Jean-Luc Godard’s After-Shave Commercial for Schick

in Film, Television | July 7th, 2011

The Dzi­ga Ver­tov Group (1968–1972) was a film col­lec­tive co-found­ed by Jean-Luc Godard and Jean-Pierre Gorin, named after the pio­neer­ing doc­u­men­tary film­mak­er Dzi­ga Ver­tov. Anti-auteur, anti-ver­ité, anti-bour­geois and anti-cap­i­tal­ist, the DVG was also the most rad­i­cal of the French film col­lec­tives, and so, of course, it man­aged to land a great adver­tis­ing gig.

But don’t call it a sell­out. Accord­ing to at least one account, Godard and Gorin man­aged to stick it to their ad agency. Fur­ther­more, they deliv­ered full-throt­tle irony: Their Schick com­mer­cial fea­tures a young man and woman argu­ing over a news broad­cast about Pales­tine … and Pales­tine was also the sub­ject of an ill-fat­ed 1970 DGV project called “Until Vic­to­ry.” You can read the fas­ci­nat­ing back-sto­ry of that film here.

And for the movie geeks: Yes, the actress is Godard reg­u­lar Juli­et Berto.

Relat­ed Con­tent:

Jean-Luc Godard Meets Woody Allen

Ing­mar Bergman’s Soap Com­mer­cials Wash Away the Exis­ten­tial Despair

Fellini’s Fan­tas­tic TV Com­mer­cials

Wes Anderson’s New Com­mer­cials Sell the Hyundai Azera

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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William Shatner Narrates Space Shuttle Documentary

in Astronomy, History, Science, Television, Video - Science | July 4th, 2011

After 30 years and 134 flights, Amer­i­ca’s space shut­tle pro­gram draws to a close. And it feels pitch per­fect to wind things down with a doc­u­men­tary nar­rat­ed by William Shat­ner. Of course, you know him as Cap­tain Kirk from Star Trek, the icon­ic sci-fi TV show that ran from 1966 to 1969, smack in the mid­dle of NASA’s hey­day. (Note: Star Trek has just been added to Net­flix’s stream­ing cat­a­logue.)

The 80 minute doc­u­men­tary takes you through the his­to­ry of the Space Shut­tle pro­gram, which first got under­way dur­ing the Nixon admin­is­tra­tion. The film spends ample time look­ing at the design chal­lenges NASA engi­neers faced in try­ing to cre­ate a reusable shut­tle, while also show­ing ear­ly pro­to­types. Once the design phase was com­plete, con­struc­tion began on the first orbiter in June, 1974 and wrapped up two years lat­er. NASA called its first craft Space Shut­tle Enter­prise, pay­ing homage to the fic­tion­al Star­ship Enter­prise. Next, it was time to bold­ly go where no one had gone before.

The doc is now added to our col­lec­tion of Free Movies Online.

Relat­ed Con­tent:

The Best of NASA Space Shut­tle Videos (1981–2010)

Endeavour’s Launch Viewed from Boost­er Cam­eras

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Stephen Colbert Dishes Out Wisdom & Laughs at Northwestern

in Life, Television | June 19th, 2011

Conan O’Brien’s speech at Dart­mouth’s grad­u­a­tion last week­end — that’s a hard act to fol­low. But Stephen Col­bert put on a very good show Fri­day at North­west­ern Uni­ver­si­ty, his alma mater (Class of 1986).

Best Joke:

We did­n’t have cell phones [dur­ing my days at North­west­ern]. If you made plans to meet some­one in a snow storm and they did­n’t show up, you just assumed that they were devoured by wolves and went on with your life. And we could­n’t text, and we cer­tain­ly could­n’t sext each oth­er. If you want­ed to send some­one a pic­ture of your pri­vate parts, you had to fax it. That’s how Kinko’s got its name!

Best Advice:

In my expe­ri­ence, you will tru­ly serve only what you love, because ser­vice is love made vis­i­ble. If you love friends, you will serve your friends. If you love com­mu­ni­ty, you will serve your com­mu­ni­ty. If you love mon­ey, you will serve your mon­ey. If you love only your­self, you will serve only your­self and you will have only your­self… Try to love oth­ers and serve oth­ers, and hope­ful­ly find those who will love and serve you in return…

H/T @webacion

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The Wild Kingdom: Brought to You by Mutual of Omaha (and It’s Now on YouTube)

in Television, Video - Science | May 18th, 2011

If you’re a Gen-X’er or old­er, this will like­ly dust off some old mem­o­ries, unleash­ing one of those “Yes, I remem­ber that” moments.

