Alain de Botton Presents Ten Virtues for the Modern Day

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At the end of my col­lege years, I found I need­ed to take one final polit­i­cal sci­ence course to com­plete my major. I chose a small sum­mer ses­sion on the sub­ject of virtue. Hav­ing enrolled with no idea what to expect, I fin­ished the quar­ter less changed by the assigned read­ings and class­room dis­cus­sions than by the very — and very unusu­al — task of hav­ing to think about virtue at all. Jokes about the dis­tance of virtue from mod­ern col­lege stu­dents’ minds write them­selves, but Alain de Bot­ton, a man giv­en to much thought and writ­ing about such lost top­ics, sus­pects that the same con­di­tion afflicts all of us. Hence his intro­duc­ing, under the ban­ner of his insti­tu­tion The School of Life, the Virtues Project. It emerges into an unre­cep­tive envi­ron­ment. As de Bot­ton puts it in this intro­duc­to­ry post, “In the mod­ern world, the idea of try­ing to be a ‘good per­son’ con­jures up all sorts of neg­a­tive asso­ci­a­tions: of piety, solem­ni­ty, blood­less­ness and sex­u­al renun­ci­a­tion, as if good­ness were some­thing one would try to embrace only when oth­er more dif­fi­cult but more ful­fill­ing avenues had been exhaust­ed.”

“Through­out his­to­ry,” he con­tin­ues, “soci­eties have been inter­est­ed in fos­ter­ing virtues, in train­ing us to be more vir­tu­ous, but we’re one of the first gen­er­a­tions to have zero pub­lic inter­est in this.” In order to bring that num­ber up, de Bot­ton and The School of Life have enu­mer­at­ed ten sim­ple but uni­ver­sal virtues — resilience, empa­thy, patience, sac­ri­fice, polite­ness, humor, self-aware­ness, for­give­ness, hope, and con­fi­dence — and embed­ded them in a man­i­festo, of which you can down­load a hand­some PDF ver­sion. This pro­vides the foun­da­tion­al text of the Virtues Project, a com­po­nent of de Bot­ton’s larg­er mis­sion, laid out in his recent book Reli­gion for Athe­ists, to repur­pose for mod­ern soci­ety the ele­ments of faith that have demon­strat­ed prac­ti­cal val­ue through­out his­to­ry. Since my adult life, which effec­tive­ly began as that last poli-sci course end­ed, has chiefly pre­sent­ed the chal­lenge of win­ning and main­tain­ing my own self-respect, I’ll be com­mit­ting these ten virtues to mem­o­ry, and no doubt watch­ing for the Virtues Pro­jec­t’s lec­tures and pub­lic events to come.

via Andrew Sul­li­van

Relat­ed con­tent:

Alain de Bot­ton Wants a Reli­gion for Athe­ists: Intro­duc­ing Athe­ism 2.0

Socrates on TV, Cour­tesy of Alain de Bot­ton (2000)

Alain de Bot­ton Pro­pos­es a Kinder, Gen­tler Phi­los­o­phy of Suc­cess

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Alain de Botton Proposes a Kinder, Gentler Philosophy of Success

For bet­ter or worse, Alain de Bot­ton is the face of pop phi­los­o­phy. He has advo­cat­ed “reli­gion for athe­ists” in a book of the same name (to the deep con­ster­na­tion of some athe­ists and the elo­quent inter­est of oth­ers); he has dis­tilled select­ed philo­soph­i­cal nuggets into self-help in his The Con­so­la­tions of Phi­los­o­phy; and most recent­ly, he’s tack­led a sub­ject close to everybody’s heart (to put it char­i­ta­bly) in How to Think More About Sex. As a corol­lary to his intel­lec­tu­al inter­ests in human bet­ter­ment, de Bot­ton also over­sees The School of Life, a “cul­tur­al enter­prise offer­ing good ideas for every­day life” with a base in Cen­tral Lon­don and a col­or­ful online pres­ence. Many crit­ics dis­dain de Botton’s shot­gun approach to phi­los­o­phy, but it gets peo­ple read­ing (not just his own books), and gets them talk­ing, rather than just shout­ing at each oth­er.

