Edward Said Recalls His Depressing Meeting With Sartre, de Beauvoir & Foucault (1979)

Image via Wiki­me­dia Com­mons

I have not had the occa­sion to meet my intel­lec­tu­al or lit­er­ary heroes, those still alive, of course. And from most of the accounts of those who have, it’s prob­a­bly for the best. I’ve heard sto­ries from men­tors and friends—of drunk­en indis­cre­tions, boor­ish rude­ness, unfor­give­able utter­ances, arro­gance, pet­ti­ness, petu­lance, and every oth­er kind of off­putting behav­ior. Our idols, after all, are only human.

Such dis­ap­point­ment was the expe­ri­ence of Pales­tin­ian Amer­i­can schol­ar and writer Edward Said when he met three intel­lec­tu­al French giants—Jean Paul Sartre, Simone de Beau­voir, and Michel Fou­cault—in 1979. Invit­ed to France by Sartre and de Beau­voir for a con­fer­ence on Mid­dle East peace after the end of the war between Egypt and Israel, Said leapt at the chance, although not before ensur­ing that the telegram he had received was gen­uine.

“At first I thought the cable was a joke of some sort,” wrote Said in the Lon­don Review of Books in 2000, “It might just as well have been an invi­ta­tion from Cosi­ma and Richard Wag­n­er to come to Bayreuth, or from T.S. Eliot and Vir­ginia Woolf to spend an after­noon at the offices of the Dial.”

Image via Wiki­me­dia Com­mons

The invi­ta­tion was for real, and weeks lat­er, Said was off to Paris. Upon arrival, he learned that for unde­fined “secu­ri­ty rea­sons,” the con­fer­ence had been moved to Foucault’s apart­ment, and once there, he encoun­tered de Beau­voir, who quick­ly left an unfa­vor­able impres­sion on him, then dis­ap­peared.

Beau­voir was already there in her famous tur­ban, lec­tur­ing any­one who would lis­ten about her forth­com­ing trip to Teheran with Kate Mil­lett, where they were plan­ning to demon­strate against the chador; the whole idea struck me as patro­n­is­ing and sil­ly, and although I was eager to hear what Beau­voir had to say, I also realised that she was quite vain and quite beyond argu­ing with at that moment. Besides, she left an hour or so lat­er (just before Sartre’s arrival) and was nev­er seen again.

Not long after­wards, Said writes, Fou­cault informed him he would be leav­ing as well, “for his dai­ly bout of research at the Bib­lio­thèque Nationale.” Said describes Fou­cault as a “soli­tary philoso­pher” and “rig­or­ous thinker” but also “unwill­ing to say any­thing to me about Mid­dle East­ern politics”—with the excep­tion of the Iran­ian Rev­o­lu­tion (for which he was part­ly present). Fou­cault described his time in Iran as “very excit­ing, very strange, crazy.” “I think (per­haps mis­tak­en­ly) I heard him say that in Teheran he had dis­guised him­self in a wig,” Said writes, “although a short while after his arti­cles appeared, he rapid­ly dis­tanced him­self from all things Iran­ian.” Fou­cault also, appar­ent­ly, dis­tanced him­self from the dis­cus­sion at hand because, Said sur­mis­es, of his sup­port for Israel.

Sartre, it appears from Said’s account, was very much at the cen­ter of the event. And yet, he seemed “old and frail,” and “was con­stant­ly sur­round­ed, sup­port­ed, prompt­ed by a small ret­inue of peo­ple on whom he was total­ly depen­dent.” At lunch, Said finds the “great man” almost as absent men­tal­ly as his part­ner was phys­i­cal­ly. Where “Beau­voir had been a seri­ous dis­ap­point­ment,” he was lat­er “con­vinced she would have livened things up.”

Sartre’s pres­ence, what there was of it, was strange­ly pas­sive, unim­pres­sive, affect­less. He said absolute­ly noth­ing for hours on end. At lunch he sat across from me, look­ing dis­con­so­late and remain­ing total­ly uncom­mu­nica­tive, egg and may­on­naise stream­ing hap­less­ly down his face. I tried to make con­ver­sa­tion with him, but got nowhere. He may have been deaf, but I’m not sure. In any case, he seemed to me like a haunt­ed ver­sion of his ear­li­er self, his prover­bial ugli­ness, his pipe and his non­de­script cloth­ing hang­ing about him like so many props on a desert­ed stage.

