We like to bring this chest­nut back from time to time. Watch it, and you’ll know why.

In 1977, just a short month before Bing Cros­by died of a heart attack, the 40s croon­er host­ed David Bowie, the glam rock­er, on his Christ­mas show. The awk­ward­ness of the meet­ing is pal­pa­ble. An old­er, crusty Cros­by had no real famil­iar­i­ty with the younger, androg­y­nous Bowie, and Bowie was­n’t crazy about singing The Lit­tle Drum­mer Boy.

So, short­ly before the show’s tap­ing, a team of writ­ers had to fran­ti­cal­ly retool the song, blend­ing the tra­di­tion­al Christ­mas song with a new­ly-writ­ten tune called Peace on Earth. (You can watch the writ­ers tell the sto­ry, years lat­er, below.) After one hour of rehearsal, the two singers record­ed The Lit­tle Drum­mer Boy/Peace on Earth and made a lit­tle clas­sic. The Wash­ing­ton Post has the back­sto­ry on the strange Bing-Bowie meet­ing. Also find a Will Fer­rell par­o­dy of the meet­ing here. We hope you enjoy revis­it­ing this clip with us. Hap­py hol­i­days to you all.

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Relat­ed Con­tent:

David Bowie’s Top 100 Books

David Bowie’s Fash­ion­able Mug Shot From His 1976 Mar­i­jua­na Bust

The Sto­ry of Zig­gy Star­dust: How David Bowie Cre­at­ed the Char­ac­ter that Made Him Famous

Today as we say good­bye to British singer Joe Cock­er, who died at 70 after a strug­gle with lung can­cer, we’ll remem­ber him most for that 1969 Wood­stock per­for­mance of The Bea­t­les’ “With a Lit­tle Help From My Friends.” It was with­out a doubt a career-defin­ing moment. He nev­er stopped per­form­ing the song in his inim­itably gruff style, his raspy voice part­ly a prod­uct of too many cig­a­rettes and some pret­ty hard liv­ing over the decades. Known also for his air gui­tar pro­fi­cien­cy, Cock­er suc­cess­ful­ly cov­ered oth­er famous bands like Traf­fic and The Box Tops, and made many songs—like Bil­ly Preston’s “You Are So Beau­ti­ful to Me”—unique­ly his.

But yes, it’s that 1969 debut album, also titled With a Lit­tle Help from My Friends, with its mix of orig­i­nals and big-name cov­ers from The Bea­t­les and Bob Dylan, that first brought us the Joe Cock­er we fond­ly pay trib­ute to this hol­i­day week. I over­heard some­one describe Cock­er as the only per­son who could do The Bea­t­les bet­ter than they could, which is going a bit too far. But he may be the only artist whose cov­ers of the band are as well-known and well-loved as their orig­i­nals. Paul McCart­ney, who will lead memo­ri­als this week with Ringo Starr, said of Cocker’s “A Lit­tle Help,” “it was just mind-blow­ing, [he] total­ly turned the song into a soul anthem and I was for­ev­er grate­ful to him for doing that.” Indeed. At the top of the post, see Cock­er and band above play “With a Lit­tle Help” in Cologne, Ger­many in 2013, and just above, watch again that grip­ping Wood­stock per­for­mance.

Relat­ed Con­tent:

Jimi Hen­drix at Wood­stock: The Com­plete Per­for­mance in Video & Audio (1969)

Dick Cavett’s Epic Wood­stock Fes­ti­val Show (August, 1969)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Elvis Pres­ley record­ed “Blue Christ­mas” for his Christ­mas album in 1957 and made the song some­thing of a hol­i­day clas­sic. In the years to come, “Blue Christ­mas” would be cov­ered by John­ny Math­is, John­ny Cash, The Mis­fits, Spring­steen, Ringo Starr, Bon Jovi and even­tu­al­ly Lou Reed too. Above, we have Lou per­form­ing the song at the Knit­ting Fac­to­ry in Decem­ber 2008. He’s joined on stage by Rufus Wain­wright, Martha Wain­wright, the McGar­rigle sis­ters, his wife Lau­rie Ander­son, Chaim Tan­nebaum, and Joel Zifkin. Below, find Lou pro­vid­ing the musi­cal back­ground for Sean Lennon and a host of musi­cians, who play a stir­ring ver­sion of John Lennon’s “Hap­py Xmas (War Is Over).” Both clips appear on the DVD A Not So Silent Night.

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Lennon & McCart­ney — the two musi­cians came togeth­er and com­posed the most impor­tant song­book of the last 50 years. Ear­ly on, John and Paul wrote many of their songs togeth­er — songs like “She Loves You” and “Eight Days a Week.” Lat­er, as they describe it here, the dynam­ic changed: one would write the bulk of a song; the oth­er would give it a lis­ten and work out the kinks, adding the right melody, or remov­ing a par­tic­u­lar­ly corny verse. Although the two shared writ­ing cred­its for all Bea­t­les songs, Lennon prin­ci­pal­ly wrote “Straw­ber­ry Fields For­ev­er,” “Nor­we­gian Wood (This Bird Has Flown),” and “Come Togeth­er.” McCart­ney gave us “Eleanor Rig­by,” “Hey Jude,” “Let It Be,” and “Pen­ny Lane.” Depend­ing on which you like, you might put your­self in the Lennon or the McCart­ney camp.

Along the way, we’ve all been asked to take a side, and that applies to musi­cians too. Above, you can find a 34 minute com­pi­la­tion where musi­cians and artists — from Lady GaGa to David Byrne — make their pick. And below, in the com­ments, you’re invit­ed to tell us where you fall — with John or Paul, and why?

Or who is going to offer up George, who, for my mon­ey, released the best of the Bea­t­les’ solo albums?

via Metafil­ter

Relat­ed Con­tent:

The Bea­t­les: Unplugged Col­lects Acoustic Demos of White Album Songs (1968)

The Last Time Lennon & McCart­ney Played Togeth­er Cap­tured in the Boot­leg A Toot And a Snore in ’74

The 10-Minute, Nev­er-Released, Exper­i­men­tal Demo of The Bea­t­les’ “Rev­o­lu­tion” (1968)