It’s that time of the year. Or rather that time of the decade. It’s time for “best of” lists — good ones, often banal ones, and someÂtimes bad ones. Here’s one good list that might serve you well next year. TwenÂty-Five EssenÂtial Films of the 2000s feaÂtures some films that you’ve undoubtÂedÂly seen (The Lord of the Rings, Munich, There Will Be Blood) , but probÂaÂbly a good numÂber that you haven’t (Three Times, Fat Girl, The Blind SwordsÂman: ZatoÂichi). If you’re lookÂing to replenÂish your NetÂflix queue in 2010, it’s not a bad place to begin …
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AnothÂer “eggman913″ movÂing art speÂcial. (Check out his full colÂlecÂtion on YouTube.) This time, the images morph in sync with Bach’s PreÂlude And Fugue No. 6 In D Minor BWV 851 — PraeÂludiÂum from the Well-TemÂpered Clavier, Book 1 perÂformed by Daniel Ben PienÂaar (availÂable at MagÂnatune).
Read More...Nina Paley creÂatÂed some buzz earÂliÂer this year when she decidÂed to give her award-winÂning aniÂmatÂed film, Sita Sings the Blues, to the pubÂlic, releasÂing it under a CreÂative ComÂmons license. This was anothÂer test of the conÂcept that artists can make monÂey by givÂing their work away. Today, The Wall Street JourÂnal gives an accountÂing of how this theÂoÂry played out in pracÂtice. Here’s how things break down:
As the WSJ notes, these numÂbers don’t reflect the monÂey she spent makÂing the film . (Paley puts the numÂber at $150,000 in hard costs.) They also don’t account for the indiÂrect revÂenue that she will genÂerÂate down the line. But putting Sita Sings the Blues in front of so many peoÂple, the world now knows a lot more about Nina Paley and her talÂents. I have to believe that she can trade on that (if she wants to) whenÂevÂer she agrees to direct a film, or accepts a speakÂing engageÂment. The WSJ equaÂtion doesÂn’t take this piece into account (it’s admitÂtedÂly hard to meaÂsure), but it’s probÂaÂbly the most imporÂtant part of the overÂall analyÂsis.
You can downÂload Sita Sings the Blues here, watch it on YouTube here, or find it in our colÂlecÂtion of Free Movies Online.
RelatÂed ConÂtent:
How I Sold My Book by GivÂing It Away: You should all see this sepÂaÂrate post by Seth HarÂwood. It focusÂes on simÂiÂlar issues, but transÂlatÂed to the book world.
Read More...EarÂliÂer this week, one of our readÂers, Scott Dumont, offered up some excelÂlent thoughts on a few podÂcasts that we’ve preÂviÂousÂly overÂlooked. Since he put things so well, I figÂured why not pass along his thoughts directÂly to you. Here they go, and thanks Scott …
I’d like to make three sugÂgesÂtions for addiÂtions to your library. Two politÂiÂcal podÂcasts and one hisÂtorÂiÂcal one. For the politÂiÂcal ones, you’re lackÂing in the more indeÂpenÂdent departÂment; you’ve got DemocÂraÂcy Now, which is good enough but I’d sugÂgest adding ComÂmon Sense with Dan CarÂlin (iTunes — Feed — Web Site) and My HisÂtoÂry Can Beat Up Your PolÂiÂtics (iTunes — Feed — Web Site). ComÂmon Sense with Dan CarÂlin is a true indeÂpenÂdent news show, putting the curÂrent polÂiÂtics in perÂspecÂtive and anaÂlyzÂing the disÂconÂnect between what is proÂpaÂganÂda and what is truth. His descripÂtion is:
ComÂmon Sense with Dan CarÂlin is a blend of audio comÂmenÂtary and news analyÂsis by one of the leadÂing thinkers among today’s politÂiÂcalÂly indeÂpenÂdent crowd. Author, reporter and talk show host Dan CarÂlin takes a look at the issues in the news through the prism of his traÂdiÂtionÂal AmerÂiÂcan “forÂward-thinkÂing pragÂmaÂtism” while pushÂing a fisÂcalÂly conÂserÂvÂaÂtive, socialÂly libÂerÂal approach to solvÂing probÂlems. Whether he’s railÂing against the “Fat Police”, explainÂing the exisÂtence of “The ChickÂen LitÂtle Gene” or conÂtinÂuÂalÂly bringÂing up hisÂtorÂiÂcal events no one has ever heard of, CarÂlin manÂages to be enterÂtainÂing and inforÂmaÂtive in a uniqueÂly non-parÂtiÂsan way. His style has been comÂpared to SeinÂfeld’s George CostanÂza on steroids. Whether that’s true or not, he does often talk realÂly fast. You’ll have to keep up.
