Ken Kesey’s First LSD Trip Animated

Back in 1959, Ken Kesey, then a grad stu­dent in Stan­ford’s cre­ative writ­ing pro­gram, start­ed par­tic­i­pat­ing in gov­ern­ment-spon­sored med­ical research that test­ed a range of hal­lu­cino­gens — LSD, psilo­cy­bin, mesca­line, and the rest. As part of the research project, Kesey spoke into a tapere­corder and recount­ed the ins-and-outs of his hal­lu­ci­na­tions. These tapes were even­tu­al­ly stored away, and Kesey went on to write One Flew Over the Cuck­oo’s Nest, a book that now sits on TIME’s list of the 100 Best Eng­lish-Lan­guage Nov­els since 1923.

A half cen­tu­ry lat­er (and ten years after Kesey’s own death), the LSD tapes live again. This week, the film­mak­er Alex Gib­ney will release Mag­ic Trip, a new doc­u­men­tary that revis­its Kesey’s fabled road trip across Amer­i­ca with the Mer­ry Pranksters and their psy­che­del­ic “Fur­ther” bus. (Tom Wolfe, you might recall, famous­ly cov­ered this trip with The Elec­tric Kool-Aid Acid Test, pub­lished in 1968.) Tak­en from the new film, the sequence above mix­es the redis­cov­ered tapes with some art­ful ani­ma­tion, and it cap­tures the whole mood of Kesey’s first trip …

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Relat­ed Con­tent:

Beyond Tim­o­thy Leary: 2002 Film Revis­its His­to­ry of LSD

Tim­o­thy Leary’s Wild Ride and the Fol­som Prison Inter­view

via Wired

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Watch John Huston’s Beat the Devil

In hon­or of what would have been John Hus­ton’s 105th birth­day, we’re fea­tur­ing Beat the Dev­il, the 1953 clas­sic direct­ed by Hus­ton and co-writ­ten by Tru­man Capote. Star­ring Humphrey Bog­a­rt, Jen­nifer Jones, Gina Lol­lo­b­rigi­da and Peter Lorre (quite a cast!), the film is a dra­mat­ic com­e­dy that spoofs the noir genre and par­tic­u­lar­ly Hus­ton’s own leg­endary film, The Mal­tese Fal­con. You can find Beat the Dev­il per­ma­nent­ly list­ed in our col­lec­tion of Free Movies Online, as well as in our Free Film Noir col­lec­tion.

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Mariachi Band Serenades Beluga Whale at Mystic Aquarium

Last month, the Mari­achi band, “Los Trovadores de Amer­i­ca,” played at a wed­ding held at the Mys­tic Aquar­i­um in Ston­ing­ton, Con­necti­cut. Before wrap­ping up, the guys were good enough to ser­e­nade one of the bel­u­ga whales. And, you know, the sea crea­ture seemed to appre­ci­ate it. Enjoy the week­end … H/T @sheerly

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Dave Eggers: The Teacher Who Encouraged Me to Write


Thou­sands of pub­lic school teach­ers won’t be return­ing to the class­room this fall, thanks to bud­get cuts nation­wide. And that means more than a few Jay Criche’s won’t get the chance to tap the hid­den tal­ents of young stu­dents. Jay Criche, in case you’re won­der­ing, taught Eng­lish at Lake For­est High School and count­ed Dave Eggers (A Heart­break­ing Work of Stag­ger­ing Genius and What Is the What) as one of his stu­dents. Criche passed away recent­ly, and, writ­ing in Salon, Eggers remem­bers his teacher’s deep influ­ence:

He was kind to me, but I had no sense that he took par­tic­u­lar notice of me. There were oth­er, smarter kids in the class, and soon I fell back into my usu­al posi­tion — of think­ing I was just a lit­tle over aver­age in most things. But near the end of the semes­ter, we read “Mac­beth.” Believe me, this is not an easy play to con­nect to the lives of sub­ur­ban high school­ers, but some­how he made the play seem elec­tric, dan­ger­ous, rel­e­vant. After pro­cras­ti­nat­ing till the night before it was due, I wrote a paper about the play — the first paper I typed on a type­writer — and turned it in the next day.

