A rather difÂferÂent angle on the DisÂcovÂery’s final launch. The view from 35,000 feet.…
via BoingÂBoÂing
A rather difÂferÂent angle on the DisÂcovÂery’s final launch. The view from 35,000 feet.…
via BoingÂBoÂing
Right in time for the Oscars. Gary HeckÂer is what you’d call a “Foley artist,” someÂone who speÂcialÂizes in creÂatÂing everyÂday sounds for movies – the sound of horsÂes galÂlopÂing, swords being unsheathed, dirt crunchÂing beneath cowÂboy boots. In short, the big and small sounds you hear (and take for grantÂed) whenÂevÂer you see a movie. TimÂing. CreÂativÂiÂty. They’re all part of this hidÂden art…
A quick PS: This SoundÂworks video colÂlecÂtion takes you behind the scenes into the audio post-proÂducÂtion of feaÂture films, video game sound design, and origÂiÂnal soundÂtrack scorÂing. Good spot by @sheerly.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
Are we obsessed with FaceÂbook? It’s hard to argue with the numÂbers preÂsentÂed visuÂalÂly in this artisÂtic litÂtle video by Alex Trimpe. One data point that struck me (if true): 48% of young AmerÂiÂcans learn about the news, about what’s hapÂpenÂing in the world, through FaceÂbook. A big shift in the way inforÂmaÂtion gets into peoÂple’s hands.
And that’s part of a trend we’re seeÂing here too. More and more, Open CulÂture fans are joinÂing our FaceÂbook page, letÂting our daiÂly posts trickÂle into their FaceÂbook News Feeds, then sharÂing the intelÂliÂgent media with friends. You can join our FaceÂbook Page here, or also folÂlow us on TwitÂter where we tweet and re-tweet extra culÂturÂal goodÂies 24/7.
Thanks Ian for the heads up on the FB video…
Pete EckÂert is blind, totalÂly blind. But his disÂabilÂiÂty (if you can call it that) hasÂn’t stopped him from expressÂing himÂself visuÂalÂly. As Pete explains in the video above, he has always been a visuÂal perÂson. And phoÂtogÂraÂphy has become more than a creÂative outÂlet for Pete. It’s a perÂsonÂal form of artisÂtic expresÂsion, the way he sees the world through sound.
EckÂert was named the Grand Prize recipÂiÂent of Artists WantÂed: ExpoÂsure in 2008, an interÂnaÂtionÂal phoÂtogÂraÂphy comÂpeÂtiÂtion. You can learn more about Pete EckÂert in this video and on his web page.
Eugene Buchko is a blogÂger and phoÂtogÂraÂphÂer livÂing in Atlanta, GA. He mainÂtains a phoÂtoÂblog, EruÂdite ExpresÂsions, and writes about what he reads on his readÂing blog.
Bruce Lee’s actÂing career began on teleÂviÂsion in 1966, when he landÂed a part in The Green HorÂnet. (Watch his amazÂing audiÂtion here). But it took anothÂer five years before he gave his first (and only) teleÂviÂsion interÂview. For 25 minÂutes in DecemÂber 1971, the marÂtial arts star sat down with Pierre Berton, a CanaÂdiÂan jourÂnalÂist, in Hong Kong. And their conÂverÂsaÂtion covÂered a fair amount of ground – Lee’s sucÂcess starÂring in ManÂdarin films .… despite only speakÂing CanÂtonese; his difÂfiÂculÂty develÂopÂing a career in a counÂtry still hosÂtile toward ChiÂna; and his work trainÂing othÂer HolÂlyÂwood stars in the marÂtial arts. Berton probÂaÂbly nevÂer scored many points for his interÂviewÂing style. But Berton is not the point here. It’s all about Lee. via BrainÂPickÂings
In 1953, Willem De KoonÂing was one of the world’s most revered livÂing painters, and Robert RauschenÂberg was a talÂentÂed risÂing star, just a year out of art school. In this clip, RauschenÂberg tells of how, armed with nothÂing but chutzÂpah and a botÂtle of Jack Daniels, he knocked on De KoonÂing’s door and flat-out asked the masÂter for an origÂiÂnal drawÂing — so he could erase it. De KoonÂing not only acquiÂesced, but even chose a drawÂing he parÂticÂuÂlarÂly liked. Though it was conÂtroÂverÂsial at the time, Erased De KoonÂing is now conÂsidÂered a conÂcepÂtuÂal art clasÂsic. And its influÂence endures: Last year a stuÂdent at Brown out-RauschenÂberg’d RauschenÂberg by erasÂing De KoonÂing’s wikipedia entry.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
RelatÂed ConÂtent:
MoMA Puts PolÂlock, Rothko & de KoonÂing on Your iPad
The MoMA TeachÂes You How to Paint Like PolÂlock, Rothko, de KoonÂing & OthÂer Abstract Painters
How the CIA SecretÂly FundÂed Abstract ExpresÂsionÂism DurÂing the Cold War
GarÂry KasÂparov, still the highÂest-ratÂed playÂer in the hisÂtoÂry of chess, pulled through Google late last year and fieldÂed quesÂtions from the Googlers. (Don’t miss Conan O’Brien’s hilarÂiÂous riff on that term.) As you might expect, the quesÂtions often driftÂed back to KasÂparov’s famous 1996–97 matchÂes against IBM’s Deep Blue (a preÂcurÂsor to WatÂson) and more recent batÂtles between humans and comÂputÂers. The 65 minute Q&A includes a lot more good chess talk, but it also gets into the curÂrent state of RussÂian polÂiÂtics (KasÂparov has opposed Vladimir Putin and ran for presÂiÂdent in 2008), plus the chess masÂter’s varÂiÂous theÂoÂries about leadÂerÂship and strateÂgic thinkÂing…
PS Be sure to read KasÂparov’s thoughts on WatÂson writÂten immeÂdiÂateÂly after watchÂing the much pubÂliÂcized JeopÂardy! proÂgrams last week.