If I had to recÂomÂmend a few from the ones curÂrentÂly in his feed, I’d say take a lisÂten to the folÂlowÂing shows before you decide: “137- A Vote For None”, “143- The Black Dog”, “146- The ConÂtiÂnuÂity Of Errors”“154- A ConÂflict of InterÂest”, “157- Read It and Weep”, “161- Shhh!”. I know it’s a lot, feel free to pick any of those, but those are probÂaÂbly varÂied enough for you to get a taste of what he means.
My HisÂtoÂry Can Beat Up Your PolÂiÂtics is exactÂly what it sounds like; it puts curÂrent politÂiÂcal events in a hisÂtorÂiÂcal perÂspecÂtive and anaÂlyzes the hisÂtoÂry to allow us to underÂstand our polÂiÂtics. For a good samÂpling, just take a look at this most recent stuff. He’s not schizÂoÂphrenic like Dan CarÂlin and his show is fairÂly forÂmuÂlaÂic, but that’s not to say it’s not inforÂmaÂtive. (more…)
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HarÂvard has rolled out Week 2 of Michael Sandel’s course on JusÂtice. CourÂtesy of the course web site, here’s a synÂopÂsis of what you can expect from Episode 2. New lecÂtures are getÂting rolled out weekÂly. Check the HarÂvard web site for new addiÂtions.
Read More...Part 1 — PUTTING A PRICE TAG ON LIFE: Sandel presents some conÂtemÂpoÂrary casÂes in which cost-benÂeÂfit analyÂsis was used to put a dolÂlar valÂue on human life. The casÂes give rise to sevÂerÂal objecÂtions to the utilÂiÂtarÂiÂan logÂic of seekÂing “the greatÂest good for the greatÂest numÂber.” Is it posÂsiÂble to sum up and comÂpare all valÂues using a comÂmon meaÂsure like monÂey?
Part 2 — HOW TO MEASURE PLEASURE: Sandel introÂduces J. S. Mill, a utilÂiÂtarÂiÂan philosoÂpher who argues that seekÂing “the greatÂest good for the greatÂest numÂber” is comÂpatÂiÂble with proÂtectÂing indiÂvidÂual rights, and that utilÂiÂtarÂiÂanÂism can make room for a disÂtincÂtion between highÂer and lowÂer pleaÂsures. Sandel tests this theÂoÂry by playÂing video clips from three very difÂferÂent forms of enterÂtainÂment: Shakespeare’s HamÂlet, the realÂiÂty show Fear FacÂtor, and The SimpÂsons.
Bernard-HenÂri LĂ©vy, one of France’s leadÂing intelÂlecÂtuÂals (you can tell by the way he butÂtons his shirt) pays draÂmatÂic homage to the uprisÂing in Iran. The rhythm of the speech is vagueÂly MLK’esque. But the conÂtent is disÂtinctÂly French intelÂlo. (SomeÂhow Michel FouÂcault gets worked into an analyÂsis of what’s hapÂpenÂing on the streets of Tehran.)
via TELOS
Read More...Not long ago, I flagged a piece by Leon WieseltiÂer called “The TolÂstoy Bailout,” and it makes a great case for why great books matÂter, espeÂcialÂly in these hard times. As he put it, “In tough times, of all times, the worth of the humanÂiÂties needs no jusÂtiÂfyÂing. The reaÂson is that it will take many kinds of susÂteÂnance to help peoÂple through these trouÂbles. Many peoÂple will now have to fall back more on inner resources than on outÂer ones. They are in need of loans, but they are also in need of meanÂings…. We are in need of fisÂcal polÂiÂcy and spirÂiÂtuÂal polÂiÂcy. And spirÂiÂtuÂalÂly speakÂing, litÂerÂaÂture is a bailout, and so is art, and phiÂlosÂoÂphy, and hisÂtoÂry, and the rest. … RegresÂsion analyÂsis will not get us through the long night. We need to know more about the human heart than the study of conÂsumer behavÂior can teach. These are the hours when the old PenÂguin paperÂbacks must stand us in good stead. It was for now that we read them then.”
With that in mind, I present you with a handy list, “Good NovÂels for Hard Times,” just pubÂlished by the San FranÂcisÂco ChronÂiÂcle.
You may also want to visÂit our list of Life ChangÂing Books, as deterÂmined by our readÂers.
