PBS American Masters Archive Releases 1,000+ Hours of Uncut, Never-Before-Seen Interviews: Patti Smith, David Bowie, Neil Young & More

When we think of Amer­i­can mas­ters, we don’t think of David Bowie, who despite being a mas­ter was also the most Eng­lish rock star ever to live. But an inter­view with Bowie, nev­er before seen in full, nonethe­less appears in the new­ly opened Amer­i­can Mas­ters archive, hav­ing been shot for the long-run­ning PBS series’ 1997 doc­u­men­tary on Lou Reed — if not the most Amer­i­can rock star ever to live, then sure­ly the most New York one. “For me, New York was always James Dean walk­ing out in the mid­dle of the road, and it was always the Fugs, the Vil­lage Fugs. It was the Beats and it was SoHo. It was that kind of bohemi­an intel­lec­tu­al extrav­a­gance that made it so vibrant for some­one like me, grow­ing up in quite a gray, sub­ur­ban, ten­e­ment-filled South Lon­don envi­ron­ment.”

As with any soci­ety or cul­ture, it takes an out­sider to see things most clear­ly, or at any rate most vivid­ly. But then, cer­tain Amer­i­can-born Amer­i­cans also have pret­ty vivid impres­sions of their own. No less a New York icon than Pat­ti Smith, for instance, also sat for an inter­view about Lou Reed — as well as Bob Dylan, Andy Warhol, the Chelsea Hotel, poet­ry, labels, impro­vi­sa­tion, John Coltrane, Jack­son Pol­lock, CBGB, and much else besides.

Smith’s full inter­view runs 44 min­utes, much longer than the brief clip above, but even it con­sti­tutes just a small frac­tion of the over 1,000 hours of sim­i­lar­ly uncut inter­view footage now made avail­able, com­plete with search­able tran­scripts, in the Amer­i­can Mas­ters archive.

Since its debut in 1986 Amer­i­can Mas­ters has pro­filed cul­tur­al fig­ures from Maya Angelou to Aretha Franklin, Ernest Hem­ing­way to Edgar Allan Poe, Mae West to Mar­i­lyn Mon­roe, Car­ol Bur­nett to Mel Brooks. Those last episodes include inter­views with the late Carl Rein­er, a tow­er­ing Amer­i­can come­di­an in his own right. In addi­tion to Rein­er’s half-hour on Bur­nett and hour on Brooks, you’ll also find in the archive four dif­fer­ent inter­views of Brooks him­self, as well as a sol­id three and a half hours with Bur­nett her­self. Neil Young on David Gef­fenWilliam F. Buck­ley on Wal­ter Cronkite, Cybill Shep­herd on Jeff Bridges, and Quin­cy Jones on Sid­ney Poiti­er — as well as, in two inter­views total­ing near­ly four hours, on Quin­cy Jones. Like all the best Amer­i­can lives, his con­tains many more sto­ries than one can tell at a sit­ting. Enter the the Amer­i­can Mas­ters archive here.

via Kot­tke

Relat­ed Con­tent:

A New Online Archive Lets You Lis­ten to 40 Years Worth of Ter­ry Gross’ Fresh Air Inter­views: Stream 22,000 Seg­ments Online

How Dick Cavett Brought Sophis­ti­ca­tion to Late Night Talk Shows: Watch 270 Clas­sic Inter­views Online

The New Studs Terkel Radio Archive Will Let You Hear 5,000+ Record­ings Fea­tur­ing the Great Amer­i­can Broad­cast­er & Inter­view­er

Free Archive of Audio Inter­views with Rock, Jazz & Folk Leg­ends Now on iTunes

Library of Con­gress Releas­es Audio Archive of Inter­views with Rock ‘n’ Roll Icons

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Watch the Pilot of Breaking Bad with a Chemistry Professor: How Sound Was the Science?

Even the grit­ti­est, hard­est-hit­ting TV dra­mas require will­ing sus­pen­sion of dis­be­lief to enjoy. This is espe­cial­ly true if you, the view­er, hap­pen to be an expert on such sub­jects as emer­gency med­i­cine, police pro­ce­dures, crim­i­nal law, FBI pro­fil­ing, crime scene inves­ti­ga­tion, etcetera. Those of us who don’t know any­thing about these fields may have an eas­i­er time of it, pro­vid­ed the writ­ers do their dili­gence and make the actors sound con­vinc­ing. I nev­er much ques­tioned the sci­ence of Break­ing Bad, for exam­ple. Sure­ly, the hit show accu­rate­ly depict­ed how a des­per­ate high school chem­istry teacher would build a meth lab in the desert? How should I know oth­er­wise?