Worth a quick menÂtion: The New York Times ran a stoÂry yesÂterÂday proÂfilÂing the InterÂnaÂtionÂal Music Score Library Project, a crowdÂsourced web site that indexÂes clasÂsiÂcal music scores (though not withÂout raisÂing some copyÂright conÂcerns along the way). IMSL hosts 85,000 scores with sevÂerÂal thouÂsand new ones comÂing online every month. You can find Bach’s BranÂdenÂburg ConÂcerÂtos, Mozart’s Eine kleine NachtÂmusik, Beethoven’s SymÂphoÂny No. 5 – in short, the major ones along with the minor ones. And, in some casÂes, the archive includes audio recordÂings. Tchaikovsky’s NutÂcrackÂer offers an examÂple. You can find a full list of free audio recordÂings (arranged by comÂposÂer) here.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
RelatÂed ConÂtent:
A Big Bach DownÂload — All Bach Organ Works for Free
How a Bach Canon Works. BrilÂliant
Stream 58 Hours of Free ClasÂsiÂcal Music SelectÂed to Help You Study, Work, or SimÂply Relax
I couldÂn’t say it much betÂter than FesÂtiÂvalÂGeÂnius did: This ArgenÂtine stop motion film (creÂatÂed by Can Can Club) recounts the “strugÂgles of an anachroÂnisÂtic Super 8 camÂera to mainÂtain relÂeÂvanÂcy in the face of dizzyÂing and overÂwhelmÂing effects of excesÂsive conÂsumpÂtion and waste on an increasÂingÂly plasÂtic civÂiÂlizaÂtion.” In 12 minÂutes, everyÂday objects form increasÂingÂly comÂplex, almost unimagÂinÂable landÂscapes. A wonÂder to see. TeclĂłpoÂlis was released in 2009.…
First came the stop motion film. Now comes the interÂacÂtive digÂiÂtal comÂic book that gives you a modÂern take on Edgar Allan Poe’s clasÂsic horÂror stoÂry, “The Pit and the PenÂduÂlum.” (Find Poe’s origÂiÂnal text here or lisÂten in audio here.) The digÂiÂtal Pit and the PenÂduÂlum comÂic book is the brainÂchild of Marc Lougee and Susan Ma, who have layÂered inforÂmaÂtive links, QR codes and social media into their visuÂal design, adding a new meaÂsure of interÂacÂtivÂiÂty to the traÂdiÂtionÂal comÂic book expeÂriÂence. To get the most out of the expeÂriÂence, you will need to downÂload a good PDF readÂer and QR code readÂer. Find those resources here. And, on a relatÂed note, don’t forÂget to watch anothÂer favorite of ours: the 1953 aniÂmatÂed film verÂsion of Poe’s “The Tell-Tale Heart,” narÂratÂed by James Mason. A clasÂsic!
Last month, two award-winÂning writÂers and VietÂnam vetÂerÂans – Tim O’Brien and Tobias Wolff – met at StanÂford UniÂverÂsiÂty to talk about war and litÂerÂaÂture, a traÂdiÂtion that has givÂen us TolÂstoy’s War and Peace, RemarÂque’s All QuiÂet on the WestÂern Front, HemÂingÂway’s A Farewell to Arms, and MailÂer’s The Naked and the Dead. O’Brien has conÂfrontÂed war in two preÂviÂous works, If I Die in a ComÂbat Zone and Going After CacÂciaÂto. But he’s best known for The Things They CarÂried, a colÂlecÂtion of short stoÂries that gives litÂerÂary expresÂsion to the VietÂnam expeÂriÂence, and that’s now a staÂple of high school and colÂlege litÂerÂaÂture coursÂes. As for Tobias Wolff, his memÂoir recountÂing his disÂilÂluÂsionÂing expeÂriÂence as a solÂdier in VietÂnam – In PharaoÂh’s Army – was a NationÂal Book Award finalÂist, rankÂing up there with This Boy’s Life and Old School. Their wide-rangÂing conÂverÂsaÂtion runs 80 minÂutes…