Mr. Rogers Goes to Washington

We take you back to anoth­er era when fund­ing for pub­lic broad­cast­ing was in doubt – to 1969, when Richard Nixon planned to cut PBS’ fund­ing from $20 mil­lion to $10 mil­lion. Here Fred Rogers, the gen­tle cre­ator of Mis­ter Rogers’ Neigh­bor­hood, gets six short min­utes before Sen­a­tor John Pas­tore, the chair­man of the Sub­com­mit­tee on Com­mu­ni­ca­tions, and makes his pitch for pub­licly-fund­ed edu­ca­tion­al tele­vi­sion. In those 360 sec­onds, Rogers gets the gruff sen­a­tor to do a com­plete 180 – to end up say­ing “It looks like you just earned the 20 mil­lion dol­lars.” And, indeed, it turned out just that way. Those were the days…

via @webacion

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Gay Talese: Drinking at New York Times Put Mad Men to Shame

Mad Men brings us back to a bygone era, the ear­ly 60s, when alco­hol flowed freely through­out the work­ing day. (Watch this mon­tage to get up to speed.) An act of his­tor­i­cal revi­sion­ism, many might think. But, appar­ent­ly not so. Accord­ing to a piece in The New York Times, the show basi­cal­ly gets it right. Alco­hol was as com­mon in offices as office sup­plies. And then we have this: Gay Talese, the best­selling author and jour­nal­ist, remem­ber­ing the Times news­room dur­ing the same era – a crew bare­ly fit to pub­lish the news that’s fit to print.

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Bruce Lee’s Lost Interview


Bruce Lee’s act­ing career began on tele­vi­sion in 1966, when he land­ed a part in The Green Hor­net. (Watch his amaz­ing audi­tion here). But it took anoth­er five years before he gave his first (and only) tele­vi­sion inter­view. For 25 min­utes in Decem­ber 1971, the mar­tial arts star sat down with Pierre Berton, a Cana­di­an jour­nal­ist, in Hong Kong. And their con­ver­sa­tion cov­ered a fair amount of ground – Lee’s suc­cess star­ring in Man­darin films .… despite only speak­ing Can­tonese; his dif­fi­cul­ty devel­op­ing a career in a coun­try still hos­tile toward Chi­na; and his work train­ing oth­er Hol­ly­wood stars in the mar­tial arts. Berton prob­a­bly nev­er scored many points for his inter­view­ing style. But Berton is not the point here. It’s all about Lee. via Brain­Pick­ings

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Norman Mailer & Gore Vidal Feud on The Dick Cavett Show

Anoth­er chap­ter from Amer­i­ca’s long his­to­ry of inci­vil­i­ty. Today, we rewind the video­tape to Decem­ber 1971, when Gore Vidal (already known for his tele­vised spat with William F. Buck­ley) got into a ver­bal brawl with the always mer­cu­r­ial (and, on this occa­sion, sauced) nov­el­ist Nor­man Mail­er. What the tele­vi­sion audi­ence sees is just the tip of the ice­berg. Back in the green­room, Mail­er actu­al­ly head­butted Vidal, tak­ing revenge for a neg­a­tive review that Vidal pub­lished in the New York Review of Books that pre­vi­ous sum­mer. (Slate has more on this.) Cavett nav­i­gat­ed the whole scene rather remark­ably, as you’ll see. But still, almost 40 years lat­er, he mulls over the dif­fi­cul­ty of this one inter­view (and here again), even though many oth­ers (take for exam­ple this bit with Sly Stone) were no small chal­lenge…

Relat­ed Con­tent:

Nor­man Mail­er & Mar­shall McLuhan Debate the Elec­tron­ic Age

Mail­er on the Ali-Fore­man Clas­sic

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James Dean at 80

James Dean starred in only three major films – Rebel With­out a Cause, East of Eden, and Giant – before per­ish­ing in a car acci­dent on Route 466, near Cholame, Cal­i­for­nia in Sep­tem­ber 1955. (A free doc­u­men­tary cov­ers that.) A star died at 24. Mean­while, a leg­end for­ev­er embody­ing youth was born.