I might watch the show with a chemist, for one thing, like Pro­fes­sor Don­na Nel­son or the Uni­ver­si­ty of Nottingham’s Sir Mar­tyn Poli­akoff, who had him­self refused to watch Break­ing Bad until “one day when I’m old.” That day has come at last: he final­ly sat down with the pilot and dis­cussed his impres­sions on YouTube chan­nel Peri­od­ic Videos. Poli­akoff approached the exper­i­ment with almost no pre­con­cep­tions. He knew the show was about a chem­istry teacher who made “some sort of drug, I didn’t know which one,” and that “there were a lot of episodes.”

He also knew that “at some point, HF, hydro­gen flu­o­ride, played a part.” But before the chem­istry cri­tique begins, Poli­akoff notices that Wal­ter White’s pants float­ing through the desert air in the pilot’s icon­ic open­ing are a phys­i­cal impos­si­bil­i­ty giv­en their orig­i­na­tion. Bum­mer. He loved the open­ing sequence spelling out the show’s title with ele­ments from the peri­od­ic table, and even imag­ined how his own name (includ­ing “Sir”) might be spelled the same way.

As you might expect, Poli­akoff has some nits to pick with the les­son White gives his stu­dents in the first few min­utes. For one, White—who shows him­self to be very safe­ty-con­scious, if not risk-averse, lat­er in the episode—wears no safe­ty gear while spray­ing chem­i­cals into an open flame. The direc­tor can be for­giv­en for not want­i­ng to obscure Bryan Cranston’s expres­sive face in this cru­cial scene of char­ac­ter devel­op­ment. But what of the les­son itself? Over­all, he says, it’s “quite good.” He likes White’s def­i­n­i­tion of chem­istry as “the study of change,” but thinks it should more ful­ly be “the way that mat­ter changes.”

The dis­cus­sion prompts Poli­akoff to reflect that no one’s ever asked him to define chem­istry before. (When asked to define “inor­gan­ic chem­istry” in high school, his son answered, “it’s what my dad does.”) We quick­ly begin to see the ben­e­fits of watch­ing a well-craft­ed show like Break­ing Bad with an expert. The dra­ma of the show, and its unusu­al approach to what we nor­mal­ly con­sid­er a dry sub­ject, draws out our chemist’s enthu­si­asm and helps us make con­nec­tions we might not oth­er­wise make, such as Wal­ter White’s resem­blance to well-known British sci­en­tist and sci­ence com­mu­ni­ca­tor Robert Win­ston.

Hear­ing Poli­akoff dis­cuss the Break­ing Bad pilot turns out to be so enter­tain­ing that TV exec­u­tives should take note—this could become a new, easy-to-pro­duce genre when we final­ly run out of shows, pro­vid­ed there are enough emi­nent pro­fes­sors will­ing to offer com­men­tary on hit series of the past. But as we can sur­mise from Pro­fes­sor Poliakoff’s gen­er­al lack of inter­est in TV, and from his thriv­ing career as a chem­istry pro­fes­sor, he’s prob­a­bly busy. He’s already done more than enough to make chem­istry inter­est­ing to us lay­folk by con­tribut­ing to Peri­od­ic Videos for over a decade now.

Fur­ther up, see a fun demon­stra­tion of explod­ing hydro­gen bub­bles (“the title pret­ty much says it”). Just above and below, see Pro­fes­sor Poli­akoff enlight­en us on the prop­er­ties of ele­ments 35 and 56, Bromine and Bar­i­um, and watch Peri­od­ic Videos full series on the peri­od­ic table here.

Relat­ed Con­tent: 

The Sci­ence of Break­ing Bad: Pro­fes­sor Don­na Nel­son Explains How the Show Gets it Right

The Break­ing Bad Theme Played with Meth Lab Equip­ment

How Break­ing Bad Craft­ed the Per­fect TV Pilot: A Video Essay

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Formula for The Coen Brothers/Noah Hawley’s Fargo – Pretty Much Pop: A Culture Podcast #79

Your hosts Mark Lin­se­may­er, Eri­ca Spyres, and Bri­an Hirt are joined by Tam­ler from the Very Bad Wiz­ards pod­cast to con­sid­er the plau­dits and com­plaints heaped on this moral­i­ty-tale-turned-orga­nized-crime-dra­ma that began with the 1006 film and  has con­tin­ued through a 4‑season TV show. We delve into its elab­o­rate style, “tun­dra west­ern” set­ting, dry humor (includ­ing “Min­neso­ta nice”), speechi­fy­ing, gen­der issues, stunt cast­ing, and the role of chance in its plot­ting. Did the show go down­hill in its lat­er sea­sons, and is there alto­geth­er too much rehash involved? Yes, there are spoil­ers, but no, it bare­ly mat­ters.

