“Read, read, read, read, read, read, read, read, read... read, read... read," Werner Herzog once said. "If you don't read, you will never be a filmmaker." The director of Aguirre, the Wrath of God, Fitzcarraldo, and Bad Lieutenant: Port of Call New Orleans hasn't distanced himself from that pronouncement in assembling the curriculum for his Rogue Film School, which we first featured last year. Herzog's unconventional crash-course in auteurship may promise to cover "the art of lock-picking, traveling on foot, the exhilaration of being shot at unsuccessfully, the athletic side of filmmaking, the creation of one’s own shooting permits, the neutralization of bureaucracy, and guerilla filmmaking," but it also demands that its students hit the books.
Here, from the Rogue Film School's about page, we have its required reading:
- Virgil’s “Georgics”
- Ernest Hemingway’s “The Short Happy Life of Francis Macomber”
- J.A. Baker's The Peregrine (New York Review Books Edition published by HarperCollins)
And its suggested reading:
- The Warren Commission Report
- The Poetic Edda, translated by Lee M. Hollander (in particular "The Prophecy of the Seeress")
- Bernal Diaz del Castillo, True History of the Conquest of New Spain
Like a more standard film school, Herzog's program also has a required film-viewing list, which includes a few of my own favorite directors (though with nothing by Herzog himself, not that any student ignorant of the man's work would want to enroll in the first place):
- The Treasure of the Sierra Madre (1948, dir. John Huston)
- Viva Zapata (1952, dir. Elia Kazan)
- The Battle of Algiers (1966, dir. Gillo Pontecorvo)
- The Apu trilogy (1955-1959, dir. Satyajit Ray)
- Where is the Friend’s Home? (1987, dir. Abbas Kiarostami)
Once these materials have filled your head with visions of big-game hunting, rebellion and counter-rebellion, Roman agriculture, ventures into terra incognita, coming of age in the third world, and the Texas School Book Depository, will you then find yourself able to make a film? Only if you take these lists as but a starting point, and keep on reading, reading, reading, reading, and reading, as well as watching, watching, watching, watching, and watching. And what about other trivial matters, like financing? In more of Herzog's own, direct words (though surely said in jest): "Rob a bank, for god's sake!"
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Based in Seoul, Colin Marshall writes and broadcasts on cities and culture. He’s at work on a book about Los Angeles, A Los Angeles Primer, the video series The City in Cinema, the crowdfunded journalism project Where Is the City of the Future?, and the Los Angeles Review of Books' Korea Blog. Follow him on Twitter at @colinmarshall or on Facebook.