In his sole dis­course at the event, Said tells us, Sartre read “a pre­pared text of about two typed pages” full of “the most banal plat­i­tudes imag­in­able” and “about as infor­ma­tive as a Reuters dis­patch.” After­wards, “Sartre resumed his silence, and the pro­ceed­ings con­tin­ued as before.” The pol­i­tics of the con­fer­ence were by nature com­pli­cat­ed and sen­si­tive, to say the least. Relationships—such as that between Fou­cault and Gilles Deleuze, it seems (or so Deleuze told Said)—have bro­ken off after dis­agree­ments over Israel and Pales­tine.

said foucault

Image by Wiki­me­dia Com­mons

Nev­er­the­less, on the basis of Sartre’s for­mer anti-colo­nial, anti-war stance and pas­sion­ate defense of Alger­ian independence—a posi­tion “which as a French­man must have been hard­er to hold than a posi­tion crit­i­cal of Israel”—Said had hoped Sartre would have at least some sym­pa­thy for the Pales­tin­ian cause. He was mis­tak­en. “Gone for­ev­er, he writes, “was that Sartre.” In a con­clud­ing rumi­na­tion, he attempts to explain what he observed:

I guess we need to under­stand why great old men are liable to suc­cumb either to the wiles of younger ones, or to the grip of an unmod­i­fi­able polit­i­cal belief. It’s a dispir­it­ing thought, but it’s what hap­pened to Sartre. With the excep­tion of Alge­ria, the jus­tice of the Arab cause sim­ply could not make an impres­sion on him, and whether it was entire­ly because of Israel or because of a basic lack of sym­pa­thy – cul­tur­al or per­haps reli­gious – it’s impos­si­ble for me to say.

For all its unpleas­ant­ness, how­ev­er, the encounter did not lessen Said’s fond­ness for Sartre. The author of Ori­en­tal­ism and The Ques­tion of Pales­tine (who is not with­out his own fierce crit­ics) begins his rec­ol­lec­tion of the meet­ing with a glow­ing appraisal of Sartre’s work, which had fall­en far out of favor at the time of the meet­ing. “A year after our brief and dis­ap­point­ing Paris encounter Sartre died,” he con­cludes, “I vivid­ly remem­ber how much I mourned his death.”

You can read Said’s com­plete diary entry here.

via Crit­i­cal The­o­ry

Relat­ed Con­tent:

Edward Said Speaks Can­did­ly about Pol­i­tics, His Ill­ness, and His Lega­cy in His Final Inter­view (2003)

Philosophy’s Pow­er Cou­ple, Jean-Paul Sartre and Simone de Beau­voir, Fea­tured in 1967 TV Inter­view

Jean-Paul Sartre Breaks Down the Bad Faith of Intel­lec­tu­als

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Existential Philosophy of Kierkegaard, Sartre, Camus Explained with 8‑Bit Video Games

By this point in his­to­ry, many of us grown-ups did our grow­ing up while play­ing video games. Most mem­o­rably, we did it while play­ing the col­or­ful, pix­e­lat­ed video games of the mid 1980s through the ear­ly 1990s, the hey­day of the “eight-bit” con­soles. These titles and their char­ac­ters — the Mar­ios, the Zel­das, the Mega Men — remain cul­tur­al touch­stones not just for those of us who have land­ed solid­ly in adult­hood, but also for those of us too young to have played them while they were new. Many of us have put away these child­ish things, but many more of us have kept them out, keep­ing them right along­side our grown-up pur­suits, result­ing in projects like the video series 8‑Bit Phi­los­o­phy, which we fea­tured in Novem­ber.

These grown-up pur­suits include not just the study of phi­los­o­phy, but reflec­tion upon the seri­ous exis­ten­tial ques­tions that the sub­ject reveals: Does ratio­nal­i­ty give life mean­ing? Do we enjoy being free? Why should­n’t we com­mit sui­cide? Luck­i­ly, 8‑Bit Phi­los­o­phy has come up with episodes deal­ing with exact­ly these top­ics. For the first ques­tion they turn to the ideas of Søren Kierkegaard, the 19th cen­tu­ry thinker con­sid­ered the father of exis­ten­tial­ism, as illus­trat­ed by Shat­ter­hand, a slight­ly obscure plat­former I great­ly enjoyed in my own youth. For the sec­ond, we see how two for­mi­da­ble bod­ies of work — that of Jean-Paul Sartre, and that of the Final Fan­ta­sy role-play­ing games — come to bear on the issue. For the third, they bring out none oth­er than Albert Camus (who died 55 years ago yes­ter­day), plac­ing his trench­coat­ed, Gauloise-smok­ing avatar into the suit­ably Sisyphean Don­key Kong.

