I don’t know about you, but when I’ve thought of chess grandmasters, I’ve often thought of Russians, northern Europeans, the occasional American, the guy on the Chessmaster box — purely by stereotype, in other words.[...]
You’ve got to pick-a-pocket or two, boys
You’ve got to pick-a-pocket or two.
Unlike the Artful Dodger and other light-fingered urchins brought to life by Charles Dickens and, more recently, composer Lionel Bart, professional pickpocket Apollo Robbins confines his practice to the stage.
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Educator, industrial design fabricator and Myth Busters cohost Adam Savage is driven by curiosity.
Science gets his wheels turning faster than the notched disc Hippolyte Fizeau used to measure the speed of light in 1849.
How can a modern educator go about getting a student to connect to poetry?
Forget the emo kid pouring his heart out into a spiral journal.
Ditto the youthful slam poetess, wielding pronunciation like a cudgel.
Having known Pico Iyer for quite some time, on paper and in person, as a perpetual example and occasional mentor in the writing of place, it delights me to watch him attract more listeners than ever with the talks he’s given in recent years, the most popular of which advocate something called “stillness.[...]
Image by Zach Klein
Singer-songwriter Björk, currently enjoying a career retrospective at the Museum of Modern Art, celebrated TED’s billionth video view with a playlist of six treasured TED Talks.
New York-based artist Brian Dettmer cuts into old books with X-ACTO knives and turns them into remixed works of art. Speaking at TED Youth last November, he told the audience, “I think of my work as sort of a remix …. because I’m working with somebody else’s material in the same way that a D.J.[...]
Let’s say you spend a considerable amount of money for a painting by a noted artist. Or maybe you get it for a steal. Either way, the painting hangs prominently in your home, where it is admired by guests and brings you pleasure every time you look at it, which is often.[...]
It’s clear that amateur saxophonist and Johns Hopkins surgeon Charles Limb has an abiding interest in the neuroscience of creativity.
He’s also an unabashed fanboy. I’ll bet the spirit of scientific inquiry is not the only motivating factor behind this jazz fan’s experiments on jazz improvisers.
Language. It’s as adaptable as Darwin’s finches.
It’d be interesting to know how the Internet changes the game. Seems like it would go a long way toward democratizing the process by which lingo gets mingled.