Let me bring this to your attenÂtion. Erwan BomÂstein-Erb, the founder and direcÂtor of Canal EduÂcatif in Paris, has released a docÂuÂmenÂtary (in EngÂlish) about The Gates of Hell, a monÂuÂmenÂtal project that Auguste Rodin worked on, not necÂesÂsarÂiÂly conÂsisÂtentÂly, for 37 years. On its own, this video is worth your time. But you should also know that this is one of ten films about major artÂworks that BomÂstein-Erb plans to proÂduce in HD. Canal EduÂcatif is all about using the interÂnet to proÂvide globÂal access to “culÂturÂal capÂiÂtal.” A goal that we can wholeÂheartÂedÂly supÂport. This kind of philÂanÂthropic venÂture is hard to fund, espeÂcialÂly durÂing these difÂfiÂcult times. So BomÂstein-Erb is lookÂing for sponÂsors and partÂners to supÂport his misÂsion. If you would like to get in touch, you can drop him a line through Canal EduÂcatÂif’s web site. LastÂly, you should check out the Canal EduÂcatif chanÂnel on YouTube. Good luck Erwan.
RelatÂed ConÂtent:
The Art HisÂtoÂry Web Book
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Let me bring this to your attenÂtion. Erwan BomÂstein-Erb, the founder and direcÂtor of Canal EduÂcatif in Paris, has released a docÂuÂmenÂtary (in EngÂlish) about The Gates of Hell, a monÂuÂmenÂtal project that Auguste Rodin worked on, not necÂesÂsarÂiÂly conÂsisÂtentÂly, for 37 years. On its own, this video is worth your time. But you should also know that this is one of ten films about major artÂworks that BomÂstein-Erb plans to proÂduce in HD. Canal EduÂcatif is all about using the interÂnet to proÂvide globÂal access to “culÂturÂal capÂiÂtal.” A goal that we can wholeÂheartÂedÂly supÂport. This kind of philÂanÂthropic venÂture is hard to fund, espeÂcialÂly durÂing these difÂfiÂcult times. So BomÂstein-Erb is lookÂing for sponÂsors and partÂners to supÂport his misÂsion. If you would like to get in touch, you can drop him a line through Canal EduÂcatÂif’s web site. LastÂly, you should check out the Canal EduÂcatif chanÂnel on YouTube. Good luck Erwan.
WritÂing in The New RepubÂlic, Leon WieseltiÂer offers a response to the Feb 25 piece in the NYTimes: In Tough Times, the HumanÂiÂties Must JusÂtiÂfy Their Worth. His arguÂment is worth a read, and here is one lengthy monÂey quote:
The comÂplaint against the humanÂiÂties is that they are impracÂtiÂcal. This is true. They will not change the world. They will change only the expeÂriÂence, and the underÂstandÂing, and the evalÂuÂaÂtion, of the world. .… It is worth rememÂberÂing, then, that the criÂsis in which we find ourÂselves was the work of pracÂtiÂcal men. The secuÂriÂtiÂzaÂtion of mortÂgages was not conÂceived by a head in the clouds. No poet cost anyÂbody their house. No hisÂtoÂriÂan cost anyÂbody their job. Not even the most pamÂpered of proÂfesÂsors ever squanÂdered $87,000 of someÂone else’s monÂey on a litÂtle rug. The creÂativÂiÂty of bankers is a luxÂuÂry that we can no longer afford. But now I read about “defendÂing the virtues of the libÂerÂal arts in a monÂey-driÂven world,” as the Times says. I would have thought that in these times the perÂspecÂtive of monÂey would be ashamed to show itself. What authorÂiÂty, realÂly, should the standÂpoint of finance any longer have for AmerÂiÂcan sociÂety? Who gives a damn what KenÂneth D. Lewis thinks about anyÂthing? … The study of reliÂgion, defendÂing itself to capÂiÂtalÂists? …
In tough times, of all times, the worth of the humanÂiÂties needs no jusÂtiÂfyÂing. The reaÂson is that it will take many kinds of susÂteÂnance to help peoÂple through these trouÂbles. Many peoÂple will now have to fall back more on inner resources than on outÂer ones. They are in need of loans, but they are also in need of meanÂings.… We are in need of fisÂcal polÂiÂcy and spirÂiÂtuÂal polÂiÂcy. And spirÂiÂtuÂalÂly speakÂing, litÂerÂaÂture is a bailout, and so is art, and phiÂlosÂoÂphy, and hisÂtoÂry, and the rest. … RegresÂsion analyÂsis will not get us through the long night. We need to know more about the human heart than the study of conÂsumer behavÂior can teach. These are the hours when the old PenÂguin paperÂbacks must stand us in good stead. It was for now that we read them then.
Very well said, and the logÂic outÂlined here could be one reaÂson why the conÂtinÂuÂing eduÂcaÂtion proÂgram that I help lead — which is heavy on meat & potaÂto humanÂiÂties coursÂes — is so far farÂing quite well.
via the TNR TwitÂter Feed (ours here)