Classic Jazz Album Covers Animated & Brought to Life

Back in 2009, Blue Note Records, the influ­en­tial jazz label, was cel­e­brat­ing its 70th anniver­sary. And The Bel­la Vista Social Pub, look­ing to pro­mote its own sum­mer jazz con­certs in Siena, Tus­cany, came up with a smart idea. Why not pay trib­ute to Blue Note (and pro­mote the Ital­ian con­cert series) by ani­mat­ing the cool cov­er designs that graced Blue Note albums dur­ing its hey­day. These cov­er designs were the work of Reid Miles, a graph­ic design­er who moved from Esquire mag­a­zine to Blue Note around 1955, then designed hun­dreds of aura-cre­at­ing cov­ers until he left the label in 1967. The ani­mat­ed video above, called Hi-Fi, brings Miles’ work back to life. Graph­i­col­o­gy has more on the nos­tal­gia-induc­ing clip here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Billie Holiday Sings “Strange Fruit”

Before the week­end slips away, we want to remem­ber Bil­lie Hol­i­day who was born 98 years ago today. To this day, Hol­i­day is wide­ly con­sid­ered the great­est jazz vocal­ist of all time, known for her dis­tinc­tive phras­ing and melan­choly voice. Above, we bring you her per­for­mance of “Strange Fruit,” a song record­ed in 1939 that protest­ed the lynch­ing of African Amer­i­cans in the South. The com­po­si­tion intro­duced Hol­i­day to a main­stream audi­ence, giv­ing her career a big break. Down the line, Hol­i­day closed every con­cert with the song, which con­tin­u­al­ly grew in cul­tur­al impor­tance. By 1999, TIME called “Strange Fruit” the song of the cen­tu­ry, solid­i­fy­ing its place in the Amer­i­can song­book.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Good Vibrations: Guitar and Cymbal Caught on Video

This gor­geous video of a cym­bal (shot with a Phan­tom at 1,000 frames per sec­ond) made our morn­ing. And then Kot­tke’s find below — bril­liant footage of vibrat­ing gui­tar strings — made our after­noon.

Hope you enjoy them as much as we did, and have a great week­end!

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

David Lynch and Interpol Team Up on Short Film

Three years ago, the mem­bers of the band Inter­pol sat down with film­mak­er David Lynch. It was a casu­al meet­ing, an “ice break­er,” that paved the way for a future col­lab­o­ra­tion.

Skip ahead to 2010, and the col­lab­o­ra­tion begins. Inter­pol wants to devel­op visu­als to accom­pa­ny their per­for­mance at the 2011 Coachel­la Fes­ti­val, and Lynch agrees to take on the job. The result: “I Touch a Red But­ton Man,” a short ani­mat­ed film that accom­pa­nies Inter­pol’s song “Lights.” The film (orig­i­nal­ly shown at Coachel­la) was offi­cial­ly released online yes­ter­day at Huff­Po, where the band also talked about the gen­e­sis of the project in their own words.

You can find this film list­ed in the Ani­ma­tion sec­tion of our big col­lec­tion of Free Movies Online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

 

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Name That Painting!

In Feb­ru­ary 2010, the Paris-based band Hold Your Hors­es! released a music video to go with their song “70 Mil­lion,” which became an imme­di­ate suc­cess. In the video, the band mem­bers recre­at­ed famous paint­ings, tak­ing the view­er on an enter­tain­ing tour through art his­to­ry. Try to iden­ti­fy as many paint­ings as pos­si­ble, then com­pare your results with the list of the actu­al paint­ings below the jump. Enjoy — and let us know your scores! And, of course, Hap­py Bastille Day.

(more…)

Curated Song Collections to Match the Rhythms of Your Day

We love the design and over­all lay­out of The Illu­mi­nat­ed Playlists by Brook­lyn-based design­er Adam Parks, but the real delight of the web­site is its sound, not its look. Parks has grouped 21 music col­lec­tions into four cat­e­gories, from slow to very fast  (or rather, Ada­gio to Presto), so you can choose a playlist depend­ing on the pace of your cur­rent activ­i­ty or mood.

As a DJ, Parks has made con­sis­tent­ly sol­id choic­es, culling from both the clas­sics (Bob Dylan, Neal Young, Rolling Stones, Cur­tis May­field) and more recent artists (TV on the Radio, The Decem­berists, Arcade Fire, etc.). These aren’t the lists you would use to impress the cool kids with your eclec­ti­cism, iron­ic tastes, or love of the obscure, but if you’re just look­ing for great sound­tracks for the shift­ing rhythms of the day, they’re a per­fect fit. Dive in here.

We’d love to see sim­i­lar col­lec­tions for jazz and clas­si­cal — we might just need to make a few of our own.

via Metafil­ter

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Baba Brinkman: The Rap Guide to Evolution

Cana­di­an “geek rap­per” Baba Brinkman first gar­nered pop­u­lar atten­tion with a well-received, well-reviewed rap adap­ta­tion of Chaucer’s Can­ter­bury Tales at the Edin­burgh Fringe Fes­ti­val. (To get a sense of the project, check out this brief scene from “The Par­don­er’s Tale.”) And we also pre­vi­ous­ly fea­tured his bril­liant work on Macmil­lan’s What’s Your Eng­lish? cam­paign.

Brinkman has brought his fol­low-up show, a fas­ci­nat­ing homage to Charles Dar­win called “The Rap Guide to Evo­lu­tion,” to New York City, where it’s get­ting rave reviews. In the video above, he explains how he went about putting the project togeth­er, and how evo­lu­tion­ary sci­ence enriched his under­stand­ing of the vio­lence and anger so preva­lent in the music he loves. The whole talk is great, but if you want to start off with a taste of the rap itself, skip for­ward to minute 9:03.

Relat­ed Con­tent:

Hayak vs. Keynes Rap

The Cli­mate Sci­en­tist Rap (Warn­ing: Offen­sive Lan­guage)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Blind Guitarist Lives Out Dream at U2 Show

What can I say? I’m a suck­er for these feel-good moments. This past week­end, Adam Bev­ell, who lost his sight more than two decades ago, attend­ed his 20th U2 con­cert in Nashville. Through­out the show, he held up a sign that read “Blind Gui­tar Play­er: Bring Me Up!” And even­tu­al­ly Bono took him up on the offer, invit­ing him on stage to strum along to “All I Want is You” and then let­ting him leave with a lit­tle par­ty favor — Bono’s green gui­tar. A class act.

You can catch Adam talk­ing about his expe­ri­ence and play­ing some more gui­tar here. And if you like moments like these, then don’t miss this feelin’-groovy moment from Paul Simon’s recent show in Toron­to.

via @Metafilter

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