Jim­my Dean would have turned 80 today. Amaz­ing to say it. And, to mark the occa­sion, we’re fea­tur­ing a slide show show­cas­ing the pho­tog­ra­phy and voice of Den­nis Stock, the Mag­num pho­tog­ra­ph­er who took many icon­ic pho­tos of Dean, includ­ing Dean’s famous walk through a rainy Times Square with a cig­a­rette propped in mouth and hands in pock­ets. Stock­’s images shaped Dean’s pub­lic per­sona, and the work you’re see­ing here fig­ures into a more com­pre­hen­sive pre­sen­ta­tion of Stock­’s oeu­vre on the Mag­num web­site.

PS Today is also Jules Verne’s 183rd birth­day. If you’re look­ing for his clas­sics – Around the World in 80 Days or 20,000 Leagues Under the Sea – you can find them in our Free Audio Books and Free eBooks col­lec­tions.

What if Tarantino Directed the Super Bowl Broadcast?

What would it look like if our great direc­tors took cre­ative con­trol over the Super Bowl broad­cast? Slate imag­ines it, show­ing you how Quentin Taran­ti­no, David Lynch, Wes Ander­son, Wern­er Her­zog and Jean-Luc Godard would put their cin­e­mat­ic stamp on the broad­cast. The clip gets bet­ter as it moves along…

Enjoy the big game. And, if movies are more your thing, don’t for­get to vis­it our big list of 340 Free Movies Online. Films by some of the great direc­tors men­tioned above appear on the list.

Fol­low us on Face­book and Twit­ter!

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Evidence, Godfrey Reggio’s Short Film on What TV Does to Kids’ Brains

Between 1982 and 2002, direc­tor God­frey Reg­gio shot his well known Qat­si tril­o­gy — Koy­aanisqat­si, Powaqqat­si, and Naqoyqat­si. Some­where between the 2nd and 3rd install­ment, Reg­gio took a lit­tle detour and direct­ed a short eight minute film called Evi­dence. The main char­ac­ters? Kids watch­ing car­toons (Dum­bo, actu­al­ly) and look­ing “drugged,” “like the patients of a men­tal hos­pi­tal,” he writes on his web site.

The vil­lain? “Tele­vi­sion tech­nol­o­gy,” which “is eat­ing the sub­jects who sit before its gaze.” The weapon? Tele­vi­sion again. That “radi­a­tion gun aimed at the view­er” “holds its sub­jects in total con­trol.” A lit­tle house of hor­rors, to be sure. We have added Koy­aanisqat­si (fea­tur­ing the music of Philip Glass) and Evi­dence to our col­lec­tion of Free Movies Online.

via @katciz, the direc­tor of the new inter­ac­tive film Out My Win­dow.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Donald Duck Discovers Glenn Beck: A Remix

This week, Jonathan McIn­tosh (of Rebel­lious Pix­els) released a new cartoon,“Right Wing Radio Duck,” that remix­es dozens of clas­sic Walt Dis­ney car­toons from the 1930s to 1960s. The artis­tic work is seam­less. The video is down­right fun to watch. And the under­ly­ing mes­sage is entire­ly con­tem­po­rary. A la Col­bert: Keep Fear Alive.

The new video is released under a Cre­ative Com­mons license, and, accord­ing to the artist, this trans­for­ma­tive remix “con­sti­tutes a fair-use of any copy­right­ed mate­r­i­al as pro­vid­ed for in sec­tion 107 of the US copy­right law.” Will Dis­ney, a com­pa­ny that exer­cis­es enor­mous pow­er over Amer­i­can copy­right law, agree? That remains to be seen.

To Glenn Beck fans who dou­ble as OC read­ers (if we have any), I apol­o­gize in advance.

via Alec Couros (aka @courosa)

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