If you’ve put in the hours play­ing both eight-bit video games and read­ing the rel­e­vant philo­soph­i­cal texts, you’ll sure­ly find these videos’ Nin­ten­don­ian aes­thet­ics as impec­ca­ble as their encap­su­la­tions of Kierkegar­rd, Sartre, and Camus’ posi­tions are con­cise. You can find more from 8‑Bit Phi­los­o­phy on Youtube, includ­ing their vin­tage gamer-friend­ly ren­di­tions of Friedrich Niet­zsche on time as a flat cir­cle and what sci­ence has to do with truth.  They cov­er oth­er areas of phi­los­o­phy, too, but some­thing about old video games them­selves — with their end­less cycles of death, regen­er­a­tion, and not inher­ent­ly mean­ing­ful chal­lenges — leads my mind straight into exis­ten­tial­ism every time.

Relat­ed Con­tent:

Down­load 130 Free Phi­los­o­phy Cours­es: Tools for Think­ing About Life, Death & Every­thing Between

8‑Bit Phi­los­o­phy: Pla­to, Sartre, Der­ri­da & Oth­er Thinkers Explained With Vin­tage Video Games

Exis­ten­tial­ism with Hubert Drey­fus: Four Free Phi­los­o­phy Cours­es

Friedrich Niet­zsche & Exis­ten­tial­ism Explained to Five-Year-Olds (in Com­i­cal Video by Red­dit)

Wal­ter Kaufmann’s Clas­sic Lec­tures on Niet­zsche, Kierkegaard and Sartre (1960)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture as well as the video series The City in Cin­e­ma and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Download 140 Free Philosophy Courses: Develop Critical Thinking Skills & Live the Examined Life

aristotle

What is “Phi­los­o­phy”? Yes, we know, the word comes from the Greek philosophia, which means “the love of wis­dom.” This rote ety­mo­log­i­cal def­i­n­i­tion does lit­tle, I think, to enhance our under­stand­ing of the sub­ject, though it may describe the moti­va­tion of many a stu­dent. Like cer­tain dis­eases, maybe phi­los­o­phy is a spec­trum, a col­lec­tion of loose­ly relat­ed behav­iors. Maybe a bet­ter ques­tion would be, “what are all the symp­toms of this thing we call phi­los­o­phy?” The med­ical metaphor is time­ly. We live in an age when the dis­ci­pline of phi­los­o­phy, like many of the human­i­ties, gets treat­ed like a pathol­o­gy, in uni­ver­si­ties and in the wider cul­ture. See, for exam­ple, pop­u­lar arti­cles on whether sci­ence has ren­dered phi­los­o­phy (and reli­gion) obso­lete. There seems to be an under­ly­ing assump­tion in our soci­ety that phi­los­o­phy is some­thing to be erad­i­cat­ed, like small­pox.

Per­haps this sort of thing is just an emp­ty provo­ca­tion; after all, many log­i­cal pos­i­tivists of the ear­ly 20th cen­tu­ry also claimed to have inval­i­dat­ed large areas of philo­soph­i­cal inquiry by ban­ish­ing every unclear con­cept to the dust­bin. And yet, phi­los­o­phy per­sists, infect­ing us with its relent­less dri­ve to define, inquire, cri­tique, sys­tem­atize, prob­lema­tize, and decon­struct.

And of course, in a less tech­ni­cal sense, phi­los­o­phy infects us with the dri­ve to won­der. With­out its tools, I main­tain, we would not only lack the basis for under­stand­ing the world we live in, but we would also lack impor­tant means of imag­in­ing, and cre­at­ing, a bet­ter one. If this sounds grandiose, wait till you encounter the thought of Pla­to, Spin­oza, Hegel, Kant, Niet­zsche, Kierkegaard, and jazz-futur­ist Sun Ra—all unac­cus­tomed to think­ing small and stay­ing in their lane.

Some philoso­phers are more cir­cum­spect, some more pre­cise, some more lit­er­ary and imag­i­na­tive, some more prac­ti­cal and tech­no­log­i­cal­ly inclined. Like I said, many symp­toms, one dis­ease.

