Arthur C. Clarke Predicts the Future in 1964 … And Kind of Nails It

in Sci Fi | September 4th, 2011

In 1964, Sir Arthur C. Clarke, the futur­ist and sci-fi writer best known for his nov­el 2001: A Space Odyssey, peered into the future, to the year 2000, and described what he saw. And a pret­ty good guess it was. Ours would be a world in which…

We could be in instant con­tact with each oth­er, wher­ev­er we may be, where we can con­tact our friends any­where on earth, even if we don’t know their actu­al phys­i­cal loca­tion. It will be pos­si­ble in that age, per­haps only 50 years from now, for a man to con­duct his busi­ness from Tahi­ti or Bali just as well as he could from Lon­don.… Almost any exec­u­tive skill, any admin­is­tra­tive skill, even any phys­i­cal skill, could be made inde­pen­dent of dis­tance. I am per­fect­ly seri­ous when I sug­gest that one day we may have brain sur­geons in Edin­burgh oper­at­ing on patients in New Zealand.

By 2001, Cal­i­for­nia doc­tors were already con­duct­ing vir­tu­al surgery on patients in Rome. And, by 2005, Thomas Fried­man pub­lished his best­seller, The World is Flat, which pret­ty much told us that us that Clarke’s imag­ined world had arrived — with, of course, one big excep­tion. Cities? They’re still stand­ing…

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Mar­shall McLuhan: The World is a Glob­al Vil­lage

Arthur C. Clarke Presents the Col­ors of Infin­i­ty

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37 Hitchcock Cameo Appearances Over 50 Years: All in One Video

in Film | September 2nd, 2011

Ear­ly in his career, Alfred Hitch­cock began mak­ing small appear­ances in his own films. The cameos some­times last­ed just a few brief sec­onds, and some­times a lit­tle while longer. Either way, they became a sig­na­ture of Hitch­cock­’s film­mak­ing, and fans made a sport of see­ing whether they could spot the elu­sive direc­tor. From 1927 to 1976, Hitch­cock made 37 appear­ances in total, and they’re all nice­ly cat­a­logued by Hitchcock.TV and the clip above.

If you’re hun­gry for a good film over the long Labor Day week­end, then don’t miss our col­lec­tion 22 Free Hitch­cock Films Online, which includes The 39 Steps, The Lodger, The Man Who Knew Too Much and oth­er ear­ly clas­sics. Or sim­ply dive into our meta col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More. You’re bound to find some­thing you like…

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Alfred Hitch­cock Recalls Work­ing with Sal­vador Dali on Spell­bound

Hitch­cock on Hap­pi­ness

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Santiago de Compostela: A View From the Octocopter

in Art, Technology | September 2nd, 2011

Micro­copter­video is a Span­ish com­pa­ny that spe­cial­izes in shoot­ing videos using small remote-con­trol heli­copters called “octo­copters.” (You can see the one used in this video here; and if you want to build one your­self, you can find instruc­tions here.) Since these small heli­copters go places where nor­mal cam­eras can’t, these new­fan­gled cam­eras can offer views that are sim­ply out of this world.

The lat­est video gives you a tour of the medieval San­ti­a­go de Com­postela Cathe­dral locat­ed in north­ern Spain. It starts with beau­ti­ful views of the exte­ri­or, but the most impres­sive shots are saved for inside the cathe­dral, espe­cial­ly when the octo­copter soars high above the chamades of the organ, giv­ing us an incred­i­ble look at the choir.

Some of these views have been cap­tured as stills and can be seen at Flickr. And don’t for­get to enjoy some more of those won­der­ful octo­copter videos on this Vimeo page.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

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Paola Antonelli on Design as the Interface Between Progress and Humanity

in Art, Education, Video - Arts & Culture | September 1st, 2011

Pao­la Antonel­li — Senior Cura­tor of Archi­tec­ture and Design at the MoMA, long­time pro­po­nent of human­ized tech­nol­o­gy, self-described “curi­ous octo­pus” — has arguably done more for the main­stream infil­tra­tion of design lit­er­a­cy than any oth­er indi­vid­ual in con­tem­po­rary cul­ture. In her recent open­ing keynote at the unequiv­o­cal­ly titled media and ideas con­fer­ence The Con­fer­ence in Malmö, Swe­den, Antonel­li pulls the cur­tain on her cura­to­r­i­al process and, with her sig­na­ture on-stage charis­ma, takes a reveal­ing look at how her shows go about the incred­i­ble bal­anc­ing act of being both bea­cons of the bleed­ing edge of design and an approach­able edu­ca­tion plat­form for instill­ing in the gen­er­al pub­lic a basic under­stand­ing of the fun­da­men­tal impor­tance of design — some­thing she describes as “push[ing] design down from the realm of art and up from the realm of dec­o­ra­tion and pret­ti­fi­ca­tion into real life.”