In addi­tion to his pub­lish­ing, de Bot­ton is an accom­plished and engag­ing speak­er. Although him­self a com­mit­ted sec­u­lar­ist, in his TED talks, he has posed some for­mi­da­ble chal­lenges to the smug cer­tain­ties of lib­er­al sec­u­lar­ism and the often bru­tal cer­tain­ties of lib­er­tar­i­an mer­i­toc­ra­cy. Apro­pos of the lat­ter, in the talk above, de Bot­ton takes on what he calls “job snob­bery,” the dom­i­nant form of snob­bery today, he says, and a glob­al phe­nom­e­non. Cer­tain­ly, we can all remem­ber any num­ber of times when the ques­tion “What do you do?” has either made us exhale with pride or feel like we might shriv­el up and blow away. De Bot­ton takes this com­mon expe­ri­ence and draws from it some inter­est­ing infer­ences: for exam­ple, against the idea that we (one assumes he means West­ern­ers) live in a mate­ri­al­is­tic soci­ety, de Bot­ton posits that we pri­mar­i­ly use mate­r­i­al goods and career sta­tus not as ends in them­selves but as the means to receive emo­tion­al rewards from those who choose how much love or respect to “spend” on us based on where we land in any social hier­ar­chy.

Accord­ing­ly, de Bot­ton asks us to see some­one in a Fer­rari not as greedy but as “incred­i­bly vul­ner­a­ble and in need of love” (he does not address oth­er pos­si­ble com­pen­sa­tions of mid­dle-aged men in over­ly-expen­sive cars). For de Bot­ton, mod­ern soci­ety turns the whole world into a school, where equals com­pete with each oth­er relent­less­ly.  But the prob­lem with the anal­o­gy is that in the wider world, the admirable spir­it of equal­i­ty runs up against the real­i­ties of increas­ing­ly entrenched inequities. Our inabil­i­ty to see this is nur­turned, de Bot­ton points out, by an indus­try that sells us all the fic­tion that, with just enough know-how and gump­tion, any­one can become the next Mark Zucker­berg or Steve Jobs. But if this were true, of course, there would be hun­dreds of thou­sands of Zucker­bergs and Jobs.

For de Bot­ton, when we believe that those who make it to the top do so only on mer­it, we also, in a cal­lous way, believe those at the bot­tom deserve their place and should stay there—a belief that takes no account of the acci­dents of birth and the enor­mi­ty of fac­tors out­side anyone’s con­trol. This shift in think­ing, he says—especially in the Unit­ed States—gets reflect­ed in a shift in lan­guage. Where in for­mer times some­one in tough cir­cum­stances might be called “unfor­tu­nate” or “down on their luck,” they are now more like­ly to be called “a los­er,” a social con­di­tion that exac­er­bates feel­ings of per­son­al fail­ure and increas­es the num­bers of sui­cides. The rest of de Botton’s rich­ly observed talk lays out his philo­soph­i­cal and psy­cho­log­i­cal alter­na­tives to the irra­tional rea­son­ing that makes every­one respon­si­ble for every­thing that hap­pens to them. As a con­se­quence of soft­en­ing the harsh bina­ry log­ic of success/failure, de Bot­ton con­cludes, we can find greater mean­ing and hap­pi­ness in the work we choose to do—because we love it, not because it buys us love.

Relat­ed Con­tent:

Alain De Bot­ton Turns His Philo­soph­i­cal Mind To Devel­op­ing “Bet­ter Porn”

Alain de Botton’s Quest for The Per­fect Home and Archi­tec­tur­al Hap­pi­ness

Socrates on TV, Cour­tesy of Alain de Bot­ton (2000)

Josh Jones is a writer, edi­tor, and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

French Philosopher Jean Baudrillard Reads His Poetry, Backed By All-Star Arts Band (1996)

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Image by Euro­pean Grad­u­ate School, via Wiki­me­dia Com­mons

French post-struc­tural­ist philosopher/sociologist Jean Bau­drillard—usu­al­ly iden­ti­fied with his post­mod­ern the­o­ries of sim­u­lacra—is a lit­tle bit of a fringe fig­ure in pop cul­ture. Known to hip aca­d­e­m­ic types and avant-garde-ists, he’s maybe the kind of thinker who gets name-dropped more than read (and he’s no easy read).

But in the audio clip above, Bau­drillard reads to us, from his poet­ry no less, while backed by the swirling abstract sounds of The Chance Band, an all art-star ensem­ble fea­tur­ing Tom Wat­son (of The Miss­ing­men), George Hur­ley (of The Min­ute­men and fIRE­HOSE), Lynn John­ston, Dave Muller, Amy Stoll, and guest vocal­ist, the­o­rist Alluc­quère Rosanne (“Sandy”) Stone. It’s an odd, one-time, assem­blage of artists and thinkers UbuWeb describes as “unbe­liev­able but true!”:

Record­ed live as part of the Chance Fes­ti­val at Whiskey Pete’s Casi­no in State­line Neva­da, 1996. You’ve nev­er heard Bau­drillard like this before! Music to read Niet­zsche to.