We at Open Cul­ture have com­piled a list of 140 free phi­los­o­phy cours­es from as much of the wide spec­trum as we could, span­ning such diverse ways of think­ing as Uni­ver­si­ty of Chicago’s Leo Strauss on Aristotle’s Ethics (Free Online Audio) and Plato’s Laws (Free Online Audio), to Colum­bia Uni­ver­si­ty Bud­dhist schol­ar Robert Thur­man (Uma’s dad) on “The Cen­tral Phi­los­o­phy of Tibet” (Free Online Audio). We have spe­cif­ic cours­es on Med­ical Ethics, taught by Notre Dame’s David Solomon (Free Online Audio) and the Uni­ver­si­ty of New Orlean’s Frank Schalow (Free iTunes Audio). We have huge­ly gen­er­al cours­es like “The His­to­ry of Phi­los­o­phy With­out Any Gaps,” from King’s College’s Peter Adam­son (Free Course in Mul­ti­ple For­mats). We have phi­los­o­phy cours­es on death, love, reli­gion, film, law, the self, the ancients and the mod­erns…. See what I mean about the spec­trum?

Per­haps phi­los­o­phy incurs resent­ment because it roams at large and won’t be pack­aged into neat­ly salable—or jailable—units. Per­haps its amor­phous nature, its tol­er­ance of uncer­tain­ty and doubt, makes some kinds of peo­ple uncom­fort­able. Or per­haps some think it’s too abstruse and dif­fi­cult to make sense of, or to mat­ter. Not so! Vis­it our list of 140 phi­los­o­phy cours­es and you will sure­ly find a point of entry some­where. One class will lead to anoth­er, and anoth­er, and before you know it, you’ll be ask­ing ques­tions all the time, of every­thing, and think­ing rig­or­ous­ly and crit­i­cal­ly about the answers, and… well, by then it may be too late for a cure.

Look­ing for a good place to start? Try Oxford’s Crit­i­cal Rea­son­ing for Begin­ners

Relat­ed Con­tent:

Down­load 55 Free Online Lit­er­a­ture Cours­es: From Dante and Mil­ton to Ker­ouac and Tolkien

Down­load 78 Free Online His­to­ry Cours­es: From Ancient Greece to The Mod­ern World

Learn 48 Lan­guages Online for Free: Span­ish, Chi­nese, Eng­lish & More 

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Kurt Vonnegut Reveals “Why My Dog Is Not a Humanist” in His Humanist of the Year Award Speech (1992)

Note: Von­negut starts talk­ing at around the 3:40 mark.

This is human­ism, as explained by bio­chemist, sci­ence fic­tion author and for­mer pres­i­dent of the Amer­i­can Human­ist Asso­ci­a­tion Isaac Asi­mov:

Human­ists believe that human beings pro­duced the pro­gres­sive advance of human soci­ety and also the ills that plague it. They believe that if the ills are to be alle­vi­at­ed, it is human­i­ty that will have to do the job. They dis­be­lieve in the influ­ence of the super­nat­ur­al on either the good or the bad of soci­ety, on either its ills or the alle­vi­a­tion of those ills.

There’s a wide­ly dis­sem­i­nat­ed Kurt Von­negut quote that puts things even more suc­cinct­ly:

I am a human­ist, which means, in part, that I have tried to behave decent­ly with­out any expec­ta­tion of rewards or pun­ish­ment after I’m dead.

It’s a def­i­n­i­tion Von­negut, Asimov’s hon­orary suc­ces­sor as AHA pres­i­dent, a scientist’s son, and, famous­ly, a sur­vivor of the fire­bomb­ing of Dres­den, embod­ied, though sure­ly not the only one he coined.

In his 1992 accep­tance speech for the association’s Human­ist of the Year award, above, he recalls how a stu­dent pressed him for a def­i­n­i­tion. He chose to fob the kid off on bet­ter paid col­leagues at the Uni­ver­si­ty of Iowa, but pri­vate­ly came up with anoth­er take:

…a human­ist, per­haps, was some­body who was crazy about human beings, who, like Will Rogers, had nev­er met one he did­n’t like. That cer­tain­ly did not describe me. It did describe my dog, though.

As the title of Vonnegut’s speech implies (“Why My Dog is Not a Human­ist”), Sandy, his undis­crim­i­nat­ing Hun­gar­i­an sheep­dog, ulti­mate­ly fell short of sat­is­fy­ing the cri­te­ria that would have labelled him a human­ist. He lacked the capac­i­ty for ratio­nal thought of the high­est order, and more­over, he regard­ed all humans — not just Von­negut — as gods.

