Marshall McLuhan and Tom Wolfe: both writers, both astute observers of modern humanity, and both public figures whose work has, over the years, enjoyed high fashionability and endured high unfashionability. You might think the connection between them ends there.[...]
Note: Anyone with an Amazon account (at least in the US) can watch this pilot in HD for free here.
This week, The New Yorker officially celebrates its 90th anniversary with an expanded edition that revisits its many accomplishments since it first printed copies on February 21, 1925.
David Carr took seven years to get through college. He didn’t have a Master’s degree or a PhD. Before he made it big writing for The New York Times, he spent time in rehab and on welfare. David Carr didn’t fit the profile of your average commencement speaker.[...]
Fred Patterson, aka Phast Phreddie, Senior Archivist of the ARChive of Contemporary Music, DJ, music journalist and former punk rock zinester has undeniable street cred.
He also has a handful of flyers documenting the late ‘70s LA punk scene.
A quick note: Tonight, HBO will air the premiere of The 50 Year Argument. That’s Martin Scorsese’s new documentary about the influential literary and academic journal, The New York Review of Books.[...]
If you have managed to keep your attention span intact during this distracting information age, then you’re almost certainly familiar with Longform.org, a web site that makes it easy to find something great to read online, especially if you like reading informative, well-crafted works of non-fiction.[...]
You’ve probably seen “Illusion of Choice,” a 2011 infographic detailing how six media conglomerates “control a staggering 90% of what we read, watch, or listen to.” (The entities named are GE, News Corp, Disney, Viacom, Time Warner, and CBS.[...]
Yesterday, The New Yorker magazine published “A Note to Readers,” announcing the new strategy behind its web site. The site now has a different look and feel. It will also be governed by a new set of economics, which will include putting the entire site behind a paywall.[...]
They Might Be Giants released their eponymous debut album in November, 1986 and it immediately attracted the attention of Village Voice music critic, Robert Christgau, who, in giving the album an “A,” said “the hits just keep on coming in an exuberantly annoying show of creative superabundance”.[...]
Recently, I’ve been spending time investigating copyrights, keen to find out if it’s cricket for me to impose my vision on certain authors’ long ago work.[...]