“What design­ers do is they take rev­o­lu­tions that hap­pen maybe in sci­ence or tech­nol­o­gy or pol­i­tics, and they trans­form them into objects that you and I can use, that you and I can feel some famil­iar­i­ty or at least some curios­i­ty about, so we can be drawn in and we can start a new life and a new behav­ioral pat­tern. And this idea of design­ers as the inter­face of progress, between progress and human­i­ty, is what I try to stay with.” ~ Pao­la Antonel­li

Antonel­li’s excel­lent new show, Talk to Me: Design and the Com­mu­ni­ca­tion Between Peo­ple and Objects, is on dis­play at the MoMA through Novem­ber 7.

Maria Popo­va is the founder and edi­tor in chief of Brain Pick­ings, a curat­ed inven­to­ry of cross-dis­ci­pli­nary inter­est­ing­ness. She writes for Wired UK, The Atlantic and Desig­nOb­serv­er, and spends a great deal of time on Twit­ter.

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The Blade Runner Promotional Film

in Film, Sci Fi | September 1st, 2011

A quick addi­tion to yes­ter­day’s look back at Siskel & Ebert’s 1982 review of Blade Run­ner.

As we were say­ing, the film got off to a very shaky start. The pro­duc­tion was a mess. Crit­ics panned the film. Film­go­ers went to see ET. And all of the rest.

It was time to pull out the stops. So, M. K. Pro­duc­tions was enlist­ed to shoot a 16 mm pro­mo­tion­al fea­turette that cir­cu­lat­ed through Amer­i­ca’s hor­ror, fan­ta­sy and sci-fi con­ven­tions. Fea­tur­ing inter­views with Rid­ley Scott, Syd Mead (visu­al futur­ist), and Dou­glas Trum­bull (spe­cial effects), the short pro­mo­tion­al film let view­ers peer inside the mak­ing of the mag­i­cal Blade Run­ner uni­verse. And now you can do the same.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Mak­ing of the Shin­ing

Blade Run­ner Gets Re-Cre­at­ed, Shot for Shot, Using Only Microsoft Paint

Blade Run­ner is a Waste of Time: Siskel & Ebert in 1982

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The History of Philosophy … Without Any Gaps

in Philosophy | August 31st, 2011

On Mon­day, we told you where you can down­load Free Cours­es from Top Philoso­phers (Fou­cault, Sear­le, Rus­sell and the rest). As the day went along, our list grew thanks to read­er sug­ges­tions, and we also dis­cov­ered anoth­er promis­ing resource — a pod­cast called “The His­to­ry of Phi­los­o­phy With­out Any Gaps,” cre­at­ed by Peter Adam­son, Pro­fes­sor of Ancient and Medieval Phi­los­o­phy at King’s Col­lege Lon­don:

Begin­ning with the ear­li­est ancient thinkers, the series will look at the ideas and lives of the major philoso­phers (even­tu­al­ly cov­er­ing in detail such giants as Pla­to, Aris­to­tle, Avi­cen­na, Aquinas, Descartes, and Kant) as well as the less­er-known fig­ures of the tra­di­tion.

That’s what Adam­son promis­es, and he does­n’t dis­ap­point. Over the past 34 months, Adam­son has pro­duced 136 episodes, each about 20 min­utes long, cov­er­ing the Pre­So­crat­ics (Pythago­ras, Zeno, Par­menides, etc) and then Socrates, Pla­to and Aris­to­tle. That’s rough­ly 45 hours of audio, and there’s no telling how many more hours of audio will bring us to the mod­ern peri­od. The more, the bet­ter, we say.

You can access all episodes via these links: iTunes — RSS Feed — Web Site. Or find oth­er free phi­los­o­phy cours­es in our big col­lec­tion of Free Cours­es Online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent: 

Free Online Phi­los­o­phy Cours­es

Take First-Class Phi­los­o­phy Cours­es Any­where with Free Oxford Pod­casts

Learn The His­to­ry of Phi­los­o­phy in 247 Pod­casts (With More to Come)

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Blade Runner is a “Waste of Time”: Siskel & Ebert in 1982

in Film, Sci Fi | August 31st, 2011

It’s per­haps hard to imag­ine now, but Rid­ley Scot­t’s clas­sic sci-fi film, Blade Run­ner, saw some hard days when it was first released in 1982. Pre­view screen­ings went bad­ly. Crowds flocked instead to see Steven Spielberg’s block­buster, ET. The film lost mon­ey. And crit­ics gave the film mixed reviews.

Case in point, Siskel & Ebert’s review on nation­al tele­vi­sion. Roger finds some redeem­ing qual­i­ties — the spe­cial effects. Siskel calls it a “waste of time.” One thumb up grudg­ing­ly; anoth­er firm­ly down. A decid­ed­ly mixed review.