Ergo, your dog is prob­a­bly not a human­ist either.

Char­ac­ter­is­ti­cal­ly, Von­negut ranged far and wide in his con­sid­er­a­tion of the mat­ter, touch­ing on a num­ber of top­ics that remain ger­mane, some 20 years after his remarks were made: race, exces­sive force, the treat­ment of prisoners…and Bill Cos­by.

For intro­duc­tion to human­ism, please see:  Stephen Fry Explains Human­ism in 4 Ani­mat­ed Videos: Hap­pi­ness, Truth and the Mean­ing of Life & Death

Relat­ed Con­tent:

Kurt Von­negut Explains “How to Write With Style”

Kurt Von­negut: Where Do I Get My Ideas From? My Dis­gust with Civ­i­liza­tion

Kurt Von­negut Dia­grams the Shape of All Sto­ries in a Master’s The­sis Reject­ed by U. Chica­go

Ayun Hal­l­i­day is an author, home­school­er, Hoosier and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Ideasthesia: An Animated Look at How Ideas Feel

Danko Nikolic, a researcher at the Max-Planck Insti­tute for Brain Research, has come up with a the­o­ry called “ideas­t­he­sia,” which ques­tions the real­i­ty of two philo­soph­i­cal dual­i­ties: 1.) the mind and body, and 2.) sense per­cep­tion and ideas. Nikolic’s research sug­gests that these dual­i­ties may not exist at all, and par­tic­u­lar­ly that sense per­cep­tion and ideas are inex­tri­ca­bly bound up in one anoth­er. If you want to bet­ter under­stand “ideas­t­he­sia,” I can’t rec­om­mend read­ing the ter­m’s Wikipedia page. It’s tough sled­ding. But you can make it through Nikolic’s TED-Ed video released last month. It still requires you to wear a think­ing cap. But if you’re read­ing this site, you’re prob­a­bly will­ing to put one on for five min­utes.

Relat­ed Con­tent:

Free Online Phi­los­o­phy Cours­es

Play­ing an Instru­ment Is a Great Work­out For Your Brain: New Ani­ma­tion Explains Why

This is Your Brain on Jazz Impro­vi­sa­tion: The Neu­ro­science of Cre­ativ­i­ty

Free Online Psy­chol­o­gy and Neu­ro­science Cours­es

Eastern Philosophy Explained with Three Animated Videos by Alain de Botton’s School of Life

“Among the founders of reli­gions,” writes Walpo­la Rahu­la in his book What the Bud­dha Taught, “the Buddha…was the only teacher who did not claim to be oth­er than a human being, pure and sim­ple. […] He attrib­uted all his real­iza­tion, attain­ment and achieve­ments to human endeav­or and human intel­li­gence.” Rahula’s inter­pre­ta­tion of Bud­dhism is only one of a great many, of course. In some tra­di­tions, the Bud­dha is mirac­u­lous and more or less divine. But this quote sums up why the gen­er­al­ly non-the­is­tic sys­tem of East­ern thought is often called a psy­chol­o­gy or phi­los­o­phy rather than a reli­gion. With the video above, Alain de Botton—whose School of Life has recent­ly brought us a sur­vey of West­ern philoso­phers—begins his intro­duc­tion to East­ern thought with Bud­dhism. The Buddha’s sto­ry, de Bot­ton says, “is a sto­ry about con­fronting suf­fer­ing.”

Born the son of a wealthy Indi­an king and des­tined for great­ness by a prophecy—or so the sto­ry goes—Siddhartha Gau­ta­ma, the future Bud­dha, dis­cov­ered human suf­fer­ing dur­ing brief excur­sions from his palace. Appalled and dis­turbed by sick­ness, aging, and death, the Bud­dha left his lux­u­ri­ous life (and his wife and son) and prac­ticed many rit­u­als and aus­ter­i­ties before find­ing his own path to enlight­en­ment and Nirvana—the extin­guish­ing of desire.

One fruit of his real­iza­tion is the doc­trine of “the Mid­dle Way,” a medi­a­tion between extremes that one source com­pares to Aristotle’s gold­en mean, “where­by ‘every virtue is a mean between two extremes, each of which is a vice.’” The Buddha’s enlight­ened under­stand­ing of the essen­tial con­ti­nu­ity of life gave him com­pas­sion for all liv­ing beings; of the thou­sands of sutras, or say­ings, attrib­uted to him, his teach­ing can be con­cise­ly summed up in what he called “the Four Noble Truths,” the acknowl­edge­ment, cause, and rem­e­dy of inevitable pain and dis­con­tent.

