We originally posted this video back in 2009, and it seems like the right time to bring it back. It captures the first of many times that Steve Jobs thrilled audiences with the promise of what technology could deliver. The video takes you back to January 1984, when Jobs demoed the first Macintosh. (The event was famously promoted by Ridley Scott’s commercial during the Super Bowl. See below) A young Jobs, sporting a bow tie and a fuller head of hair, could barely hold back his smile and some tears, and the crowd simply couldn’t contain its enthusiasm, giving Jobs a five-minute standing ovation. That’s where the video ends, fading happily and suitably to black. We’ll miss you Steve. Read the New York Times obit here.
For another great Steve Jobs moment, don’t miss his inspiring Stanford 2005 graduation talk where he discussed his approach to living and urged the young graduates to “Stay Hungry, Stay Foolish.” So far as commencement speeches go, it’s hard to beat this one.
Both video mentioned above appear in our Cultural Icons collection — a media collection that features great artists and thinkers speaking in their own words.
Read More...This week, HBO will air George Harrison: Living in the Material World, a two-part documentary dedicated to The Beatles’ guitarist who long played in the shadow of John and Paul. While George slips back in the spotlight, we should highlight his vintage interview with Dick Cavett. Recorded 40 years ago (November 23, 1971), the conversation starts with light chit-chat, then (around the 5:30 mark) gets to some bigger questions — Did Yoko break up the band? Did the other Beatles hold him back musically? Why have drugs been so present in the rock ‘n roll world, and did The Beatles’ flirtation with LSD lead youngsters astray? And is there any relationship between drugs and the Indian music that so fascinated Harrison? It was a question better left to Ravi Shankar to answer, and that he did.
The rest of the interview continues here with Part 2 and Part 3. Also, that same year, Cavett interviewed John Lennon and Yoko Ono, and we have it right here.
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One of the most original and distinctive songs Led Zeppelin ever recorded was the exotic, eight-and-a-half minute “Kashmir,” from the 1975 album Physical Graffiti. In this clip from Davis Guggenheim’s film It Might Get Loud (2009), Jimmy Page explains the origins of the song to fellow guitarists Jack White and The Edge. Then Page demonstrates it by picking up an old modified Danelectro 59DC Double Cutaway Standard guitar that he played the song with on some of Led Zeppelin’s tours. (Watch Kashmir live here.)
In 1973, Page had been experimenting with an alternative D modal, or DADGAD, tuning often used on stringed instruments in the Middle East, when he hit upon the hypnotic, rising and falling riff. The song came together over a period of a couple of years. John Bonham added his distinctive, overpowering drums during a two-man recording session with Page at Headley Grange. Singer Robert Plant wrote the lyrics while he and Page were driving through the Sahara Desert in Southern Morocco. (Neither Page nor Plant had ever visited Kashmir, in the Himalayas.) Bassist and keyboard player John Paul Jones added the string and horn arrangements the following year. In a 1995 radio interview with Australian journalist Richard Kingsmill, Plant recalled his experience with “Kashmir”:
It was an amazing piece of music to write to, and an incredible challenge for me. Because of the time signature, the whole deal of the song is…not grandiose, but powerful. It required some kind of epithet, or abstract lyrical setting about the whole idea of life being an adventure and being a series of illuminated moments. But everything is not what you see. It was quite a task, because I couldn’t sing it. It was like the song was bigger than me.
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This is what you’d call efficient. In two minutes, we watch our planet take form. 600 million years of geological history whizzes by in a snap. Then we see what the next 100 million years may have in store for us. If you don’t have the patience to watch 700 million years unfold in 180 seconds (seriously?), then we’ll give you this spoiler: Coastal real estate is not a long-term buy…
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
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Random? Yes. Handy? Double yes. The ultimate culinary lifehack from SAVEUR magazine’s Executive Food Editor, Todd Coleman…
If you would like to support the mission of Open Culture, consider making a donation to our site. It’s hard to rely 100% on ads, and your contributions will help us continue providing the best free cultural and educational materials to learners everywhere. You can contribute through PayPal, Patreon, and Venmo (@openculture). Thanks!
