This is usuÂalÂly what hapÂpens when I write a piece for Open CulÂture: As I drink an overÂpriced cofÂfee at my local cofÂfee shop, I research a topÂic on the interÂnet, write and edit an artiÂcle on Microsoft Word and then copy and paste the whole thing into WordÂPress. My ediÂtor in Open CulÂture’s gleamÂing interÂnaÂtionÂal headÂquarÂters up in Palo Alto gives it a look-over and then, with the push of a butÂton, pubÂlishÂes the artiÂcle on the site.
It’s soberÂing to think what I casuÂalÂly do over the course of a mornÂing would require the effort of dozens of peoÂple 40 years ago.
Until the 1970s, with the rise in popÂuÂlarÂiÂty of comÂputÂer typeÂsetÂting, newsÂpaÂpers were printÂed the same way for nearÂly a cenÂtuÂry. LinoÂtype machines would cast one line at a time from molten lead. Though an improveÂment from handÂset type, where printÂers would assemÂble lines of type one charÂacÂter at a time, linoÂtype still required numerÂous skilled printÂers to assemÂble each and every newsÂpaÂper ediÂtion.
The New York Times tranÂsiÂtioned from that venÂerÂatÂed proÂducÂtion method to comÂputÂer typeÂsetÂting on SunÂday, July 2, 1978. David Loeb Weiss, a proofÂreadÂer at the Times, docÂuÂmentÂed this final day in the docÂuÂmenÂtary Farewell — Etaoin ShrdÂlu.
The title of the movie, by the way, comes from the first two lines of a printer’s keyÂboard, which are arranged accordÂing to a letter’s freÂquenÂcy of use. When a printÂer typed “etaoin shrdÂlu,” it meant that the line had a misÂtake in it and should be disÂcardÂed.
WatchÂing the movie, you get a sense of just how much work went into each page and how printÂers were skilled craftsÂmen. (You try spotÂting a typo on a page of upside down and backÂwards type.) The film also capÂtures the furiÂous enerÂgy and the cacophÂoÂny of clinks and clanks of the comÂposÂing room. You can see just how much physÂiÂcal work was involved. After all, each page was printÂed off of a 40-pound plate made of lead.
The tone of the movie is underÂstandÂably melanÂcholy. The workÂers are bidÂding farewell to a job that had existÂed for decades. “All the knowlÂedge I’ve acquired over my 26 years is all locked up in a litÂtle box now called a comÂputÂer,” notes one printÂer. “And I think most jobs are going to end up the same way.” SomeÂone else wrote the folÂlowÂing on the comÂposÂing room’s chalkÂboard. “The end of an era. Good while it lastÂed. CryÂing won’t help.”
You can watch the full docÂuÂmenÂtary above. It will also be added to our list of 200 Free DocÂuÂmenÂtaries, a subÂset of our meta colÂlecÂtion, 4,000+ Free Movies Online: Great ClasÂsics, Indies, Noir, WestÂerns, DocÂuÂmenÂtaries & More.
H/T @KirstinÂButÂler
RelatÂed ConÂtent:
Friedrich Nietzsche’s CuriÂous TypeÂwriter, the “Malling-Hansen WritÂing Ball”
53 New York Times Videos Teach EssenÂtial CookÂing TechÂniques: From PoachÂing Eggs to ShuckÂing OysÂters
The Art of ColÂloÂtype: See a Near Extinct PrintÂing TechÂnique, as LovÂingÂly PracÂticed by a JapanÂese MasÂter CraftsÂman
Mark Twain Wrote the First Book Ever WritÂten With a TypeÂwriter
Jonathan Crow is a Los AngeÂles-based writer and filmÂmakÂer whose work has appeared in Yahoo!, The HolÂlyÂwood Reporter, and othÂer pubÂliÂcaÂtions. You can folÂlow him at @jonccrow. And check out his blog VeepÂtoÂpus, feaÂturÂing lots of picÂtures of vice presÂiÂdents with octoÂpusÂes on their heads. The VeepÂtoÂpus store is here.