Most of what de Bot­ton does in his intro­duc­tion to the Bud­dha will be famil­iar to any­one who has tak­en a com­par­a­tive reli­gions class. But true to his task of approach­ing Bud­dhism philo­soph­i­cal­ly, he avoids Bud­dhist meta­physics, cos­mol­o­gy, and ques­tions of rebirth, instead inter­pret­ing the Buddha’s teach­ings as a kind of East­ern Aris­totelian ethics: “We must change our out­look (not our cir­cum­stances). We are unhap­py not because we don’t have enough mon­ey, love, or sta­tus, but because we’re greedy, vain, and inse­cure. By reori­ent­ing our minds we can become con­tent. By reori­ent­ing our behav­ior, and adopt­ing what we now term a ‘mind­ful’ atti­tude, we can also become bet­ter peo­ple.”

While Bud­dhist schol­ars and sages would argue that enlight­en­ment entails a great deal more than self-improve­ment, the sum­ma­tion suits the pur­pos­es of de Botton’s School of Life—to help peo­ple “live wise­ly and well.” These videos—like his oth­ers, ani­mat­ed by Mad Adam films with Mon­ty Pythonesque whimsy—distill East­ern thought into fun, bite-sized nuggets. Just above, we have a short intro­duc­tion to the Chi­nese sage Lao Tzu, pur­port­ed author of the Tao Te Ching, the found­ing text of Dao­ism. Where­as de Bot­ton seems to take the Buddha’s sto­ry more or less for grant­ed, he admits above that Lao Tzu may well be a myth­i­cal char­ac­ter, “like Homer,” and that the Tao is like­ly the work “of many authors over time.”

Dao­ism is often inter­twined with Bud­dhism and Con­fu­cian­ism, but its own par­tic­u­lar phi­los­o­phy is dis­tinct from either tra­di­tion. At the heart of Dao­ism is wu wei, which trans­lates to “non-action” or “non-doing,” a mode of being that seeks har­mo­ny with the rhythms of nature and a ceas­ing of pre­oc­cu­pa­tion and ambi­tion. Anoth­er “key point” of Lao Tzu’s instruc­tions for real­iz­ing the “Tao,” or “the way,” is get­ting “in touch with our real selves,” some­thing we can only accom­plish through recep­tiv­i­ty to nature—our own and that out­side us—and through free­dom from dis­trac­tion, a most dif­fi­cult demand for tech­nol­o­gy-obsessed 21st cen­tu­ry peo­ple.

The third video in de Botton’s series sur­veys a Japan­ese Zen Bud­dhist sage and con­trasts him with West­ern philoso­phers, who gen­er­al­ly write long, obscure books and clois­ter them­selves in lec­ture halls and offices. In the Zen tra­di­tion, de Bot­ton says, “philoso­phers write poems, rake grav­el, go on pil­grim­ages, prac­tice archery, write apho­risms on scrolls, chant, and in the case of one of the very great­est Zen thinkers, Sen no Rikyu, teach peo­ple how to drink tea in con­sol­ing and ther­a­peu­tic ways.” Born in 1522 near Osa­ka, Rikyu reformed and refined the chanoyu, the Japan­ese tea cer­e­mo­ny, into a rig­or­ous but ele­gant med­i­ta­tive prac­tice. Rikyu coined the term wabi-sabi, a com­pound of words for “sat­is­fac­tion with sim­plic­i­ty and aus­ter­i­ty” and “appre­ci­a­tion for the imper­fect.” Wabi-sabi offers not only the foun­da­tion for a way of life, but also for a way of design and archi­tec­ture, and its prac­tice informs a great deal of tra­di­tion­al Japan­ese aes­thet­ics.