I got a good grade on it, and below the grade Mr. Criche wrote, “Sure hope you become a writer.” That was it. Just those six words, writ­ten in his sig­na­ture hand­writ­ing — a bit shaky, but with a very steady base­line. It was the first time he or any­one had indi­cat­ed in any way that writ­ing was a career option for me. We’d nev­er had any writ­ers in our fam­i­ly line, and we did­n’t know any writ­ers per­son­al­ly, even dis­tant­ly, so writ­ing for a liv­ing did­n’t seem some­thing avail­able to me. But then, just like that, it was as if he’d ripped off the ceil­ing and shown me the sky.

Over the next 10 years, I thought often about Mr. Criche’s six words. When­ev­er I felt dis­cour­aged, and this was often, it was those six words that came back to me and gave me strength. When a few instruc­tors in col­lege gen­tly and not-so-gen­tly tried to tell me I had no tal­ent, I held Mr. Criche’s words before me like a shield. I did­n’t care what any­one else thought. Mr. Criche, head of the whole damned Eng­lish depart­ment at Lake For­est High, said I could be a writer. So I put my head down and trudged for­ward.

You can read Egger’s remem­brance in full here.

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The Last Surviving Witness of the Lincoln Assassination Appears on a Game Show (1956)

Let’s rewind the video­tape to 1956, to Samuel James Sey­mour’s appear­ance on the CBS tele­vi­sion show, “I’ve Got a Secret.” At 96 years of age, Sey­mour was the last sur­viv­ing per­son present at Ford’s The­ater the night Abra­ham Lin­coln was assas­si­nat­ed by John Wilkes Booth (April 14, 1865).

Only five years old at the time, Mr. Sey­mour trav­eled with his father to Wash­ing­ton D.C. on a busi­ness trip, where they attend­ed a per­for­mance of Our Amer­i­can Cousin. The young­ster caught a quick glimpse of the pres­i­dent, the play began, and the rest … as they say … is his­to­ry.

A quick foot­note: Samuel Sey­mour died two months after his TV appear­ance. His longevi­ty had some­thing to do, I’d think, with declin­ing those Win­stons over the years.

Find cours­es on the Civ­il War in our list of Free His­to­ry Cours­es, a sub­set of our col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

The Adoration of the Mona Lisa Begins with Theft

Every year, five mil­lion vis­i­tors stream into the Lou­vre in Paris, mak­ing it the most vis­it­ed muse­um in the world. And, more than any oth­er paint­ing, vis­i­tors head to see Leonar­do da Vin­ci’s Mona Lisa, paint­ed cir­ca 1503 — 1519.

It’s tempt­ing to attribute the pop­u­lar­i­ty of the Mona Lisa to the endur­ing genius of da Vin­ci. But, as NPR’s All Things Con­sid­ered recounts, there was a time when the paint­ing hard­ly attract­ed pub­lic atten­tion, and what turned the paint­ing into an object of pub­lic ado­ra­tion was some­thing baser than genius itself: brazen theft. Click here and NPR will tell you the sto­ry of the great Mona Lisa heist that went down on August 21, 1911, almost 100 years ago…

Relat­ed Con­tent:

A Vir­tu­al Tour of the Sis­tine Chapel

Google “Art Project” Brings Great Paint­ings & Muse­ums to You

MoMA Puts Pol­lock, Rothko & de Koon­ing on Your iPad

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David Lynch’s Video Response to Washington Debt Deal

No one is hap­py with Wash­ing­ton D.C. this week, and that includes film­mak­er David Lynch, who gives you his com­men­tary in sounds and images, not words. The sym­bol­ism? Amer­i­ca is in a dark posi­tion and mov­ing back­wards? The deficit deal is flat out garbage?

H/T @opedr


Relat­ed Con­tent:

David Lynch and Inter­pol Team Up on Short Film

David Lynch’s Organ­ic Cof­fee (Bar­bie Head Not Includ­ed)

David Lynch on his Favorite Movies and Film­mak­ers

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Hear Voices from the 19th Century: Tennyson, Gladstone & Tchaikovsky


Head over to Sound­Cloud, and you’ll find 10 audio files that span three cen­turies. It’s a fair­ly ran­dom col­lec­tion, we’ll admit. But two record­ings from the 19th cen­tu­ry imme­di­ate­ly stand out.

