Watch Fear & Loathing in Las Vegas and 2001: A Space Odyssey Get Run Through Google’s Trippy Deep Dream Software

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Last week, The Guardian reported:
Google has made its “inceptionism” algorithm available to all, allowing coders around the world to replicate the process the company used to create mesmerising dreamscapes with its image processing neural-network.


What’s the Difference Between Stanley Kubrick’s & Arthur C. Clarke’s 2001: A Space Odyssey (A Side-by-Side Comparison)

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In 1964, Stanley Kubrick was riding high from the success of his Cold War black comedy Dr. Strangelove. For his next film, Kubrick wanted to make something different. He wanted to make a science fiction epic at a time when sci-fi was a byword for cheap and cheesy. And so, the director reached out to writer Arthur C.


Blade Runner’s Miniature Props Revealed in 142 Behind-the-Scenes Photos

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Blade Runner, unlike most science-fiction movies of the 1980s, improves with age — in fact, it seems to hold up more robustly with each passing year. Ridley Scott’s adaptation of Philip K.


Books in the Films of Wes Anderson: A Supercut for Bibliophiles

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There’s something about Wes Anderson films that prompts people to get creative — to start creating their own video essays and supercuts exploring themes in Anderson’s whimsical movies. You can find a list below.
The latest comes from Luís Azevedo, founder of The A to Z Review.


A Look Inside Martin Scorsese’s Vintage Movie Poster Collection

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When Martin Scorsese isn’t making films, he’s busy preserving them, from helping fund the restoration of classics to collecting the ephemera of his youth, especially posters. A selection of his movie poster collection, representing the height of film advertising from the 1930’s to the 1960s, currently hangs at MoMA through October 25, 2015.


Wes Anderson & Yasujiro Ozu: New Video Essay Reveals the Unexpected Parallels Between Two Great Filmmakers

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At first blush, Yasujiro Ozu and Wes Anderson would seem to be miles apart. Ozu is the “most Japanese” of all directors. His films are small, quiet, finely calibrated works that document the slow reordering of the family unit in the face of Japan’s rapid modernization.


Watch L’Inferno (1911), Italy’s First Feature Film and Perhaps the Finest Adaptation of Dante’s Classic

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In its second decade, cinema struggled to evolve. The first films by the Lumière Brothers and Thomas Edison were short and gimmicky – shots of trains racing towards the screen, couples kissing and cute kittens getting fed. A quick rush. A bit of fun.


Andrei Tarkovsky’s Solaris Shot by Shot: A 22-Minute Breakdown of the Director’s Filmmaking

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“What is Bresson’s genre? He doesn’t have one. Bresson is Bresson,” wrote master filmmaker Andrei Tarkovsky in his seminal book Sculpting in Time. “The very concept of genre is as cold as the tomb.”
Nonetheless, Tarkovsky made two of the most praised, best-regarded science fiction films in cinema.


Fritz Lang Invents the Video Phone in Metropolis (1927)

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On Monday, we brought you evidence that Stanley Kubrick invented the tablet computer in 1968’s 2001: A Space Odyssey. Today, we go back forty years further into cinematic history to ask whether Fritz Lang invented the video phone in 1927’s Metropolis.


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