Like Lao Tzu, Rikyu intend­ed his prac­tices to help peo­ple recon­nect with the sim­plic­i­ty and har­mo­ny of nature, as well as with each oth­er, inspir­ing mutu­al respect free of sta­tus-con­scious­ness and com­pe­ti­tion. Rikyu’s wabi-sabi phi­los­o­phy is premised on Zen’s under­stand­ing of the imper­ma­nence, imper­fec­tion, and incom­plete­ness of every­thing. There­fore he eschewed the trap­pings of lux­u­ry and pre­ferred worn and hum­ble objects in his cer­e­mo­ni­al instruc­tions. Whether we call Rikyu’s prac­tices reli­gious or philo­soph­i­cal seems to make lit­tle dif­fer­ence. In the case of the three thinkers pro­filed here, the dis­tinc­tion may be mean­ing­less and intro­duce West­ern con­cep­tu­al divi­sions that only obscure the mean­ing of Bud­dhism, Dao­ism, and Japan­ese Zen. When it comes to the lat­ter, anoth­er West­ern inter­preter, Alan Watts, once deliv­ered an excel­lent talk called “The Reli­gion of No Reli­gion” that helps to explain prac­tices like Rikyu’s chanoyu.

All of the videos here are part of the School of Life’s “Cur­ricu­lum.” Vis­it de Botton’s Youtube chan­nel for more, and for short videos offer­ing advice on every­thing from anx­i­ety to rela­tion­ships to “the dan­gers of the inter­net.”

Relat­ed Con­tent:

Alain de Botton’s School of Life Presents Ani­mat­ed Intro­duc­tions to Hei­deg­ger, The Sto­ics & Epi­cu­rus

What Are Lit­er­a­ture, Phi­los­o­phy & His­to­ry For? Alain de Bot­ton Explains with Mon­ty Python-Style Videos

A Guide to Hap­pi­ness: Alain de Bot­ton Shows How Six Great Philoso­phers Can Change Your Life

Alain de Bot­ton Shows How Art Can Answer Life’s Big Ques­tions in Art as Ther­a­py

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Watch The Art of Travel, Alain de Botton’s Philosophical Look at Our Wanderlust Tendencies (2005)

The tra­di­tion of the uncom­fort­able intel­lec­tu­al aboard a cruise ship, while not a par­tic­u­lar­ly long or wide one, has pro­duced a few intrigu­ing works. You may well know — and, if you’re any­thing like me, know very well indeed from count­less reread­ings — David Fos­ter Wal­lace’s essay about his sev­en-night Caribbean cruise, known as it first ran in Harper’s as “Ship­ping Out,” and lat­er in full form as the title piece of the col­lec­tion A Sup­pos­ed­ly Fun Thing I’ll Nev­er Do Again. In this envi­ron­ment of con­stant­ly replen­ished ameni­ties and unceas­ing “pam­per­ing” (a word that gen­er­ates an essay’s worth of exe­ge­sis by itself), Wal­lace comes up against the inevitable ques­tion: can a cruise line, or any oth­er form of human effort, real­ly guar­an­tee our hap­pi­ness?

This ques­tion has also proven cen­tral to the career of anoth­er writer and thinker, Alain de Bot­ton. No mat­ter the sub­ject on which his focus may come to rest — archi­tec­ture, Proust, ancient phi­los­o­phy, work — his mind nev­er strays far from the issue of what makes us hap­py, and whether any­thing can keep us that way. The 2005 doc­u­men­tary The Art of Trav­el, a com­pan­ion to his book of the same name, finds de Bot­ton aboard a cruise lin­er, ful­ly equipped with fine wines and line-danc­ing class­es, bound for Spain. Will he dis­em­bark in the Barcelona of which he has dreamed, or will an obscure French nov­el­ist con­vince him of the fool­ish­ness of actu­al­ly expe­ri­enc­ing the very places you’ve long want­ed to? (The answer may not come as a sur­prise to those famil­iar with de Bot­ton’s pro­fes­sion­al tem­pera­ment.)

But our intre­pid host does­n’t stop at cruis­ing: he takes a week­end “city break” in Ams­ter­dam, fol­lows around a World War II bunker enthu­si­ast, goes for a road trip through east Ger­many, pon­ders the dis­tinc­tive lone­li­ness found only in Edward Hop­per paint­ings; gets the grand tour of a “swingers’ hotel,” boards an all-Japan­ese Cotswolds tour bus (and teach­es his fel­low pas­sen­gers about John Ruskin); and won­ders, final­ly, whether the def­i­n­i­tion of a trav­el­er comes not from the dis­tance and fre­quen­cy of the move­ment, but from the “atti­tude of curios­i­ty and recep­tiv­i­ty” to what­ev­er cap­tures the imag­i­na­tion. Hav­ing found myself in a career that involves more and more trav­el each year, I can’t ask myself these ques­tions too often. Whether you care about get­ting to far-off places or rich­ly expe­ri­enc­ing the ones near­by, per­haps de Bot­ton will get you ask­ing them too. At the very least, he’ll save you a cruise.