Indeed. The track above is num­ber two on a twelve-track album called Sui­cide Moi, released in 2002 by Com­pound Annex Records. You can buy the CD here or stream and down­load indi­vid­ual tracks for free on UbuWeb.

Relat­ed Con­tent:

Avant-Garde Media: The UbuWeb Col­lec­tion

Der­ri­da: A 2002 Doc­u­men­tary on the Abstract Philoso­pher and the Every­day Man

Josh Jones is a writer, edi­tor, and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

Download Walter Kaufmann’s Lectures on Nietzsche, Kierkegaard, Sartre & Modern Thought (1960)

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Wal­ter Kauf­mann spent 33 years (1947–1980) teach­ing phi­los­o­phy at Prince­ton. And more than any­one else, Kauf­mann intro­duced Niet­zsche’s phi­los­o­phy to the Eng­lish-speak­ing world and made it pos­si­ble to take Niet­zsche seri­ous­ly as a thinker – some­thing there was­n’t always room to do in Amer­i­can intel­lec­tu­al cir­cles.

With­out sim­pli­fy­ing things too much, Kauf­mann saw Niet­zsche as some­thing of an ear­ly exis­ten­tial­ist, which brings us to these vin­tage lec­tures record­ed in 1960 (right around the time that Kauf­mann, a Ger­man-born con­vert to Judaism, also became a nat­u­ral­ized Amer­i­can cit­i­zen). The three lec­tures offer a short primer on exis­ten­tial­ism and the mod­ern crises philoso­phers grap­pled with. Kierkegaard and the Cri­sis in Reli­gion begins the series, fol­lowed by Niet­zsche and the Cri­sis in Phi­los­o­phy and Sartre and the Cri­sis in Moral­i­ty.

Kauf­man­n’s talks are now list­ed in the Phi­los­o­phy sec­tion of our col­lec­tion of Free Online Cours­es. There you will also find cours­es pre­sent­ed by more con­tem­po­rary philoso­phers, includ­ing John Sear­leHubert Drey­fus, and Michael Sandel.

Relat­ed Con­tent:

Down­load Free Cours­es from Famous Philoso­phers: From Bertrand Rus­sell to Michel Fou­cault

Phi­los­o­phy with a South­ern Drawl: Rick Rod­er­ick Teach­es Der­ri­da, Fou­cault, Sartre and Oth­ers

Noam Chom­sky & Michel Fou­cault Debate Human Nature & Pow­er (1971)

Leo Strauss: 15 Polit­i­cal Phi­los­o­phy Cours­es Online

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Lovers and Philosophers — Jean-Paul Sartre & Simone de Beauvoir Together in 1967

Jean-Paul Sartre and Simone de Beau­voir. They were the intel­lec­tu­al pow­er cou­ple of the 20th cen­tu­ry. Some have called Sartre the father of Exis­ten­tial­ism. But per­haps it’s more accu­rate to call him the chief pop­u­lar­iz­er of the philo­soph­i­cal move­ment. And Simone de Beau­voir, she wrote The Sec­ond Sex, the sprawl­ing 1949 tome that laid the intel­lec­tu­al foun­da­tion for sec­ond-wave fem­i­nism that explod­ed dur­ing the 1960s.

The two philoso­phers first became an item in Octo­ber 1929, but it was nev­er a tra­di­tion­al rela­tion­ship. They nei­ther mar­ried nor shared the same liv­ing quar­ters, and they famous­ly had an open rela­tion­ship. But, as de Beau­voir said, “The com­rade­ship that weld­ed our lives togeth­er made a super­flu­ous mock­ery of any oth­er bond we might have forged for our­selves.”

They were a pow­er­ful cou­ple, writes Louis Menand in The New York­er, “with inde­pen­dent lives, who met in cafés, where they wrote their books and saw their friends at sep­a­rate tables… but who main­tained a kind of soul mar­riage.” What­ev­er your per­son­al views, you need to con­sid­er this: The rela­tion­ship worked for Sartre and de Beau­voir for 50 years.

Despite their celebri­ty, we’ve rarely come across footage of the two philoso­phers togeth­er. So we’re bring­ing you this — a rare clip from a 1967 doc­u­men­tary filmed at Sartre’s Mont­par­nasse high-rise apart­ment, over­look­ing the ceme­tery where the two philoso­phers were even­tu­al­ly buried. Some­what fit­ting­ly, we see the two intel­lec­tu­als, but nev­er in the same frame. You can pur­chase the com­plete film for edu­ca­tion­al use here.

