It’s hard to overstate the impact of Cahiers du cinéma on film history.
In the early ‘50s, the great critic André Bazin led a small coterie of film fanatics – guys with names like Jean-Luc Godard, François Truffaut, Eric Rohmer and Jacques Rivette — who hung out at the Cinémathèque française.
“Miranda-july-reading” by Alexis Barrera / Licensed under CC BY 2.5 via Wikimedia Commons.
Ah, the joys of dining at a new friend’s home, knowing sooner or later, one’s hostess’ bladder or some bit of last minute meal preparation will dictate that one will be left alone to rifle the titles on her bookshelf with abandon.
Alex, the protagonist of Anthony Burgess’ A Clockwork Orange takes teenage rebellion to psychotic extremes, but one act he and his droogs never indulge in is getting tattooed. It doesn’t even seem to be on their radar.[...]
Slavoj Žižek – the world’s most famous Slovenian, the “Elvis of cultural theory” – readily admits that he’s a big fan of movies. After all, there are few better ideological delivery systems out there than cinema and Žižek is fascinated with ideology.[...]
Sure, we love the internet for how it makes freely available so many cultural artifacts. And sure, we also love the internet for how it allows us to disseminate our own work.[...]
Portraits taken by Sacha Goldberger at Super Flemish
Superheroes, as you may have noticed, are serious moneymakers these days. It started when Tim Burton rescued Batman from Adam West’s campy clutches, pouring him into a butch black rubber suit that is of a piece with a leaner, meaner Batmobile.
Image by Erinc Salor
There are few filmmakers alive today who have the mystique of Werner Herzog. His feature films and his documentaries are brilliant and messy, depicting both the ecstasies and the agonies of life in a chaotic and fundamentally hostile universe.
If you call yourself a film fan, you may have heard of Trailers from Hell, a video series wherein famous directors introduce and provide commentary on trailers of the films they love, the films they’ve made, or both.[...]
Film fans have few stronger vices, I would submit, than the making of lists. But we can take some small measure of consolation from the fact that certain auteurs have occasionally done it too. Yes they make their own lists of favorite films. Quentin Tarantino has done it. So have Stanley Kubrick and Woody Allen.[...]