, arguing that Pinker was “too quick to dismiss people’s concerns over the Internet’s influence on their intellectual lives.” He quoted the work of another psychologist: “As Patricia Greenfield, the UCLA developmental psychologist, wrote in a Science article last year, research suggests that our growing use of screen-based media is weakening our ‘higher-order cognitive processes,’ including ‘abstract vocabulary, mindfulness, reflection, inductive problem solving, critical thinking, and imagination.’”
Wherever one stands in the debate, Carr has challenged us to do precisely what he says is becoming more difficult to do: pause, reflect, and meditate on the matter. We spoke with Carr by email.
Open Culture: When did you first begin to suspect that the Internet was changing the way you think?
Nicholas Carr: It was sometime during 2007. I had been using the Net, with increasing intensity, for more than a decade, and it began to dawn on me that there might be a connection between all the time I spend clicking links and exchanging emails and the erosion of my ability to concentrate. When I sat down to read a book, or just to think, I found it hard to maintain my focus – my mind wanted to keep clicking and surfing.
Open Culture: There is something addictive – almost like slot machines – about surfing the Web, isn’t there?
Nicholas Carr: I’m not sure whether it rises to the level of addiction, but the web certainly tends to inspire compulsive behavior. There are a few reasons for that, but one of the big ones is that human beings crave new information. So if we’re given the opportunity to get a new bit of information – and it doesn’t much matter whether it’s trivial or important – we’ll go for it. Since on the Web new information is always just a click away, it becomes hard to break free of the flow. We keep clicking, keep checking email, keep Googling, and so on. That desire for new stuff is amplified by the fact that a lot of the information flowing through our computers or our cell phones these days has a social component – it takes the form of messages or updates from people we know. If we disconnect, we can feel like we’re missing out on the conversation, and because we’re social beings that feeling can be unendurable.
Open Culture: Your essay in The Atlantic caused quite a stir. There’s even a long Wikipedia page on it, which is unusual for a magazine article. Were you surprised by the reaction?
Nicholas Carr: The Wikipedia article is quite good, I think. But, yes, I was surprised. I had seen the article as a rather modest personal essay, but it clearly struck a chord. I received notes from scores of people saying that they were having similar experiences to my own and were very concerned about the Net’s influence. Of course, I also received quite a few messages saying I was full of baloney.
Open Culture: It’s been almost two years since the article appeared. Since then, what have you learned about how the Internet is affecting our brains?
Nicholas Carr: The reaction to the piece led me to look beyond the personal anecdotal, to see what science and history might tell us about the cognitive and cultural effects of a popular medium like the Internet. A lot of what I discovered was disturbing. Many studies suggest that the Net, and screen-based technologies in general, encourages a distracted way of thinking that impedes comprehension and learning, even as it gives us access to a huge amount of valuable information. What I also found is that, to understand the Net’s influence, you really have to look at it in the context of technology’s effects on the intellectual history of humankind, going all the way back to the development of maps and devices for timekeeping. It’s a fascinating story.
Nicholas Carr: I think they are. The Web is now about 20 years old. Up until recently, we’ve been dazzled by its riches and conveniences – for good reason. Now, though, I think we’re becoming more aware of the costs that go along with the benefits, of what we lose when we spend so much time staring into screens. I sense that people, or at least some people, are beginning to sense the limits of online life. They’re craving to be more in control of their attention and their time.
Open Culture: In the book you quote Marshall McLuhan, who famously wrote that the “medium is the message.” and that the content served up by a medium is merely “the juicy piece of meat carried by the burglar to distract the watchdog of the mind.” How does this relate to what’s happening with the web?
Nicholas Carr: It’s natural that, when a new medium comes along, we focus on the content it provides us – the shows on the TV and radio, the stories in newspapers and magazines – and don’t pay much heed to its deeper effects on cognition and culture. Popular media tend to be very good at seducing “the watchdog of the mind,” as McLuhan put it. McLuhan’s intent was to get the watchdog to pay attention to what the burglar was stealing. That’s pretty much my intent, too.
Open Culture: What is the burglar stealing, and how?
Nicholas Carr: Our more attentive, solitary modes of thinking – contemplation, reflection, introspection, and the like. We’re training our brains to be more adept at skimming and scanning and surfing – and those are certainly valuable ways of thinking – but we’re neglecting our quieter modes of thought. And when you don’t exercise a habit of mind, you slowly begin to lose it.
Open Culture: In the book you write about “neuroplasticity.” What is that?
Nicholas Carr: It used to be assumed that the structure of the human brain was fixed by the end of childhood. But what we’ve learned over the last 40 years is that even the adult human brain is constantly changing, at a cellular level, to adapt to changes in circumstances and experiences. We can assume, therefore, that the changes in our habits of thought produced by the Net and related media are also producing actual biological changes in our brain. I argue that that’s likely one of the reasons why our distracted, nervous, skimming forms of thinking stay with us even when we turn off our computers.
Open Culture: In a recent interview in The Atlantic, you said, “There seems to be a redefinition of our idea of intelligence.” What did you mean by that?