Check out these resources for more opin­ions and back­ground infor­ma­tion:

Fol­low @tamler. Hear him on The Par­tial­ly Exam­ined Life. Check out his book, Why Hon­or Mat­ters.

Hear more of this pod­cast at prettymuchpop.com. This episode includes bonus dis­cus­sion that you can access by sup­port­ing the pod­cast at patreon.com/prettymuchpop. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Pret­ty Much Pop: A Cul­ture Pod­cast is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts.

Rick Steves’ Europe: Binge Watch 11 Seasons of America’s Favorite Traveler Free Online

“Peo­ple who are addict­ed to Euro­pean trav­el, this is kind of a frus­trat­ing time for them,” says Rick Steves in a pod­cast inter­view with The New York Times’ Sam Ander­son from this past spring. He should know: since becom­ing a pro­fes­sion­al trav­el guide and edu­ca­tor in the late 1970s, Steves has har­nessed his own Euro­pean trav­el addic­tion to build a busi­ness empire. To his fel­low Europhiles — and espe­cial­ly his fel­low Europhile but monoglot Amer­i­cans mak­ing their first leap across the Atlantic — Steves has sold a great many class­es, tours, guide­books, mon­ey belts, and neck pil­lows. Over the past three decades, almost every­one who’s got to know him has done so through his trav­el shows on pub­lic tele­vi­sion, espe­cial­ly Rick Steves’ Europe.

“Steves is a joy­ful and jaun­ty host, all eager-beaver smiles and expres­sive head tilts,” writes Ander­son of the show, whose star “gush­es poet­i­cal­ly about England’s Lake Dis­trict (‘a lush land steeped in a rich brew of his­to­ry, cul­ture and nature’) and Erfurt, Ger­many (‘this half-tim­bered medieval town with a shal­low riv­er gur­gling through its cen­ter’) and Istan­bul (‘this sprawl­ing metrop­o­lis on the Bosporus’) and Lis­bon (‘like San Fran­cis­co, but old­er and grit­ti­er and less expen­sive’).”

In recent years, sea­sons of Rick Steves’ Europe have become free to watch on Youtube. The eleven full sea­sons now avail­able also include “Ger­many’s Roman­tic Rhine”; Nor­mandy, “War-Torn Yet Full of Life”; “Feisty and Poet­ic” North Wales; “Lit­tle Europe: Five Micro-Coun­tries”; Basque coun­try; and The Best of Slove­nia.

As well known for his prac­ti­cal-mind­ed­ness as he is for his cheer­ful­ness, Steves has also pro­duced such spe­cial broad­casts as a three-part series on the trav­el skills nec­es­sary to cross huge swaths of Europe safe­ly and enjoy­ably. Giv­en the ongo­ing coro­n­avirus pan­dem­ic, how­ev­er, it will be a while before any of us can once again put our trav­el skills to the test. “This virus can stop our trav­el plans, but it can­not stop our trav­el dreams,” Steves declares on the pod­cast with Ander­son, lead­ing into the announce­ment of a new game: Rick Steves’ Europe Bin­go, “where the cards have all of the lit­tle goofy clichés that show up in almost every one of my shows,” from “Rick vis­its a church” and “Rick enjoys a local drink” to sig­na­ture lines like “Oh, baby!” and “Keep on trav­elin’.”

“You can turn it into a drink­ing game if you want,” Steves notes. And indeed, with or with­out the aid of alco­hol, there are much worse ways for trav­el­ers to pass the remain­der of the pan­dem­ic than with an extend­ed binge-watch of Rick Steves’ Europe, whose sea­sons are orga­nized into playlists below:

Relat­ed Con­tent:

The Sto­ry of Fas­cism: Rick Steves’ Doc­u­men­tary Helps Us Learn from the Hard Lessons of the 20th Cen­tu­ry

Explore the Entire World–from the Com­fort of Quar­an­tine — with 4K Walk­ing Tours

High-Res­o­lu­tion Walk­ing Tours of Italy’s Most His­toric Places: The Colos­se­um, Pom­peii, St. Peter’s Basil­i­ca & More

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­terBooks on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall, on Face­book, or on Insta­gram.

