The Shape of A Story: Writing Tips from Kurt Vonnegut

in Books, Literature, Writing | April 4th, 2011

A few years ago, Open Cul­ture read­ers list­ed Slaugh­ter­house Five as one of your top life-chang­ing books. But Kurt Von­negut was not only a great author. He was also an inspi­ra­tion for any­one who aspires to write fic­tion – see for exam­ple his 8 rules for writ­ing fic­tion, which starts with the so-obvi­ous-it’s-often-for­got­ten reminder nev­er to waste your read­er’s time.

In this video, Von­negut fol­lows his own advice and sketch­es some bril­liant blue­prints for envi­sion­ing the “shape” of a sto­ry, all in less than 4 min­utes and 37 sec­onds.

FYI. Orig­i­nal works by Von­negut appear in Free Audio Books and Free eBooks col­lec­tions.

Relat­ed Con­tent:

Ray Brad­bury Gives 12 Pieces of Writ­ing Advice to Young Authors (2001)

John Steinbeck’s Six Tips for the Aspir­ing Writer and His Nobel Prize Speech

Writ­ing Tips by Hen­ry Miller, Elmore Leonard, Mar­garet Atwood, Neil Gaiman & George Orwell

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

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Tim O’Brien & Tobias Wolff Talk “Writing and War”

in Books, Literature, Writing | February 21st, 2011

Last month, two award-win­ning writ­ers and Viet­nam vet­er­ans – Tim O’Brien and Tobias Wolff – met at Stan­ford Uni­ver­si­ty to talk about war and lit­er­a­ture, a tra­di­tion that has giv­en us Tol­stoy’s War and Peace, Remar­que’s All Qui­et on the West­ern Front, Hem­ing­way’s A Farewell to Arms, and Mail­er’s The Naked and the Dead. O’Brien has con­front­ed war in two pre­vi­ous works, If I Die in a Com­bat Zone and Going After Cac­cia­to. But he’s best known for The Things They Car­ried, a col­lec­tion of short sto­ries that gives lit­er­ary expres­sion to the Viet­nam expe­ri­ence, and that’s now a sta­ple of high school and col­lege lit­er­a­ture cours­es. As for Tobias Wolff, his mem­oir recount­ing his dis­il­lu­sion­ing expe­ri­ence as a sol­dier in Viet­nam – In Pharao­h’s Army – was a Nation­al Book Award final­ist, rank­ing up there with This Boy’s Life and Old School. Their wide-rang­ing con­ver­sa­tion runs 80 min­utes…

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The Paris Review Interviews Now Online

in Books, Literature, Writing | September 22nd, 2010

The Paris Review, the great lit­er­ary jour­nal co-found­ed by George Plimp­ton, unveiled last week a new web site and a big archive of inter­views with famous lit­er­ary fig­ures. Span­ning five decades, the inter­views often talk about the “how” of lit­er­a­ture (to bor­row a phrase from Salman Rushdie) – that is, how writ­ers go about writ­ing. Rum­mag­ing through the archive, you will encounter con­ver­sa­tions with TS Eliot, William Faulkn­er, Ralph Elli­son, Ernest Hem­ing­way, Simone de Beau­voir, Saul Bel­low, Jorge Luis Borges, Nor­man Mail­er, Mary McCarthy, Vladimir Nabokov, John Stein­beck, Joan Did­ion, Kurt Von­negut, Eudo­ra Wel­ty, Ray­mond Carv­er, Rus­sell Banks, Don DeLil­lo, Toni Mor­ri­son, Paul Auster, etc. And, amaz­ing­ly, this list only scratch­es the sur­face of what’s avail­able.

Note: These inter­views are sep­a­rate­ly avail­able in book for­mat: The Paris Review Inter­views, Vol­umes 1–4.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Ten Rules for Writing Fiction

in Literature, Writing | February 25th, 2010

The Guardian asked twen­ty nine writ­ers to give their 10 Rules for Writ­ing Fic­tion. Those giv­en by Jonathan Franzen (The Cor­rec­tions) were arguably the pithi­est, and we list them below. The full line­up of writ­ers (includ­ing Elmore Leonard, Mar­garet Atwood, and Richard Ford) can be found here. (The New York­er has since fol­lowed up with some com­men­tary on the Guardian list.)

  • The read­er is a friend, not an adver­sary, not a spec­ta­tor.
  • Fic­tion that isn’t an author’s per­son­al adven­ture into the fright­en­ing or the unknown isn’t worth writ­ing for any­thing but mon­ey.
  • Nev­er use the word “then” as a con­junc­tion – we have “and” for this pur­pose. Sub­sti­tut­ing “then” is the lazy or tone-deaf writer’s non-solu­tion to the prob­lem of too many “ands” on the page.
  • Write in the third per­son unless a real­ly dis­tinc­tive first-per­son voice ­offers itself irre­sistibly.
  • When infor­ma­tion becomes free and uni­ver­sal­ly acces­si­ble, volu­mi­nous research for a nov­el is deval­ued along with it.
  • The most pure­ly auto­bi­o­graph­i­cal fic­tion requires pure inven­tion. Nobody ever wrote a more auto bio­graph­i­cal sto­ry than “The Meta­morphosis”.
  • You see more sit­ting still than chas­ing after.
  • It’s doubt­ful that any­one with an inter­net con­nec­tion at his work­place is writ­ing good fic­tion.
  • Inter­est­ing verbs are sel­dom very inter­est­ing.
  • You have to love before you can be relent­less.

via @kirstinbutler

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John Irving: The Road Ahead for Aspiring Novelists

in Literature, Writing | January 2nd, 2010

The world accord­ing to John Irv­ing. Times are tougher for young writ­ers. But the book isn’t going away. You can watch the full inter­view with Irv­ing here.

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