Nicholas Carr: We used to think of the gathering of information as only the first stage of thinking. The second and more important stage was thinking deeply about the information we gathered, connecting it to the other information stored in our heads in order to build personal knowledge and even wisdom. Now, I sense that we’re increasingly defining intelligence as merely the act of gathering – as a matter of “accessing” as much information as possible. We’re beginning to lose sight of the deep thinking stage, which requires concentration, quiet, and a degree of solitude.
Open Culture: Some people have suggested we’re moving inexorably toward a kind of global intelligence, or “hive mind,” in which individual human minds are the worker bees. Given the benefits of collectivization, would that be a bad thing? Perhaps our individual minds are being re-wired for a greater collective intelligence.
Nicholas Carr: What’s interesting about our minds, I believe, is what’s least bee-like about them. I’m not sure what “collective intelligence” means, but if I were to define it I’d say it’s synonymous with “culture.” And culture emanates from many individual minds, working alone or in concert.
Open Culture: Speaking of culture, some of your critics have suggested that behind your argument lies a nostalgia for the days when the literary intelligentsia were the cultural elite. In response to your Atlantic essay, Clary Shirky wrote, “Having lost its actual centrality some time ago, the literary world is now losing its normative hold on culture as well. The threat isn’t that people will stop reading War and Peace. That day is long since past. The threat is that people will stop genuflecting to the idea of reading War and Peace.” How do you respond to that?
Nicholas Carr: I would be lying if I didn’t confess to being saddened by the much-reduced place of literature and literary writers in our culture. I personally see great works of literature – including, yes, Tolstoy’s – as being not only among the most profound achievements of human culture but also deeply inspiring and enlightening on a personal level. Shirky is a very smart man, but I find his comments about literature in general and Tolstoy in particular to be expressions of an apparently fashionable form of philistinism. I have yet to discover anything on the Web that has the emotional and intellectual resonance of, say, Thomas Hardy’s Jude the Obscure or the poems of Robert Frost.
Open Culture: If we are sacrificing our reflective, contemplative faculties, what do you think will be the long-term consequences, both for the quality of individual lives and for society at large?
Nicholas Carr: Well, as the title of my book makes pretty clear, I think we’re shifting toward shallower, less interesting intellectual lives and, more generally, a shallower culture. That doesn’t mean we’re getting dumber or stupider. It means that the emphasis of our thought is shifting away from the more contemplative and solitary modes of thought that I believe give richness and distinctiveness to our thoughts and even our selves. I fully understand that there are plenty of other people who don’t value the quieter modes of thought and will hence dismiss my concerns, but I think there are many other people who, like me, sense a hollowing out of intellectual life.
Open Culture: Your book is basically descriptive, rather than prescriptive. You don’t offer any solutions. Are you pessimistic?
Nicholas Carr: I’m not optimistic. But what I’ve tried to do in The Shallows is to describe carefully what I believe is going on, in hopes that it will raise people’s awareness. Raising awareness is the most valuable prescription I can offer as a writer.
Open Culture: In your own life, are you doing anything to combat the problems you describe?
Nicholas Carr: I’m trying to cut back on my use of the Net. In order to regain the concentration necessary to write my book, I curtailed my use of e‑mail, didn’t use my cell phone, dropped my Facebook and Twitter accounts, and mothballed my blog. It helped enormously. My thinking became much calmer and more focused. I have to confess, though, that I’ve been drifting back to my old habits. I haven’t given up the fight, though.
This article was contributed by Mike Springer, a journalist in Cambridge, Massachusetts.
Working for The Washington Post in 1972, Bob Woodward and Carl Bernstein blew open the explosive Watergate scandal – something one newspaper exec called “maybe the single greatest reporting effort of all time.” (The whole saga gets documented in All the President’s Men, available in print and film.) Almost 40 years later, Woodward still writes for the Post, and, even though he has published some clunkers since, he remains one of the most prominent investigative journalists in the US. Above, Woodward describes how journalists get their information, how they risk blowing their stories, and where journalism might be heading in the digital age.
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
This week, TheNew York Times began a philosophy blog called The Stone, moderated by Simon Critchley. The series will address “issues both timely and timeless – art, war, ethics, gender, popular culture and more.” And it will ask: “What does philosophy look like today? Who are philosophers, what are their concerns and what role do they play in the 21st century?”
Not everyone is happy with the choice of Critchley as moderator, but it looks like there will be participants to suit all temperaments: “Nancy Bauer, Jay Bernstein, Arthur C. Danto, Todd May, Nancy Sherman, Peter Singer and others.”
Critchley begins with a question bound to invite snarky comments: What is a Philosopher? Such comments have a long history (I’ve included a YouTube clip of my all-time favorite parody above). And so the natural starting point for any answer to that question is the popular conception of philosopher as bullshit artist and “absent-minded buffoon”: “Socrates tells the story of Thales, who … was looking so intently at the stars that he fell into a well.” That’s a conception that, I have to admit, troubled me when I was a philosophy graduate student and led me to drop out. And it has troubled philosophers historically: many a sober treatise begins with the unflattering comparison of philosophy to the empirical sciences and the stated goal of remedying this deficiency. And some strains of analytic philosophy argue that the solution to philosophical problems is to realize that there are no such problems, and that philosophy has a relatively modest supporting role in clarifying the foundations of science.
