Deep Thinking on the Web

This morn­ing, a New York Times edi­to­r­i­al is help­ing get the word out. Deep think­ing is alive and well on the web:

There is a lot of talk about how the Inter­net is dri­ving cul­ture ever low­er, but it also makes a wealth of seri­ous think­ing avail­able. From the com­fort of home, one can down­load free audio books by authors like Jane Austen and Joseph Con­rad and free pod­casts of uni­ver­si­ty lec­tures (openculture.com has an assort­ment of both).

The rest of the piece right­ly focus­es on a BBC pod­cast called In Our Time (iTunesFeed — Web Site). It’s list­ed in our Ideas & Cul­ture Pod­cast Col­lec­tion, along with many oth­er thought­ful pro­grams that make mean­ing­ful sub­jects rel­e­vant to a broad­er, glob­al audi­ence. (For some­thing sim­i­lar in video, see our col­lec­tions of Intel­li­gent Video Sites and Smart YouTube Chan­nels.)

Yes, intel­li­gent media does­n’t dom­i­nate the web. But, it’s flour­ish­ing in the nich­es and crevices, and we want to bring it to the sur­face. Per­haps you’ll want to join us? If you’re inter­est­ed in con­tribut­ing to Open Cul­ture, we’re always look­ing for your sug­ges­tions. I have put togeth­er a page that out­lines our edi­to­r­i­al approach. Take a look, and if you find great pieces of intel­li­gent media while surf­ing the web, please send them our way. We thank you in advance.

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Carl Sandburg on “What’s My Line?”

What’s My Line? aired on CBS from 1950 to 1967, mak­ing it the longest-run­ning game show in Amer­i­can tele­vi­sion his­to­ry. Dur­ing its eigh­teen sea­sons, the show fea­tured hun­dreds of celebri­ties, includ­ing some of Amer­i­ca’s lead­ing cul­tur­al fig­ures. The clip above dusts off the 1960 appear­ance made by Carl Sand­burg, the poet, writer, and three time win­ner of the Pulitzer Prize. And now for a video that’s not all fun and games: here’s audio of Sand­burg read­ing his anti­war poem Grass. (You can also get more free audio record­ings of Sand­burg’s poet­ry over at the Inter­net Archive.)

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Frank Lloyd Wright’s Fallingwater Animated

Falling­wa­ter was designed by Frank Lloyd Wright in 1935. Con­struc­tion began a year lat­er and was even­tu­al­ly com­plet­ed in 1939. Many con­sid­er Falling­wa­ter one of Wright’s finest cre­ations. Hence why Smith­son­ian Mag­a­zine count­ed it as one of the 28 Places to See Before You Die. Now, thanks to the mini movie above, you can watch the build­ing of Falling­wa­ter take place right before your eyes, and then take a tour of the house. It’s all done in com­put­er graph­ics and runs 4+ min­utes. And, as one read­er tells us, the “video is as real as it gets.” You can learn more about the film and the house at this web site. Thanks Mike for the great tip.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Validation, or The Magic of Free Parking

Kurt Kuen­ne’s short film, “Val­i­da­tion,” has played at 34 film fes­ti­vals and won 17 awards. This 16 minute indie offers a “fable about the mag­ic of free park­ing” — mean­ing they’re talk­ing about “val­i­da­tion” in a larg­er sense than park­ing per se … We’ve added the clip to our YouTube favorites.

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Django at 100

Djan­go Rein­hardt, one of Europe’s finest jazz gui­tar play­ers, would have turned 100 on Jan­u­ary 24. It’s fair­ly aston­ish­ing to think that he mas­tered the gui­tar as he did, ele­vat­ing it to a lead jazz instru­ment, despite being self taught, and hav­ing lost the use of two fin­gers in a fire. (More on that in the LA Times.) Above, we fea­ture Djan­go and his group, Quin­tette du Hot Club de France, per­form­ing “J’At­tendrai” (I Will Wait) in 1939. As you’ll note, he only has two fin­gers mov­ing on the frets.

Notre Dame Marching Band Performs “This Too Shall Pass”

The Notre Dame March­ing Band hit the field (a real field), where they per­formed OK Go’s “This Too Shall Pass.” The per­for­mance was arranged by Notre Dame’s direc­tor of bands, Dr. Ken Dye. And it was all record­ed live on the spot. You can watch the video in a larg­er for­mat here. Inci­den­tal­ly, if you’re not famil­iar with OK Go’s music, you can watch them per­form an acoustic ver­sion here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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Tweets of the Week (2/13)

Why let good tweets (and re-tweets) go to waste? Each week, we’re going to list some of the cul­tur­al good­ies that appeared in our Twit­ter stream. You can start fol­low­ing Open Cul­ture on Twit­ter here.

Picasso Painting on Glass

A deeply mem­o­rable scene. Picas­so at his home in Val­lau­ris, paint­ing on glass with a cam­era rolling on the oth­er side. The scene is an out­take from Vis­ite à Picas­so (A Vis­it with Picas­so), a 1950 film by Bel­gian film­mak­er Paul Hae­saerts. The full film, run­ning 20 min­utes, can be watched in its entire­ty on Vimeo (or right below). You can find this film in our col­lec­tion of Free Movies Online. For good mea­sure, we have also added an excerpt from the 1956 film Le Mys­tere Picas­so, by Hen­ri-Georges Clouzot, oth­er­wise known for Les dia­boliques (1955). The film is avail­able on YouTube in two parts: Part 1Part 2.

Fol­low us on Face­book, Twit­ter, Google Plus and LinkedIn and  share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox.

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