Relat­ed Con­tent:

Jean-Paul Sartre Breaks Down the Bad Faith of Intel­lec­tu­als

Jean-Paul Sartre Writes a Script for John Huston’s Film on Freud (1958)

Sartre, Hei­deg­ger, Niet­zsche: Three Philoso­phers in Three Hours

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Bertrand Russell’s Improbable Appearance in a Bollywood Film (1967)

Here’s one for Rip­ley’s Believe It Or Not: Bertrand Rus­sell, the emi­nent math­e­mati­cian and philoso­pher, once made a cameo appear­ance in a Bol­ly­wood movie.

The year was 1967. Rus­sell was by then a very frail 95-year-old man. Besides fin­ish­ing work on his three-vol­ume auto­bi­og­ra­phy, Rus­sell was devot­ing much of his remain­ing time to the strug­gle for peace and nuclear dis­ar­ma­ment. To that end, he some­times made him­self avail­able to peo­ple he thought could help the cause. (See our March 2012 post, “How Bertrand Rus­sell Turned the Bea­t­les Against the Viet­nam War.”)

So when he was asked to appear in a movie called Aman, about a young Indi­an man who has just received his med­ical degree in Lon­don and wants to go to Japan to help vic­tims of the atom­ic bomb­ings at Hiroshi­ma and Nagasa­ki, Rus­sell said yes.

It’s a weird scene. The eager young grad­u­ate, played by Rajen­dra Kumar, is grant­ed an audi­ence with the famous philoso­pher, who gives him his bless­ing and offers a few words of wis­dom. Sad­ly, much of what Rus­sell has to say is drowned out by the Hin­di-lan­guage nar­ra­tion. But the clip above offers an intrigu­ing glimpse of Rus­sell at his home in Lon­don only three years before his death. Its appear­ance on the Inter­net has caused con­sid­er­able amuse­ment. One observ­er not­ed that, as an actor, Rus­sell has only three degrees of sep­a­ra­tion from Kevin Bacon. Truth real­ly is stranger than fic­tion.

Relat­ed con­tent:

Face to Face with Bertrand Rus­sell: Love is Wise, Hatred is Fool­ish

Three Pas­sions of Bertrand Rus­sell (and a Col­lec­tion of Free Texts)

Bertrand Rus­sell & Oth­er Big Thinkers in BBC Lec­ture Series (Free)

Master Curator Paul Holdengräber Interviews Hitchens, Herzog, Gourevitch & Other Leading Thinkers

Paul Hold­en­gräber is the kind of cul­tur­al gad­about that makes New York one of the great­est cities to live in, since New York­ers like him are for­ev­er track­ing down the world’s best writ­ers, thinkers, and artists and rop­ing them into inti­mate, unscript­ed pub­lic inter­views, dis­cus­sions, and per­for­mances. He belongs in the com­pa­ny of such lumi­nary inter­view­ers as James Lip­ton or Char­lie Rose, but Hold­en­gräber does some­thing so many cura­tors of cul­ture don’t—he pulls things from his sub­jects that you’ve nev­er heard them say before, and he does it because he’s seem­ing­ly fear­less and a con­sum­mate ama­teur in the best sense of the word: he’s a lover—of lit­er­a­ture, the arts, music, phi­los­o­phy, and most of all, con­ver­sa­tion. A recent Wall Street Jour­nal pro­file described Hold­en­graber as the “only one man in New York who pos­sess­es the com­ple­ment of skills—charm, eru­di­tion, curios­i­ty and per­haps most of all chutz­pah” to pull off what appear to be casu­al chats–but which Hold­en­gräber care­ful­ly prepares–with peo­ple like Pete Town­shend, Colum McCann, Umber­to Eco, and just about any­one else you could think of.

Hold­en­gräber works as cura­tor of LIVE from the NYPL, a reg­u­lar event described as “Cog­ni­tive The­ater” that has fea­tured pre­vi­ous guests like Harold Bloom, Pat­ti Smith, Jay‑Z, and Colm Toib­in. It’s some­thing of a vari­ety show. Some events put two com­ple­men­tary fig­ures in con­ver­sa­tion with each oth­er, such as this past November’s con­ver­sa­tion between the par­doned West Mem­phis Three sus­pect Damien Echols and for­mer Black Flag singer Hen­ry Rollins; some fea­ture sur­pris­ing, out-of-char­ac­ter per­for­mances, such as a read­ing of the mod­ern clas­sic kid’s book for adults, Go the F*ck to Sleep, as dead­panned by the voice of exis­ten­tial despair, Wern­er Her­zog; and some­times LIVE takes place in tra­di­tion­al inter­view for­mat, with Hold­en­gräber doing what he does best, get­ting fas­ci­nat­ing peo­ple to tell sto­ries about them­selves. For exam­ple, Hold­en­gräber sat down in June, 2010 for a lengthy talk with Christo­pher Hitchens, who had just pub­lished his mem­oir, Hitch 22. Lit­tle did either of them know that Hitchens would be gone in less than two years. In the short clip above, Hitchens and Hold­en­gräber talk about mor­tal­i­ty, both onstage and dur­ing an inti­mate back­stage smoke break. Watch the full video of their talk below, and find the sched­ule for upcom­ing talks here.