True to my philosophical pedigree, I think that the question is in a way its own answer: philosophical problems naturally elide into the problem of what philosophy is and what it is that philosophers do. One level of reflection tends to lead to the next, and doubt to self-doubt. Philosophers are people who spend their time trying to figure out what they’re doing with their time and why they’re doing it. And so for instance, questions about how we should live (ethics) and what we can know (epistemology) are also questions about whether the life of the mind is worthwhile and whether philosophical pursuits are properly scientific. The unavoidable state of affairs here is that philosophy falls perpetually into one crisis (or well) after another –recent department closures are just one example.
One way of remedying the nagging thought that philosophy is merely a retreat from worldly affairs, practicality, and life in general is to do precisely what TheNew York Times has done here, and try to initiate more popular and less academic conversations about the subject. (And to get in a plug, it’s what I and two other philosophy grad school dropouts have tried to do with our podcast, The Partially Examined Life; and what I think Open Culture does with its focus on the intersection of education and new media).
For Critchley, the question of time is paramount to answering his opening question: newspapers and blogs are typically focused on timeliness rather than timelessness, and they’re meant for busy people who want to quickly absorb “information.”
But that tension is inherently philosophical.
Wes Alwan lives in Boston, Massachusetts, where he works as a writer and researcher and attends the Institute for the Study of Psychoanalysis and Culture. He also participates in The Partially Examined Life, a podcast consisting of informal discussions about philosophical texts by three philosophy graduate school dropouts.
Conan O’Brien’s Silicon Valley tour winds up at Google as part of his “Legally Prohibited From Being Funny on Television Tour.” In this setting, you can really see his comic/improvisational talents come alive (more so than on late night TV). Give it a watch and tell me if you don’t get a good laugh…
OC contributor Seth Harwood has something exciting going on over at his site today: he’s launching the pre-order sales of his new novel YOUNG JUNIUS, which is due out this fall. This is partly worth noting because Seth’s path to publication involves giving away his work for free as MP3 audiobooks. You can even listen to all of YOUNG JUNIUS before you make a buy. If you’re a fan of crime or mystery fiction, or you dig The Wire, you’ll love this book!
Now, Seth is partnering with independent publisher Tyrus Books to break new ground in publishing strategies. To read the full description of what he’s up to, go here. The brief version involves the pre-order of special, limited edition copies of the book that feature cloth binding, fan-created cover art, photos of the story’s locations, signed personalization and more. By offering these for a limited time via his site, he and Tyrus are able to print just the quantity sold and balance some of the cost (reduce the risk) of the book’s full print run–hardcover, paperback AND special edition.
If you’d like to read more about this or order a copy, head over to sethharwood.com. When you do, use the code OC to save $3 off the cover price of the book! Enjoy!!
Seth Harwood is a voracious reader, subversive publishing maven and crime novelist.
The emergence of “new media” and “social media” — it has all looked fairly revolutionary, the beginning of something entirely new. But, when you step back and consider it, these innovations mark perhaps just an acceleration of a trend that began long ago — one that Marshall McLuhan, the famed communication theorist, first outlined in the 1960s. The vintage clip above gives you a feel for this, and McLuhan himself appears at around the 2:45 minute mark. As you watch this video, you start to realize how prescient McLuhan was, and how social media is almost the logical fulfillment of the trend he saw emerging.
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
Lots of new archives have been coming online lately. So, why not give them a quick mention.
CSPAN: This week, the American cable network finally completed the digitization of its vast video archive. What does that mean for you? It means you can access online every C‑SPAN program aired since 1987. 160,000 hours of video in total, covering 23 years of American political history. The Times has more on this story.
Popular Science: Thanks to Google, you can now freely access a 137-year archive of Popular Science. As PopSci, founded in 1872, writes, “Each issue appears just as it did at its original time of publication, complete with period advertisements. It’s an amazing resource that beautifully encapsulates our ongoing fascination with the future, and science and technology’s incredible potential to improve our lives.” If you spend some time with Brain Picking’s recent post, you’ll see why the PopSci archive holds so much interest. As a side note, you can also find a vast archive of Popular Mechanics via Google Books. Just click here and, as Wired put it, “let the nerdgasmic loss of productivity commence.”
Spin Magazine: Google Books has also added to its virtual magazine shelf every issue of Spin, the music magazine Bob Guccione Jr. founded in 1985. As BoingBoing mentions today, it’s interesting to see “how awfully dated the design of the magazine is.”
Salman Rushdie: Now this isn’t a publicly available archive, but it’s worth knowing about. Archivists at Emory have been working with the digital assets of Salman Rushdie and developing a new field — “digital archaeology” — that will help scholars preserve and methodically study the digital remains (text documents, emails, browser logs and files) of writers and artists. You can watch Rushdie talk about the project, its challenges and benefits. (There’s another clip of him speaking here.) Then you have the archivists themselves talking about how they’re preserving Rushdie’s literary remains, down to the yellow sticky notes he attached to his computer. (Note: The Times has a piece on this project this week.)
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