Siskel died, of course, in 1999. If you’re won­der­ing if Ebert ever changed his posi­tion, you can find this reap­praisal writ­ten in 2007, on the 25th anniver­sary of the film’s release.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Blade Run­ner Pro­mo­tion­al Film

What is a Blade Run­ner? How Rid­ley Scott’s Movie Has Ori­gins in William S. Bur­roughs’ Novel­la, Blade Run­ner: A Movie

The Sounds of Blade Run­ner: How Music & Sound Effects Became Part of the DNA of Rid­ley Scott’s Futur­is­tic World

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Fritz Lang’s Metropolis: Uncut & Restored

in Film | August 31st, 2011

2010 saw the release of a restored ver­sion of Metrop­o­lis, the clas­sic Ger­man expres­sion­ist, sci-fi film direct­ed by Fritz Lang. The restora­tion start­ed two years ear­li­er, in 2008, when a long sought-after copy of the 1927 film was found in the archives of the Museo del Cine in Buenos Aires, and it con­tained 30 min­utes of pre­vi­ous­ly unseen footage. (Get the back­sto­ry here.) Ger­man experts got to work and ful­ly restored the extend­ed but degrad­ed copy. Then came the big unveil­ing. In Feb­ru­ary 2010, the new Metrop­o­lis was screened at The Berlin Inter­na­tion­al Film Fes­ti­val, and ARTE pre­sent­ed a live broad­cast. The trail­er for the film appears above; and the film, as pre­sent­ed by ARTE, now lives on YouTube.

Old­er ver­sions of Metrop­o­lis — the ones you know so well — are list­ed in our col­lec­tion of 420 Free Movies Online. Scroll to the bot­tom of the page and look under “Silent Films.”

P.S. A rock opera ver­sion of Metrop­o­lis will be com­ing to a the­ater near you. More on that here.

Relat­ed Con­tent:

Mar­lene Dietrich’s Tem­pera­men­tal Screen Test for The Blue Angel (1929)

Where Hor­ror Film Began: The Cab­i­net of Dr. Cali­gari

The Seashell and the Cler­gy­man: The World’s First Sur­re­al­ist Film

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Jerry’s Map: An Amazing Half Century Act of Imagination

in Art | August 30th, 2011

Way back in 1963, Jer­ry Gret­zinger began mak­ing a map of his imag­i­nary world. And now, almost 50 years lat­er, the Map weaves togeth­er more than 2,000 pan­els, and cov­ers more than 1,600 square feet of sur­face area (see pho­to here).

What start­ed as a sim­ple doo­dle took on an amaz­ing life of its own. Jer­ry tells the rest of this sto­ry in this short video shot by Greg Whit­more.

Fol­low us on Face­book and Twit­ter, and we’ll deliv­er great cul­ture right to your vir­tu­al doorstep, day in, day out.

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Jennifer Egan, Pulitzer Prize Winner, Talks Writing @Google

in Books, Google, Literature, Writing | August 30th, 2011

Ear­li­er this month Jen­nifer Egan, the new­ly-mint­ed Pulitzer Prize win­ner, paid a vis­it to Google to talk about A Vis­it from the Goon Squad, her exper­i­men­tal nov­el that won the Pulitzer, among many oth­er awards. That’s the osten­si­ble focus. But the con­ver­sa­tion moves quick­ly into oth­er areas that will inter­est writ­ers and read­ers alike — how Egan first devel­ops ideas for her nov­els, why she writes her first drafts in illeg­i­ble hand­writ­ing on legal pads, why she wrote a chap­ter of her new nov­el in Pow­er­Point (with­out ever hav­ing used the soft­ware before), what her nov­el has in com­mon with The Who’s Quadrophe­nia (I’m hooked), and how tech­nol­o­gy might change the nov­el as we know it.

The Egan video went live yes­ter­day, and runs about 54 min­utes. Oth­er videos appear­ing in the Authors@Google series fea­ture con­ver­sa­tions with Salman Rushdie, Neil Gaiman, Eliz­a­beth Gilbert, Michael Pol­lan, Slavoj Zizek and Junot Diaz. H/T @webacion

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Mr. Deity: The Everyday Life of the Creator

in Comedy, Religion | August 30th, 2011

Not long after the dev­as­tat­ing tsuna­mi of 2004, Bri­an Kei­th Dal­ton began work­ing on a skit that mor­phed into Mr. Deity, a satir­i­cal look at our Cre­ator and his every­day strug­gle to man­age his new cre­ation. The first episode (above) aired on iTunes and the web in ear­ly 2007, and straight­away, we encounter Mr. Deity and his side­kick Lar­ry bum­bling their way through the Gen­e­sis sto­ry and relat­ed the­o­log­i­cal ques­tions. (Also don’t miss the pair try­ing to fig­ure out how to light their new world.) By the sec­ond episode, we’re already skip­ping for­ward to the New Tes­ta­ment and Mr. Diety recruit­ing a skep­ti­cal Jesus for an impor­tant job. Talk about awk­ward.

57 episodes have since fol­lowed, includ­ing the most recent install­ment — Mr. Deity and the Philoso­pher — released just last week. You can find all episodes eas­i­ly on iTunes. When it comes to the web, Sea­sons One, Three and Four appear offi­cial­ly on YouTube, and Sea­son 2 can be best viewed via this infor­mal col­lec­tion.

Relat­ed Con­tent:

Steve Mar­tin Writes Song for Hymn-Deprived Athe­ists

Woody Allen and the Rev­erend Bil­ly Gra­ham In Con­ver­sa­tion

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