From 1963 through 1988, Mar­lin Perkins and Jim Fowler host­ed Mutu­al of Oma­ha’s Wild King­dom, a 30 minute pro­gram that aired Sun­day nights on NBC. An ear­ly pre­cur­sor to Ani­mal Plan­et and The Dis­cov­ery Chan­nel, Wild King­dom let Amer­i­can audi­ences trav­el (at least vir­tu­al­ly) to exot­ic des­ti­na­tions and observe wild ani­mals in their nat­ur­al habi­tats. It all hap­pened dur­ing prime time with mil­lions watch­ing. And the show, oth­er­wise cred­it­ed with rais­ing eco­log­i­cal and envi­ron­men­tal aware­ness, won 41 major awards, includ­ing four Emmys.

There are two ways to revis­it Wild King­dom. One is to pur­chase The Defin­i­tive 50 Episode Col­lec­tion on DVD. The cheap­er option (actu­al­ly, it’s free) is to vis­it Wild King­dom’s Chan­nel on YouTube, which hosts hours and hours of free pro­gram­ming. The episode above takes you into the mys­ter­ies of the Ama­zon. Enjoy…

via metafil­ter

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How TV Ruined Your Life

in Television | May 18th, 2011

The world is in sham­bles. Civ­i­liza­tion is in free fall. And it’s all because of that ubiq­ui­tous elec­tron­ic box spew­ing Snoo­ki and Ozzy and The Don­ald into the homes of inno­cent peo­ple, pol­lut­ing their minds and cor­rupt­ing their souls. Or any­way, that’s what British come­di­an Char­lie Brook­er thinks.

Brook­er is in a posi­tion to know. He makes his liv­ing off the offend­ing medi­um, writ­ing and appear­ing on such caus­tic pro­grams as Char­lie Brooker’s Screen­wipe, his hilar­i­ous and mer­ci­less bit­ing of the hand that feeds. Ear­li­er this year BBC Two pre­sent­ed its fol­low-up to Screen­wipe, a six-part series titled How TV Ruined Your Life. The result is one part social satire, two parts rav­ing luna­cy, as the mis­an­throp­ic Brooker—remote con­trol clenched furi­ous­ly in hand—takes us on a man­ic chan­nel-surf­ing tour of the deprav­i­ty.

In the win­dow above we fea­ture Episode 3: “Aspi­ra­tion.” The oth­er five install­ments can be accessed through the links below. Warn­ing: How TV Ruined Your Life con­tains harsh lan­guage that would not be safe for work. (But then, if you’re watch­ing half-hour com­e­dy shows at the office you’re prob­a­bly skat­ing on thin ice any­way.)

Episode 1: “Fear”
Episode 2: “The Life­cy­cle”
Episode 4: “Love”
Episode 5: “Progress”
Episode 6: “Knowl­edge”

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Free Vintage Cartoons: Bugs Bunny, Betty Boop and More

in Art, Film, Television | May 17th, 2011

Don’t vis­it Vin­tage Toon­Cast (or its iTunes chan­nel) at the begin­ning of a busy work­day. You’ll start by promis­ing your­self to watch just one, like, say, “The Wab­bit Who Came to Sup­per,” which we post­ed above. But then, of course, you’ll want to check out the famous Bet­ty Boop episode, “Min­nie the Moocher,” fea­tur­ing Cab Cal­loway, which will lead you to “Cas­par the Friend­ly Ghost,” “Pop­eye,” and final­ly 16 glo­ri­ous episodes of “Super­man.”

The site hosts more than 80 videos, most of them stel­lar, which means you could end up killing the whole day. Don’t say we did­n’t w‑w-w-arn you (sor­ry).