First we have Alfred Lord Ten­nyson (1809 – 1892), Poet Lau­re­ate of the Unit­ed King­dom dur­ing Queen Vic­to­ri­a’s reign, read­ing “The Charge of the Light Brigade” on the wax cylin­der in 1890.

And then we get to hear echoes of the voice of William Glad­stone, the four-time Prime Min­is­ter of Great Britain (1809 — 1898). Here, Glad­stone’s voice was record­ed by Thomas Edis­on’s phono­graph cylin­der (1888), the same device that lets us lis­ten to Tchaikovsky (The Nut­crack­er, the 1812 Over­ture, etc.) chat­ting with his friends. Some have doubt­ed the authen­tic­i­ty of the Glad­stone record­ing, but it still remains gen­er­al­ly accept­ed.

For more on record­ings from the 19th cen­tu­ry, we’d rec­om­mend spend­ing some time with a five-part BBC series called Gramo­phones & Grooves. It takes you into the ear­ly record­ing indus­try and lets you hear count­less oth­er voic­es.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Al Jazeera: The Top 1% in America

Al Jazeera forced many West­erns view­ers to take their report­ing seri­ous­ly dur­ing the Egypt­ian upris­ing this spring, and now the Qatar-based news net­work has released a time­ly reportage (Aug. 2) on the fault lines in Amer­i­ca — on the gap between rich and poor that only grew wider this week. Alex­is de Toc­queville they’re not. There’s no sub­tle soci­ol­o­gy here. But, at the same time, I sus­pect that this for­eign per­spec­tive on the U.S. won’t appear unfa­mil­iar to many Amer­i­cans. The pro­gram runs 24 min­utes, and oth­er shows in the Fault Lines series can be viewed on YouTube here. H/T @courosa

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Richard Feynman: The Likelihood of Flying Saucers

Richard Feyn­man was a once in a gen­er­a­tion intel­lec­tu­al. He had no short­age of brains. (In 1965, he won the Nobel Prize in Physics for his work on quan­tum elec­tro­dy­nam­ics.) He had charis­ma. (Wit­ness this out­take from his 1964 Cor­nell physics lec­tures avail­able here.) He knew how to make sci­ence and aca­d­e­m­ic thought avail­able, even enter­tain­ing, to a broad­er pub­lic. (We’ve high­light­ed two pub­lic TV pro­grams host­ed by Feyn­man here and here.) And he knew how to have fun. The clip above brings it all togeth­er. Hope you enjoy, and don’t miss our col­lec­tion of Great Sci­ence Videos, or many free physics cours­es in our big col­lec­tion of Free Online Cours­es.

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Download The Edupunks’ Guide to a DIY Credential (Free eBook)

It’s hot off the dig­i­tal press. Anya Kamenetz, a senior writer at Fast Com­pa­ny Mag­a­zine and author of DIY U: Edupunks, Edupre­neurs, and the Com­ing Trans­for­ma­tion of High­er Edu­ca­tion, has teamed up with the Gates Foun­da­tion to release a free ebook, The Edupunks’ Guide to a DIY Cre­den­tial.

The new ebook offers a “com­pre­hen­sive guide to learn­ing online and chart­ing a per­son­al­ized path to an afford­able cre­den­tial,” and it comes com­plete with some handy-sound­ing tuto­ri­als: how to write a per­son­al learn­ing plan, how to teach your­self online, how to build your per­son­al learn­ing net­work, 7 ways to get col­lege cred­it with­out tak­ing a col­lege course, etc.

The book also smart­ly fea­tures a long list of open edu­ca­tion­al resources, where the author was nice enough to give us a small men­tion.

You can read The Edupunks’ Guide to a DIY Cre­den­tial on Scribd, or alter­na­tive­ly you can down­load it in mul­ti­ple for­mats (PDF, Kin­dle, ePub, RTF, etc.) at the bot­tom of this page.

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