When the Grateful Dead Performed on Hugh Hefner’s Playboy After Dark & Secretly Dosed Everyone With LSD (1969)

At one time, what­ev­er else peo­ple did with it, they real­ly did read Play­boy for the arti­cles. And what­ev­er oth­er vic­ar­i­ous thrills they might obtain from Hugh Hefner’s Playboy’s Pent­house vari­ety show or its fol­low-up, Play­boy After Dark, they def­i­nite­ly tuned in for the music. Guests includ­ed Ike & Tina Turn­er, The Byrds, Bud­dy Rich, Cher, Deep Pur­ple, Fleet­wood Mac, Step­pen­wolf, James Brown, and many more. On Jan­u­ary 18, 1969, the Grate­ful Dead per­formed, and it went exact­ly as one might expect, mean­ing “things got total­ly out-of-hand,” Dave Melamed writes at Live for Live Music, “but every­thing wound up work­ing out just fine.

Things worked out more than fine, despite, or because of, the fact that the band’s leg­endary sound-man Owsley “Bear” Stan­ley (at that time the largest sup­pli­er of LSD in the coun­try) dosed the cof­fee pot on set. Dead drum­mer Bill Kreutz­mann tells the sto­ry in the Conan clip below. It all start­ed, he says, dur­ing sound­check, when he noticed that the crew was act­ing “kin­da loose.” Know­ing Stan­ley as he did, he imme­di­ate­ly sus­pect­ed the cause: “the whole crew, all of you” he says point­ing toward the Conan cam­era oper­a­tors, “was high on acid.”

There’s not much evi­dence of it in the footage. There don’t seem to be any tech­ni­cal prob­lems in the clip at the top. In their brief, jovial inter­view, Hefn­er and Gar­cia seem plen­ty relaxed. Jer­ry tells the Play­boy founder why the band has two drum­mers. (They “chase each oth­er around, sort of like the ser­pent that eats its own tail” and “make a fig­ure in your mind” if you stand between them.) Then he takes the stage and the band plays “Moun­tains of the Moon” and “St. Stephen.”

Hefn­er was so appre­cia­tive of what­ev­er hap­pened on set that he sent a per­son­al let­ter of thanks the fol­low­ing month (below), addressed to each mem­ber of the band. “Your par­tic­i­pa­tion played an impor­tant part in the suc­cess of this par­tic­u­lar show.” He enclosed a film of the per­for­mances and expressed his grat­i­tude “for hav­ing made the tap­ing ses­sion as enjoy­able to do as I think it will be to watch.”

Kreutz­mann relates some oth­er anec­dotes in his 2015 Conan inter­view, includ­ing a fun­ny bit about how the band got its name. But the best part of the appear­ance is watch­ing him imi­tate Hefn­er, who was appar­ent­ly plas­tered to the wall by the end of the set, the cof­fee real­ly start­ing to kick in.

This strange chap­ter of Grate­ful Dead his­to­ry is one of many memo­ri­al­ized in the new graph­ic nov­el, Grate­ful Dead Ori­gins.

via Laugh­ing Squid

Relat­ed Con­tent: 

How the Grate­ful Dead’s “Wall of Sound”–a Mon­ster, 600-Speak­er Sound System–Changed Rock Con­certs & Live Music For­ev­er

Watch the Grate­ful Dead Slip Past Secu­ri­ty & Play a Gig at Colum­bia University’s Anti-Viet­nam Protest (1968)

Take a Long, Strange Trip and Stream a 346-Hour Chrono­log­i­cal Playlist of Live Grate­ful Dead Per­for­mances (1966–1995)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Renewed Popularity of Chess and The Queen’s Gambit: Pretty Much Pop Culture Podcast Discussion #78 with Chess Expert J.J. Lang

The high lev­el of inter­est in Net­flix’s adap­ta­tion of the 1984 Wal­ter Tevis nov­el, The Queen’s Gam­bit has brought this most pop­u­lar game back to the fore­front of pop cul­ture. Chess expert/teacher J.J. (who’s also a grad stu­dent in phi­los­o­phy) joins your hosts Mark Lin­sen­may­er, Eri­ca Spyres, and Bri­an Hirt to con­sid­er chess cul­ture, what gives this game its edge on oth­er con­tenders (why not Ter­ra Mys­ti­ca?), play­er per­son­al­i­ty char­ac­ter­is­tics, and the effect of chess media.