Relat­ed Con­tent:

Orig­i­nal Super­man Car­toon Series Now Online

Disney’s Oscar-Win­ning Adven­tures in Music

Fan­tas­magorie: The First Ani­mat­ed Film

 

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

 

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More than 20 Years Before “Lost” — “The New People”

in Television, Video - Arts & Culture | April 1st, 2011

There was a good deal of time-trav­el in the ABC hit series Lost, one of the more ambi­tious and pop­u­lar shows of the past decade. But nei­ther Jack, Sawyer, Hur­ley, nor any of our oth­er beloved 21st cen­tu­ry cast­aways ever went back to the year 1969. If they had, and if they’d had access to a TV, they might have found them­selves watch­ing a show about — them­selves.

Well, sort of. The New Peo­ple ran on Fri­day nights on ABC from Sep­tem­ber 1969 through Jan­u­ary 1970 (It last­ed only 17 episodes). We’ll take a shot at sum­ma­riz­ing the gen­er­al premise, which might ring a cou­ple of bells:

A plane crash­es on a remote island in the Pacif­ic, leav­ing its mot­ley group of sur­vivors strand­ed and fight­ing about what to do next.… As they explore their new home, they find an entire town, ful­ly stocked with pro­vi­sions and weapons, but creep­i­ly emp­ty. Soon the sur­vivors dis­cov­er that this island was once set up .…to be an Atom­ic Ener­gy Com­mis­sion test­ing site!

No Lost fan can live with­out a con­spir­a­cy the­o­ry, but we’re pret­ty sure there was noth­ing fishy in the com­mon­al­i­ties, and in the end, are we not all chil­dren of Gilli­gan? Fur­ther­more, there’s a good deal more to the plot, which includes racial con­flict, ado­les­cent angst (the sur­vivors are all col­lege stu­dents), and a healthy dose of Lord of the Flies-style chaos. Full episodes are not online, but at TVob­scu­ri­ties you can find a wealth of relat­ed con­tent, clips, links to reviews, and even the theme song, with lyrics.

Also, be sure to check out the episode guide, which real­ly does intrigue. Num­ber 12, for exam­ple:

The Pied Piper of Pot. Step­pen­wolf  thinks his fel­low islanders are too uptight, so he grows potent mar­i­jua­na that threat­ens to send the stu­dents into a har­row­ing, one-way trip.

The New Peo­ple was pro­duced by Aaron Spelling, who went on to bring us Char­lie’s Angels, The Love Boat, Hart to Hart, and Bev­er­ly Hills 90210, among many, many oth­ers. But we’re not sure if he ever did come up with anoth­er char­ac­ter as com­pelling as Step­pen­wolf.

(Thanks to Bryan Thomas)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.


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The Wire as Great Victorian Novel

in Books, Literature, Television | March 25th, 2011

A while back, W. Daniel Hillis made the case that The Wire may rise to the lev­el of – if not sur­pass – Tol­stoy’s War & Peace. Writ­ing for the Edge.org, Hillis went so far as to say:

As much as I liked War and Peace, I prob­a­bly got more out of The Wire. And why should that be sur­pris­ing? More human effort can be put into a tele­vi­sion series than a nov­el and more time is spent con­sum­ing it. If both are exe­cut­ed to their high­est stan­dards, with equal care, skill and insight, we might well expect less from the book.

If we can men­tion The Wire in the same breath as Tol­stoy, then why not anoth­er giant of nine­teenth cen­tu­ry lit­er­a­ture, Charles Dick­ens? Yes, The Wire has been called “Dick­en­sian” too, and this week the Hood­ed Util­i­tar­i­an has re-imag­ined The Wire as a seri­al­ized Vic­to­ri­an nov­el. The premise? Imag­ine The Wire writ­ten in 60 install­ments over the course of six years, start­ing in 1846, by Hor­a­tio Buck­les­by Ogden, a Dick­ens con­tem­po­rary who wrote with a “nuance and atten­tion to detail that Dick­ens nev­er achieved.” Each install­ment ran 30 pages and sold for one shilling apiece.

The Hood­ed Util­i­tar­i­an has­n’t actu­al­ly print­ed these 60 install­ments (because they don’t actu­al­ly exist). But they have pro­duced a few won­der­ful mock pages, and writ­ten a faux piece of lit­er­ary crit­i­cism to accom­pa­ny them. A great job by Joy Delyr­ia and Sean Michael Robin­son.

via Boing­Bo­ing

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