UK film monthly magazine Sight & Sound’s most recent issue is dedicated to “The Female Gaze: 100 Overlooked Films Directed by Women.[...]
“One of the many remarkable things about Charlie Chaplin,” wrote Roger Ebert, “is that his films continue to hold up, to attract and delight audiences.” Richard Brody described Chaplin as not just “alone among his peers of silent-comedy genius,” but also as a maker of “great talking pictures.[...]
We got a nice tip from one of our readers, and wanted to pass it along. Paramount Pictures has launched an official, verified YouTube channel — called The Paramount Vault — where you can watch full length films for free [update: if you’re based in the US].[...]
The Gandhi of history doesn’t line up with the Gandhi of legend, just as the beatified Mother Teresa presents a very different picture in certain astute critics’ estimation. But as with most saints, ancient and modern, people tend to ignore Gandhi’s many contradictions and troublingly racist and casteist views.[...]
Appreciators of the finest works in cinema history often liken their images to paintings. In the case of Akira Kurosawa, maker of quite a few entries on that grand list of the finest works in cinema history, that makes professional sense: he began as a painter, only later turning filmmaker.[...]
Who owns Star Wars, George Lucas or the fans?
The short answer now, of course, is… Disney… and maybe J.J. Abrams. Given the explosion of franchising and merchandising begun by the coming tidal wave of new Star Wars films under Disney’s aegis, it will someday be difficult to convince youngsters that things were ever otherwise.
On May 27, 1956, millions of Americans tuned in to The Ed Sullivan Show, expecting the usual variety of comedians, talents and musical guests. What they weren’t prepared for was a short animated film that Sullivan introduced thusly:
Just last week you read about the H-bomb being dropped.
What is it that makes us human? And how best to ensure that we all get our fair say?
For director, photographer, and environmental activist Yann Arthus-Bertrand, the answers lay in framing all of his interview subjects using the same single image layout.
The relationship between literary writers and the film industry has given us many a story of major creative tension or downward mobility. Most famously, we have Fitzgerald—who gravitated to Hollywood like most writers did, including the more successful Faulkner—for money.[...]
What’s your favorite color? A simple question, sure — the very first one many of us learn to ask — but one to consider seriously if you see a future for yourself in filmmaking. Earlier this year, we featured video studies on the use of the color red by Wes Anderson and Stanley Kubrick.[...]