As if his cura­to­r­i­al work for the NYPL were not enough, Hold­en­gräber also hosts The Paul Hold­en­gräber Show, which pre­miered last year on YouTube’s Intel­li­gent Chan­nel. Here he gets the chance to flex his inter­view mus­cles away from the audi­ences in a small stu­dio set­ting. Now nine episodes in, the show has fea­tured an unpre­dictable line­up of guests such as mas­ter chef David Chang, Eat, Pray, Love author Eliz­a­beth Gilbert, Robin Hood Foun­da­tion man­ag­ing direc­tor Eric Wein­gart­ner, and this past July, New York­er writer Philip Goure­vitch. In their con­ver­sa­tion below, Hold­en­gräber and Goure­vitch have a con­ver­sa­tion that swings effort­less­ly from report­ing on inter­na­tion­al tragedy and war to writ­ing a piece on James Brown to Gourevitch’s love for the Bib­li­cal sto­ry of Jon­ah and the whale. Goure­vitch retells the sto­ry with the inten­si­ty and vivid­ness of an eye­wit­ness and the inci­sive com­men­tary of a Tal­mu­dic schol­ar. It’s a moment only Paul Hold­en­gräber could set up.

Josh Jones is a writer and musi­cian. He recent­ly com­plet­ed a dis­ser­ta­tion on land, lit­er­a­ture, and labor.

Jacques Lacan Talks About Psychoanalysis with Panache (1973)

Both psy­cho­analy­sis and psy­chother­a­py act only through words. Yet they are in con­flict. How so? There we have the ques­tion posed to psy­cho­an­a­lyst, psy­chi­a­trist, and world-famous pub­lic intel­lec­tu­al Jacques Lacan in the video above, a clip from a script­ed qua­si-inter­view called Tele­vi­sion whose answers play like his famous lec­tures. Watch it, or watch our pre­vi­ous­ly fea­tured video of Lacan giv­ing a talk, and you’ll expe­ri­ence one qual­i­ty that made him world-famous. Few oth­ers could com­bine such high-flown sub­ject mat­ter with such the­atri­cal­ly emphat­ic ora­tor­i­cal abil­i­ty — an abil­i­ty you can sense even if you don’t under­stand French. For­tu­nate­ly, sub­ti­tles have been pro­vid­ed, offer­ing Anglo­phones a chance to under­stand what con­nec­tions the man saw between the uncon­scious, lan­guage, Freud, sex­u­al rela­tions, and com­e­dy.

“There are, inso­far as the uncon­scious is impli­cat­ed, two sides pre­sent­ed by the struc­ture, the struc­ture which is lan­guage,” Lacan begins. “The side of mean­ing, the first side, the side we would iden­ti­fy as that of analy­sis, which pours out a flood of mean­ing to float the sex­u­al boat.” These remarks come pre-writ­ten in the script of Tele­vi­sion, some­thing between a con­ver­sa­tion and a play that grew out of Jacques-Alain Miller’s failed attempt to film a tra­di­tion­al inter­view of the psy­cho­an­a­lyt­ic lumi­nary. “After every cut, when it was time to start up again, Lacan shift­ed a bit in his dis­course,” Miller wrote in Micro­scopia: An Intro­duc­tion to the Read­ing of Tele­vi­sion. “Each time he gave an addi­tion­al twist to his reflec­tions which were unfold­ing there, under the spot­lights, thwart­ing any chance of bridge-build­ing. We stopped after two hours; I gave him in writ­ing a list of ques­tions; and he wrote [Tele­vi­sion] in about two weeks’ time. I saw him every evening and he gave me the day’s man­u­script pages; then he read or act­ed out — with a few impro­vised vari­a­tions — the writ­ten text. He made a spring-board of this false start.”

Relat­ed con­tent:

Jacques Lacan Speaks; Zizek Pro­vides Free Cliffs Notes

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. Fol­low him on Twit­ter at @colinmarshall.

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