Read More...In July, the Edge.org held its annual “Master Class” in Napa, California and brought together some influential thinkers to talk about “The Science of Human Nature.” The highlights included:
Princeton psychologist Daniel Kahneman on the marvels and the flaws of intuitive thinking; Harvard mathematical biologist Martin Nowak on the evolution of cooperation; Harvard psychologist Steven Pinker on the history of violence; UC-Santa Barbara evolutionary psychologist Leda Cosmides on the architecture of motivation; UC-Santa Barbara neuroscientist Michael Gazzaniga on neuroscience and the law; and Princeton religious historian Elaine Pagels on The Book of Revelations.
The Edge.org has now started making videos from the class available online, including, this week, Steven Pinker’s talk on the history of violence. You can watch Pinker’s full 86 minute talk here (sorry, we couldn’t embed it on our site.) Or, if you want the quick gist of Pinker’s thinking, then watch the short clip above. In five minutes, Pinker tells you why violence is steadily trending down, and why some things are actually going right in our momentarily/monetarily troubled world.
Read More...John Hodgman, your favorite quirky, mustachioed humorist, made an appearance at the Maker Faire festival in NYC earlier this month. And, in the DIY spirit of the event, he gave a 30+ minute comic riff on material appearing in his upcoming book That is All — a compendium of “complete world knowledge” that can help you survive an apocalypse. The better part of the talk focuses, quite naturally, on the magic of magic tricks — something we all need to know more about…
Read More...They weren’t quite The Beatles, and they didn’t go out in the same style. (Catch The Beatles’ rooftop gig here.) But R.E.M. gave us 30 good years (ok, maybe 15), and, after calling it quits earlier this week, we thought it worthwhile to present their final live moments. So here it goes: R.E.M.‘s final encore played in Mexico City back in November, 2008. It’s a 36 minute set that features “Supernatural Superserious,” “Losing My Religion,” “I Believe,” “Country Feedback,” “Life and How to Live It,” and “Man on the Moon.”
Thanks to @opedr for the great find and, for good measure, we’re throwing in a vintage R.E.M. concert recorded in Germany in 1985 from the Fables of the Reconstruction tour. These were good old days.
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We recently told you the story. In the mid 60s, Andy Warhol quit painting rather abruptly and began some new adventures in multimedia. Taking a quick detour into music, Warhol became the manager, “producer” and overall patron of the up-and-coming band, The Velvet Underground. But film is where he focused his creative energies.
Between 1964 and 1966, the pop artist shot close to 500 short movies — or what he called “screen tests” — of friends, celebrities and models. (Find screen tests of Lou Reed, Nico, Edie Sedgwick, and Dennis Hopper here.) And then he shot a series of longer films, or rather “anti-films,” that challenged the conventions of filmmaking. No three act structures here. Above, we start you off with his first film, Sleep (1963). Originally Warhol wanted to make Brigitte Bardot the star, but he eventually settled for his friend John Giorno, and you get what the title promises. 40 silent minutes of Giorno’s long slumber.
Next in the loose trilogy comes Kiss, a 54 minute film built out of a series of shorter films. It’s all couples kissing. Men & women. Women & women. Men & men. And it’s all silent again.
Then we cap things off with Eat (1964), 40 minutes of watching the starving pop artist Robert Indiana gnaw on a raw mushroom and nothing more. The trilogy-ender was first screened at the Washington Square Gallery, along with another long-take film, Blow Job.…
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Read More...A little David Sedaris on your mobile device? Yes, please!
Last week, Hachette Digital released David’s Dairy, a new app that brings six animated short films inspired by David Sedaris’ diary to your Apple and Android devices. The films are short — most run about 45 seconds. They’re characteristically quirky and artfully designed. And the complete app costs runs only $1.99. But, at minimum, you get the longest video in the collection here for free and then this:
Bonus Material: In our collection of Free Audio Books, you will find two readings by David Sedaris. Here they go:
And, you can always download a complete David Sedaris book (in audio) by taking advantage of Audible.com’s Free Trial offer.
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