We con­sid­er gen­der, genius, and oth­er issues in Gam­bit, plus Pawn Sac­ri­ficeSearch­ing for Bob­by Fish­erThe Luzhin Defense, and The Cold­est Game.

A few arti­cles and lists:

Watch J.J. on stream on Twitch. Oth­er inter­views he’s done: Per­pet­u­al ChessFriends and Ene­miesAakaash

Hear more of this pod­cast at prettymuchpop.com. This episode includes bonus dis­cus­sion about more chess films and oth­er top­ics that you can access by sup­port­ing the pod­cast at patreon.com/prettymuchpop. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Pret­ty Much Pop: A Cul­ture Pod­cast is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts.

Why Has The Great British Baking Show Conquered America? Pretty Much Pop: A Culture Podcast #75 w/ Stephen Carlile (from Broadway’s The Lion King)

What explains the immense quar­an­tine-time pop­u­lar­i­ty in Amer­i­ca of this quaint British real­i­ty cook­ing show? What do we get out of watch­ing tal­ent­ed ama­teurs bake things? Stephen Carlile, who is famous for play­ing Scar in The Lion King on Broad­way (and is VERY British him­self), joins your hosts Eri­ca Spyres, Bri­an Hirt, and Mark Lin­sen­may­er to con­sid­er the for­mat, con­text, and appeal of the show.

A few arti­cles we reviewed to pre­pare includ­ed:

Fol­low Stephen on Insta­gram @carlile1. Vis­it with him online.

Hear more of this pod­cast at prettymuchpop.com. This episode includes bonus dis­cus­sion you can access by sup­port­ing the pod­cast at patreon.com/prettymuchpop. This pod­cast is part of the Par­tial­ly Exam­ined Life pod­cast net­work.

Pret­ty Much Pop: A Cul­ture Pod­cast is the first pod­cast curat­ed by Open Cul­ture. Browse all Pret­ty Much Pop posts.

David Chase Talks Sopranos for 90 Minutes on the Talking Sopranos Podcast

Dur­ing the ear­ly days of the pan­dem­ic, the Talk­ing Sopra­nos pod­cast (pre­vi­ous­ly dis­cussed on OC here) got under­way. Host­ed by Michael Impe­ri­oli (Christo­pher Molti­san­ti) and Steve Schirri­pa (Bob­by Bacala), the pod­cast revis­its every episode of HBO’s ground­break­ing TV series. It starts nat­u­ral­ly with the 1999 pilot and then moves for­ward sequen­tial­ly. And each install­ment fea­tures a guest (usu­al­ly an actor, writer, or direc­tor who con­tributed to the show), fol­lowed by a scene-by-scene break­down of a com­plete Sopra­nos episode. (They cov­ered the cel­e­brat­ed “Pine Bar­rens” episode a few weeks back.) Past guests have includ­ed Edie Fal­co, Aida Tur­tur­ro, Steve Busce­mi, Lor­raine Brac­co and more.

Now almost halfway through the entire series, Impe­ri­oli and Schirri­pa spent 90 min­utes this week with Sopra­nos’ cre­ator David Chase. In a rare inter­view (watch above), Chase talks about his cre­ative ambi­tions for the show, the real peo­ple (friends and acquain­tances) he mod­eled char­ac­ters on, his some­times fric­tion-filled rela­tion­ship with James Gan­dolfi­ni, and the upcom­ing Sopra­nos film.

You can lis­ten to Talk­ing Sopra­nos on Apple, Spo­ti­fy and Google, or watch all episodes on YouTube. And if you’d like to sup­ple­ment all of this with more detail, get a copy of Matt Zoller Seitz and Alan Sepin­wal­l’s book The Sopra­nos Ses­sions. It’s high­ly rec­om­mend­ed.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent

Why James Gandolfini’s Tony Sopra­no Is “the Great­est Act­ing Achieve­ment Ever Com­mit­ted to the Screen”: A Video Essay

How David Chase Breathed Life into the The Sopra­nos

David Chase Reveals the Philo­soph­i­cal Mean­ing of The Sopra­nos’ Final Scene

Rewatch Every Episode of The Sopra­nos with the Talk­ing Sopra­nos Pod­cast, Host­ed by Michael Impe­ri­oli & Steve Schirri­pa

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