More films by de Bot­ton can be found in our col­lec­tion, 285 Free Doc­u­men­taries Online.

Relat­ed Con­tent:

Alain de Bot­ton Shows How Art Can Answer Life’s Big Ques­tions in Art as Ther­a­py

A Guide to Hap­pi­ness: Alain de Bot­ton Shows How Six Great Philoso­phers Can Change Your Life

Socrates on TV, Cour­tesy of Alain de Bot­ton (2000)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Scenes from Waking Life, Richard Linklater’s Philosophical, Feature-Length Animated Film (2001)

Richard Lin­klater’s lat­est film Boy­hood has earned quite a lot of press by accom­plish­ing the unprece­dent­ed cin­e­mat­ic feat of telling a sto­ry over a decade long with a pro­duc­tion over a decade long, fol­low­ing the same char­ac­ters, played by the same grow­ing and aging actors, the whole time through. View­ers have under­stand­ably found it a strik­ing view­ing expe­ri­ence, but most of Lin­klater’s projects do some­thing no oth­er film has done before. His 1990s “Indiewood” break­out Slack­er (watch it online), for instance, offered not just the por­trait of the so-called Generation‑X, and not just a por­trait of the then-ris­ing Amer­i­can coun­ter­cul­tur­al Mec­ca of Austin, Texas, but a form of sto­ry­telling that seemed to drift freely from one char­ac­ter to the next, cross­ing town on the winds of idle, every­day, intense, and even non­sen­si­cal con­ver­sa­tion.

And what does Wak­ing Life do? Released in 2001, Lin­klater’s first ani­mat­ed film (he would make a sec­ond, the Philip K. Dick adap­ta­tion A Scan­ner Dark­ly, in 2006) not only fur­ther devel­ops the neglect­ed branch of ani­ma­tion known as roto­scop­ing, which involves draw­ing over live-action footage, but puts it to work for the cause of the philo­soph­i­cal film. But rather than approach­ing that enter­prise straight on, the movie inter­prets the phi­los­o­phy with which it deals through a vast cast of char­ac­ters both eccen­tric and mun­dane — intel­lec­tu­als, often, but also crack­pots, gad­flies, and just plain slack­ers. When they speak their thoughts aloud, as they do in the short clips fea­tured here, they speak on themes as var­ied, but as intrigu­ing­ly inter­con­nect­ed, as real­i­ty, free will, anar­chy, sui­cide, and cin­e­ma, all of which the ani­ma­tion vivid­ly illus­trates.

Wak­ing Life could not come at a bet­ter time,” wrote Roger Ebert when the movie opened, less than a month after 9/11. “It cel­e­brates a series of artic­u­late, intel­li­gent char­ac­ters who seek out the mean­ing of their exis­tence and do not have the answers. At a time when mad­men think they have the right to kill us because of what they think they know about an after­life, which is by def­i­n­i­tion unknow­able, those who don’t know the answers are the only ones ask­ing sane ques­tions. True believ­ers owe it to the rest of us to seek solu­tions that are rea­son­able in the vis­i­ble world.” Some view­ers will no doubt write off Wak­ing Life’s dia­logue — whether spo­ken by actors, pro­fes­sors, Lin­klater reg­u­lars, or utter ran­doms — as mere “dorm room con­ver­sa­tion,” but the film seems to ask an impor­tant ques­tion on that very point: are you real­ly hav­ing more inter­est­ing con­ver­sa­tions now than you did in the dorms?

If you have a sub­scrip­tion to Ama­zon Prime, you can watch Wak­ing Life for free right now. A ver­sion appears on Youtube for $2.99.

It’s also worth not­ing that Wak­ing Life appears on the list we recent­ly explored, 44 Essen­tial Movies for the Stu­dent of Phi­los­o­phy.

Relat­ed Con­tent:

4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More

Watch The Idea, the First Ani­mat­ed Film to Deal with Big, Philo­soph­i­cal Ideas (1932)

Orson Welles Nar­rates Ani­ma­tion of Plato’s Cave Alle­go­ry

Watch Free Online: Richard Linklater’s Slack­er, the Clas­sic Gen‑X Indie Film

In Dark PSA, Direc­tor Richard Lin­klater Sug­gests Rad­i­cal Steps for Deal­ing with Tex­ters in Cin­e­mas

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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